After being teased about great seiyuu guests earlier in the year, Anirevo comes through with Itou Miku, Ohashi Ayaka, and Machico along with veteran Morita Masakazu. Their big summer event delivers on top with Animusix concert and Hololive shenanigans.

For those who have been to the big anime event at Vancity, it’s likely old news for you, but this kind of sleepy con is actually the ideal hybrid of Western con culture with Asian sensibilities. Yes, it’s run by Chinese people, but I think they’ve done a good job overall. First off there’s appropriate tiering to better monetize the smaller demo of con goers and keep things cheap enough for the masses. What’s more amusing to me was while waiting out in line to get in on an early Sunday morning, two clear-eyed Japanese tourists was wondering about the anime event and the nearby cosplayers in display, and wanted to go. It’s that kind of an Asian-cosmopolitan mix. Just random Asians of all types walking around the waterfront on a sunny Sunday…

The 3-day event starts in the morning where people linecon to get their badges. With premiere I was able to get around this and line up for a nice spot during opening ceremony, while meeting up with friends from nearby and afar alike. I also ended up working for much of Friday morning and didn’t get back to the con until late in the day. I guess I also went out to eat with some friends at Richmond since nothing on the schedule was particularly a big draw. I guess this was the day I could have met Takadera-san again but it just didn’t work out time-wise.

Morita was suppose to have a photo and autograph session on Friday, but those were cancelled due to some issue on his end, probably related to his physical condition. He was able to make it to the Friday evening panel which I was able to catch. It’s all good stuff. At the time we were hoping to use those sessions to figure out how the con will deal with line control and photo sessions for the rest of the weekend, because the rules and setup are different this year.

Since I sat out of the Hololive stuff, I ended up having an early supper with friends who weren’t going, and a later dinner with friends who did. At the end I felt pretty tired after all the walking, working, and socializing…and having to wake up early for Eastern time work activities. It does make waking up early on Saturday easy? I also went to Richmond for a late lunch, which might make things more tiring (but more fulfilling).

Somehow when the big day came, we got down to the premiere line nice and early, and was easily in the first group to go in. We also had pretty good positioning thanks to the splurge on hotel. For some reason, Anirevo decided to schedule the 3 female seiyuu photo and sign sessions at the same time, so unless you have premiere you can’t really hop them. There were various issues with the premiere lines for those sessions, but I was about to get 4 out of the max of 5 Saturday gets, so I considered that good enough.

The Saturday concert was, well, very delayed due to technical issues from the 2 Vtuber openers. It was just real-time karaoke streams, but one of them were unable completely to do anything, and the other one had 3 songs, one which suffered from audio sync issues.

The other half of the show features Hasshi, Mikku, and Machico in that order, each performing just 3 songs. Set list here:

Anirevo 2023 ANIMUSIX (2023.08.19) Setlist ???#Anirevo2023 #????#????#Machico pic.twitter.com/rZfVSLcgwO

— ?????@ Kawaii Kon 2024 (@yuukoamamiya1) August 20, 2023

Anirevo, I hope you got your money’s worth, because this concert was so, so short! That said I am pretty happy with what was in the concert, so maybe it’s okay that each only performed THREE songs. I don’t mind paying more if the concert was longer, but I also flew in cross-country mainly for this so your mileage will vary. If there was a silver lining, it was that it was easy to go all out for all 9 (or 9.5) songs, since it was so short. It was about 45 minutes for the 3, including the encore.

We spent a few hours camping (since before 2pm) for a show that was suppose to start at 7 but didn’t really start until 7:45. OK maybe it was more than just a few hours, now that I wrote it down… It was good social time with friends who flew in, and a few who didn’t. We mostly got front row seats, and even the friends who were non-premiere had decent seats. That said the room wasn’t full, maybe 80%? Or less? Still we had a huge room this year, twice as large as prior years for Anirevo main event, so that was probably fine.

I’m also super glad we got Wagamama Mirror Heart because some of us were there mainly for that song, or it’s a big reason. It was special to see Hego and get that 1-on-1 treatment. She was pretty much exactly what you would expect, and in 10 years in, her answers to the Q&A (mostly straight-laced) are as solid as they come. If anything it’s a tad too rehearsed, but maybe we just don’t ask really good questions.

