Category Archives: Modern Visual Culture

Sasami-san@ganbaranai Episode 3 Reactions

Tama in Wonderland (Episode 2)

I’m not sure how to feel about this week’s Sasami-san. On one hand, it looks like I was more correct than I thought I was last week about week one. On the other hand now that the ruse is up, what is next? For a largely “what is this I don’t even” sort of anime, I suppose that is the best way to go about anticipating, but the lack of choice in the matter might ruffle some feathers. Well, it’s an adaptation anyway, so I guess that is no big deal. It seems like we’re “done” for the pilot portion of the series.

But still, I can anticipate something: incest. This anime already has a lot of it, versus the average garden variety. Even with the classic Shinto creationist tale from the first weeks we can see it as a theme between not just Sasami and Onii-chan, but also the strange things that brought the two of them together, into existence, and the stuff around them.

The whole reveal with god-robo Kagami and baby god Tama doesn’t seem to fit in the overall narrative. All we know from Tsurugi is that Sasami is safeguarding the power that once belonged to her, and now Tsurugi is safeguarding Sasami for safeguarding Tsurugi’s power. Seems not only convoluted, but redundant. Okay, it’s a little cute in the emotional sense, that Sasami no longer needs to deny herself to safeguard the stuff, because Amaterasu will safeguard Sasami’s sense of self so Sasami can safeguard the stuff.

The more I try to write about it the more stupid I feel. I guess it could be worse: it could be a ring where someone wants to throw into a lava pit.

Okay, so back to the fanservice angle. The story is hopefully going to resolve around that romantic relationship and Sasami’s personality. I half-suspect we have the Yagami sisters just to spice up the thing; an anime can only “ganbaranai” for so much and for so long, and Onii-chan is no tsukkomi. The ending songs (and the proper ending sequence) are one way to make this up, I guess.

There’s another creation tale evoked in this week’s episode, that makes Sasami into a bunny. The myth goes as more or less as told by the anime, except in this case the shark got beaten up, which is a funky twist. More importantly, it kinda alludes to the Ninigi thing that Tsurugi and Sasami talked about. The god that saved the Inaba bunny ultimately is replaced by Ninigi-no-Mikoto, the grandson of Amaterasu, who’s given the Imperial Regalia. I guess Sasami recognizes him in some special way.

The fight scenes is pure fanservice, I think. I guess it’s something to break things up and set up the pacing for this episode (which is incredibly similar to the previous two). Tama and Kagami also appeal the best when they’re cutting things up or doing what (robo)gods do.

With the way the episode wrapped up, maybe the pilot part is over? You would think so. There still are two major wrinkles left, besides the main story: what’s up with Sasami’s 3rd arm? She sealed it with a talisman that she continues to wear; is it metaphoric about her alter ego? Does that ego ultimately controls the power of Amaterasu? Also, what’s up with the “evil god” that kept her indoors? I guess that one could be explained easier if it is a consequence of her innate wishes.

Even on rewatch I found the scene when Onii-chan checks for her arm a lot of fun. Maybe something’s wrong with me.

PS. I just want to take this time to both thank and reprimand TAN: thanks for streaming Sasami-san@ganbaranai legit! But if you do it a week and a day late, it really takes all the air out of it. Imagine all those people who saw episode 2 when they saw episode 1 and spoiled themselves silly. smh.

PPS. Really dig the end card.


Love Live Episode 3, Ragdolls

Love Live!

I had my hangups about Love Live, but one thing I actually do like is the Asako Nishida-signature character designs. In a word, I like it for being glittery. Nishida comes across to me as a good illustrator with an innate sense to express emotion through character artwork. In fact sometimes I prefer her fanart over the original character artwork for certain IPs. In her works I can see a wide variety of feeling expressed, even if a lot of it tends to be the usual, fujoshi-tilting, fanart-style stuff. It’s often girly but yet compiled in a way that has uni-sexual sensibilities and can appeal in the same way, say, how young, girl-next-door style idols can appeal both to girls and to guys.

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Bookcover Scratchpad #2 Winter 2013: 2GD2GT Edition

This season it feels like there are a ton of short anime. It feels…kind of like this.

