Monthly Archives: March 2011

Grade Schema

I want to get more opinions and arguments for and against for a blog to grade shows using some kind of quantified grading system.

Basically, if someone were to review an episode of a series, by writing a review and ending it with a letter grade (or a 1-10 or 1-5 or 1-4 or whatever), how would you do it? Would you even do it at all?

The question is pretty hard to answer because I think the better one to ask is why are we using a grading system at all? Confession: the only grade I read is from Psgels’s, mainly for the sake of checking out his general impression on an episode without reading the actual review, to avoid being spoiled. And to me that’s the real strength in a grade system like Metacritic or RottenTomatoes–you get an idea of value without looking into it too much. Of course, it is not really a precise measurement on a personal level nor is it a particularly accurate one. Or I should say, it comes with a margin for error and often times reading one reviewer you trust thoroughly can often give a higher quality impression than seeing a score based on hundreds of thumbs up or down.

Actually, I’m more curious as to why you would give a grade? On the one hand, some people enjoy grades for reasons I mentioned above, and more. Some people only care about grades, actually. And sometimes it is another mean to express what you’ve failed to express in a TL;DR post. I mean I’ve read my fair share of episodic blogs and far majority of them don’t have anything to say that you can’t pick up from the screen caps they’ve also posted, so having a grade system actually adds to what these blogs offer.

On the other hand, for every show you note down this way you run the risk of making some kind of over- or underestimate. This is particularly the case in terms of how people judge shows by cover while ignoring that margin of error we all work with when doing so. This is particularly true when anime tend to be serial and each episode is merely building up some kind of bigger picture where the picture is greater than the sum of its parts. It’s kind of a meaningless thing to do. To that extent Psgels uses his impression-based measurement which makes a lot more sense to me, so maybe that objection can be avoided by using a smarter metric.

Some people take this seriously. I’m not sure I do, but I can see why you would want to. I don’t know, any good ideas? I am not really going to implement a grade system, but someone else might, and I want to get some ideas as to why it is a good idea, what is a good way about it, and how do you manage people’s expectations with them.


Today Is a Beautiful Day

Bottled nostalgia sells like true tears.

Accumulated memories, photoshopped bits:

Are they what I remembered, or via wit

of man and wishful fears

of the days we’ve forgotten, mind cleared

of bygone worries alongside? “It fits

with what I thought happened,” and it

bothered no one, even if the mirror

said otherwise. Or did it looked so good

because today is beautiful, as sunshine raced

with Spring’s Herald outside the window saying

strange words, moon runes, almost, lifting the mood?

Among my strange references and stranger cases:

Was it simply longing, or the reminder of a witch sighting?


Money Drop

I guess Fractale is doing okay!

As far as the earthquake/tsunami aftermath goes, I think people reading this blog are likely the same people who should be stepping up directly helping the reconstruction and rescue efforts in Japan, because that country full of people have given to me so much over the years. At least that’s how I feel. So this is what I’m going to do:

  • Continue to plan a trip to Japan, because tourism tend to suffer greatly after a calamity like this. Plus, you know I want to anyways. (Also, time to watch for deals?)
  • Donate to a charity I vetted, one that does work that I find satisfactory, and my employer matches (the best types of employers there are). When the time is right, of course.
  • #prayforjapan.

What you do is up to you, and maybe I’m already well-conditioned to give (and so is everyone who imports on a regular basis, I suppose) so it is almost second-nature to me. It’s a weird feeling, as if you are motivated by pangs of conscience or cheap play on emotions, but when actually executed I do so like someone buying the cheapest new SKU on pre-order. Charity is serious business, after all.


Revisiting Entropy

I think after considering the various narrative constraints, I am beginning to agree more with the assumptions and conclusions Darkmirage set forth in his rant about infinite energy via time traveling. Oh, spoilers for Madoka Magica onward, I apologize.

It’s one of those persistent paradoxes in which some other issues have to be reconciled in your model of time traveling in order to make sense of it all. In that sense, the physics is not as important.

Time traveling by itself can be consistent with the Second Law. Certainly, the arrow of time can go forward as usual, and traveling to the future is something all of us do. One form of time travel is just going to the future faster than everybody else.

The reverse situation, too, can be tied to some kind of mechanism in which the net total entropy is a positive value. The question thus becomes more in the lines of conservation of mass-energy, and, as always, linearity of states.

There are good reasons to assume that the typical groundhog day mechanism implies a single, linear outcome of cause and effects, in which one cause at a certain time propagates consequences irrelevant of each “reset.” Here, Homura’s resets are played fast and loose; it seems that she can reset at will, even if Madoka survives the bewitching eve and the big bad witch of the west is slain. More importantly, it doesn’t seem QB maintains memory of Homura.

So what does that mean? It means Yuki Nagato is still better than QB. It also means that we don’t know what gets transplanted back in time. It may very well be that nothing “physical” gets passed back, and we can’t really say anything about it until we know more about soul gems and souls.

TL;DR: The Big Reveal episode teaches us very little, if anything, new that we didn’t know before, about the xenophysics of Madoka.

So why am I slowly changing my position? I think if QB’s race can create a system where people can travel to the past with that sort of information, they would have came up with a way to pass the information on reducing entropy to an earlier point in their civilization. In other words, while Homura is a determined little girl who is driven by undying hope and love, there’s nothing stopping an entire race from doing the same. Thankfully, I don’t see how we can take any of the known setting elements out of its presentation and make an argument that bypasses the black box of the soul gem. And so until they explain that to us, we’re going to be in the dark. At least the objection of “a wizard did it” only applies in the time traveling mechanism, but maybe wizards like the taste of white mascot animals with ears coming out of their ears, and that is what makes them so.


Selling My Youth

When Blu-ray Discs won the format war, I had that inevitable gut feeling that some of the animated classics from my earlier days will get remade into the new high definition format. Many of us had the same feeling. I’m not too sure what to think about that, besides having to budget another couple Ben’s to cover the costs.

Because some things don’t age well. Would I want to pick up a copy of the Pinocchio 70th Anniversary edition? Probably. I still remember it just like yesterday; I probably have watched the stuff like a dozen times when I was little. Disney’s The Little Mermaid was probably my first gateway to moe (it was that or Saint Seiya, I can’t remember), and the original Fantasia was my gateway to arthouse media. Snow White and the Seven Dwarfs introduced me to … dwarfs, a valuable piece of information that saved me from probably at least one occasion in at least one D&D game I’ve been in. Okay, so some things aged better than others.

Well, okay, so Disney at least started with timeless classics, like Miyazaki’s masterpiece Nausicaa. Has he even made something greater than it, now a good 27 years has gone past? I watched the Japanese release a long time ago (as in, 2010) and it was as every bit as interesting as I remembered it from The Days Before The Promised Date Or whatever emotionally tugging jargon conjured from an Engrish perspective. But would I want to make a date with every Ghibli film? Probably not. Just like I am going to probably pass on Aladdin 2: The Return of Jafar or other wrecks better not remembered.

I mean, I would totally not buy Ponyo (again).