I went to Hawaii again. It was a good time.
Category Archives: Conventions and Concerts
I don't usually do this kind of posts but to the person who posted their "own personal recording" of Naobou Budokan.
DO NOT EVER DO THIS. ITS EXPLICITLY /ILLEGAL/ TO RECORD. Firstly the recorded quality will be horrible, and not representative of what Naobou can do. pic.twitter.com/OBROD2PL25
— BasuP (@BasuP) February 10, 2018
Here’s the problem. It’s besides the point that you are a “fansub group” and solicit money via Patreon or whatever. When you post a bootleg of Toyama Nao’s solo live publicly it stops being yours and it starts to become a problem. There are less KY ways to spread the love. If you are too KY to realize it, then you’re no better than Logan Paul, who doesn’t have a clue and post videos of dumb things that should not be posted.
It’s too 20th century to say this is a copyright issue. It is an image/ethics issue–a low quality audio bootleg is only going to please existing fans and not really make new ones, so it’s not effective outreach. Yeah, people will appreciate access to things they don’t have, but it’s not your place to give it publicly. I have a bunch of bootleg audio with pro equipment and I can tell you it’s rare that the audio will come out well enough that I am not ashamed enough to publicly share, let alone publish as a fansubber, especially because when you’re in Japan and you’re gonna likely have to hide the stuff when you record. It’s a different attitude and culture in Japan and don’t gaijin smash your way out of it…then put it on social media saying it’s a service you do for your viewers, just like that guy.
What is it good for? It’s like the photos you take on your trip through life–keep it to yourself to reminisce or share it with close ones when you hang out. Don’t let Facebook condition your Pavlov dog-brain and think you should or you are entitled to publicly share this stuff like food pics and selfies, because that’s not the right etiquette and it happens to be illegal. I don’t even care for the reputation damage–a live bootleg is way better than, say, a movie bootleg (LOL Indonesia etc).
Don’t be a pleb. And more importantly, don’t be that guy.
PS. This reminds me, gonna listen to my bootleg Kanno Yoko music now, been on a Kanno streak lately.
[Updated Mar. 16, WUG Bus 3 is a go!]
This is a blog post that will keep track of the nerd events I’m attending in 2018. It will be updated over time to add/delete and update the status of the events I plan to attend or have attended. If you’re going to one of these, feel free to let me know ahead of time. You can find last year’s log post here.
In 2018 I think I’m just going to be kind of vague, since YOLO’ing the past 2 years has kind of caught up. There are some stuff I’d like to go and see/participate but a lot of maybes are really in play. Just going to throw them down as guidelines.
So the Bluray for Million 4th came out last week and I’ve been devouring it since I got it on Thursday. Somehow I squeezed in 2 showings of Mary and the Witch’s Flower in the same time, given the 4-disc set has 12+ hours of material, not counting the commentary tracks, but here goes.
Million 4th was probably the most important live I attended last year, at least on a personal level. It might rank only 4th overall but it was number one in terms of emotional wrecking that it did on me. I was a mess, because, as now I see from the backstage features, it left the performers in a mess too. Like, yeah, I get it, I know how it works. The feelings crossed not only stars, but oceans, cultural and language barriers, through the dance, music, and hard work of cast and staff. It sounds corny only because it’s what happened.
Million Live has a lot of songs about silly things, and it’s got a fairly diverse set of songs, but the most common category of songs are about friendship, hopes and dreams. Sometimes these songs felt like they are speaking to the audience and listeners. Sometimes these songs felt like they are speaking to the performers. And in the Million Live cast, that’s actually exactly what happens.
I’m not going to details to explain, because it will take a long time and my JP is just nonexistent for these kinds of purposes. But man, that Hoshikuzu no Symphonia on day 2 is a great example of what I’m talking about. Kokochan (Koiwai Kotori, who plays Tomoka) joined twitter publicly just the other day and she tweeted on her first day on Twitter about reaching for her dreams.
— 小岩井ことり (@koiwai_kotori) January 19, 2018
In short, Koiwai watched Animas in 2011 just as another P and an aspiring seiyuu, but in 2018 she has Mingos and Nunu tweeting with her. We don’t know what the future holds, so live on as such. Like, there was no guarantee that Mingos was ever going to remember the password to her Twitter (LOL).
