Category Archives: English Language Modern Visual Fandom

Monogatari Series Episode 2 Girl Talk, About Random iM@S Notes

I don’t want to dwell on it, but it basically boils down to:

Oh Japan?

I think the chit-chat between the co-stars of the Monogatari series in episode 2 is not only an excellent fanservice vehicle (in the way boys like to see two girls get it on in the way Senjougahara explicitly inferred for what Araragi likes), but also it’s just exhibition of Hanekawa when we take a known value that is Senjougahara and put them side by side. It’s character development. But yes, the two girls did talk about the guy, since it is a point of reference as a foil device. Is it Bechdel compliant? Is it problematic that we are thinking it in terms of compliance to Bechdel? I think that is more so the case.

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Mayako Nigo, Festival of Winter 2013

Some Idolm@ster info:

From Exciel-P, who rolls his own blog. Basically, it’s a touching story about a man who loves Azusa and then went on to become a legend.

Here’s some fan translation of a guide on how to do the iM@s 8th Anniversary tour. It’s noteworthy because I think it’s a good intro guide to people who have never done nerd concerts in Japan before. At least the big ones. This ain’t how it rolls if you want to attend, say, underground idol lives or CooRie’s shows, lol. What it gracefully and unfortunately leaves out is how to get tickets. Getting tickets is still the most difficult barrier one has to overcome to do such a show, especially for foreigners.

Lastly, some caps from Mayachan’s Big Jump. A bit of background: this past February there was a 2-part concert and during the first show, Mayako Nigo’s first solo act had a tumble and fall. Basically she’s catapulted from the rising stage a little too … fast, let’s just say. While she continued on like a champ barely missing a beat, it was a (somewhat slight) shock for a lot of people watching it. Now I get a shock from watching the concert on home video.


Kick Heart Is Vanilla Kickstarter

I remember there was a charming brute from Kaiba by the name of Vanilla. He’s basically the essence to Kick Heart. It’s about as cheesy as what I told Yuasa when I saw him during AX.

Me: I just want to tell you, you’re a genius!

Yuasa: Oh thank you!

Me: Also I am a backer for Kick Heart. Just wanted to let you know I backed it because of that. [This is a paraphrase because I had to work it out with the interpreter.]

Yuasa: LOL you got good taste!

I’m not sure if it came across right but hey.

"A project like this would not get made otherwise."

It’s the same salty-but-sweet, like saltwater taffy (a NJ special lol) or the general mid-scale cuisine trend of using sea salt on your chocolate/caramel dessert combo, kind of a characterization in Kick Heart. The main character is, really, a tsundere. Except in good o’ Hentai Kamen style, the more he is down, the stronger he gets.

It’s also exactly the kind of project that Kickstarter is best designed for. I don’t mean this in an “indie police” kind of way but in a “this is how businesses do business” kind of way. KH was plug-and-play for the most part–one shot, animated short, primed as theatrical release material, stretches/rewards into DVD/BDs, original and made from scratch, limited funding options, etc. We’re not blazing new trails here, besides that Production IG is a new player and this is anime we’re talking about. Still neither Japan nor its animation are exceptional in this sense. If it fits all the right criteria, it’ll work fine. Especially with a genius animator as the “看板娘.”

Small and sweet Kickstarter yields short and sweet animation. It delivers on the dot. And maybe that’s all that matters.

Plus it’s nice to wake up to an email saying “click here and put in this password to get ten eighty pees, baby” that does not involve penis enlargement spam, or anything illegal.


Hentai Kamen

hentaikuroko

Instead of watching giant robots beating up on kaijuu or EVO streams I went to a screening of Hentai Kamen the live action movie. Let’s get it out of the way. The manga is about the story of a superhero who transforms into the namesake crusader when a pair of used panties are put on his face. In fact the entire series basically operates on the principle of perverted energy drives some kind of physical power. All the bad guys are somewhat … abnormal, to put it lightly, but the hero is worse than them.

There’s a lot of man flesh in this movie. Lots. But at the same time I think the style of perversion is dominated by the male state of mind, so it’s only fair I guess. The original work was serialized in the early 90s, after all. I have to say a big reason why I went to see it because I heard Quarkboy offhandedly recommended HK because he subbed the film, at least for the festival runs. And it was a good time.

At the Japan Society x NYAFF 2013 screening one of the staffer got on stage to introduce the film…and stripped down into Hentai Kamen cosplay. Well, he has balls, let’s just say.


Watamote

I watched the first episode and… To answer this

I’m going to say yeah, this reaction is not unusual. What’s weird is that my reaction was like Author’s. I think when I was a kid I didn’t have that kind of experience–to be honest it’s hard to see who did, at least on some sliding scale, because it’s not a binary determination. We homely and quiet nerds are often put into situations like this, and different people have experienced/suffered varying extents. What we see in Watamote is albeit an exaggerated version of something, but at the same time it’s easy to see how real people can have had it worse than Tomoko.

It “hits home” for some people, that is why they like Watamote. It “hits too close to home” for others, that’s why they think it’s humiliating.

But don’t you feel humiliated when you watch, say, Love Hina? I definitely felt that way about the nth time Keitaro walks into a half-naked girl, and I don’t really have any connection with K-taro in the way that Watamote is building things up. The odd thing is, the Watamote anime reminds me vaguely of B Gata H Kei, which is actually a story premised on the core idea of embarrassment (and I definitely don’t relate to Yamada). Watamote, so far, is more about self identity and pride. Well, that’s kind of related. But the tone of the two shows can’t be more different. Probably because one show is actually funny? In the riotous, raunchy teenage sit-com kind of way?

tomoko

The irony, though, is that Watamote is the story of someone who struggles to connect with people because this “society” reacts to that sort of a narrative with embarrassment and shame. I didn’t really hear anyone get angry or passionate about Watamote, other than those who “hit home.” For those people God bless your souls and what not. For the “hit too close to home” people, please realize you are what Watamote is actually about–either as part of the problem (eg., society) or as a victim who just hasn’t quite gotten over it. I’m inclined to think all of us are one of the two types of people at some point.

Personally, I think this is all the by-product of self-depreciating humor for a crowd that don’t enjoy hurtful and self-depreciating humor. Basically, can you 8man? And it’s true–it certainly doesn’t have to be enjoyable and it isn’t for a lot of people. But the same goes for everyone else who can (including the people who created Watamote, who have the same problems, and wrote about them in such an open way) enjoy the humor in Watamote, the slow burn, the helpless flailing of arms. There’s a sense of helpless at play here, and you know how that goes.

TL;DR – One man’s joke is an insult to another man’s mom.


Anime Expo 2013: Wrap

G&P

If there’s a theme to this year’s AX, it’s that things are just going to do and run the way they always have. But people change. Our perceptions, our expectations, and what makes us happy, all can change. Not that is a problem, but the convention exercise is ever the subjective introspection that brings out the best or worst in all of us.

Also, there was a tank. Continue reading