It is not Your Fault, Izetta; it’s Mine.


Sometimes reading other people’s blogs give you a way to convey what you wanted to say but couldn’t find the words for, and such is the case here. I don’t know if I am happy with “uncanny valley” to describe where Izetta’s hijinks fall in with Too Much Realism way to explain how some things don’t jive. To me the hope I had with the series shattered when the OP came on in episode 2. If there was a path that leads us beyond the uncanny valley, it would be the bridge of suspended beliefs. Too bad the whole busty witch with no panty shots riding a big gun flying around shooting tanks with swords thing is way over the load bearing limitations of strands of good will and its fantastic, make-believe setting of not-historic-but-you-know-what-is-going-on.

I still stuck with 6 episodes of the show and it turned out to be an OK experience. I can see why certain European countries would like to stick it out with the series through thick and thin, and props to them. For those of us who don’t have a bone in the national-pride-game-because-my-country-is-(not)-in-a-fiction, however, I’m not sure you would have trouble finding a better use of your time and attention than to follow this silly thing that is really just full-on-pandering in disguise.

I’d like to compare it to Keijo!!!!!!!!, where we all go in expecting something and in the end got something slightly different, too, but in that situation our expectation betrayed us in a positive way. (I’d add Keijo!!!!!!!! is a great example of a story use both its strengths and weaknesses to delight). It’s like a post-Aria otaku media world, where we want our wide faces iyashikei stories not because they heal, but because we’re healed through much poetry and finesse, even if the portrayal is the utmost ordinary.

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