Omohide Poroporo is clever. It’s actually quite like Ocean Waves in a sense–both are stories that set up a “head trick.” Only Yesterday uses the script to wrap things up with a well-projected and yet somewhat surprising anyway turnaround. Ocean Waves…well it literally turns around.

I watched Only Yesterday only once before, about 12 or 13 years ago. Back then I thought it was a long and tedious affair with some really outstanding moments. I also thought the ending was clever because it has a consistent theme that is wrapped up in such a dramatic but subtle fashion. Unexpectedly, my opinion didn’t change at all after this rewatch.

I think it boils down to the whole farming concept, growing, etc; while that allegory is much clearer this time around, it isn’t any more exciting. Maybe it is clearer because the official subs translated the ending song? I don’t remember if the fansub I saw back way back had that. Probably did.

Other things still did not change:

Rainy day, cloudy day, sunny day, which do you like best?

Best pickup line from anime ever.

Actually, it feels almost like 5cm/s in the way the song encapsulates a strong feeling of nostalgia yet conveys succinctly what the movie was trying to say. The ending theme to Only Yesterday might be my favorite out of all of Ghibli’s endearing list of end themes.

Well, Pom Poko has a great theme too. And I guess my opinion of Takahata might have improved over time. Still my least favorite director from Ghibli though.

Surprisingly, I also felt zero ounce of nostalgia rewatching Only Yesterday. I guess the problem still is that ultimately Omohide Poroporo is about growing, nurturing a flower or some such, and growing plants is, well, boring. Among miracles it is by far one of the least exciting.

Pom Poko #2 was really a bonus watch. I actually bought the tickets well in advance but unintentionally. It worked out since I was going to see Only Yesterday anyway. The dub is quite excellent, even if it toned things down (with the ball jokes especially). Only if more anime get Disney quality dubs…

One more observation: I saw Pom Poko earlier just the day before I saw it again, and it was during prime time, with a bunch of adults in the theater. There were maybe half a dozen kids. There’s this group of people (I’d guess college kids) that laughs really inappropriately; that’s fine for Pom Poko. The second time I saw it was during the afternoon with the dub, and all the kids laughed only when the right cues came on. And there were like a ton of kids, like two or three dozens. Kids are definitely better behaved than adults! Don’t let Taeko tell you otherwise.

The eight and ninth (it doesn’t look like I’ll hit 12!) so-called challenges are a part of an end-of-year festivity among some anime bloggers. You can find out more about the Ghibli theatrical road show from GKIDS.

Redline, the Madhouse anime film, is making its round in the States with a couple screenings here and there. The NYC one was on Friday and I skipped out on work early (probably with some consequences to face me later on this weekend…) and caught a late matinee, and that gave me enough time for a quick bite before catching the subbed version of Ghibli’s Pom Poko during prime time.

So, yeah, that Mexican truck just up the street from the IFC Center…not too shabby with reasonable prices! I’d recommend it. Or maybe I’m just weak against a nice, piping fresh tamale.

Anyway; Pom Poko is probably the most cartoony film with Miyazaki’s name to it, to me. It’s a goofy story about animals that behave like human beings. About their conflicts with actual human beings. It’s kind of trippy in that the humans in the show acts in ways, by the time you’re neck-deep in the film, that betray their humanity. It almost seemed the Tanuki clans are more human than human. Only if they were androids or some such.

I’ll leave the eco-preaching (to be fair, it really isn’t preach as much as directly saying it to your face) and grinding of inaka value into dirty, evil, material and inhuman urban values to people with things to grind against. I’m just going to say that this is also possibly the funniest and ballsiest Ghibli film. And unlimited pun works is in full play.

I mean it takes some special kind of “kintama” to make a film basically decrying the urban sprawl and irresponsible transformation of Japan’s hilly urualscape in the name of serving the expanding population. The whole only-humans-kill-tanuki thing is kind of like Proco Rosso’s srsbzns about war and fascism, versus pirates and bounty hunters actually shooting machine guns at each other. Indeed, they are not fighting a war. Or are they? This pacifist but actually physically violent sort of thing is a consistent Ghibli imagery. So instead of beating up humans, the Tanuki should take a cue from Wikipedia and post some really sad looking faces on website to solicit money to buy out land for a conservation?

I just call this the fundamental driving mentality behind what is more commonly called “soft power.” Is soft power dangerous? Does it even work?  See, I like that narrative–the Tanuki go and do their magic things, wow humans, but some guy just takes all the credit. Is this kind of like the animated work that Ghibli (or pre-Ghibli) did for oversea works and they get no credit? It’s kind of ironic but at least it fits properly. How about the foxes? Are they those Japanese people who has turned their backs on their countrymen and tries to make a profit on it?

There’s all kinds of reads into this film. It’s ballsy. But unfortunately it’s also kind of all over the place. That’s on top of how half the humor doesn’t come through unless you also have the cultural background; albeit it is already funny as is to this gaijin.

Switching gears, Madhouse’s Redline is fluid, 21st century animation. I don’t know, it’s kind of like dipping your eyeballs into this crystal clear, sugary solution that cools the soul and tickles it dizzy. I still find the middle portion of the film dull (basically the segment after you see Sonoshee’s tits until the cars drop from the spaceship), but the big screen presentation blows the Blu-ray presentation away. It’s just incredible, and I highly recommend it if you are remotely interested in some of the best animation last decade has to offer.

The seventh (and maybe 8th?) so-called challenge is a part of an end-of-year festivity among some anime bloggers. You can find out more about the Ghibli theatrical road show from GKIDS and Redline from Anchor Bay.