I bring this up because watching Million 4th reminded me of her performance as part of Milky Way in Hoshikuzu no Symphonia. And you can watch the part in the backstage on the LE Bluray box to see the conclusion… It was a touching moment in that during the bridge, each of the four performers had a phrase to say that puts together the story of Milky Way, the unit that was detailed in LTH09. In truth, Milky Way has 5 members–Hoshii Miki being the one missing. The way the song connects the four Millionstars to Miki and to each other seemed to did Kokochan in as she started visibly crying during the performance, and thus yelling out from her heart that one line during the lead up to the climax of the song.
— ｓaku＠絵を描く時間 (@saku_osake_love) March 13, 2017
Notice how the first word in each of the 4 phrases they said during the bridge spell out “Hoshii Miki” and then they say to connect it together? LOL. Here are the relevant lyrics (tl: project-imas), and I bolded that one line Kokochan yelled out:
|Ima datte nari yamanai PURERYUUDO
Suki katte BPM wa HAATOBIITO
Tadoritsuita GOORU wa tsugi e no SUTAATO
Mune no yokan takanara shite
|Even now, the prelude won’t stop ringing
The BPM heartbeats whatever it pleases
Finally reaching my goal to start the next
My heart’s premonition keeps pounding
|Kako kara kyou made massugu koko made
Yosou mo dekinai guuzen o wakachiatte
Kizanda ashiato kirameku kara
Saa ikou saikou no nakama de
|Straight up here from the past until the present
I didn’t expect you to share them unexpectedly
From the engraved, sparkling footprints
Come on, let’s go with my best friends
|Gamushara mirai e to ichizu na asu e to
Kiseki o tsunaida kizuna de susume
Kokoro no takuto ga michibiku sora
Kagayaki wasurenai de ite
Kono omoi wasurenai de ite
|To the reckless future, to the earnest tomorrow
Move forward with these bonds connecting the trajectory
I won’t forgot that heart’s baton
Guiding through the shining sky
Nor I’ll forgot these feelings
|Tooku nagai michi meguriau michi
|To the far, long road… Stumble across the unknown,
There are other instances of this playing out in the years leading up to ML4th. There are other instances of this still playing out today. It’s why when Aikotoba wa Startup played during Hatsuboshi Enbu, MillionP eventers were in shock. Or like hearing Addicted or Just Be Myself or Tsuiyoku no Sandglass. It’s a bit heart wrenching if you are a fan, in that both you’re suffering only because Bamco decided their lives to become this way, and that you’re pining for a thing that will probably come eventually, and it’s more beautiful because of it. It’s a mixed feeling of happiness and regret, that reality of the industry comes in and stir things up, with a distant hope, at least personally, that everything, all together, will be better off because of these complicated circumstances.
I would say it’s a cheap shot except it takes so much to even build up to begin with. A long cheap shot, maybe. A road within a fandom that’s got a significant barrier of entry, yeah. But I guess some producers have no choices here!
The IDOLM@STER 765Pro All Stars solo live in 2017 is called Hatsuboshi Enbu. That’s a mouthful. Notwithstanding the jittery that comes from witnessing another one of these, and how a bunch of the fandom speculate how every one of these is the last one of these, I went, as usual (kind of). This is actually my first 765Pro All Stars live, believe it or not, partly because they’ve not had once since the 9th anniversary tour in 2014. Well, I kind of had to go I guess.
Hatsuboshi Enbu (初星宴舞) loosely translates to the promenade of the first star, first star being a reference to some new year-y thing, as the live takes place literally the first weekend of the new year. Naturally the loot and theme of the show is new-years-y, the MC was kinda new-years-y, and they while there aren’t any new-years-y songs in IDOLM@STER really (they ain’t gonna perform Happy New Yeah, yeah?) they did whip out that wa-fu, Hatsuboshi mix of Utamas. I really want that song on MP3 or something…!
For some reason, I feel like an old cat at my first 765Pro All Star live, probably because I’ve seen all of them more than once at this point, and as recent as last October even. Even Azumin, who was at the launch events for the Chu2koi movie that weekend and not present at the live, felt more like an unfortunate afterthought than a sorely missed part of the IM@S family. I guess that’s okay, because we can focus congratulating Pon on her marriage? LOL.
Just going to keep it short since I have to drop that hot take on Winter 2018 animu still…? Check the set lists linked below and follow along, since I’ll just jump to songs that are remarked here.