Category Archives: Idolmaster

SideM Anime And Million Live

TL;DR: Here I quote tablody-matome blog Yaraon for the proper verbiage: アイマスサイドMが先にアニメ化され、ツイッターのミリマスP達、精神を病み始める: When SideM anime gets announced first, Million Live Ps go into nervous breakdown.

To preface the context-heavy post, in brief, getting a proper TV anime treatment has been the dream of all fans of IM@S since forever, because the franchise today is as prominent as it is despite of the missteps the managements have committed all along the way. From the TGS incident to Xenoglossia there were a lot of bad moves–and by that I mean literally bad for their bottom line and alienating fans–that the management had to recover from to get to the point that they are today. Long-time fans of 765Pro suffer it with their staff and cast to get to this point, so the feeling we cheer for during Producer Meeting is one of mutual support and as people who have been through the ups and downs over the years.

To be clear, a lot of pre-SideM Ps are interested in SideM. They might not be into the series but they are cheering it on like what producers do. Sure, there are also plenty of people, producer or not, who find it difficult to support all branches of the IP. This sentiment is more prominent and easier to see in 2017, when massive event plans roll out along with the mobile game juggernaut Deresute. When you tax your fan base to the max, straining cracks do form. Do people remember 10 years ago, when we had maybe 2-3 IM@S events a year? In 2017 it’s like, 3 events a month.

And this isn’t something limited to Million Live Producers, who are understandably a little salty–I would know since I am one–but it’s worth writing about because there’s a thick context behind it.

  1. SideM tour was announced ahead of the live–this sounds like great fuel for “the sound girls make when they’re excited” on top of the SideM anime. But no, this gets announced 2 weeks earlier? Something or someone messed up.
  2. The grapevine on Million Live anime has been that A1 is busy with all these projects for 2016-2017, as of 2015. Why 2015? That’s when ML anime was first “teased” by the trailer similar to how CG got a trailer just months before the Dereani TV series being announced. Fast forward to 2017. The word from the same grapevine has been more or less the same, but it’s a matter of time. As a separate note, SideM may or may not carry with it the Anim@s tag in terms of the production team, but Million Live both uses Anim@s illustrators for in-game art and is basically all but confirmed to be A1 or else. (This is basically the sins of Xenoglossia being repaid.) For the record, CG is an year earlier than ML, and ML is about a year earlier than SideM.
  3. Unlike SideM, Million Live is both a reboot of 765Pro and its own thing. This is why there are songs for the 765Pro all stars in Million Live, and their characters appear in ML game (in a non-cameo basis) as well as the excellent Gessan manga (which is kind of like the bible for MiliPs in terms of those who care about story and development). Oh, the Gessan manga ended. Oops
  4. ML4th Budokan is a month too far… But in terms of timing, SideM anime details won’t emerge until 3/15, so it’s really just hitching a ride on SideM 2nd. ML4th day 3 (if they were to announce ML anime then) is 3/12. Which goes up to point #1…
  5. ML anime, basically by indirect admission, is coming soon. I have separate rumor to confirm but GamiP’s behavior at least acknowledges this, for his apology only makes sense in this way.
    • Basically, during day 2 SideM 2nd, GamiP came on stage after the anime teaser to apologize to people waiting for ML anime, that SideM anime is announced first because guys walk with longer strides or some joke. The idea is the demand is higher so it got higher priority–or because they’re locked into the Anim@s crew for ML.
  6. For who reading into sakuga tea leaves are a thing, too, understands what this means when you’re stuck waiting for that same prolific crew. A lot of us are OK with Dereani but a lot of us are also weary of that production given its issues and delays. And as you can see, delays with these things do happen. A part of us want a good work that is given the time to be produced, but we also realize we can only wait so long in this war of idols.

This really doesn’t have anything to do with “fujoshit” or anything like that (and those who think this way probably should be kindly educated). It’s just that Milim@s Producers have been waiting for a while now, and in some ways, the future of our original ladies depend on it too, because surely they will also appear in the anime…

I guess the key thing is that Million Live anime is a big deal, although it’s just Milim@s Producers who are too psychologically invested, I guess. And until we know what SideM anime is actually going to be detail-wise, it’s not something we should assume in the pessimistic direction.


Producer Meeting 2017

I flew last weekend to attend the IDOLM@STER Producer Meeting event. It ran for two days and you can see the official page here for the exacts. This time the main draw is the full cast, even if at first the event seemed to be a part-life, part-talk sort of a deal. Leading up to it for over half a year was the release of IDOLM@STER Platinum Stars, as it was the first lottery round. Since we had plenty of time to prepare we did a flower stand again, and there’s more details about that I’ll post on HPT site sometime later here.

Because this is a talk-and-sing sort of an event I won’t be able to give you a lot of the details on the talk part, since I don’t do Japanese. I can’t even walk the setlist, as you’d expect, so I’ll just keep it pretty brief and add the travelogue stuff too.

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Year in Review 2016: N-listing

I’m putting this out first because the other post can stand by itself, introspection or not. Hey, it’s not March yet.

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IDOLM@STER Cinderella Girls 4th Anniversary: TriCastle Story

Or, as some would call it, CG3rd Day 4.

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Sakugabooru Blog

In case you didn’t know, there is a booru where the focus is on Japanese animators and their handicraft in terms of clips from TV (and other) anime. If you want to revisit a scene for the visuals, it’s a good place to start looking. There are no audio in any of the clips though. To foster the community for sakuga fans overseas, they’ve started a blog and started to ask for money to host their booru better.

My problem about sakuga fandom overseas so far is that it celebrates, typically, in a very simple kind of way. It’s literally about the animation, and by that I mean the way images shifts from one frame to the next. There’s also a sense of understanding in contextualizing the careers of various animators, both veterans and neophytes.

But to me that’s not enough. My sense of animation enjoyment extends to not just animation, and specifically, the “sakuga.” Direction, storyboarding and layout, for example, are super-duper important things that I dig even more (arguably). I can understand separating the use of audio (SFX and music) from this fandom but a cohesive narrative has to have all these elements work in harmony, if one can even dare to further a narrative argument about sakuga alone.

I suppose this is kind of the strangeness about sakuga as a fandom vertical, and why it takes some focus-minded fostering. It really is something worthy of study, but also at the same time not really something to put on a pedestal. It is one part of anime that maps well to the Japanese sense of artisan craftsmanship, but it also gets lost inside the reality that it takes a large team to make an anime. And this is all underneath the ever-confusing and ever-prevalent relationship between art and entertainment.

Since I couldn’t find a place on Patreon to voice this, and I pledged a few bucks to Sakugabooru this coming month, I figured it’s worth a shoutout here and I just want to say I pledged because of all the Cinderella Girls translation. For fans of the franchise, the animator relationship between these shows is an added layer of eye-opening relationships and contexts for us to enjoy and understand the source material. It’s not vital but definitely enriching my experience as a viewer of Dereani. It’s always great to see that the key animators from the scenes/cuts you enjoyed are also fans of the material much like we are, so check the below links out:

PS. This passive-aggressive rant is brought to you by my continued indifference to the Mob Psycho 100 sakugablog posts. I enjoyed the anime a lot (one of my favs this season) but I can’t bring myself to read the blog posts on it… It just doesn’t engage me.