Category Archives: Hidamari Sketch

Year in Review: Shafting of the Shrewd

This is really a two-fer (or three-fer): ef, Sayonara Zetsubo Sensei and Hidamari Sketch; and anime as animation, doing what it is suppose to do.

Not long ago I finished the last episode of ef – a tale of memories. It’s by far the most impressive anime of 2007. Sadly that’s just my impression and not a lasting opinion tested with time, but it was hard to deny that ef was a gimmick intended to impress. Much like Zetsubo Sensei and Hidamari Sketch, ef is the product of SHAFT, the same studio and pretty close to the same production team.

Well, except Shin Oumura, the credited director. He gave ef that touch that reminded me why Makoto Shinkai’s film will probably never break into the mainstream. Akiyuki Shinbo being the “supervising” director only contributed to how some of the scenes look. Can we say red and black railroad crossings? The other two works are Shinbo’s direct results, probably, with him labeled as the director (and who can forget his happy mug in the OP for Zetsubo Sensei?).

I can also really care much less about Sunshine Sketch’s healing properties. The serendipitous 4-koma original stuff is, I’m sure, good on its own. But that’s not here or there. The TV animation series is brilliant in how it transforms your typical manga adaptation into something unexpected, clever, but all the more expressive. And the stuff it expresses are not merely words from a book or plot points in an outline, but feelings and perspectives and attitudes. And you know Sunshine Sketch is good because, I guess, what was good to the animation staff has been transmitted through the show and to your soul! L33t haxxorz they are.

In fact, with all three series there’s this kind of connection that I see with the anime and its viewer. It’s a bridge, a protocol that transmits the beyond-mere-words content of a story to its viewer. Sure, it’s not unusual for anime to achieve this, but so few bridges are so weird and daring yet charming at the same time. It was fun.

Well. That’s that. But in the context of what’s notable in 2007, we should compare these three shows with stuff like like Denno Coil and Seirei no Moribito.

Because, lol, can you say SHOESTRING BUDGET?

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Sweet Aftertaste: A Brief Rundown of Sorts

When the episode ends with putting a smile on your face, I think that’s a good thing.

11/11 always makes me smile

Of course, sometimes it’s just a cheating cheap trick that’s doing the smirking for you. (Hello wawawa wait I forgot what show I’m mocking?) Gurren Lagann’s rather-epic end to the first 13 episodes is a good example of how to do it so honestly, on the other hand. But still, you aren’t sure if you are smiling because you know we’re going into a recap episode and jump forward in time (yay non-loli NonoNia), or because you’re still on the well-animated euphoria of good old battle robot…goodness.

On the flip side there’s this さよなら絶望先生 sort of smile. Shinbo’s show generally does that for me, although lately he’s doing it with a twist. Hidamari Sketch had those sublime and Azumanga Daioh-like moments; Negima mixes adolescent romance with some pretty cool otaku tropes, plus a bit of that Nanoha battle feel to it. But with Sayonara Zetsubo Sensei he goes back to super-overloading the basics of a simple manga adaptation to create a lot of joy for, at least, some of us. I know it’s not the sort of show everyone will enjoy, but like Soul Taker, Shinbo manages to transform a rather mundane thing into something very unique and it doesn’t terribly suck!

Sort of like Sky Girls TV, actually. Although I think, like Yin, I might have to use my fingers for that one.

On a completely unrelated subject, this is pretty cool–and you won’t see it in a street racing anime:

RX-8


Top 10 Reasons Why I Am Still Watching Lucky Star Despite Not Having Finished Hidamari Sketch

She has three things

Ok, so it’s more than 3 things.

10. Loli Otaku Girl and the moe factor.

9. Humor.

8. You can download it real fast-like.

7. A Kyoani anime.

6. Pop-culture references that are not rebranded!

5. Hear songs from other anime.

4. It’s what people are talking about, you want to stay in the loop.

3. Serafuku FTW (the OP).

2. I need fansubs for Hidamari damn it!

1. Lucky Channel.


Welcoming 2007 with Love, in Pieces

No, this is not a Hidamari Sketch post, but it’s partly about that.

What’s heartfelt about Hidamari Sketch and its companion & competitor Manabi Straight is the honest appeal to something much more simple. No longer are we so concerned and focused on superficial but simply on what happens. Granted, we’re served up the same stuff, but it’s a zany one-two knockout combo. While still the jury is out on both of them and if these carry long-term sustainability, I feel they’ve gotten to the stage where finally they realize how to push the puni/moe concept.

Confession: I’ve been watching Mushishi lately, trying to catch up. It started in 2005, so I’ve had a long time to do that. It’s a good way to bring in the new year, especially since some of the episodes are very seasonal :)

And no one told me it has one of the best lolitwincest episode ever! It’s very funny and touching at the same time. If it had some irony at the end it’d be almost O Henry-like. Sigh, that would be all that took to get me watching on the get go, once I knew what kind of thing Mushishi is.

PS. Watch Catblue Dynamite if you get a chance!