Category Archives: Modern Visual Culture

Defining Features of Fanaticism, Or Why You Are Not Otaku

Fandom appropriates. There are some people out there who are hung up on the whole “otaku” term or the “moe” term and what have you. Words like anime and manga mean different things once you cross boundaries of languages, cultures, subcultures, and individuals. It’s not I’m trying to play definition Nazi, because I don’t have to. I’m just going to state the obvious, only because somehow I’ve not seen anyone taken that into their accounts, of what defines whatever word they are trying to use to describe themselves or somebody else.

Before we can even talk about words like otaku or moe there is one word I want to nail down. It’s fan. It’s not even “geek” (which is probably a better indicator of what I’m addressing, since there’s no “Japanese definition” trap here). It’s not that people like Patton Oswalt is using the word otaku one way or whatever Henry Jenkins is trying to say that these people do; I’m sure their ideas are interesting in their own ways when it comes to pop culture and its role in modern discourse in the mind of the public. It’s not what I am talking about. What I am addressing is the fanaticism in fans. Or the lack thereof.

Because to me that is one of the defining trait of being a fan. And being a fan is the ground level of discourse in which we view people like Gleeks or otaku. And without some degree of fanaticism you just cannot be one of them.

Why is fanaticism a part of fan? Wiki’s definition is pretty straight forward, so we can start there. Basically, it’s like what it takes to move up the corporate ladder–you need to go-get, be pro-active, show your enthusiasm. Of course the outlet of enthusiasm is different between each individual and between different fan scenes, but ultimately the exact object of your passion makes a fan. So there are two elements–

There is a passion; to something.

I used the word passion for short, but I could have used a lot of different words to describe this fanaticism. However there are some words that aren’t suitable, like “like.” I mean I like vanilla ice cream. I guess I am a fan, but surely it would only be a figure of speech. I don’t go to ice cream conventions or have ice creaming paraphernalia. It’s like how anyone can have a favorite color, but it doesn’t make anyone a fan of that color. Where do we draw the line is up to debate, but I’m not here for that debate. So I’ll use a marker of unmistakable threshold here–passion.

I think when it comes to traditional fandoms, for example, collecting stamps, knitting or even Star Trek, a lot of this stuff makes sense. It makes much less sense in the case of, for example, a film buff, or almost criminally, the American use of the term otaku.

To put it in a different way–are bibliophiles fan of books? I think this is kind of a word-mincing that I want to engage in. I’m going to use books as a crutch to illustrate my point, because books (and book fans, pardon the terms) have been around for centuries so people have had the time to sort out the different types of people who like certain things that have some degree relevance to print media.

There is some notion, that by some working definition of the term, that book fans exist. They are fan of books. They like books. They are pro-active and enthusiastic about books. What about books? Probably every aspects of books–fiction, non fiction, references, and even magazines and newspapers. Paper quality, binding, the way to display them on a shelf, you name it. They can even be fans of library sciences and other more meta-y things. These people, however, may or may not have expressed tastes about particular copyright subject matters. Twilight, for example, is a series of books that some bibliophiles may like or dislike.

It’s the simple application of passion to specific things. It’s like how an anime otaku could dislike Fractale. Or how an anime otaku could dislike moe. Or lack of application, in the case of dislikes.

But if some 8 year-old expresses his or her love for Ponyo the animated feature, I am not going to say that person is an otaku. Nor would it make sense to call people who like Twilight, generally, bibliophiles. By corollary, anime otaku are people who like anime, not because they like a few shows and now are disenchanted about every other anime that wasn’t those few shows. Gleeks are not categorically fans of television programming. Or even prime-time television programming. Or even television programming on FOX. Maybe not even musicals generally! So…

The fanaticism is missing. It’s the tell-all sign that you are or are not a fan. Just because you write about something, doesn’t mean you are a fan. Just because I write about eroge on my blog doesn’t make me a fan of eroge, or even writing about eroge. Heck even if I play them, it doesn’t make me a fan any more or less than someone else who do not. Just because somebody reviews some anime, it doesn’t make that person a fan. It’s more about who you are–your passion and not your action–that speaks to  your fanaticism.  It’s what you like and not who you identify with that determines the type of fan you are.

Which is to say, I think genuine otaku are people who do very little social activities among other fans. They do not participate in a lot of these things pop-culture scholars study. Fansubbing? Youtube memes? AMV? LOL. I mean let’s put it in simpler terms. If I really like anime, what would I do? Watching it would be the first thing, right? And if you’ve gotten a clue about how much anime is out there, you probably would know that true anime otaku spend most of their “fan time” watching anime. They probably would spend money buying anime rather than going to cons or do any of this stuff most self-proclaimed otaku do. Once you get beyond that, it becomes more of a matter of inclinations and preferences in which the anime otaku sates his passion for anime.

