Category Archives: English Language Modern Visual Fandom

Little Cash Academia

kickstartedwitches

Little Witch Academia is this one-shot Anime Mirai short funded by some government money to encourage new and young animators to strike it out. Studio Trigger, which is a new studio made up of newbies and veterans, most notably for their Gurren Lagann Imaishi connection, are behind LWA. According to Trigger reps, they began exploring Kickstarter when people commented from oversea about LWA, as LWA hit youtube soon after it was done screening at various events. The energetic OAV-length episode was well-received.

At Anime Expo 2013 they announced that they will kickstart episode 2. Now that it has come here are some details that I find a bit head-scratching.

The Kickstarter is for just an extension of episode 2, which is already green-lit. I presume after hitting (more like pulverizing) their funding goal the bonus money will go into making more LWA in some way. This is Japan, after all, so they’re more likely to be responsible with public money in the private context.

There isn’t a lot of details as to what LWA episode 2 will entail in terms of its additional content, versus what is already promised. Compared to, say, Production IG’s Kick Heart, a thoroughbred art film, LWA is hella mainstream appealing. This is from a rising star studio that has the highly anticipated Kill La Kill on the horizon. I’m not sure if LWA needs Kickstarter, as much as Penny Arcade needs Kickstarter.

And this goes to the heart of the problem. I think if we just think of Kickstarter as a new way to raise money, it is probably a great thing that more anime studios are looking to Kickstarter as a way to fund their projects. Of course we still should extend the usual degrees of scrutiny upon any Kickstarter project, but I’m more likely to give anime studios slack because the current ways of funding anime is one of the core root of ills plaguing the industry. “Dealing with fans” is likely a gamble well worth trying, if that’s the only down side. That and face, maybe.

This post is brought to you by the fact that my AX writing-up is taking forever and at the LWA private screening they even tossed the possibility of LWA the TV, so there you have it.


Smashing Nyarko

Nyarlko. Or Nyaruko. Whatever.

“Gaijin Smash” is a term I jokingly use with other friends to describe what happens to a foreigner visiting Japan. Unfamiliar with local customs and practices, sometimes foreigners get what they want by breaking these unwritten rules. Thus, the “smashing” part.

This is kind of how I feel about Nyaruko-san. First off, the official translation is “Nyarko” where it swallows up the “u.” For some reason I cannot spell it that way for my life, so I will use it interchangeably.

Second, the general character dynamics in Nyaruko-san’s two full-length TV series runs is something like Nyarko bothers Mahiru about getting into his pants, others join in, and while doing all that some kind of lukewarm and pun-infested adventure happens. To Mahiru, Nyarko (and Kuuko and Hausta etc) are monsters. Old Ones. I recently reviewed Natsume Yuujinchou, so in those terms they’re like youkai folks. Except unlike Japanese ghosts and wraiths and fairies that exist and behave under philosophies and rules familiar to Japanese sensibilities, Nyarko’s Space CQC literally smashes any expectation that behooves proper Japanese behavior. You know, basic things like let’s not be a “meiwaku.”

Except, when being told on explicitly, Nyaruko etc., repents. Because we gaijins are nice people at heart and are just oblivious to what subtle but superior and proper upbringing looks like.

Looking at it from the whole meiwaku concept, the fact that Nyarko &c are foreigners, and the show is loaded to the gills with not only Japanese pop culture but also many American/western ones as well, just makes me just think of Nyaruko-san as a metaphor of the story where a bunch of gaijins came to call on a Japanese guy.

I mean, even the setup of the story feels that way–a bunch of aliens lands in Japan to raid its bounty of modern cultural goods. All that Cool Japan ™ junk is the loot in which Nyarko and company came to seek, if we recall season one’s introduction and the raison d’etre of some of these inexplicable plot generators. Although I don’t know, which non-Japanese country got taken over with Kamen Rider? I mean Power Rangers was a huge deal internationally, but that’s not really the same thing.

