Monthly Archives: August 2012

The Underrating of Nobuna Oda

I don’t want to pick on anyone, but it’s easier to just point you to an example. Take a look at this.

Is that a fair statement? I think it’s a valid opinion and probably a common opinion, and the post itself seems fine. The opinion might be fairly considered given what he has stated. It’s just as someone who’s just 5 episodes in, I think the show has long since survived the falling-on-swords-of-mary-sue-moe-genderswapped-sengoku-reenactment. Five episodes! Is that so much to ask for people who review anime? In fact since episode 3 my opinion on Nobuna hasn’t really changed. The latest addition, the Yui Ogura loli-kei character, feels like a major distraction actually. Granted, she is kind of a cool character for what she is (ie., loli fanservice draw), the show is rock solid with or without the latest Nobuna haremite.

Of course, I am just as biased. After 5 episodes of this Sengoku gender-swap mary-sue, it is still impressing me, and it does not go by the name of “Sengoku Collection.” (Actually, Sencolle stopped impressing me after episode 8, in which it pulled the Alice-in-Wonderland directorial schtik; it isn’t to say Sencolle is no good now, but my expectation has long since adjusted to match.) I really didn’t expect Nobuna’s Ambition to be the show that it is today, however, so I find that kind of criticism I linked valid only in that magical, alternate universe where the anime ended after 1 or 2 episodes.

And that’s just it. It’s a game about expectations and consistently blogs confound their opinions and feelings with actual critical judgment. The funny thing in the example I quoted was that there was actually a lot of nods on what Nobuna has done well. It’s the assumption that it’s just another moe sengoku genderswap anime which makes the review incredibly shallow. To clarify, that’s like assuming a root beer float is a root beer float, so it’s bad? What’s wrong with this particular version of the sengoku genderswap (or any version)? The lack of burly dudes in lead roles (wait, which part of “genderswap” did you not get)? Dumb characters? Nobuna’s right tit? I have no idea, after reading that post.

In the grand scheme of things, Nobuna is still just your average, garden variety of romance/comedy/adventure anime. It might not be worth writing home about unless you enjoy historical game/RPGs especially the various Nobunaga’s Ambition spinoffs. It might not be as charming as Ankori Pasta Rice, but who would have given either show a second thought if they were thinking any anime with a main character and a harem was no good? Well, maybe it is no good, if by good you mean “Cowboy Bebop” or LOL “Redline.”

Come to think of it, on a very basic level, there just are not too many adventure anime these days that has those components, and still can be finished in a cour or two. Nobuna’s Ambition fits that description. We won’t retread what is good: the solid writing and good animation/direction. We won’t even talk about the way how the main character actually sticks to just Nobuna, despite his unavoidably awkward interaction with the rest of the (and like in-game generals, disposable) female cast. Certainly we won’t talk about that there’s an intended audience for this show, which may be a valid justification for someone like the guy I quoted to react in the way he did. Maybe some people don’t like cute girls in their anime, or ninjas that stutter. Or anything to do with mary-sues. Maybe this is why replay novels never really took off in the west.

On a very fundamental level I could say that our act of gauging our expectation is influenced by the show we watch, however little. Perhaps you can find that type of mismatch as a result of the show. However, for example, I know for every whiner about Horizon in the Middle of Nowhere’s character designs and fanservice, there’s a genuine concern about either cultural smashing or simply a distaste for aesthetics or something like that, which is invariably going to happen as long as the world has more than one flavor to choose from. That is opinion worth taking into consideration. But that’s a very different thing to talk well of shows you like and talk badly of shows you drop. It’s a very different thing to judge a show based on your incorrect assumptions. It’s like reviewing a sports car as a mini-van. Or chocolate ice cream for someone who’s tired of chocolate.

Which is again really just the continuing and constant problem of decontexualization that oversea fandom of anime suffers from ever since the very beginning.


Best noitaminA Show Is the Most Mainstream One

A lot of anime fans I know likes noitaminA. It’s probably because I know too many internet people; the sort of people who like non-mainstream stuff (not that they don’t like mainstream stuff, as we will see). That Fuji TV programming segment tends to favor the kind of anime that you don’t see often outside of it. It also helps that some of the shows on noitaminA are based on franchises that were fan favorites even before those respective things turned into anime, in some cases, new versions of older anime.