Same could be said of Mikku, although there was slightly less anticipation to her songs than her photo sessions and Q&A. I’m just glad someone asked about Anyuri and Mikku dragged Natsukawa into the answer. Otherwise, Mikku really kept her answers on point and short, which help go through more questions than the others.

Machico was a bit more giggly and fun in her Q&As, but otherwise the formerly-Horipro answered similiarly.

Other than the lining-up being different, the autograph session this year differed that you can only get a shikishi signed (and they charge you $20) versus your badge (free). No personal items is kinda the compromise we had but I think this was OK. No photo tickets, but the spirit of the photo booth this year wasn’t really different than prior, just that the demand is higher. So high, in fact, on Sunday the printer ran out of ink and paper.

Yeah I looped a lot. This is what a friend did for Itou Miku:

Since I've forgotten how to properly blog or write my thoughts in an orderly fashion… here's my take on #Anirevo2023 / #Anirevo . Thanks again @InfoItomiku @MachicoOfficial @AyakaOhashi for all the awesome fun! pic.twitter.com/i8Y2JE1Swg

— Moy (@1moy) August 22, 2023

We stayed at the Pan Pacific using Amex FHR, and it was pretty okay. The hotel’s main clients are cruise goers who need to hang around Vancouver without going far, as it’s literally part of the terminal. It’s got 5 star service in a 4 star accommodation, in a way, so it was more for us the ability to use the lounge, and be literally the closest hotel to the entrance of the con. Vancouver hotels in August are sky high in price so we split many ways to make it affordable. Maybe next time we’ll stay at another similar hotel in the vicinity.

The guests also wrote about their trip. Miku about the whale, Machico about the lobster they ate? Hasshi said something. I did this thing that Machico has confirmed delivery. We could not have been finished with it without your help.

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What an Otakon was this year. I got some insider look at how the sausage was made this year, so at first I was a little apprehensive. But it turned out this year was actually better than the usual years because the seiyuu guests came through big time.

Hey everyone!
Please watch Umamusume: Road to the Top on YouTube!https://t.co/kvTl5io2GT

— omo@KawaiiKon2024 (@omonomono) July 29, 2023

There were actually 5 JP voice talents at this con, so that’s already above-average. There were two of them actually older than me, so props to Otakon for catering to its boomers I guess? One of them was Ikezawa Haruna, who is best described as literary princess as seiyuu-turned-SF purveyor. She also writes her own SF and more importantly, came up with a very welcoming way to describe some of the key cultural notions that she represents, so to be able to present them in a very brand-ambassador-y way. It’s clear to me that she has put a lot of thought into the world of voice acting and SF lit. She embodies two things that I am interested in (RIP Haikasoru), in one package.

The panels Ikezawa presented were a lot of fun. The SF lit panel was cohosted with Jim Vowles, the long time Otakon chair/GR dude. Nobody really brought up SF lit when Ikezawa was just asking it from the crowd, which struck me as humorous. But she was mindful and had statements on things like generative AI, labor, and the concept of kawaii. She is a voracious reader it seems, so she name dropped her recommended Seiun award winners during the SF lit panel. She even namedropped Haikasoru and how it died, lol. There was just so much I want to actually discuss with her with SF, despite how poorly-read I am.

In her kawaii panel, Ikezawa explored the concept of kawaii and about character creation from a seiyuu-voicing-mascot point of view, which was also refreshingly rare. It’s not just a biographic perspective, but it was discussed kind of like an academic-abstract style with real life examples and audience interaction. Only if my law school profs were cute seiyuus kind of vibe?

I think just her content made Otakon for me. Otakon was always more of a cerebral con versus the average anime con, with creators who geek out their own stuff. More over, its Japanese guests had consistently delivered really high quality content on this. Just ask anyone who went to Kawamori’s panels, for example. So Otakon was a great fit for Ikezawa I think. On Sunday Ikezawa also cohosted a dubbing-around-the-world panel with MX dub legend Mario Castañeda and FFXIV’s Alisaie CV Bethan Walker from the UK. That one was more normal, off-the-cuff, but for those of us not familiar with dubbing in other countries, it was definitely enriching.