And in some ways,  Mahiru reflects a kind of, I don’t know, aggressive passive aggressiveness, lacking a better term, that ultimately says that while the foreigners are a bunch of barbaric trouble-makers, they are powerful, sexy, unreserved, energetic, and saves the day. We can even make an except for Hausta, who all of that minus the obnoxiousness, but also sexually liberated? But really, what sex/gender is Hausta anyway? Because while he represents himself as a male human being, god knows what lies beneath? It’s certainly the case for Kuuko. Can’t trust these gaijins, really.

And I guess the complete construction of the banshin (or maybe, how Nyaruko confuses its construction times) is akin to the ever confusing status of people’s visas? And how it’s nigh impossible to become a naturalized citizen of Japan? Am I sufficiently overreaching here?

What I don’t understand is what the forks are suppose to represent. If I had to guess, it’s probably some kind of pun I am not getting.


Season Ending Blog Anthology

A chain of short blog posts about their subjects. The last one is a run-on about Moenovel. The rest are about currently-ending or airing anime.

Waiting for a Levia-sama joke

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Anime & Blog & Me

Not so much introspective as yet another yard sale-style meandering of what’s on my mind. You’ve been warned?

Garden of Akizuki Ritsuko

1. Journalism. I’ve been writing for Jtor for a while now. I always kind of regret the amount of output I hand out over there. I feel that there are a lot of things I can write about if I can square off chunks of time and focus on writing it in a way that fits that particular media outlet. Over time I feel that this is not a productive way of looking at things. I think it is true that the average editorial that I post here on this blog will require a lot of reworking. I look at blog posts like this one more like a set of stairs or more like, better put, a car lift or a jack, where I put some ramp under the “narrative” and work hard and push it up so it gets to where my idea actually resides, in a way that forms a bridge of understanding for some unfortunate person reading said unfortunate blog post.

So it’s not a surprise to me to see someone reddit my Sasami blog post because the bridge itself is what I want to express in that particular effort. I wanted to explain the things that explain what the hell was going on. But this is rarely the case. Which is why nobody reads this blog, relatively.

And I think in a lot of ways, this is really where we’re stuck at, since 2008. I joined Jtor because it’s one of the few real “blog” style sites that can make a difference in terms of what I see is out there, what people wanted, and what I wanted. Stuff that goes in between Sankaku Complex and ANN, basically. It’s got people who get what I mean when I talk about blogging. It’s got some readers. It’s got some actual cred, most importantly.

Since then CR News has been probably the closest thing to what I’m looking for. Unfortunately they are basically stuck gleaming off the same 2ch matome pipe that ANN runs off of. It’s too Gawker, not enough bloggery-ness, for my taste. Their coverage is pretty decent although I can nitpick a lot in terms of their editorial qualities. Well, nobody is perfect.

The reality of the situation is highly complicated by the revenue picture. I think an important thing to realize is that to produce quality news-editorial content in a reasonable quantity, at least at the levels I’m talking about, you basically have to full-time hire someone. Probably a few people at least. And we’re talking beyond just administering the platform. Nobody really has this much money. And this is kind of a fundamental problem in the anime space. We’re too hooked on the usual social networks (namely things like forums and 4chan and 2ch and twitter etc) to really let these pro journalism sites grow. At least, the market opp is pretty difficult to outline.

This is partly what I’m talking about at least. It’s like when you write a post, you might expect that a good chunk of your readers are not cold dialing your URLs, but rather they’re referred from established communities and familiar with existing discourses that are subscribed by those communities. That’s the “road” or “surface” level where the jack has to be to establish that sense of engagement.

In some sense I feel this is why ANN is as successful as they are today–they can give that less damn. Their forum is a pretty good example as to why it might be a good idea to keep it that way. To keep writing news like news.

The flip side, of course, is that if you want people to have better experiences, better engagement with your content, you gotta do more. Rely on fansubs to review new content. Talk about japanese fan meta crap. Stir up controversy. What have you. But it doesn’t have to be that way. Which is why I call it a jack or a car lift, not an escalator. Because that’s where the hard work is.

You get all that? I’m assuming that is what the word journalism really means. Well, maybe it’s beyond just journalism. More like, how to write about something in a way that engages the reader with the subject matter?

