The IDOLM@STER ran a 2-day live event where the 765Pro All Stars and the Million Stars collaborated on two nights of live performances. The info from the official site is here. This blog post is me trying to describe and unpack what there is to unpack from my little feeble brain. God knows I am not really steep into lore (the type who would look down on people because I produced Hibiki from the Arcademas days, as the joke goes–that joke is also an example of what kind of unpacking I will be doing here) so this is just a fraction of what’s made up of Hotch Potch Festival.
Conceptually on paper, or at least as the live pamphlet and the live MC go, Hotch Potch is about a nabe where good ingredients gets put into the pot, and some ingredients are synergistic. Maybe some are not, and maybe even worse some counteract. The idea is if the nabe is good, all the ingredients are playing some role(s) to improve the experience.
Of the 52 Million Live + OG guys, 48 are present. We didn’t have Tanechan, Ibuibu (who was in Okinawa as part of Everying final tour), Matsuda Arisa’s Rietion, and our favorite baseball tomboy represented by UK-Mrs. Trunks. Tanechan’s outage continues, and I believe this seals Jireha, Blue Symphony and Thank You @ Budokan. Originally I thought they’d do at least Thank You, but nope.
On paper, this combine live between Million Stars and 765Pro All Stars is an extension of what IM@S Taiwan has done. This means we’ll get 765Pro classics, and some of the Million Live songs that originally features 765Pro idols. On top of that we might get a new song (ToP!!!!!!!!!!!!! namely) and some fun collabs.
Well, I guess that’s exactly what we got, in hindsight. But what we got was not what we expected. Or at least, I don’t think anyone expected Ai LIKE Hamburger, Merry, or Honey Heartbeat. I didn’t think anyone would have called Sweet Sweet Soul, Kyouki Ranbu, or “Surprise! It’s Aimi on guitar!”
— GORIZO (@kz161) October 8, 2017
Before I go too far off the rails, here is the set list for both days (25 songs each) and the last time since they were performed by IM@S. Merry was last performed in IM@S 5th, so that’s 7 years since. Smile Taisou is runner up (I mean, OMG?) as it was last done during 6th. My own favs like Little Match Girl and Hamburger were last done during Festival of Winter and 8th, just over 1700 and 1400 days ago respectively.
This factor alone was dynamite. Not only was the surprise you experience in person something to grapple with, the fact that your IM@S bucket list is being checked off was another thing to deal with. It can also be hard to grasp the significance sometimes, like hearing Curtain Call again–last performed since 10th–or realizing Hasegawa Akiko and Kugimiya Rie are the only two original singers, AND 765Pros, who have now performed 99 Nights?
Just to sum up this intro thought, the one feeling I got from Hotch Potch Festival is “pushing” or “continuity” in having Million Live perform with the 765Pros. It might just be my cynicism. It might also be that when I see the Taiwan set, I see that it is a “best of” of Million and 765Pro with a couple bones thrown in there (Jungle Party and Persona Voice) for Million Ps hankering for that 765Pro crossover. That was entirely appropriate (if not the best) approach for Taiwan. For a domestic show, though, there are so many ways to do this live, that a “hotch potch” approach might be invariably what comes out of. That the only real gap was not having 765Pros do their assigned Million songs in the way that Million Ps would probably want to see (like, where’s my 5p Eternal Harmony?). Instead we got a lot of top Million sets in the show, and we were able to see the Millions do some cool 765Pro songs–stuff they could have also done during the Million Live solo shows as Million 1st and 3rd had.
Don’t get me wrong. The result here is quite desirable and I would not have minded either way how things turned out. If anything, that both days the show clocked in at about 4 hours was the real problem–I wanted more, a lot more. There are a handful of songs they could have done to wrap things up better, but probably couldn’t due to logistics. Some songs, as I mentioned earlier, were sealed by who wasn’t there. There were not enough time of the day, in a way, to do all the songs we’d like. Every incarnation of this vidja idol nabe had to have some stuff saved for the future, and some stuff cut as compromise. Such is how it is.