Umamusume: THE STAGE, Coming to LA, A Survival Guide

I saw someone pass along a large google doc detailing all aspects about what happens when you go to an Uma concert in Japan as a “survival guide” for the Los Angeles leg of Uma 7th. I’m like, hold my beer.

First, here’s the official post on the LA stop. It has all the details for a reasonable person to make it to the show. I’m assuming you read it. Good.

I will assume you’re a shut-in who’s never been to a concert in the USA, or another country’s concert for that matter. You know how to get to LA Live (the entertainment complex where the Peacock Theater is located) by car and you can get there by car, have a credit card (AMEX), and have enough money to pay for everything like an average person and conduct yourself in society like an average person. And on that note, I’m not going to write for things that someone coming from out of town will need (like hotels and how to book a plane ticket or things like that), I assume if you’re doing that you are advanced enough to know “how to survive” a concert trip.

In this case, the first thing to decide is do you even want to go? Concerts are kind of involved. If you are not at a level to be able to be around a few thousand strangers cheering on some Japanese voice actors performing a stage event and sing Umamusume songs, you might want to watch the online stream instead. For that matter, anyone who doesn’t want to spend the money to travel (for me, two VIP tickets are still cheaper than my flight + hotel costs combined), staying home is perfectly nice and better than being goaded to go to the show. I will assure you while going in person can be a great experience, you can also have a great experience not going in person. I enjoyed many watch parties in my short stay on Earth thus far too. For that matter, it’s likely that at least one person who will be at the venue will go home with a bad time. It all comes down on how you execute. Can you execute? Are you confident? Maybe? The cheat code to this is to go with a friend or SO. It’s just like anime cons in that regard–more the merrier, and you can split some of the cognitive and monetary burdens, maybe.

Once you decide that you are going, great. See you there?

Ticketing

First, you want to get tickets. I’m going to assure you that for a majority of the attendees, being there is more important than having a good seat. To me, this kind of a concert in America is extremely special. Otaku content (not counting, say, Sailor Moon) with the full-blown, seiyuu idol treatment (17 is a lot for America!) is a first-in-history type of thing. Being a part of this odd otaku history to me is the main thing. So basic things first–create and an AXS account. Add your credit card in there. Try to buy tickets on another show at the Peacock Theater (not to actually buy, but learn the process). You might have to disable VPN and AdBlock.

If you want to fight the ticket sales war, you need to have an AMEX to pay for the ticket on the July 23 presale at 10am Pacific time. It’s not certain if all seats will be available at the various presale rounds and how many you can buy per sale. If you aren’t sweaty about having the best seat, you should still be able to buy tickets during the other rounds of presales (promoter and venue both have rounds of presale on July 27, and July 28 is public sales start). I personally don’t think it will sell out quickly, and it might not even sell out completely, because they’re using most or all of the seats and it’s on a Thursday and Friday. I think it could still sell out, but unlikely right away.

In any event, deciding to go soon is a boon, so you can purchase tickets right away. So you do, just log in to AXS up to 60 minutes before ticket sales start, and it should put you in a queue for the tickets. Once you pop out of the queue (it’s your turn to buy the tickets), you can auto select or manual pick seats you want, then check out with your AMEX (assuming it’s during the AMEX presale round onward from July 23). You’ll need to do that for each of the two shows. And that’s it for tickets.

If you want to get sweaty, I won’t get into this, but there are definitely ways! Don’t resort to illegal means! But, if you failed to purchase tickets from AXS/Peacock directly, in the USA 3rd party ticket sellers are just as good. If you don’t need a VIP seat I would be okay scalping it from the usual large ticket reselling platforms like Seatgeek or Stubhub. For VIP tickets, it will depend on how they handle distributing the VIP bonus merch, but it might also work fine second-hand.

With tickets in hand, the rest of it is the “survival part” and I will sort it based on importance. Some of it, IMO, is super important, but not important in terms of, say, health or safety. So they’re in the “optional” or “semi-important” category. You get my gist?