Now of course that is just one version of anime otaku. There are many manifestations, and I am sure many do reach out socially to augment their fandom. But it becomes a matter of that line-drawing exercise I side-stepped earlier. Like someone can really like cartoon porn of characters (so they draw cartoon porn of the cartoon porn they just watched), or someone might like anime but they like to socialize just as much (I think this is probably the case for most fans that actually subscribes to the common mode of what makes a fan a fan). Whatever. But when these instincts become definitive of your “otaku” nature then I think it has ceases to be about being an otaku and more about being some kind of scenester.

In a similar way, I think how these sub-genres and fandom that sets up an “us-versus-them” schema tend to perpetrate a notion of fandom that is defined by understanding. Just because I understand and speak about anime fandom doesn’t mean I am a fan, for example. However this is very much so not the case in this day and age, in America. It is very much identity, and sometimes it gets even political.

Fandom appropriates. Because fanaticism is rooted out of an sense of need; fans take what they have to sate it. I think for some, that sense of need is one rooted in identity. Still this is not the case for everyone. When we take words and mold them to our uses, people are going to complain about it because we are not alone, and we are not alike (especially when people hanging on the same label as it swells, definitions diverging). One observation here is that fans really do take anything that’s not bolted down for their own, from words and loosely defined catch words to music videos to whatever else under the sun.


Judge-by-Cover Part 3, Winter 2011

Seiyuu_joke.

Beelzebub – Miyuki Sawashiro reprises a baby pokemon slash deadly seed of the demonic overlord. I am not sure if it is entirely impressive, or just a waste of time. It delivers the hijinks with sufficient precision that most of us who watch crap cartoon in bulk would find it entertaining. However its non-ending-JUMP-y premises kind of tickle me in the wrong way. Not a huge fan of checking my brain at the door, so it’s on probation. Last year made me slightly more picky about comedies this year, unfortunately. Was it as funny as Mitsudomoe S2? Probably not, yet.

Oniichan no Koto naka Zenzen Suki Janain Dakara ne – It feels like a complementary piece to OreImo. I like the art style, actually, and it works surprisingly well in terms of “serving up” the fanservice elements in a way where it is obvious yet without being too grotesque. Or I should say, it is grotesque in a way that doesn’t interrupt the flow of the visuals. Better than Kiss x Sis, right? Right, but you wouldn’t use that measuring stick unless your standards are really low. So far it’s unclear where the show is going to go, so I will stick with it a couple more. KitaEri does a pretty kimoi job here, and I think that particular category of cliente appreciates that.

Level E – Feels like Bantorra, but it plays out more like Occult Academy. Can’t say this is bad, really. I guess it’s a keeper. However I don’t really like any of the characters so far. It feels like everyone in the series is like Mikaze from Occult. There’s just something that sticks out like a splinter in the character animation and design. But I guess it “adds character” and doesn’t really subtract from the overall experience. Just makes it hard to like, you know? The genre makes this a must-watch for me, I guess.

Dragon Crisis – It’s kind of iffy, but if I had to say rotten or fresh I would go for rotten. It didn’t fail by much, though. I would watch this for Yukana alone but she had to carry the first episode, and she failed to do that. At this point having Kugyuu play the role like Rose is a detriment for me, not a plus. As far as story goes, it’s kind of too fruity of a presentation, but I will probably stick around enough to make sure the setting is something I can pass on before passing on this. If there’s one truly notable thing here it is that 1/3 of Besame Mucho is on board this show, possibly saving it from sinking further into mediocrity.

Kore ga Zombie desuka? – It’s like a more palatable Inukami. I think I will stick around for the jokes for now, but this kind of anime is really hit and miss. I laughed at the jousou jokes and all the play on stereotypical magical girl (I know someone made a Saitama Chainsaw Girl joke already), the zombie abuse, and of course the Mitsuishi cameo. But none of them are sticking points (unless Mitsuishi repeats her performance!) so I’m kind of on the fence on this too. It might be another case where if it wasn’t pure-simulcasted on CR I would have passed.

Speaking of Crunchyroll, its Noitamina snag of Wandering Son will make good head-to-head compare with Funimation’s Fractale stream. I might just write it up for Jtor or something? Well, it’s kind of meaningless because I would just be writing about Hulu. They use Akamai too…so it’s basically the same sort of thing to a large extent. CR is behind the ball in a few technical areas, but discerning videophiles may appreciate what CR provides that Hulu doesn’t just as much. Well, it’s a good thing right? You read that, TAN? Get on with the program already!


