Omonomono

So some of you know that TM Revolution is coming to New York ComiCon. For those who are planning on going, they’re stuffing all of yall into a hall that sits 3000.

That’s right, 3000.

They have the Javitz Center. Which means it has enough space that can hold at least 10,000 in the basement. Of course, odds are that’s simply not possible as the Comic con doesn’t really use up all that space overall, and it probably costs a metric ton of $$$.

For comparison, when L’arc en Ciel went to Baltimore for Otakon, they had over 10,000 people show up at that gig. Of course Otakon draws like 30,000 people all by itself so much of that can be attributed to that fact alone, but this is the Big Apple and not the dump that is Baltimore. It’s midtown madness! TMR’s Otakon visit topped out at around 4-5000 or so? But that was in 2003.
But anyways, even if TMR was not coming (and, FWIW, I’d have made plans to go much earlier if he is bring Abingdon Boys School), NYCC is a crowd crunch anyways if it was anything like last year. I suppose I can go again and try to score free loot, but I’m a lot more busy now than last year. Even if TM Revolution is showing himself in a venue that holds 10,000, it’ll be a crowd anyways.

Choices choices.

How many of you watch anime on the go?

I’ve been doing that lately and it’s rather productive. I suppose I’m in a small minority in the US who commute by train, but I imagine some of you Europeans and Asians might find it just as appealing.

The rise of cheaper PMP makes this really a breeze too; my current piece-of-crap is a no-name Chinese thing that I got for free because of connections. It holds 2 gigs and has a SD slot (but I can’t get to it from the default UI…), plays the usual mix of encodes and media including whatever that may run on an iPod. The battery life is acceptable but the quality of everything is about as bad as it gets. The screen works fine, I guess; but in its cruddiness lies a comfortable simplicity and wide compatibility.

Watching fansubs on it is a bit of a challenge simply because some fansubs have a text size of TOO SMALL. Some are pretty ok however and suddenly it is as if my eyes are opened to all the neat little optimizations some fansubbers put out on their videos to make those who do watch anime on their PMP easier, like encoding it a certain way or the use of certain sort of typesetting. I never noticed these things before.

I haven’t really experimented with what pay-to-download solutions there are for this file format.

If you got any pointers or tips as to optimize your experience in doing so please share. I don’t know anyone who are into PMPs that care enough about anime to use it to sway what they may purchase hardware-wise, but I suppose I can hit up the usual venues about what’s a good transcoder and the like. I think I’m just using some generic anything->ipod converter. Alternatively I can just use something like TVersity, which is what I’m using to stream to my PS3…

When people talk about shows that are based on on-going manga series and ends when the manga has no end in sight, what do they say?

The classic example in my mind is Karekano. I’m too wussy to read the manga because I just can’t stand that kind of writing and shoujo-y nonsense that tend to gush out like quasars and black holes. The monologues really killed it for me. On the other hand I love the anime and I think it’s one of Gainax’s best shows ever. Well, until it ran into problems in staffing and pacing and how it explodes into a mess. But even so.

Just how would you honestly rate it? Karekano TV is really just too unique to be objectively graded (meaning given an assigned numerical or alphabetical rank). It’s not saying you can’t, but it is quite misleading. And as a result, how do you recommend it to a potential viewer? It seems to be the type of show where it’s easy to pick out who will hate it and who will like it, but why? And when I mean unique, I don’t mean it in a good way…

I’m at a similar place now. Marathoning shounen anime is really the only way to do shounen anime. I love cliffhangers and I enjoy them for the suspense and the emotional ride that pushes you to anticipate the next episode. At the same time I love ending cliffhangers by grabbing the next episode! And coincidentally if a shounen anime can’t stand up to a marathon it probably sucks, or is made for the whole family.

But with marathons, things end before you can really appreciate the whole length of the journey. As I approach the end of Ookiku Furikabutte, I’m forced to reflect on what has happened the last 20 some odd episodes. And here’s why it’s sad that it is going to end the way I think it does:

1. Foreshadowing and laying the foundation for a shounen series. If you’ve been watching and reading shounen crap for a while you would realize that a well-planned series starts out with a simple plot and a straightforward narrative without giving a lot of the full setting at first. My favorite part of the series is not just the baseball (which is well-covered, and really the heart of the show IMO), but Momokan. It has nothing to do with her obnoxiously large boobs which projects the logo of her uniform very well. It has everything to do with the mystique behind her. Repeatedly the show makes a point to lift her out of the large cast (we have a baseball team after all) and say “hey she’s a woman in a man’s world” or “why’s she so young and spending her own money and not a teacher” or “how did she hit that ball” or “when did she get there”? I want to know her past, her motivation, and all that juicy flashback material. I guess that’s being saved up for later. For that matter, how about Shinoouka? Or Ruri?