Haruka-san

Last time I mentioned I’m putting gdgd on the to-do list. Now it’s off the to-do list: somehow I managed to watch all of season 1 and caught up to season 2 during that time span. It’s not super hard, given it’s 13 minutes or so each episode and a quarter of it I was watching with my eyes closed (blame food coma). I think however I managed to get the gist of at least why there are some pretty loud fans of it. Well, the ultimate reason why comes down to the fact that it is not really anime, right? And by that I mean anyone who would watch this via some categorical basis would’ve dropped it on contact of its Red vs. Blue (season 1) visuals? The jokes (as good as they are) are totally besides the point why it would be in this discussion.

I’m not the first or last person to talk about anime as a way to deliver the laughs. I love comedy in my anime, but it’s also an often ignored sort of thing. It’s hard to talk about. It’s also hard to watch, I guess, because comedy in anime this season means 3 minutes long and probably full of in-jokes. I think this might be why I will look forward to Kotoura-san every week (plus, it’s got potential to be darkly humorous, which is quite rare). I guess it will have to do. In some sense, the past few years have been pretty solid for comedy anime, it’s just that what’s good has been hard to find. You’ll have to look all over the place to find something. It means looking at things like gdgd. Or Infernal Cop. Or whatever.

So, consider this sort of an attempt to talk about comedy and point out what you might (not) be missing. I’ll list one good point and one bad point for each show. Most of them have at least one of each.

Osaka Okan – Asumi and Shiraishi make an okay combo, but Asumisu carries the show as per her usual routine. Yuka Iguchi does a funny job being the third wheel when the occasion calls for it. Good: It is a moe. Bad: All the jokes are the equivalent of “you might be a redneck.”

gdgd fairies – If you loved season 1, you should watch season 2. If you didn’t watch season 1, don’t bother with season 2 until you finish season 1. But the one thing special about gdgd is that it is more radio show than normal anime and it’s stronger than ever in that front. Good: Random. Bad: Too long.

Ishida & Asakura – Even sketch comedy play by build-up, character development, and viewer investment rules. But this one… Good: It reminds me of Cromartie. Bad: It’s way, way, way worse than Cromartie.

Mangirl – It’s about manga and education. It also makes you wish it was actually about girls who are men. Good: It’s educational. Bad: Punchlines are optional.

Ai-Mai-Mi – Possibly Teekyuu’s spiritual successor. Also no Strawberry Eggs. Good: It makes sense. Bad: Much worse than Teekyuu.

Senyu – Condensed gamer humor by trope inversion. Good: Creative (for people who don’t read nerd webcomics). Bad: Whiny.

Puchim@s – 4koma comedy comic but is serial. It’s kinda simulcasted on Youtube, which might be the first time we see a daily simulcast for any anime ever. Good: Daily. Bad: Low new content per episode.

Bonus:

Encouragement of Climb – If you overcame the adversity of its Engrish titling, you will not find a sketch comedy within. Good: It’s just an ishashi-kei anime, so it’s kind of experimental and new in this form factor. Bad: It’s not a sketch comedy.

Infernal Cop – Web-only indie animation from Imaishi, published via Comix Wave. I haven’t seen anything like this since the last time I saw Bevis & Butthead. Good: Very good direction. Bad: It’s got not much else going for it.


Dera Is Excalibur Is Black Beans in Tamako Market

I can’t help but to feel two things while watching Tamako Market:

1. Hungry for mochi.

Truth is, Tamako Market right now is exactly constructed like mochi. By “like mochi” I mean its mouth feel. Now to be specific, there are a wide variety of mochi-type foods out there, but in this Tamako Market, we’re constantly shown the mame mochi, which is, from what I can gather, one of the region’s famous combination. Mame mochi is kind of like a daifuku, except instead of a filling you mix in whole beans in the thing. Well, I certainly have never seen mochi like this anywhere other than stuff from Kyoto, although I am still a novice about this food. I mean I didn’t even know what chikara udon (udon topped with mochi, usually fried) was until I looked it up–it sounds like it could be pretty good! As much as I like mochi I sure am not very knowledgeable about the Japanese varieties, I probably should fix that.

I think in order to understand the nature of rice-eating in Japan, you really have to know mochi and its large varieties in Japan. I think they go above and beyond almost any other rice-as-a-main-staple country in terms of the weird thing they do with it. Like, what the hell is this?

It’s kind of the subtle yet super-pervasive thing about certain aspect of Japanese life, I gather. In some ways that really is what Tamako Market feels like to me. It’s enjoyable, white rice-product. Except the bird.

2. Feel Excalibur.

By Excalibur I mean the Legend That Began in the 12th Century. By that I mean the joke in Soul Eater in which this…perhaps insufferable creature of mystery (CV: Takehito Koyasu) but also the embodiment of a great power. And by great power I mean both his ability to beat the bad guys and his ability to fascinate and irritate, perhaps in equal measures.