Pimping for Haikasoru, Talking about Butt-Kicking Girls, Talking Trash on Moe

Japan loves their badass chicks. Kuudere or tsundere or just a pretty face with a good head on her shoulders, there are all types and it comes in all forms and shapes and sizes. Even if they tend to be small and yet larger than life.

So I decide to spin this essay topic out in to a blog post, partly because I don’t feel ethically 100% about applying for a freebie (dudes Viz send Jtor some review copies?), but also because I am going over 200 words. (Plus I am going to buy a copy of Mardock Scramble anyways.)

The immediate thought that came to mind is how these girl protagonists run the gamut from cardboard pinup to full-blown mind-virus that consumes the audience. It’s like Satoshi Kon’s Chiyoko, the Millennium actress herself. It’s that feeling of wonder and adoration and moe a person has with his or her idol. She is gender unspecific in a way that she both is adored but she is also a force of nature, a perfected understanding of womanhood, the ideal that is somehow also mono no aware. You can empathize with her, and you admire her because she is your better and she makes you aspire. These things are universal, not limited to a heterosexual orientation.

Chiyoko is probably simply a polished version of another SF heroine, a personal favorite: Priss literally fights with tooth and nail against the things holding her back. But more like a punk rocker than someone driven by universal love, her rebellion is one that highlights human hypocrisy and failing rather than to extol some virtue universal. To me she’s timeless, having survived the 80s, 90s and the 00s. She puts on an act, as in her music gig, but it’s just an extension of her persona.

Which is to say that is yet entirely different than, say, Harmony’s instigators, who are more victims and pawns than human beings capable of their own wills, or are they even such things to begin with? Like puppets in a puppet show, I think that is quite all right. The storyteller has a story to tell, and I paid the admission fee expecting that.

Yet different still is Ibis, who is more robot than a girl, and I mean it in gender terms. The funny thing here is exactly how Ibis (and more pertinently, Ibis’ AI friends) are of originally fancies of otaku. It is through their masters’ drive to fulfilling their wishes that they were born. (As to what I mean by this you can load up a video of Dead or Alive Beach Volleyball for an example.) They bear the shapes of the fancies and fantasies of their masters, even to their personality and desire for non-conflict (although at that point we’re talking about something more Asimov-ish, rather than late night anime or galge). Somewhere between the space, lack of a better term, from the words and ink on a page to the abstraction in the mind of the reader, we’ve inflated these simple ideas like balloons, and injected feelings as if we perceive these characters as some kind of, well, girl, or whatever. Helium or Xenon or what have you, whatever floats your pickles.

Which is still to say that there are a group of people out there, you know, that seek this feminine protagonist, that these protagonists may kick butt in more ways than one, and that is that. And that is the moe problem in a nutshell. It isn’t that these cardboard-cutout characters are deep, insightful, and reflective of the human condition, but their collective existence upon the mind of the otaku social consciousness is notable and profound. They are art imitating life imitating art, except there is no master storyteller here; there are just tens of thousands of storytellers, each seeing the scene with his or her own eyes, each telling his or her own story. It’s a metaversial harem.

Thankfully when we have few substitute for words when it comes to written prose, rather than a flash of a pair of panties or a longing look back with her long blond mane flowing in the wind, pondering about that Distant Avalon that never comes, but kinda should have already given how much money they’ve made on PVC alone. Such simple but indestructible barrier to human communication safeguards, to some extent, the ever-cheapening nature of the database animal. In as much as you can write a book about these 2D cardboard cutouts, it still stands with more dignity than an anime of the same put together. After all, a picture of a butt-kicking girl is not the same as the words “butt-kicking girl.”

[As an aside, I more or less kept my resolution in 2010 about talking about moe. I ought to continue, but it feels right to use the term here. You will have to forgive me.]


Judge-By-Cover Part 2, Winter 2011

Bloggin’ for the first episodes this season. Judging books by not covers, but by their animated advertisements! And I say this in a literal sense; the light novel adaptations all seems kind of interesting…if all I had to go by are the anime. But we’re making calls on anime, so that’s the figurative judging-book-by-cover schtik that I despise so much but still have to do.

Gosick – I can’t believe I”m saying this, but I think if I dropped this show, the biggest reason would be that I didn’t like how Yuki Aoi sounded in it. I guess I have Sawashiro ingrained in my brain and her hard-edged voice just sets the bar too high for little Yuki. I’m putting this nicely, but let’s just say that she couldn’t sell Victorica for me. It all felt too artificial and I was laughing at her half the time.