Here’s just a poll from some Japanese site on who likes what. You can read more about it over there if you wish. This is the results of “3,125 votes from 1,097 people.” All disclaimers about internet polls, etc, apply. I didn’t read the original post to get if there’s any specific or special about this polling group or poll or whatever. Anyway:

1: Anohana (306 votes)
2: Kids on the Slope (213 votes)
3: Mononoke (211 votes)
4: Moyashimon Anime (191 votes)
5: Library Wars (173 votes)
6: Tsuritama (163 votes)
7: Guilty Crown (158 votes)
8: NO.6 (135 votes)
9: Eden of the East (135 votes)
10: Nodame series (128 votes)
11: Rabbit Drop (118 votes)
12: Natsuyuki Rendezvous (104 votes)
13: UN-GO (95 votes)
14: Honey & Clover series (85 votes)
15: Shiki (83 votes)
16: Ayakashi (82 votes)
17: Trapeze (78 votes)
18: Kuragehime (73 votes)
19: Tokyo Magnitude 8.0 (72 votes)
20: Tatami Galaxy (65 votes)
21: Thermae Romae (60 votes)
22: Black Rock Shooter (57 votes)
23: Hakaba Kitarou (56 votes)
24: C (51 votes)
25: Antique Bakery (43 votes)
26: House of Five Leaves (35 votes)
26: Jyuousei (35 votes)
28: Live Action Moyashimon (30 votes)
29: Hourou Musuko (24 votes)
30: Genji Monogatari Sennenki (21 votes)
31: Fractale (16 votes)
32: Paradise Kiss (14 votes)
33: Hataraki Man (10 votes)

Yep, Fractale is not the worse, but it’s likely a minor aberration. Hataraki Man and Parakiss are probably too old for this demographic.

The highest-ranked show I didn’t watch is Mononoke, but not for lack of trying. Next is #16, Ayakashi. Then it is #23, Hakaba Kitarou. Do you see a trend here? Maybe not, because I also skipped #25 (fujoshi crap), #26 (fujoshi crap), #28 (not anime), and #30 (see previous trend). Please note that by calling any given noitaminA anime “fujoshi crap” is like saying anime is from Japan; that is kind of the given.

I get the feeling there are way too many people voting up Mononoke, more so than a reasonable group of random internet anime-viewers should. I mean yes I get it, but really? Actually the fact that Kids on the Slope came in #2 (look at the ratings) probably speaks volume about the people who voted, given how it averaged out to be the same as BRS/Guilty Crown. It definitely seems to confirm this previous theory/observation, in a way that is self-contradictory. I mean Kids on the Slope sold poorly, overall, while Guilty Crown still charts (in a way that respects its #7 rank). Actually those two titles typifies a lot of Noitamina shows; they either get a lot of love from the mouth and no love on home video, or a lot of hate and some love from people buying them. Of course, what is for sure is that Anohana both sold well (also see Guilty Crown on that list) and did well on TV. The elusive, the anecdote quoter’s favorite: a hit. And then there’s Fractale.

If you dig back a few years, you can tell a lot of the lower ranked shows did no worse than the higher ranked ones on TV. It just seems kind of arbitrary. Which is why I’m wondering why Mononoke did so well; it wasn’t particularly better rated than, say, Hataraki Man. Why the big gap between the two? (If you are curious, the MAL link has the answer, or see here.)

PS. There’s a follow-up to this observation. Maybe it will become a post!


Takagaki Ayahi Laughs and Cries

One of the intangible factor that floats seiyuu-idol pop group Sphere is its classically-trained vocalist Takagaki Ayahi. Ayahi (or Ayahime) is gifted with a decent singing voice and majority of Sphere fans probably concur that hers is the best, even if hers may not be their favorite. Indeed there are probably the fewest Ayahi fans out of the whole group, especially given her relatively few otaku roles on her relatively short CV. She gets outshined by her groupmates, who are popular on their own in a lot of ways.

There is this enjoyable irony, thus.