Dera is like the black beans in the mame mochi. Dera gives it texture, flavor, and excitement. He can drive the plot to unpredictable places, introduce new characters and break up the monotone, everyday life.

It’s more than just filling and flavor, I think. Let’s look at the daifuku. Daifuku can be had anywhere these days, from Korea to China and beyond. I can go to my local H-mart and get it. The daifuku only a hop away from what the west calls “mochi ice cream” which is served in half of the Asian restaurants I frequent in NY. It’s a hit with the world. And a daifuku, in its basic configuration, is mochi with anko paste as a filling.

Sorry Anko, you’re great but Dera is better–or maybe not better, but more interesting because it’s unique. The anime community’s had Ankori Pasta Rice since when Momotato still blogged the world. It’s been done before, and it will continue in the future. We’ve had so many cute-girls-do-life shows. Now we have a cute-girls-do-life-with-a-talking-bird anime. It’s a safe twist, like tasty black beans mixed in mochi. But it’s a different taste; a taste closer to possibly my favorite K-ON song:

You make my heart throb, it may be love, I scurry
I can’t stop this hungry sensation and get dizzy

Please!
A piping hot plate of curry
Motivate me with a single spoon of spice
I don’t want mild, I want medium spice today
It’s an adult’s flavor

Meat, vegetables, and a secret hidden flavor
It’s the greedy loving heart of a growing girl

I love you!
Bubbling boiled curry
Let me experience two spoons of spice
But that’s my limit, it’s too spicy…I can’t
Shocked, shocked, shocked
Oh no no no no no no no no no no
A bit of curry and plenty of rice

Well, curry is probably a league above anko or mame but it’s too much for a comfortable show like Tamako Market.

You still might wonder how I get Excalibur vibes from Dera. I don’t even know, honestly, but I like both characters at this point and I think there is something faux-gentlemanly about the two creatures that is both endearing and sickening. It’s that duality which gives a distinct flavor to this show–not quite like spicy curry, not as extreme as bitter melon, but it is perhaps a little sweet and sour? I think as far as something like that goes, Dera is rather mild and, perhaps most importantly, amusing. At least he makes sense, and that goes a very long way.

But that’s just me. I’m sure plenty of people prefer Tamako Market like vanilla ice cream made with LN, bird-free. There’s a great comfort to biting into a solid, but appropriately soft chunk of mochi in which I think is partly conferred by the show in terms of its feelings, but I don’t know if one could build an interesting story with only that. A little bit of magic here go a long way.


Sasami-san@ganbaranai Episode 2 Reactions

I’m probably not going to do this every episode but I feel a little bit obligated to react to it here. I think it’s nice to be able to hand your quiz in and get the answer back in a week. And looks like at least I passed. Perhaps better yet we ought to celebrate the anime sinking back to the realm of easy-to-understand.

Who's bending who to whose will?

It’s very casual how this episode drops in the information of how Sasami and Onii-chan are Amaterasu’s vessels at some different points in the timeline. It says nothing about the Imperial Regalia, besides that Shinbo puts Tsurugi in that down-shirt fanservice angle. Must be nice when you’re short. Oh so maniac. Tama on the other hand behaves almost like how a girl her age would. It’s probably the most dissonant thing about this show this week.  Also, how old was Sasami and Kagami 3 years ago? How old was Tama 3 years ago? It boggles me a little.

The one obvious, beat-over-the-head reference in episode 2 is the Yamata no Orochi. Others have remarked enough about it so I’ll just add my own 2c: “I guess despawning the boss doesn’t drop its loot.” The key takeaway is the ludicrousness of playing a game that’s essentially called “Devil Online” (or, as reality does it better, “Diablo“) and people are getting sucked into the game and getting stuck. Despite its great power all it wanted to do is to maintain the status quo. If that’s not some social crit on MMORPGs, then I don’t know what is.

It reminds me of the funny news articles on big nerd item release dates on how American productivity sinks.

The only other interesting thing is that Onii-chan gets sucked in, but where did he go? I guess it’s time to rewatch. Speaking of which, the way Sasami climbs into bed, and her bed, were great. This show is full of simple but deeply impacting scenes like this. I guess that’s why the ending visuals are the way they are.

PS. Laptops with a numpad can’t be that cheap.

The windows button is so dainty...