Speaking as a reader, on the other hand, I think a lot of the community are simply way too quick to judge and not open-minded enough to welcome new people. Often we don’t see the long-term value of sites like Sankaku Complex (or Seventh Style, which I just like more by far, for different reasons) or ANN’s forum. And I can go on. There are not enough people who engage these venues with a mind towards improvement and how we as individuals can make these places better. If 4chan can change, anything else can. And I’m not even saying we should aim that high. All I’m saying is that we have to be responsible for our own mess and do something about what you don’t like within the community.

I wonder if anyone can change Colony Drop.

2. Blogging. I think when people talk about blogging they’re talking about the platform. Nobody really seriously think of twitter as “microblogging” (and if you do…please get a life). When people say blogging I think “how the hell can I save allllll my data from Google Reader by Monday” and not, say, Gawker or Facebook or most actual blogs. Well, maybe I think of anime blogs in the way that we have had anime blog tournaments, but that gets down to introspective and existential semantics. The wordpress.com things out there. Blogger. What have you.

I think we, as a people on the internet, have long gone past the point where we’re still hung up on bloggers being something or someone doing what. The average RC post acts both as a thread in a giant interweb forum and as a blog post to remind me what happened in episode 10 of Valvrave without loading up the video. That’s great. Just like the set of numbers in Psgel’s episodic posts that tells you basically all you need to know about what he tries to say every week. Or what image walls that typify your average Metanorn or Kurogane dump, and the comments underneath. It’s all good. They have their audiences and uses.

But is there someone, like, looking at all of this and think to themselves what’s wrong with this picture? How can it be better?

What I see is a bunch of ships in the night. I think there are some great stuff out there, but there’s no good way to connect the people who like A from A and B from B. With Goog Reader dying that’s just another tool to do so going away. Yeah, I’m going to whine a lot about this, because what I used it for, nobody has done a better job reproducing it.

Over the years I found things like the Tournament and twitter being the most useful things to discover blogs. Animenano, surprisingly, is a close second. But I also read that feed and click on things that seems interesting, as a way to discover new writers and their baggage. It makes me wonder how people go about doing the same, their own way. Would be nice to know!


About Anison And Context

Kind of like turning a zombie into a zombie game, the anime music-infatuated blogger types are doing a tournament, where various vocal themes, openings and endings battle each other in a popularity contest, only to be separated by strangely nerdy seeding patterns. Well, the whole endeavor is pretty nerdy so whatever goes, I guess.

Did I submit something? Sure did. You have 15 slots, which is pretty good given how I usually have a top 10+ going on, although at this time and this date and this age, the biases will show. Especially the stuff in my car. And I’ll share some of that…later.

What I want to talk about is the role of the meta in music appreciation. I think it boils down to that cultural and artistic expressions have contexts, and listing to anison is really just a form of appreciation of some kinds of expressions within a specific context. No matter if you think of anison as some simple commercialism or museum-quality superflat-astic display pieces, it doesn’t really change the way how context matters probably more than the musical pieces themselves.

Just earlier today [as of this writing] someone said to us that dance makes Love Live songs better. I’m inclined to agree; part of that mix-media franchise’s appeal from the start had to do with the full-motion MVs that came with their first few singles. The song and dance routine appeals a lot better than the songs themselves. And this is kind of the fundamental truths about anime music.

It’s all just tie-ins, aren’t they? And a lot of the fun in listening to it is associated with the thing the music is tied to. Or FUN if you speak with weird articles. It’s like when I hear TANK, I don’t think of a great SF mash-up anime from the late 90s. I think of an over-played, over-used AMV track that sounds about 100 times better live than studio. And What Planet Is This is better.

So it’s kind of simple, if you think about the tourny this way. Basically whichever context has more subscribers, the songs within that context will speak to more people in that way. It’s somewhat different than simply the most popular songs from the most watched shows, because just because an expression is well-understood, that doesn’t mean the expression will resonate well, or is meaningful or appreciated. Just like my previous example, what that song speaks about may vary from person to person, even if it’s a well-understood saying. Just like “Libra me” might be about reason kicking and curbs, but it might also mean the ultimate phallus of masculine expression to someone else.

What can you do about it? Tighten up the context. For example, see these.

And for better or worse, yes, sometimes, that means the girls must dance. To me that’s great, because, well, here’s one of my submissions.

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