Important Items

  • Make sure you are physically capable to handle a concert. This means you’re not ill, and any physical disability can be accommodated with the venue (you can reach out to the venue in advance to make arrangements or ask questions about disability related accommodations). I expect the concert to run for about 2 hours. If none of those clears, maybe consider not coming and stay somewhere you’re comfortable. If you are going both days, you’re not going to sleep early after Thursday since it ends kind of late! Keep all of that in mind in terms of your physical condition please. And yeah, don’t come to the venue smelly, do your hygiene. Precious 女性声優 are going to look upon your countenance, so keep that in mind when you present yourself at the venue.
  • Make sure you read the rules and regulations for Peacock Theater and from Cygames about this show. If you need to bring any accommodations, make sure it is allowed into the venue, such as any medication or fluids. Peacock theater itself sells refreshment inside the venue. The bag policy is no bags larger than 14 x 14 x 6 inches, and no glass/aluminum bottles. No outside drink or food is allowed other than made exception by guest services (for ADA) and unopened plastic bottles of water 1L or smaller.
    • As of this writing Cygames has not posted anything about rules for this show, so stay tuned. If you are curious, in Japan, they don’t allow UOs nor UO cyclones, and overly bright penlights. Recording of any kind and photography are prohibited (except during that one segment on 5th Tour, LOL). I doubt the recording part will change, but some things may be relaxed for the USA.
  • I recommend parking at LA Live (the underground deck, which is Lot E or East Garage), if you need parking. You might need to get there early enough, since it can run out of space. It seems like a convenient, safe, and not that expensive of a deal (40 plus tax for all day)? If you want cheaper parking you can park further but I don’t recommend it. Note that I have not parked in any of the LA Live garages on my own, but I’ve gotten in and out of cars from all those garages before w.
  • If you plan to show up early at LA Live to hang out, like doing some of the “optional” things listed below, then make sure you bring enough hydration and get enough rest. If you didn’t sleep enough the day before, obviously that could impact your experience. It’s all understandable, having to break out of your daily routine to go se some Horse Girls in the flesh sure makes one excited and all. Still, the point here is make sure you are in good, nay, great condition! Not only will you have a much better time when you’re feeling well, you’re more likely to not screw up executing.
  • If you are driving from home, make sure you budget in traffic, but I probably don’t need to tell you that if you’re driving in LA normally. If you’re an out of towner counting on an uber on the other hand, definitely take traffic into account.
  • On another LA note, while DTLA in general is somewhat safe, especially the area that is LA Live, you need to be aware of your surrounding at all times outside the venue. Definitely be careful when walking alone after dark outside of LA Live (say if you’re taking the mass transit or parked farther away) and avoid leaving your belongings unattended.
  • Lastly, don’t forget to bring your ticket. You might also want to bring something to prove your age and ID (don’t drive without your license…), and some cashless payment method (Peacock is cashless). Most AMEX credit cards support chips or Apple/Google pay these days. I assume all concert merch sales sold by Peacock event handlers are also going to be cashless, but this was not always the case IIRC. All this basic stuff you can refer to not to a google doc or a blog post, but the literal guide on Peacock Theater’s site for visitors.

