So I went to Japan for about 12 days in early March. You might be interested in some of the things I did?
Category Archives: Conventions and Concerts
The Fourth Anniversary live for Million Live, for me, was something about me and less about IDOLM@STER Million Live. Kokochan said it during her final MC on day 2, that the idols are a reflection of the producers. In a way that’s why I think the show is only good as the emotional baggage you’re carrying into Budokan. If you are a die-hard ML producer then ML4th will reach stratospheric sublime territory. I thought ML 3rd was already very good, but 4th topped it in a way where only a 3-day, closely knit-together rollercoaster could. I think it was only possible because there are still a very solid group of Ps cheering them on in the usual ways.
On the technical side of things, ML4th did some stuff well, such as opening up the northeast and northwest seats, which gives people a sense of being there while not being there to see the same show the rest of the venue does. It did well with sending us the right surprise guests, in a very no-nonsense way, which is exactly what works best. You can complain about the acoustics on day 3 but day 1 and day 2 were pretty okay. Most importantly the way the stage was set up, there are very few bad seats in Budokan.
— 戸田めぐみ (@todamegumi) March 14, 2017
IM@S DB has the set list, and more importantly, all the performers. Day 1, day 2, day 3. For handy social media coverage (the performers and fans cover the event best), check out the matomes for day 1, day 2 and day 3.
I flew last weekend to attend the IDOLM@STER Producer Meeting event. It ran for two days and you can see the official page here for the exacts. This time the main draw is the full cast, even if at first the event seemed to be a part-life, part-talk sort of a deal. Leading up to it for over half a year was the release of IDOLM@STER Platinum Stars, as it was the first lottery round. Since we had plenty of time to prepare we did a flower stand again, and there’s more details about that I’ll post on HPT site
sometime later here.
Because this is a talk-and-sing sort of an event I won’t be able to give you a lot of the details on the talk part, since I don’t do Japanese. I can’t even walk the setlist, as you’d expect, so I’ll just keep it pretty brief and add the travelogue stuff too.
In the USA, immigration is in the mind. The new President’s administration has all sorts of issues, but this one is a major killer as it affects, and very personally affects, not just those of us who travel overseas to events. I cannot count the number of students studying in the USA who came from abroad, and I love how they culturally enrich this country. More importantly, they make up a good number of the con population who travel for guests, so they are also my siblings-in-arms. It’s these people that make up the largest affected population segment, I think, which the changes to the US visa system affect.
Beyond that, the Trump Administration has hollowed out a lot of top positions in the DHS hierarchy and that will have a slowdown effect in terms of processing of visas and the like, as the new administration sort things out. This means if the Daisuki guys want to run that lovely Anison Matsuri this summer, they better get a jump on the roster so the paperwork can begin, if it hasn’t already started. Anyways it’s hard to speculate the impact on the rank and file process for applying for various vias at this time, let alone for another few months. I have to wonder how this impacts other cons?
When I landed in JFK terminal 7 this past Monday morning, it was below freezing. A handful of worried-looking people were at the international arrivals exit and there was a sign (in English) telling people where to find a lawyer. The newspaper-headlining protest crowds were absent, but it was also Monday morning, and not the weekends anymore. Still, it’s the kind of thing that may dissuade some folks from traveling to USA, even if it’s for an offer to come attend a con, just saying.
I think this sort of governance is so bad that it even hurts those anime-girl-headed turds that harass people on twitter, even if indirectly. It’s unbecoming and unfortunate.
Here’s my take. It’s probably just tackling a portion of the larger debate about being yakkai, nonetheless we should start somewhere. These are more philosophical and principles about calls and the like, and not so much guidelines or about specific things…
In a nutshell, it’s about cultural differences and personal opinions on unsettled parts of newly developing culture. TL;DR is that do what you want, just don’t make trouble (which usually means do what the locals do).