Category Archives: Franchises

Songs from Earthsea

I have a friend who is a huge Joe Hisaishi fan. Huge. We still make fun of him when he chickened out at going to Japan this summer, for Hisaishi’s mini tour thing. Well, we can’t blame him too much; flying to Japan just for a show is a tad extreme, but I think he’s due a trip. This is his copy that I’m enjoying, which is odd because it isn’t Joe Hisaishi.

At any rate, Gedo Senki Kashu (Tales from Earthsea Poetry Book) is actually a vocal album featuring some songs from the Studio Ghibli film, with no involvement from Joe Hisaishi at all, AFAIK. What it is, is the first album by a new vocalist Aoi Teshima. Doubly so interesting is that she plays a character in the movie, too.

But what makes this blog entry happen at all in the first place is how it reminds me of two neat things: KOKIA’s early works, and Akino Arai. The vocal style is rough but soothing, with a stripped and sad-folksy speed to its simpleness. It’s the sort of music that may go with an imaginary dream accompanying a funeral progression at the beginning of a film, or something to that nature.

It’s not all sad, but it is all slow, that said. The CD goes through a variety of moods, but it’s like watching Kino’s Journey; if you “get” one episode, you get them all. And in a way this CD is a journey much like that, too. Our lead protagonist here is a soulful vocal that marches unendingly from one classical arrangement to another, sometimes alone, sometimes with a small troupe. The voice itself is not a bishoujo, either, to stretch the analogy. It would look like someone I’d like to see.


HDTV: High-Deshou Television

I’m sure all the people who care already knows, but just in case DJ Bouche has a really nice selection of remixes and midi related to Suzumiya Haruhi no Uutsu. Download and all that. And it is good–the tech spins the familiar hits under a new light.

Momotato should take note how it doesn't take up the whole screen.

Just like having those 720p encoded raws for the show, on a Sony KDS-60A2000, can spin up a new flavor for an old anime. I guess this blog entry could also serve as a mini-review if you’re looking to buy a nice microdisplay. It really looks nice.

Nice might even be an awfully inadequate understatement. I’m not entirely sure if the High-Definition broadcast of Suzumiya Haruhi was in 1080i or not, but that must have been jaw-dropping if you were watching it on a nice HD display. Hare Hare Yukai on this set was like that for me, even if people complain how the VGA port only allows 768 vertical resolution max, giving me a nice, but “not as big as it could be” replay. I still dropped jaws.

The picture up there is from my phone, and it doesn’t do anything justice, let alone a HD display in a relatively dark room, so never let the picture influence you in terms of what I am saying (always, in fact). Considering that I have already watched the first episode (well, episode 2) 5 times before today, going through it twice more on this set still leaves me hungry for the rest. I suppose that shows how much I enjoy this episode, but I’d like to think it’s because you really enjoy it differently watching it on a big TV, Hi-Def, than watching it on your monitor (well, also Hi-Def I suppose).

And … yeah. Why am I talking about it when I still have 13 episodes left to go? I could be watching it right now! Chronology for a second rewatch is what the Kyoani doctors have called for, so be it.

[And oh, if you are actually curious, these are not resized; but they come from my dinky camera anyways. And also they will probably be around only for a short while.]


Gonzo Is Snarky

That looks awfully familiar.

People knows about fansubs even in Japan. Industry people. I recall once such instance when the ROD TV core creative team was fielding questions @ Anime Central 2004. I believe was Hideyuki Kurata-san who asked the panel audience “how do you know about ROD the TV? It’s not in the US yet.” The answer was not awkard, and IIRC someone in the audience gave a very good, short, snappy summary of the nature of fansubbing. We all nodded to concede its impropriety yet its necessity, even our creators.

The reason I thought about that was watching Gonzo’s Welcome to the NHK, I realized the OP used 3D text that dropped shadows and ran on chroma key for overlaying and underlaying. In the scene where various women walked past the screen it was pretty obvious what was the trick–the uniform colored background probably made it easier. That was the key. “Why the uniform background? Was the text applied after animation”? And as a rule of thumb, it was–that’s how we can get “clean” OP and EDs. “Wow, that’s like something you can pull off in aegisub if you spend enough time doing it.” Click. Wasn’t this something we saw in Shinsen’s Speed Grapher subs? How they managed to string the song lyrics into the slideshow ED with a uniform background color?

Could the two be possibly related? They are both Gonzo shows… I mean, it is probably more likely that whoever was doing the credits just went to town and did a great job “adding” to the opening animation. More importantly it was probably coordinated, as the flat BG was kind of necessary for post-processing. Or it just could be someone trying to “fix up” a poor production? I don’t know.


May Tempus Patium Be with You, Always

No Trap-chan has been so valiant and stunningly beautiful as YUKANA’s performance in Simoun. Heck, few plain anime women were that good. In some ways her play with Mamiko Noto’s Limone was not even necessary, but it really helps to bring her into relevance.

And, yeah, it helps that her character design is also so stunning. May the girl with the best lips win? :)

Let this blog post dedicate itself to the power of her conviction and the beauty of her virtues, and may it bring peace to those living in a turbulent world.


Put Your Hands to the Skies and Say…

Let's Sing Along!

Or in this case, scream CUZ THEY GOT THE KARAOKE TRACKS!

NHK ni Yokoso anime’s most notable feature for me is its ending song. The opening animation is delightful, too, but it isn’t nearly as entertaining. I suppose they only thing more they could have done is actually draw a baby. (That might be a little too creepy for some of us, though.)

Sometimes it’s just what you need after realizing how much smiliarity you share with the average NEET hikikomori.

Oh, yeah, I need romanji lyrics too! Hook a brother up yo.

[Update +8h]

Momotato = Awesome, and Great.