Semi-Important Things

  • It helps a lot to know the songs at the show. It’s not important but it will immensely improve how much you get out of the show. By “know” I mean knowing how the song goes, the lyrics, and maybe even the song title? For bonus points you can know how the calls for the song goes (Umamusume build most calls into the recording itself), but you don’t need to do them. You can if you want to, but not doing calls means you can’t mess it up or tire out faster, and sometimes that’s preferred, YMMV.
    • Your best bet is look around online for a prediction setlist. The only two songs I’m counting on to happen is UMA IN AMERICA and Umapyoi Densetsu…or Umapyoi Legend if we get the English version. More likely I think we’ll just get the same classic hits they have always done, just taking the best old songs from 7th SSA.
  • It helps to have something to cheer with. If you’ve never been to a concert before, having a pen light is a huge clutch. In 2026 you can buy one off Amazon, so I’m assuming you know where to go to get one. If you got one from another concert, hell, nobody says you can’t bring it to Umamusume. However, it would be great if you just got a generic, unbranded one or buy an Umamusume one for this concert. You should be able to buy one at the venue (queues and stock willing). If you want to get sweaty and mail order one from Japan, the official carrot blade seems to always be in stock (15 days lead time). You’ll need a proxy or something, just to be aware.
    • Yeah there are advanced strats like buying a tube cover. Check the official site for ones still left in stock. El, Cafe, Mambo, Kitachan and Nicene are still in stock, and this can change.
    • Cheering with just your hands is what I always recommend. You really do not need to bring anything, which is why this is “semi-important.” Some songs have clapping, others just need you to wave them in the air (in a way that is considerate to your neighbors).
    • Bring other cheering goods if you have them, and hopefully they’ll just sell it at the venue. Just be aware of Peacock Theater’s rule about banners if you’re rolling that route.
  • For the same reason why it’s good to go to the show with friends, socialize with other trainers at the venue. Maybe it’s the people in the seats near you or before the show. Obviously don’t get creepy about that but just be nice and helpful is always good.
  • Buying merch is semi-optional. Well okay it is entirely optional, but we want to support the concerts and this part of the Umamusume business. Unlike gacha or buying carots you actually get something in return. It is good culture. Just don’t get too sweaty and compromise your experience at the Umamusume concert over this!

Completely Optional Things (That May Be Important)

  • Cosplay is completely optional. The only thing I beg is for cosplayers to observe Time Place Occasion rules. Don’t go into the venue with a bulky cosplay and block the views of people behind your fake ears or something. It’s just inappropriate when you cross that line.
    • On that note, if you have a towel, a uchiwa, or something like that, please refrain from raising them over your head. Thanks, the person behind you says in advance.
  • Hanging out and socializing with friends before the show is completely optional. Half the time with these Peacock Theater otaku event I do hang out with people before the show, since I got nothing to do, as I’m across the country from home. The locals might still pull up 30 minutes before the show, park, and get inside 10 minutes before start time. LA is infamous for traffic, so take that into account if you’re not the one driving, too.
  • Flaunt your itabag/itashas/itachari/itawhatever. If you’re into them you know. If you’re not you can just ignore this. Just make sure you don’t get into trouble trying to secure it or bring it to the venue.
  • Flaunt your nuis or dolls or whatever.. If you’re into them you know. If you’re not you can just ignore this. Just make sure you don’t get into trouble trying to secure it or bring it to the venue.
  • Take photos with your stuffed animal/horse children at the venue and your seat and all that (rules permitting).
  • Write a letter to the cast member(s) of your choice. I don’t know if Cygames is going to arrange this but they might have some people on staff who cares about it enough to enable gift boxes at the venue. If not, write a letter to their agency or something and detail your concert experience.
  • Flower stands and backstage flowers. Flower stands is a Chinese/East Asian custom that Americans generally do not do, and are not familiar with outside of funerals and weddings. Having looked into this years ago it is a major pain in the butt to do at the Peacock Theater, given what you get out of it. More importantly, BNML and Cygames has to allow this in the first place, you can’t just unilaterally do it. Backstage gifts on the other hand might be easier to do at Peacock Theater. I still recommend against it because these are not something in your control unilaterally and could cause the recipients trouble, but you can try I suppose. Definitely in the bonus round category here, it is a super extra optional activity.
  • Learning calls is almost completely optional I would say, but it is. It’s definitely a tier lower than “learn the songs” at any rate. Because Umapyoi Densetsu exists and it’s the most Umamusume thing in the world, the only call that you should learn in advance is the “ore no aiba ga” call from that song. And even then it’s okay that if you don’t. More specifically, learning calls is something you do over time by going to concerts. You can read about it, sure, but until you’ve gone to one of these things you probably would have no real idea how it goes–and I’m not even sure 7th LA would count, since the calls are likely not at the same level as calls in Japan. But Uma fandom is a little less hardcore I would say, so I expect the excited Trainers in America (along with our Japanese Trainer friends flying to the States) will give the cast the same loud welcome during their performances. You earn lots of brownie points if you watch the live streams, follow the call guides, and learn it on your own (or with friends), but it’s literally just brownie points. More over, if you’re quick-witted you can probably do most of the calls just by following the audience and having some basic understanding of calls, while knowing all the songs.