I think Ayahime works great in these PA Works T_T anime projects, Tari Tari being the latest. It’s a bit like her gig in Fate/Zero–the earnest girl that laughed and cried within the same episode. It’s what she did in Tari Tari 6. It isn’t that her acting is actually that great, but in a way Ayahi’s voice is something you just don’t hear very much of, partly because she’s just not in so many shows and her voice has enough of a uniqueness to it to take note. Enough for a lead character, enough for a cappella 5-piece, enough to stand out between a Noto-and-Hayami manzai gag (how many times has that happened anyway?), and enough to delight Noe supporters throughout the ages.

Which in retrospect plays to all of her strengths, and it’s a pretty tall list to stand up against. Then again my favorite Ayahi performance is still the brat from Mitsudomoe, so what do I know?

I certainly don’t follow her solo vocalist career, or what little bits of it. Thing is, even when you up the ante and play with operatic stuff, Ayahime comes across as, at best, a delightful, if pedestrian, passer-by who is best known for her seiyuu idol status, and not because she lights up the ball. Yes, we know she can sing, but is she any good? More importantly, does she have what it takes? She may be able to wrestle a standing fan (something most opera singers have not done, I imagine), but how about a whole bunch of them? I think the jury is still out on this, even after the third Sphere album. At least, I don’t really know.


Manabi Straight on Blu-ray

It’s always kind of a gamble to buy a BD release of a show created during the post-digital, pre-high-def era of TV anime. That’s pretty much any show created between like 1998 and 2008 or so, which includes Manabi Straight. Manabi Straight is one of the last TV anime that was created for the 4:3 format and watching it gave my plasma temporary burn-in. LOL for cheap TV I guess.

That unfortunate circumstance aside, I lament that I just don’t have all the time in the world to rewatch this gem. I managed to just catch the last episode, the OVA episode (now slotted chronologically onto disc 3 of 4) and the Machiasobi event from last November (also on disc 3). It’s a little odd to see Nonaka on stage again, after just seeing her not too long ago in person. Equally odd was how the event is about showing the audience the PQ difference for the Manabi BD box, and get everyone to sing the Seiou Gakuen Kouka. I mean, a sing-along event with a video of Horie Yui teaching you (well, it’s a joke) how to emote it? Okay.

The oddness of the event bleeds into the home video version. At the event, they have this kind of small screen on stage where they showed you side-by-side between DVD and BD of episode 11 (and some other clips). It looks great on home video because, well, you see the actual video. I just don’t know if anyone present at the actual event can tell from that distance.

I haven’t taken a close look at anything other than disc 3 and disc 4. Disc 4 contains the final 4 episodes of the series, plus all the TV spots (TV ads and DVD ads), trailers, and the karaoke video for the five image songs for the main characters. But what’s probably more of interest to perspective buyers and Viewers Like Myself is the last episode and how it’s “reshot” or whatever ANN uses to describe the work ufotable put in. To make it clear, episodes 1-11 + OVA episodes have had their composition redone for the BD release, but they went out and redid episode 12 by recreating the CG effects. If I know Japanese I probably could tell you, because they talked about this at the Machiasobi event. Yeah, I think it’s odd to have Nonaka and the King Record producer guy tell you how good this transfer is, in the thing you just bought.

If composition is what I think it is, redoing it means now the scenes are rendered at a higher resolution as it is being composed by whatever software they use. This is drastically different than doing an upscale because the software that spits out the re-composed scenes are working from the original property, rather than the end result video that gets interpolated by the upscale software. I guess you can think of it as being one step closer (in reality, probably more than one step). And I think given the way anime is put together these days,  that might be the best thing you can do for a TV anime of that vintage. What is amusing is I can totally see someone do this to 2k or 4k, give them another 10 years.

Anyway, this is also why the CG, which is sometimes generated dynamically at composition, need to be re-done. Because it would look like ass otherwise. Since I don’t have a BD drive I can’t cap them for you, but let’s just say the cherry blossom scene at the beginning of episode 12 (this is the naming convention used by the BD box; OAV episode is labeled as such, not 6.5 or whatever) looked reminiscent of 5cm/s. There are a lot of pans and sky cuts in episode 12 and they look gorgeous. When Mikan popped out in the epilogue by herself I thought “only if Evangelion TV on Blu-ray would look this good.” There’s just all this detail in the scene when Mei was driving to the airport with the crew.

However, when you just look at the normal foreground animation, they don’t look too different than the previous episodes. It looks better than upscaled; the lines are well-defined, if a bit rough. The show has its share of derpy faces, after all.