The other senior Japanese voice actor, Iwao Junko, talked about her life experiences. Unfortunately I was only able to go to her panel on Sunday but it was her telling her story from the start to today. She gave us a nice present by singing the lullaby from Card Captor Sakura and it was just quite amazing for an early-Sunday-morning Otakon panel. I also talked about the one thing she dropped about Shine Post here. If I hadn’t have to work on Friday I probably could have went to her other panels, unfortunately.

The voice actor fun times continued with TMS’s crew. They brought over the editor for the manga and two seiyuu from the upcoming anime adaptation of the Four Knights of the Apocalypse, which is the sequel to the Seven Deadly Sins. Having to see us horse out with Nakamura Kanna was just delightful and I am floored that I got something signed. Somehow this also meant we went to all of TMS’s presentations, which was, I guess, fine, and I took some very basic notes here.

Turned out a fellow trainer that we hung out at the con with was really into Narita Top Road, and here we were. It wouldn’t be exaggeration to say that seeing all the interaction we had with Nakamura, and, more over, the anticipation to it as the days leading up to the con, was a big source of joy at and surrounding the event. At the same time, Nakamura is still a newbie seiyuu. I don’t know how many characters Nakamura has played, nor how many times had she interacted with fans to this degree, I only hope we have given her some good memories to take home with.

Having to work the day job one out of the 3 days at Otakon does crib a lot of my exposure. I missed out on the creative team on the Quints anime, and I missed seeing Watari again this year. I also somehow missed out on the Yaiba concert, probably because I had to find time to eat dinner between all the things.

I even almost missed all the Kawamori/Macross stuff, but I did get to sit in on his panel with Aramaki for a while, and it’s more or less what you’d expect. Even the Q&A was pretty okay. On the Macross note, I did buy some Big West authorized Macross Delta stuff. I mean, what merch are even there to buy for Delta? I got a Mylene badge, a Walkure badge, a VF31 pin and both YF19 pins.

I was able to drop by in Idolspace, which is Otakon’s ever-slightly-better indie idol content track. This year they had even more programs than ever and shows lasted into the night. There was even a separate idol show. This Phoebe person seems, I don’t know, amusing. Got to see also a friend belting it out. The Aniwaza folks which are a wotagei group were doing degen stuff at the Idolspace also. Feels like that area is just full of that “stuff.” How do you articulate that chikaidol-driven wota stuff versus the normal music things you see at otaku events?

I also got to see some rare guys like Dave, the usual suspects working autographs and GR, and LOL this guy–

pic.twitter.com/c2Fk9FYhNG

— omo@KawaiiKon2024 (@omonomono) July 30, 2023

Joke aside, it was a rich Otakon experience, the convention did its best to not get in my way after things started. Worries like how TMS might block us from getting Uma autographs melted away in the sheer force of opportunity. Even autographs were super smooth and not super crowded versus prior years for some reason.

There were plenty of time to hang out with friends too, we had time to spend with Sujay which was amusingly unexpected. It all made me warm up for that same party-with-friends vibe that I hope we can recreate in Vancouver in a few weeks. I really appreciate all the folks I got to hung out with.

On a more personal note, I probably got more random loot shipped to me home over the weekend than I got from Otakon dealers. It was pretty crowded but the room was laid out very well and spread out, so it didn’t feel bad. Artist Alley also wasn’t too bad. I did walk it this time and it wasn’t bad, just nothing jumped out at me, no more than the occasional bunny Karin from Blue Archive would. Still I probably spent like, $100, between the one collapsible penlight from YeahLights, the con shirt, and at the Macross booth.

PS. Foods. We went back to the Cuba joint down the street on Sunday and did not really take any pics, sorry. Inflation sure was a thing. Also spent and ate more at the Dignitary just because it’s so convenient.

The real culinary expedition was at Busboys and Poets, which is a solid soul food chain by most means. I guess it’s suppose to be more African-inspired? The fried chicken was very solid.

PPS. Yeah I also have an AX post coming up soon-ish..as soon as I finish watching ML10th act 2 I guess.