My approach to this is not so much, don’t do these, but trying to make it so that we strip out the extra stuff so we keep our eyes on the real prize. If you want to do the optional things, great, but do remember they are optional and shouldn’t ever cause problem for the more important, non-optional side! If your condition suffers because of these extra optional stuff, then it might not be worth it. Take care of yourself first.


Gakuen IDOLM@STER 2nd: HATSUBOSHI IDOL FESTIVAL

It’s the signs of the times. When you reinterpret the glittering future of idol life in 2026, with the words of a 2014 film, you don’t get a masterpiece from A1 Pictures or Trigger or Cloverworks, you get something like a bunch of heroines in a, uh, school? My Idol Academia can’t be this light-novel coded. My little sister…uh, what is the equivalent to a buttery lobster here? The tsundere is too dere and tsun?

In the second numbering concert for the sub-brand, Gakuen IDOLM@STER hauled out its budding-star lineup once more and put on a great performance. It’s getting absurdly good by josei seiyuu standards that I think the show itself has aspects that can stand alone. Forget that it has a video game (and it’s even fun, I mean, who doesn’t like Slay the Spire). Just watch Yukari Amane’s MY STAGE performance and let me know how you think? Actually, watch the music video and the vtuber version of each first if you have the time. Seriously, I want to know what people think.

In a grab bag situation with over a dozen heroines, do you even need the rest of the media mix? I guess so, because it’s how everything is put together. But first, links.

Setlist day 1. Setlist day 2. Playlists for each day. Official announcement posts day 1 and day 2. AP Kasshi teamed up with Aarin on day 1’s after stream. Day 2’s after stream link. Asobi Stage link for the actual streams. IM@S-DB (also ez links to xR HIF selection show last month). My quick takes here.

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Anime Central 2026: Wrap

THE IDOLM@STER properly had an event in America, at Anime Central 2026. I have read a bunch people’s reactions and reflection of their trip to the con and I think I don’t have much that I could add. I am too tired to link to all of them, but I’ll try to do some at the end of this post.

a bunch of plushies
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Anime Central 2026 IM@S Festivities

Anime Central 2026 is soon upon us, and this year the IDOLM@STER is officially presenting a concert (two parts, one with cast member and the other with mixed-reality style), panels and autographs at the con. Big thanks to the GR and other teams of Acen that made it happen and also Bandai Namco Entertainment for rolling the dice with Acen. It’s definitely their best opportunity for something like this in the USA, so I’m glad they are shooting their shot.

Along with the official programs listed on Acen’s Guidebook, there was a drawing for VIP tickets to the concert. If you won that, congratulations, enjoy my envy, and remember to pay for it.

I am running an “afterparty” for Producers. Currently it’s sold out but I’m trying to move to a larger space(it’s sold out for good now). Tickets and details can be seen here. It’s turning out to be a big party. We will have a few DJs play music. There’ll be a birthday cake. We’ll have some stuff to give away. Maybe more stuff to-be-determined, but it’s in the middle of me trying to fast track a new venue contract to a new space so it’s kind of painful right now. I hope it’s worth it!

There is a separate meetup for Produnus on Sunday. It might already be full.

There is a general meet up, which is your usual cosplay meeting at cons but for im@s it has been a general one where you can meet, trade producer cards, and do all that stuff. Cosplay is optional. It’s on Friday at 2pm, flag 6 (check Acen Guidebook for maps). You can see a list of “idol vibe” events here.

For EN first time traveling to Acen there’s a guide some folks put together. I’d endorse like a good 75% of it, the rest I would rephrase differently. That’s still a passing grade so it’s worth a look if you are new. If you read my blog and wants to go, it’s definitely cutting it close, but it’s still very doable if you can manage an affordable flight to Chicago. Food, hotel, and the con itself are not really expensive. Chicago is one of the cheaper cost-of-living cities in the USA, and unlike many cities in this country it’s a real city (lol). It also helps that Acen is right near Chicago O’Hare, which is one of the largest airline hubs in North America with a lot of flight options. It is literally a free hotel shuttle ride away from the airport, or you can take the Blue L.

