Incoming train of thought–
I took a nice vacation at the end of the year (I guess I’m in the middle of it) so I was able to catch up on a lot of stuff. Like Valvrave. I really enjoyed it, more so than I expected at any rate.
I was wondering if CLAMP designed the characters instead of Hirao-face-looking group that we had, maybe VVV would have more legs. As is, it’s actually a very good story but it just didn’t get to flesh out. The plot and the symbolism and themes all make sense and it is a good, liberal (as in liberalism) message that would resonate with kids. But I don’t know, it feels like the right message but it’s probably preaching to the wrong crowd. It could also use another 2 more episodes to flesh the ending out.
This season is tricky because I couldn’t tell that White Album 2 has another episode, I mean, what. Nagiasu really seems like it went off a cliff this week, because there’s another cour after that? Don’t even bring up Samumenco, geesh. I’m still enjoying Magi, and as far as sports anime goes I really like the past few episodes of Ace of the Diamond, explaining some basic sports mechanics sort of things that are not obvious to most people. It also got “good enough” to be talked about, IMO.
Say what you will about Yuushibu and OBC, both shows are great, and I had a good time with both. I think I enjoyed Yuushibu a lot more in that meta context, also it probably wins some award for dragging out a Star Trek joke the longest. OBC was more of the ideal guilty pleasure sort of anime, because the show didn’t really go anywhere with its soft power digs. I mean, it’s not even bush league. It’s not even softball. It’s more like wiffleball. Kind of like that football game they played–you knew they could do so much better but they just went with whatever, lawl. A shame I guess.
I still think it’s incredible that people walk away from Yuushibu episode 1 and think it’s bad animation quality. It’s insane. I suppose this is how some people feel about Kill la Kill when I say it’s actually not really that great. I think what’s good about it is that it is an anime done in a way and in regards to subject matter common to B-tier Japanese live action TV and movies. Now finally we have an anime like this–full with underboobs. I mean, you can’t do that on TV normally. Studio Trigger’s newsletter is great and it basically confirms all this. Also, maybe it’s because I saw Hentai Kamen live action movie this autumn and it kind of makes me feel like Kill la Kill is an inferior version of that. I get the feeling a lot of people watch anime as a medium don’t venture outside of it, so this is all fresh and exciting stuff.
The best anime this season is a tough call. I would give Kill la Kill the most creds as the most stylish, YZQ for the best sakuga feast, Kyousogiga for the most arthouse and best first episode, VVV for the most daring in terms of story, and Arpeggio will win the “It’s not Girls und Panzer but it’s close enough” award. OBC probably has the best meta fanservice and Yuushibu has some…serious fanservice. Best ED is obviously Unbreakable Machine Doll and best OP might actually go to Galilei Donna. Best concept has to go to Samumenco for not only the most meta but also the best written meta that I’ve seen in a while.
I also feel compelled to give Gundam Build Fighters some kind of recognition, so maybe it will win Aila’s biggest buns trophy or something stupid. Too early to call it the best AU Gundam but it’s definitely up there.
That’s kind of how I feel about White Album 2 too. I really enjoyed the series so far but it lacks a few compelling components in terms of plot. It’s too centered on the girls and not enough on the guy. I mean, I guess I don’t want another Golden Time but Haruki is at least interesting enough to get a little more exposition. Speaking of Golden Time, I’m okay only because I did watch Natsuyuki Rendezvous, so I’m build for it. That said gosh yes Koko is a bitch and the whole ghost-in-the-amnesia thing is dumb can we please just slap everyone and hire Linda to cater to more underground parties? I do give it a lot of credit for making every one of its characters a lot of substance and it’s easy to understand them, even the weirder ones like Miss Denpa.
Golden Time is also surprisingly meta too. That Nana-senpai.Â Even shows like Tokyo Raven is pretty meta, when it’s a run of the mill kind of a battle mystery story. Is it really necessary? Even I think it’s too much, and I’m someone who loves the meta.
I still want to watch more Sekatsuyo, but I can’t get past episode 4. I should just jump to the Chiaking episodes.
Kyoukai no Kanata was a thing. It all makes sense but it didn’t gel, which is too bad. It is the sort of beautiful nothings that we’re used to seeing from Kyoani, which is by all means something we can never run short of. Did I like it? Yes, but I probably won’t watch it again. It’s funny, but when you lay it side by side to something like, say, Noucome, I would take Noucome every time.
Perhaps Noucome is the ultimate guilty pleasure, sorry OBC. If being funny is a sin, Noucome is worthy a Kotaku post about how sinful it is. Too bad they pegged it as just some solid comedy.
But what does that make Log Horizon? It’s not a guilty pleasure, but it is for me–I’m totally watching it to trip on old school MMORPG feels. That, and Yumi Hara going all osaka, which is only appropriate. It’s a good anime as they say; it’s like if Maoyu got a Fate/Zero treatment, except not quite. I mean, that story could totally be built up better. Log Horizon is appropriately less ambitious in the scope and in turn more down to earth, but it’s also somewhat less epic on the face. I guess you can’t have everything. And that is okay when all it is to me is a guilty pleasure.
In a busy season like this I still watched 4+ episodes of Gingitsune, which is solid, 12 episodes of Infinite Stratos, which is disappointing, and all of Walkure Romanze. Man, that horse show is actually quite good in the way that exploitative eroge about fancy and peaceful setting can be, all because it has a freaking koushien in it. I respect it as one respect a well-polished trope. The fanservice episode clever and outside of the box, which is another thing you kind of didn’t expect a show like that to do. Nakamura Eriko-sensei can speak English to me any time.