[This post will be updated and pinned periodically throughout the year. Last Updated 6/13/2016, CG4th, Anisama]
United States presidential hopeful Hillary Clinton recently revealed her campaign platform on tech, and here’s the relevant segment:
And she will encourage stakeholders to work together on creative solutions that remove barriers to the seamless and efficient licensing of content in the U.S. and abroad.
Since nobody else has done one of these yet, at least nobody interesting, here is probably all there is to it in this election. Given her opponent Donald Trump’s current style of campaign so far, it’s hard to say if there will be a policy document for the Republican side. Of course, these are just campaign promises, which don’t translate into actual policy implementation all the time, or if the implementation would ease international licensing. It’s just merely on the table as an idea.
And when it comes to relatively fringe issues like international licensing, having that is way better than usual. For example Obama gave some pretty vague statement about reforms on IP during his campaign, and other than the patent reforms that went in during his second term, the current President didn’t really do much during his time in the Office. Historically it’s just not a subject area that gets much lip service during any presidential campaign. The past couple cycles have been a little different, and obviously I think a lot of hot topic issues today are tech oriented, so it’s nice to see some splash over to archaic copyright law.
[Last update: 6/30 2pm Eastern, gonna head out soon so no more!]
AX is upon us again. After taking a break last year I’m back…for better or worse. Thanks to ACJ’s Anison Matsuri this year will be one layer more crazy than the usual barrage of AX guests that are now blowing up the event. I mean, most US cons would be lucky to land 3-4 of these guests and I think AX has like 50+?? It won’t be just me feeling that Japan would have gotten better bang per buck if them, their industry reps, and others, were able to go to the other cons in the US and spread that love around, only because even with another record-shattering attendance figure, we’re well into the category where there’s too much things going on at the same time. Is it worth running your A+ game against every else’s A+ game? I don’t know. Well, maybe I do have some ideas, and you can ask me about it in person.
And as usual this is too much info for the poor con organizers, so it’s time to step up and dump some links. I’ll try to write this up for Jtor focusing on just the worthwhile ones. Will also try to update as info rolls in. If you have any things you want to let us know please leave a comment.
- Schedule & autograph times
I tried to s/Hane/Yui in that post and it worked for maybe 60% of it. I just want to say that:
Hane did make trouble for her friends, such as running into problems with her bike while on a group trip–but that’s a plot device/reference. In fact this is a reoccurring theme about motorbiking. You often travel in a group but it is really loner activity, and being left behind is a running gag kind of a thing. Maybe you can take the next step and say that KyoAni’s K-ON took it as it is and let it resolve without explaining things, but Bakuon had a point to make and it had to explain it.
We never saw the extent where Hane’s sister took cared of Hane, but sufficed to say Hane is a straight Yui knock-off, so I expect the same degree of reliance.
When it comes to a newbie’s journey into music versus into being a bike guy, I don’t really see any differences between the two narratives in those two stories maybe besides that one requires a team, and the other is just something you do in a group. If you think Yui is dumb for making problems for others, you clearly haven’t had enough Tarous in your life. If stupid people didn’t play in bands, rock music would be a terribly boring thing to get into.
That said, Bakuon is also my top series of the season. The reason behind it is that I thought anyone who would ask this question is probably looking for a dumb answer, because it’s not exactly the smartest question to ask. And if you want to distill a catalog of like 50 anime into one for some silly reason, this would be a good choice.
Think of this as me practicing how to write about current events. After reading over this post I felt the disclaimer about regional differences is needed, so here it is: The below discusses monetary policy and recommends certain action mainly from a US-centric point of view. Your local currency and economy may behave differently than mine or most, so these are not really suggestions as much as broad-stroke observations and predictions.
For the unaware, the UK has passed a referendum to withdraw from the European Union, which is, at heart, an economic and legal coalition of European countries. Within the Union, some rules of law applies across all member nations, as well as free trade between member nations. This leaves the separation of UK from the EU in a state of uncertainty as no country has left the EU in this particular fashion, and the UK is a major economic power in the world.