In terms of the logistics of the IM@S concert on Friday, it’s officially from 6 to 8pm. If you want to get a good seat, you will need to line up early, which will depend on Acen staff and lineup policy. In general they’re not going to allow people to line up more than 2 hours earlier, but it is case-by-case. Looking at the schedule there’s nothing earlier in the day besides the ballroom panels next door, so it could be a sweaty camp.

In addition, it is rumored that there will be merch for sale. More details hopefully will be announced soon. This could change the plans for camping for a space. Anyways, please follow the instruction from staff and try to not cause any issues with traffic flow and the like, when you camp anywhere.

Also, don’t forget about the flower stands in the Exhibition Hall, as well as some banners behind Retro Saikou booth. I’ll have a binder for your Producer Cards and will try to canvas the lines for it. Messages on shikishi is also happening as per prior years

A bunch of imas-fan-DJs will be playing an IM@S set starting around 8:30pm outdoors somewhere Friday night. Details are here. I’ll try to show up after dinner.

Lastly, I will be ghetto-trying to group watch the Gakuen IDOLM@STER HIF Selection event somewhere. I have no idea how, but it does start at 3am for both days, so it ain’t for everyone. I’m just hoping the now DRM-laden Asobistage stream works when I do a HDMI out from a laptop.

Aside from the IDOLM@STER, there are still many other events going on at Acen. There’s like 3 screenings I will have to miss that I would go otherwise. The new Hathaway, for example. Or the world premiere of Goodbye Lara. Yuki Kajiura is returning to Acen also for a concert with FictionJunction, plus panels and autograph ops. There are the guests from Sekai Project also, like U3 and the other illustrators.

Should be a great time. See y’all there?


My Deck Building Games are too Juicy, the Roguelikes too Buttery

With Slay the Spire 2 now in Early Access on Steam, I’ve been slowly pecking at it, reliving playing the first game casually years back. I’ve been also looking at it just like any Gakumas player would–where do these two games overlap?

I am not exactly a big Gakuen Idolm@ster player, in fact I am quite casual about it other than spending money on gacha. I’m not even P Level 70 yet. I’m probably more invested in the characters, the stories, the live concerts, and definitely the music, over the game itself.

I’m just writing that I can’t decide which game to play. On one hand, the grind in Slay 2 is a lot easier to mix it up, each run can be quite different than the next, especially at my point in the progression. In Gakumas, I’m generally taking the easiest P idol card to one of the two or three modes and just trying to hit the current event objective, maybe it’s Hajime Legend or NIA (either). I’m actually not all clear on the Step 3s, so I’ll be taking some time to grind that out. It’s kind of annoying some step 3s only gave you a week to clear before the boost period expires, and, uh, my oversea trips are sometimes longer than that!

I have a lot of backlog stuff to do in Gakumas, like all the idol road unlocks (I guess I have some XP to banked up there). I don’t even sweat the contests (auto team all the way, rank 6 and occasionally 7). The nature of service game is that it’s part of your life, a chunk of your routine. Slay 2 ain’t it. Maybe it is why the whole experience feels fresh, kind of like opening a new present on Christmas.

It is definitely a luxurious problem to have, but how do I allocate time to which game that basically scratch a similar itch? In Gakumas, the turns are basically a timer in which you have to hit a goal. In Slay the Spire, you also have to hit a goal (kill the enemy) but the timer is really your defense and health. For some decks it’s a DPS check, for others it’s the equivalent of Magic: the Gathering’s mono blue wincons. Is that something people understand these days? In Slay you are looking at a map and trying to smartly choose the path, choose your rewards, choose your upgrades and artifacts, for the max impact. In Gakumas you are picking usually 1-3 options to max your total stats versus your primary stat, while picking up potion combos and deck upgrades, and oh, there’s health here too.

Maybe it’s more about the issues with service games. You really need to have a good grasp of them before they tear too much of your life away from you. Don’t need them to block you from doing the things you want…indeed, the real buttery lobsters are waiting for you. It’s time to take a break from school to slay some for yourself.