The other notable thing about Manabi BD in terms of PQ is the stop motion ending. It looks great, and that should be the case because I’m going to assume they shot the whole thing using some DSLR, and that means it was put together using whatever-megapixel photographs. 1080 is only 2 megapixels; 4k is only 9.4 megapixels.

The intangible details aside, here are the stats [Amazon, King Records, ufotable]:

  • 4 BD discs, 1 DVD disc (materials for your PC…?)
  • contains episodes 1-12 plus OVA episode (on disc 3)
  • Discs 1, 2 are single layer, discs 3 and 4 are dual layer.
  • Comes with a slip case with a huge obi-thing that covers the bottom and the back of the packaging.
  • Also has a 108-page book containing all sorts of supplementary material, fits in the slip case.
  • Discs sit inside of a 5-part digipak that holds all 5.
  • First week sales: below reporting threshold

You can get more nitty gritty if you see the listing on Amazon and the like. There was a contest where people can vote for the cover image on the BD BOX, on ufotable’s website. It ran for about a month and you can get all the non-winner pictures as A4 postcard-things if you buy the BD BOX direct from ufotable.

Rewatching the series is definitely on my to-do list. I’m due one anyway.


The Other 2.5D, Scarlet Rain

You know how there’s a furry scale? There’s probably something like a mecha scale too.

No, not really about Strike Witches (even if that’s a good example of both types of scales). Actually, one of the more attractive aspect of mechanical design for popular media is its ability to transform. A big reason people like the F-14 is its moving-sweeping wings. It is not a surprise to see the now-retired assault aircraft pairing off with futuristic valks in Macross Zero. And as you know, these witches transform into furry beings by magic and military weapons by mechanical parts.

The value in transformation almost implicitly point out that the degree of mechanization for a mechamusume is not a quantized value, but a sliding scale. It’s one thing to paint a girl’s picture to the side of your aircraft or bomb or tank. It’s another to replace the giant robot and replace it with a girl-android-thing. Maybe we can even put, at the extreme ends, just girls piloting these things on one side, and girls piloting these other things on the other end of the scale.

You know Aegis from Persona 3? She’s a pretty much middle-of-the-road for mechamusume. Now by definition mechamusume is combing traditional mecha with that moe bishoujo aesthetics, like “girl+tank” or “girl+RX-78“. Aegis is just a straight-up android, and by definition human-like robots will exhabit some humanlike-ness. If that style of femininity is what the android has, it might be difficult to consider that as mechamusume. Perhaps as a new dimensionality?

But to a degree one end of the mechamusume spectrum is kind of like how people get off on guro or, say, ableist porn–it’s all normal except insert-the-blank, where the blank is some kind of abnormal physiology. Androids approach this idea from the opposite, in that the question is how human-like that they may be, except for their ears and the on-off switch, as an example. I would say these kinds of mechamusume are almost just normal people; that’s kind of their schtik. That’s the 0%. After all we don’t quite put Miku in this category.

I think Scarlet Rain is a pretty good example of both the more extreme form of mechamusume, as well as the idea of this non-fixed value of how much of a mechamusume a character could be. For one, in Accel World, you are your avatar, and it isn’t something you pilot exactly–you could kind of control it, but it is ultimately presented as the version of you in Accel World. So in that sense, when Scarlet Rain is doing her bit of the story inside the Accel World universe, she’s only known as Scarlet Rain, and not Yuniko. It’s a pretty serious transformation in contrast with Strike Witches, don’t you think?

Or maybe better yet, perhaps we can posit that it is Strike Witches that is progressive in combining the mechanical aspect of the girls with the innate identities thereof. Yuniko is still just Yuniko in the real world, after all. To the degree Power Ranger Pink can transform from mundane to magical (sometimes with the hardware), it speaks a lot about the place our characters inhibit within the scope of what makes of mechamusume. As I would put it, it’s about venturing into that 2.5D land, that gap between the common-sensical and the fantastically two-dimensional construct of the mechamusume.

I suppose Drossel has met her match, though. Long live the (tsundere imouto) Red King!

[I wrote this before Summer Wanfest 2012, so for reference check out this and that. Or this plamo KOS-MOS, the most moe weapons platform]