Let’s take a look at some immediate and longer-term impact of the Brexit event.
First of all, there are some political dominos that may happen as a result of Brexit, but the one that catches my attention the most is the possible split of Scotland and Northern Ireland (and/or other regions) from the UK. There are a lot of others, of course, but this one is notable because if we think of the EU as a single economic rule, UK pulling out means now we have another rule to deal with in terms of international commerce. If the UK splits further then we may have additional entity or entities. Looking at it from the aspect of copyright regional markets, it is not a big change in terms of the status quo, but like all the other factors driven by uncertainty of the Brexit terms, at least, it makes licensing anime into the UK more complicated. Or at least, it’s probably not going to be easier than the status quo.
Things will fragment into more problems when we hit existing contracts that deals with the UK and its territories as a whole if the UK splits, but this is hardly the first time the world ran into a contract like that. It is probably less problematic than an EU-wide contract that some private entities may forge, as this would be a first-time. Guess the lesson here is splitting up countries and economic unions are rather pains in the arse, to put it lightly.
Stronger intellectual property law is a key part of the US international trade agenda. Weakening the EU by Brexit may mean that the EU have less of a leverage in such trade talks, although the EU is not an area with great concerns when it comes to protecting media IP or patent protection. This is a minor consideration I guess.
I think when it comes to music licensing it might be where things gets most icky, as far as media goes, but the impact of that probably won’t be very big. Then again, licensing music from Japan is such a Don Quixote-esqe task anyway.
The immediate hurt of Brexit is in how the world market react to this event. The drop of the Sterling and Euro, and the rise of the Dollar and Yen are all natural reactions, albeit extreme, at T <24 hours. In the near term this will definitely be a problem, mostly for internationals, but markets will even out after the first shocking days, as UK prepares for its exit plan and the EU leaders prepare in kind.
For those of us who import from Japan, it will definitely hurt as the JPY rallied the strongest among major world currencies, as it does classically in this type of scenario (and also because the Franc, well, is in Europe). Things to watch out for are your pre-orders that hasn’t been collected on yet, as well as any orders in this month that some vendors charge at the end of the month. If it is any consolation, the JPY to USD was as below eighty US cents to a hundred yen merely 3 years ago, so it is something most of today’s more-affluent collectors can deal with. The USD also rallied versus Europe in general, so the impact isn’t so bad there.
It definitely is not good if your home currency is the Euro or the GBP, so times like this it might help to hit up your local joints before prices hike. Inflation is likely to set in for UK in the near term, although you can bet that regulators will quickly respond to anything to that regard, so this is more a long-term worry. On the flip side, if you reside in Japan, now is the time to send money home. What currency you are being paid in matters a lot, and likely if you are a weeb in JP, you’re being paid in JPY, so you’re pretty safe.
Along those lines, interest rates will likely lower, especially if the Brexit triggers more widespread downturn in economies. That might be good if you are planning on a large purchase by loan, like buying a house; or if you want to consolidate outstanding debts for a better interest rate. The only concern there is that in some regions, rates are already really low. It will limit what countries can do to ease their currencies, and maybe we’ll see others try that negative interest rate thing.
The redrawing of trade borders can affect also eventers, if intra-Europe flights are your thing. Budget carriers may have to change rates as Brexit moves on as a process, so it might be good to do your flying sooner rather than later. As you can see if Scotland make a move out of the UK, it will make that even more messy. It doesn’t really impact those of us outside of Europe, but flying to Japan is likely not going to get any easier for anyone anyway. Besides the monetary concerns of flight, going to the UK from EU nations may also get more complex on the point of visas and such, but that will be a major point in the Brexit negotiations with the EU.
As a matter of currency speculation, the Pound will most likely get much of what it lost back in the very short term. Exiting the EU will be a long process and it means more volatility, but it also means things can’t stay rock bottom the whole time. It’s likely that the main damage will be people on trips this coming month, and some folks staying abroad who are living off the GBP. On the long run, there probably won’t be much of a difference when it comes to most nerd purchases from Japan.
