Category Archives: Franchises

Caught Up In a Whirlwind of Massive Strings or Tenmon Is Love

I don’t get why some people think ef anime episode 2 “ending” doesn’t work–to me it works very well.

She shoots, she scores!

If not too well.

I ended up going to the official website and rip the music on there. Digging into the flash file on the HP, you can find two mp3s of juicy Tenmon goodness. And as you would expect I’ve been listening to them repeatedly. The theme song on the website is different than the episode 2 version, so you should switch it up!

The sad part is that this will have to tide me over until February of 2008, as that’s when the OST is slated to street. :(

Thankfully we have a little more to work with; the theme song single is out next week, along with the CD singles of the first few endings. The ef anime will have different ending songs every episode, a bit like School Days. But it looks like each ED will get a single, instead of one CD with a bunch of the ending themes on them.

The OP single will have just one song on it–the English version, the Japanese version, the TV edit, and the instrumental (WANT NOW).

It’s always to see enjoyable composers get their deserving spotlight. If you’re weak against this kind of pop music like I am then this season is full of treats, with people like Elements Garden also doing some nice pieces… In the case of ef, think of Kumo no Mukou or Byousouku 5cm, and multiply it by a few factors of awesome as Tenmon is composing for a TV show–better budget and simply, hopefully, more scores and more diverse pieces.

Need. New. Pants.

Last but not least: Remember Eminence? Here’s a recording of their rendition of Beyond the Clouds, from the Tenmon soundtrack of the same at their Melbourne show this year.


Mikan Straight, or Really まっすぐ Go!!

While it’s not uncommon for TV anime to release a straight-to-video bonus episode or two, few has done it so tightly knit with the TV airing as Manabi Straight.

Having seen it almost half a year later, it also reminded me how much I miss this motley crew.

And Momo.

And UFOTable’s weird quirks.

April?

Talking with a few people about this OAV reminds me how the saccharine-laced ending may be too much for some, and the bittersweetness does not hit the spot of ultimate satisfaction.

This is a Chinese regional special

Still, bitterness and hardship are flavors of life that we all taste as we grow older. It brings character to a story, and gives the characters traction with the viewers’ minds.

For a bonus episode, this is heavy stuff. I guess that’s how Manabi Straight find its audience.

snapshot20071017134712

Celebrating the end of summer…a couple weeks late. Noticed the full moon?


Cute Microbes Looking for Warm Fansubbing Home

To be honest the real reason I’m blogging is because I can’t have such an inviting picture of Mao Mizusawa on my website, for so long. It’s not exactly safe for work, and it’s actually a distraction… I guess I’m just weak against her.

Moyashimon needs more marketing. Or less, because its author won awards, it’s been out for a couple years as an appropriately odd but appealing manga series for an older crowd, and it’s on Noitamina. Noitamina has an incredible track record with me and I don’t see why I won’t like the story about educating the public about microorganisms that have been coexisting with mankind for thousands of years.

As well as, well, odd culinary preferences. It’s not lutefisk but more like surstromming? Anyways. This show reaches enough technological complexity that it needs subs to explain which microbe lives in which food and what it means when you get a saggy brown blob floating in the air instead of a youthful brown blob floating in the air.

And those microbes are cute looking. One thing that struck me immediately was that in the context of agriculture, we are to embrace our germ-like overlords. I know in America people are much more likely to be germophobic and this is a very healthy counter-message to that effect. Maybe the world in general needs to just learn more about these things so it spends less money buying useless crap that kills germs unnecessarily so. It’s nice to put a happy face on those friendly microbes because they are some of man’s best friends.

And if you haven’t heard from anyone yet, please check out the OP/ED. They are fantastic, odd (along the lines of Honey & Clover OP), and just wow.


The Story of Redemptive Violence, or Gundam Will Continue Forever

Make Love, not War?