On the bright side, her voice isn’t annoying and the show itself is not horrible. Mysteries are fine by me. The setting doesn’t really bother me either except I have a hard time trying to pin down the tech level. Maybe I’ll try to novels.

Freezing – It’s freezing because those guys have some power they unlock when they do something with those girls, basically. Not because Mamiko Noto plays this super-cool cool-dere who melts when the protagonist male jumps on her. When I mean super-cool, she is Terminator cool, when she literally kills off a couple dozen people. Blood and splatter and all.

I think elementally Freezing is right up my alley with near SF setting and aliens and what not. Seiyuu cast is strong, and it seems like a show that will have a real plot. Based on a Korean manga, at any rate. It might be a little too azn-cheesy, but I think I can overlook that if the story gets a grade above C- and there are surprises in the show. I suppose the fact that everyone’s got a huge rack helps, but the lead girl’s rack is just way too big.

Yumekui Merry – I like the backgrounds, but the rest I’m not sure. Reserving judgment on this. It feels like this show has a cool concept and direction if it wasn’t produced like a half-assed semi-slideshow. Tug of war between good and bad elements ensues over my continuing patronage.

Infinte Stratos – I don’t enjoy the way the guy puts down the girls, but it is entertaining to see how this show so teeters over the edge of the abyss of trash, and makes me appreciate better anime (Star Driver, for example). I don’t think IS is a bad show, though; it’s a game of expectations. And I didn’t expect much besides cool mecha combat. I got funnels from episode 1, so I really can’t ask for a lot more, especially so early in the game. If I had to liken it to a crap anime from the near past, it would be favorably compared to Ichiban Ushiro no Daimaou, especially with Hiyocchi playing lead chick again and its light novel origin.

Rio – Rainbow Gate – I think Freezing might take over that role this season. Especially if Marinajou gets more lines. She’s got a lot in episode 1. Of course Rio is all Marina Inoue so there is no way we’ll get a shortage of her if we all watched this show. Honestly it was better than I expected, but the last pachinko tie-in I saw was WAY better than I expected, so I’m not sure if this matches up. I did expect T&A, and I got those. I didn’t expect someone out of pages of One Piece, but hey, it ain’t all bad. I definitely didn’t expect the metaphorical card battle sequence, and I guess that’s as far as it goes. Some say it’s so bad that it’s good, I don’t think it’s that bad for me, which is too bad for Rio.

Wolverine – Welcome to Tokyo, Logan. Yeah. Well, Logan is one of the most popular, if not the most popular Marvel character for a reason, and this anime shell works just fine on the weeaboo-y old man/mascot. Fans of Wolverine probably should check it out. While it was nice to hear Fumiko Orikasa for once, I’ll pass.


Madafuq Magica, or How I Want to Rewatch Soul Taker

I really like the out-of-box display of magic power in Madoka Magica so far, because it is a solid example of when visuals take care of narrative, and says so itself. It takes risks (though one might say that risk is largely mitigated by Shinbo’s reputation…if you don’t get what I mean by this you can ask me) but it is inventive. But I had to react like this.

The one thing that always made Soul Taker something I look back to is how it incorporates direction as a way to express the story, as a part of the narrative. I can see the same thing in Madoka. I don’t even care too much about the harem of beautiful girls in Soul Taker (and it seems nobody ever talks about it). Which is okay when the story in Soul Taker is like your usual, Casshern-esqe, fighting shounen manga. But magical girl? I don’t know if it works. Just on the basis of the nature of draw typical in that genre, it is not one in which you can buck the norms of presentation too much.

Cross-clashing fists of burning manliness can be kind of cool, in the same way that a magical wideface commands a legion of magical muskets, I guess. Is this why Archer is GAR? Is Nasu’s Reality Marble the next trope for a manly exchange of interpersonal understanding through physical violence? Joe is going to be sad when he finds competition.

It is yet another fine example of danmaku-triggering visual this season, I suppose.

But on some level, the thing feels like a Nicovideo MAD. And that is my problem with Magica. Besides that it also is kind of boring, since most of the episode employs the same tired tricks from every other Shinbo x SHAFT anime in the past 6 years. And there were a lot of them. Am I suppose to survive on how moe Madoka’s mom is during that wake-up routine scene and Chiwa Saitou’s deadpan voice? Man does not live on cherry tomatoes alone. Or Junko Iwao for that matter.