At the same time, it’s also a failure as a “Cute Girls Doing Cute Thing” show, in that there’s not enough levity or enthusiasm to make this “K-On! on Boats” for example. Not being much of a fan of “Cute Girls Doing Cute Things” shows to begin with, perhaps I’m not the best judge in this respect, but the constant reminder of the pseudo-serious issues at play sort of kept me from feeling as if the characters enjoyed what they were doing.
This all changed with episode 10, a straight-up filler episode dedicated to an equator-crossing festival. Nothing of much consequence happened during the course of the episode, but the important part is pretty much every character had a good time. It’s tautological, but in order for a “Cute Girls Doing Cute Things” show to succeed, it needs (a) cute girls who (b) do cute things. Regardless of how you feel about Haifuri’s success or lack thereof with regard to the first point, I think you have to agree it wasn’t doing too hot on the second part.
I think there’s a fundamental difference in the way people appreciate “Cute Girls Doing Cute Things” sort of stories, based on my own observation (warning: anecdote). One way is summed as “I enjoy happy people by observing and sharing in their happiness.” Alternatively, it’s more like “I enjoy watching people doing what they do.”
To that end, I disagree with Evirus completely on the point about Haifuri lacking levity or enthusiasm. It’s pretty much on par with Girls und Panzer, except in that story there is the levity of an afterschool activity, and not a life-and-death activity (save certain plot points later on). There is the attitude of students participating in an after-school club. In Haifuri, these kids, well, are doing actual school. Some people take their extracurricular activities seriously, but others do the opposite–the average is somewhere in between. It is not the case when it comes to what we are suppose to do in school, where our collectively-institutionalized souls feel the weight of coursework in the girls’ high sea adventures as assumed as Blumers-in-training.
In that sense Evirus is right on in terms of the core difference; one is about tea and pet turtles, the other is a class that lasts all season long. It actually sounds daunting.
However I think the other school of thought, which is to say, we have a bunch of high school girls acting out the fantasy of some military otaku, as they operate some older-than-your-grandma warships while shooting huge ordinances. (Nerd fantasies always have large ordinances, right?) The routine and spectacle aspects of the concept of girls-on-warships are collectively taken into the character’s weekly activities. In that sense it’s no different than K-ON or Bakuon or whatever-on-whatever-else. The Cute Girls are merely a vehicle. [Is there a meta genre of plot vehicle made up of meta of actual vehicles, kind of like Mad Max where the automobiles are actually driving the plot points?] The thematic points Haifuri drove through the latter half of the series are blow-by-blow by the book, as the matsuri episode sort of marks its climax as a CGDCT narrative. It never wanted to be K-ON, but a story about juxtaposing two contrary things while catering to the Admirals and military nerds out there. The unnatural circumstances are part of what is enjoyable, along with all that tension (as part of the unnatural circumstances).
I mean, ever wonder why there is no token otaku on the Harukaze? And why were there all these yakuza film impersonation going on? Because Haifuri is not about girls on a boat; it’s about girls in a war film. The conceit is precisely about silly young women acting out a story typically reserved for craggy older men as sailors. I guess in such a setup they could playfully make fun of equally troped yakuza flicks. It just wouldn’t work if Mii-chan and Koro-chan were the same actors as the films they portrayed.
Is this why the Fleet Admiral is a fat cat? Or why the girls get nicknames reserved for cats, too? I have no idea. But was Koro-chan funny? Yeah? Guess what.
Maybe it’s a mistake to say Haifuri is CGDCT, because it’s Cute Girls Re-Enacting a WWII Flick, which is actually a comical thing to do, not per se a cute thing. I think that’s kind of cute, but if it fails to make you laugh then the problem is wholly elsewhere. Maybe they were all just Re-enacting the movie Battleship, which would describe the sweet-sour reactions some may have with Haifuri.
PS. Things on the high seas happen both very slowly and all at once. There’s a great deal of lag between some events in Haifuri and they really didn’t exploit those opportunities for the more mundane things. I thought that was the one aspect they could’ve played out more, but I guess not if they want to mimic a more movie-like experience.