Redemptive violence is the bigger, badder, more brainy term to describe violence justified. This ranges from executions to “eye-for-an-eye” to even a war to end all wars and even using violence to protect someone and catch criminals. Gundam 00 throws a nice, juicy fat herring from the get go, tying terms like “dunamis” and “kyrios” (Greek for Holy Spirit and Trinity) with “oh noes I’m a kid fighting a terrible war excused by religious reasons and there’s no god poo hoo”?

Sigh, I feel like an 8th grade kid trying to explain to random internet people the point behind faith and love.

And thankfully, most Gundam shows do make a point to talk about faith and love (or maybe just hope and love?). Because it’s only in these incredibly human, idealized feelings like faith and love that we can even stand, point and laugh at the folly of war, of greed, and the tragedy of looking at people not as people. (And also, I’m sure, that the producers feel the moral burden upon them, with all those 8th grade kids watching their shows.)

Most Gundam shows also do make a point about Gundam as some kind of idol, too. The whole “I want more power/to be stronger” nonsense goes hand in hand with the “there’s someone I want to protect” nonsense or the “this world sucks” nonsense. In fact this probably explains why a lot of anime have crappy endings, not limited to just Gundam shows.

Still, I think unlike a lot of other stories told in popular media, Gundam tells a much more elaborate, and philosophically complex stories about redemptive violence (and, even showing the myth of it as well) by actually telling you these things up front, instead of using characterization and theme to explain things to you. For better or worse, this gets the message across faster and clearer usually.

That said, it’s probably unfair to pin so much of Gundam into the pigeonhole that is redemptive violence. A lot of other people have said their piece about Gundam’s stories, their motivations, and the intent behind them. And indeed, Gundam means a lot of different things to everybody. And it doesn’t help that the franchise has gotten to a point, that each series keeps on repackaging the same story, myth, legend, troupe, and theme that I am never so sure what it was saying at the end.

Maybe that is why to date Turn-A has been my favorite Gundam series in how it walks that tight rope between redemptive violence and redemption itself, that war is never the answer to anything besides “how do we kill a lot of stuff real fast and make a lot of trouble for everybody.” That the feeling to protect someone is only going to make the person you protect into a bitter, old maid as the other lover of the person you died protecting ditches her because your death made things complicated. That by loving your enemy’s hairdo as your own is the first plank to build a bridge for reconciliation and peace. Or cross-dressing. I’m not sure which works better.

I hope 00 makes a similar effort to tackle the core moral dilemma instead of pandering to mere drama. That’s what makes the Gundam franchise more than just a nice boat (even if the roots are rather nice boat-ish). As the myth of redemptive violence perpetrates today’s society in its core, the ongoing saga of the Gundam franchise will continue and draw a lot of attention for being the marketplace and battleground of ideas between pacifism and the school of redemptive violence. Maybe eventually it’ll surprise me with a valid answer?

Or at least get all their fancy-pants Greek Gundam names to match. What’s Exia? Exegesis? I mean that’d be the poetically fitting reference.


Aspect Ratio of My Heart

…is not 4:3.

Sorry, unlike other busy bees I won’t be waiting for the 16:9 CLANNAD but I will very definitely use that excuse to watch it again. CLANNAD is one of those games that I didn’t want to try to play after seeing how AIR and KANON turned out, and thankfully Kyoto Animation is the kind of studio that you trust to bring a good adaptation.

No matter because of the framing, because of the clipping, because of the Golden Rectangle, or because 4:3 is not how it was meant to be seen, it doesn’t negate the fact that CLANNAD is a show that does take advantage of these elements in an anime’s presentation.

What’s amusing is how did the folks in Japanese TV broadcasting come upon this idea as a way to sway subscribers…? Viva the otaku revolution. Then again, looking at a fair sample of the blogs out there talking about CLANNAD, the issue is more or less silent. I guess most people still don’t care?

I know when I dream, I don’t dream in 4:3. Nor should you.