2. The baseball. It’s actually refreshing to watch a sports anime about the sport that is totally focused on the sport. It’s not “sports coated yaoibait” but “character driven sports drama.” Such a fresh breath of air. Even if at the end it’s still the same old thing. The mangaka’s meticulous research shows off.

3. The show is just gorgeous looking. I wish stuff like Princess Nine was even a fraction as good looking as Oofuri. The direction is good. So is attention to detail in general. Granted the fansubs floating out there is pretty crappily encoded it doesn’t do enough to hide the quality behind the production. Solid footwork by this crew.

But it’s going to end! After their first big game! What the hell! It makes me approach the last few episodes with a lot of reservation. If I was going to turn what has transpired in the first 21 or so episodes of Oofuri into a Hollywood movie it’d be only an hour and 30 minutes long, as it hasn’t reached its primary climax yet. That’s what happens when each episode averages to about 6 outs when they’re actually covering a game. And a game has an average of 57 outs. Ugh.

It also doesn’t help that these kids are all first-year (10th graders) and they have full careers ahead of them, let alone the current school year that they started off in.

Despair!

Well, maybe I will check out the manga after all.

I blame my recent addiction to Rock Band in bringing back to my mindscape all these 90s recycled radio hits. And promptly stuck there until I master them at the appropriate difficulty (which is currently somewhere between medium and hard on the drums). Been tempted by the downloadables too. I hope they rotate in some Hootie & the Blowfish (although a Stone Temple Pilots is fine too I guess…or, lol, Cake)…

But these temporary distractions are just that. I’m not at all like Jeff Lawson on his fairly busy life. I got a ton of crap to do too but somehow I’m dedicated enough to squeeze anime in there. It’s as if my life has, somewhere down the road, been retooled to be a mean anime viewing and chewing machine. I’m not going to say I’m trying to make my life interesting; rather, I’m just doing what my fleshly desire is pulling me, in its eternal tension against the forces of good and what is proper.

In a season of lull it may very well be sensuality and its usual tricks pulling me to one crappy anime to another. But in the midst of nonsense fanservice I always trip over some nugget of worth. It’s like spotting a coin in the gutter. Or a gem in the rough. And that’s what keeps me watching anime all year long, year after year. It makes a lot of sense to me why the Japanese otaku subculture is so keen on the lolicon–that tension between what is good and what is better but worse. I’m just thankful that sometimes anime is not so pandering, and is rather mature without being mechanically dry. At times it can be refreshingly naive, or surprisingly cunning. There’s still 10% of the good stuff even if the other 90% sucks with a vengeance. And even so the vengeance (sometimes) comes with good action sequences and nice butts.

Contrary to popular belief, I believe people who do watch a lot of stuff don’t often get jaded. Critics do because it makes them more credible, I believe, and also as you accumulate experience it becomes easier to be critical. Being critical, however, doesn’t mean you have to look down at something or have an excuse to be harsh. Some people do get jaded after watching anime after a while, but I don’t really think these folks have really seen all that much. It is better attributed as another form of burnout.

One thing we all have to realize is that anime, historically, is young. Many people credit Astro Boy for being the first “anime” as we know it, but that’s barely 50 years old. Seeing just how many anime titles are being pumped out of Japan today we need to also realize there’s more anime on the air, on DVD, and on the internet now than ever before (and how few there were back in the days). If you are new to this fandom (in the past 5 years) then you need to know that the past 35-40 years worth of anime history has been compressed, filtered and condensed to a tee in the form of cultural history and knowledge. Yesterday’s best is still today’s classics, but last year’s crap is forgotten. As a result when we see today’s crap, we need to take the right perspective. Sometimes this means to revisit old shows.

But sometimes it means to leave them. Old shows are just that, old. New shows are not. It’s sitting there to be discovered. To appreciate the ongoing evolution and the dialog between the audience and the creator, we have to move on. I’m still haunted by the awesome dialog at the start of ef episode 6. Isn’t that the heart of the matter?

And too often we’re just haunted by mere burning memory, running in an empty arena, driven by the burning longing of something past but hoped for. Don’t fall into that trap. Take your anime as they come to you. Real burning passion is not a passing fad. Kamina died for not just you, but also those who have yet to come. Even for the passionless they can just enjoy anime as it is, and not as some kind of thing bigger than just the show and culture that surrounds it. Love your Evangelion-sized gravitas but don’t forget it’s not a serious business. Feelings are uncontrollable but actions are controllable.

He’s going the distance
He’s careless about speed
We’re not alone
Cuz we got all we need!

Omedetou Kazuki!