Category Archives: Franchises

Why Am I Still Watching Ninomiya-kun?

I don’t know.

Wrestling for Ninomiya's affection...?

Well, fanservice was never really my forte. I think over the years I’ve learned to enjoy it, and at the very least the fanservice in Ninomiya-kun is not terrible… To be precise it’s not really very serious fanservice–it gives you all the frills but it doesn’t give you much thrills. For some that’s a serious problem, but for me it’s just the right amount.

But even so, I think I’ve always stood firm on the line regarding the value of fanservice. Regardless if I can appreciate the sort of fanservice in a show or not, it has to serve a greater purpose. There has to be meaning behind the fanservice. It is not not in the sense that fanservice has to be a part of the plot–no, that is nonsense for a requirement–but fanservice has to serve some overall purpose in terms of the writing and direction.

For example, a recent episode of Blue Drop showed off some of the protagonists (notably, an all-girls bunch) but it was in line of the direction of the series–a balance of slice of life and strange alien mecha…crap. But it was clearly fanservice in some of the way things worked out, such as Miichi’s contemplation in the bath, and Hagino’s response to our spontaneous heroine as she jumped into the ocean. It was up to the viewer to find those things distracting or not.

Switch to Ninomiya. He is constantly tortured by his classmates and his sister and put in compromising situations. The international super agents that he and his sister are, the show has plenty of “reasons” to have the Ninomiya entourage dressed in skimpy wears suited for the tropics. And they do. But what was much more powerful was, say, episode 7’s prelude segment with Rika’s strange 4th wall fantasy about propaganda. It’s both satire and a joke rolled up into a fanservice package! That’s the stuff I like.

Needless to say I was less amused later on in the same episode when Mayu went bonkers and changed clothes. It was a silly joke, I suppose, but it didn’t really serve much beyond what it is–suddenly you have this girl dressed up like a cheerleader crossed with a nurse and crossed with a dominatrix, trying to stab you with a syringe full of unknown chemicals. I guess for some that’s amusing enough in itself, but it doesn’t cut it for me.

I laughed harder when Reika’s meeting with some unknown Arab-looking man was interrupted. So, yeah. I know Ninomiya-kun is one of those low budget crap shows on the menu right now, but it had some substance going into the series at first. The chemistry is right. But it looks like the show’s going nowhere right now, and that’s just too bad.


Captive Audience

I think the first 8 minutes of ef – a tale of memories episode 6 is made of pure win. It is the sum of a delightful dialog that I have been trying to have with the rest of you in these past few years, boiled down in a very pointy and simple, directed scene about living for yourself and living for others, tersely paralleled with a creator’s dilemma in his artistic pursuit.

The subtle irony presses on even in the soundscape. Tenmon’s accompaniment with Makoto Shinkai’s early days is not without meaning. The simple chords (or whatever those wiggly lines next to them are called) pierces a slightly heated, poorly acted, but lively dialog. What leaks out was that subtle, fourth-wall prodding that have been pressed through the scenes of this anime series since episode 1. The writing and the dialog talks about a weird, artsy show like ef itself. And the people who make and appreciate them.

The episode started patently out of the DVDs of Soul Taker; flat-pressed rail road crossing, a silent parting only dressed by a roaring locomotive; but it is a declaration of war rather than an unconfessed complex.

But how does a girl figure into all of this? I’m sure a lot of you are rather more interested in the plot elements. Kyousuke was always “that special something” which made the ef anime different than anything else out there for me, so it is good to see the main romance story involving him.

The sharp declaration, the clever, alter-perspective recap to connect episode 5 and 6, well, is electrifying but also a little wacky. I guess I will have to live with that.

As the episode progressed the intensity of the direction dwindled. With Chihiro we see a lot of softness (although it makes good material to spike up things like with that sheep, those painted glass, a singular reaching arm). It’s that Renji-puppy-love, maybe. His mom is definitely a pretty lady that is also pretty funny. A little less funny was his neighbor-friend. And probably way less funny is Renji’s adviser. I guess they’ll save that for his back story with Yuuko.

The episode ends with some tender moment between Kei and Kyousuke, and Kei and Hiro, and showing you why ef is taking advantage of the anime format by doing some cool stuff that wouldn’t be so easy to do.


A Girl’s Last Regret

…is not getting to know November 11 a little better.

Eternity approaches. The feeling of solitude escapes its frail shell through the cracks of the oncoming holiday season. Weather changes from warm to chilly; perhaps your coworker has caught a cold and you try your own best to beat the bug. At any rate, all of this is to pass through the flight of time. In a blink of eye we will be reading Jeff Lawson’s post about his favorite anime being better than yours, along with everyone else that partake in the half-trollish, half-festive tradition. The urge to recall what happened early this year fills you invariably with happy and sad memories at the same time, or worse, a chilly void of “wow, what have I been doing with my life?”

Eternity is here, in some sense. For girls like Chihiro Shindou eternity has been severed into pieces; each night’s sleep leapfrogs her from one small reality to the next, guided by written continuity from the hands of an equally fragmented author. A little sheep grazes at the lawn it is chained, perhaps, to its eventual death. However, what that little sheep fails to realize is that life keeps going. She may be limited by her chains but the sum of herself is more than the recollection of self. It’s the fact that eternity is here. It’s the story about memory, and how we perceive them and express them.

Pop quiz: Why did Nayuki asked Yuuichi if he remembers her name?

Answer: Kanon 2006 FAILS.

But good o chap Jack Simon will live on with those who remember him. And I think even if he doesn’t exist as a real person, he is pretty inspirational as an icon of those who can keep his cool all the while doing the thing he has to do.


The Great Race, or Niger Please?

They’re in the lead, indeed.

They’re really a bunch of… fungi. GET IT?

Actually the better part of this post will be about Baccano, or how I’m going to watch it when it’s all subbed. Because an ensemble film…works better as a film. Not in a serialized work. But that’s just me and my shortened attention span.

But between this and that heap of praise, there’s only 20% or so chance that Baccano will disappoint me. I dunno about you–go find out yourself.


Gundam Your Mother, or “Is That a Curse Word or Just Really Hard Metal?”

This is actually unrelated to this post (despite the matronly reference) and a response to these posts, only because I’m prompted by this post in reminding everyone that the more you spam your blog the bigger your visitor count-penis gets!

And silly Night Elf hos should just stop cluttering my game by quitting and doing something more productive with their lives, like making money.

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