Category Archives: Franchises

What’s Truly Ugly at Midnight in the Red Garden of Teen-Angst City

Liz's blinking! SPOILERZ!

Red Garden continues to be a compelling watch for me. I admit, I have a soft spot for angst-girl protagonists. I’ve been always a huge fan of girls like Priss and Robin…

But Claire, Kate, Rose and Rachel are not really like those prima-donna lead figures. In fact, I think they’re really the split personalities embodied by a Priss-type character. The interpersonal drama and the internal drama going on between the gang as well as with each gang member seems to be the expository pie we’re served.

With Rachel acting like this, she’s definitely leading the pack in … something.

So what’s ugly? It’s the fight scenes. Remember Uchuu no Stellvia? There’s this awesome episode about 2/3 of the way through the show, where the girls have a pow-wow and cried a lot? Now imagine that, but you have it every episode, and instead of self-acceptance and coming to terms with one another, you have psychotic terror involved with life, death, and coming to terms with existential implications.

It’s way worse than any complaint you can leverage against its visual style or art form, IMO. In episode 4, Rachel goes nuts a bit; that’s as expected. But episode 6? Sigh. The only relief I have is that they’ve gave away to that Gantz-like, shock factor; the subtle conspiracy is beginning to set in, and aside from the incessant wailing it is actually not too terrible.

Sigh, who am I kidding? It’s still over the top. Like their dresses.


National Geographic: Suigintou

I am not this man, and thankfully so.

I never was much of a photographer, so when I posed Suigintou under a cool October sky it didn’t occur to me to procure the right equipment, let alone finding a good angle. It was kind of brisk and I took care to spend as little time possible outside. Part of it was also I just don’t want to be found doing this in public. Or even by people I know. Alas, the journey towards the right degree of shamelessness is life-long.

Given my circumstances I cannot afford many hobbies. I think between PC gaming/MMORPGs and the occasional anime con, I’m pretty wiped. Maybe I can squeeze out some living expenses towards a few DVDs on sale or a trip to Book-Off, but a figure? Man.

Maybe all the more I should go nuts like TJ and get my money’s worth? Sounds like a good idea.

One of the big motivation behind me taking this picture and writing about it was a bit of a plea. I haven’t seen any figure reviews of Yujin’s SR series Suigintou. When I was putting the stuff together from the box, it was a bit of a delicate piece with ribbons that you have to attach. All it took was a little bit of trial & error, but lacking a well-addressed reference picture leaves me a bit in the dark. I’m not sure how the finish product should have looked in detail.

It wasn’t obvious. In fact in the picture above, something is missing. I didn’t realize after the fact that I actually made a mistake in putting her together. Alas, it has been remedied but I am not going to risk being exposed again, to take her for a walk under the sun.

If you are a bigger, better, superior Suigintou fan than I am, then you may have noticed what was missing. And just in case you’re like me and you bought this figure and didn’t figure it out yet, or planning to buy it, I hope I may save you some figuring-out.

The box it came with is fairly standard. In one corner it contains 5 ribbons and a feather, each laid within its own inset. The smallest one goes on her neck as a part of her tie/choker thing. Two of the remaining ribbons go on her sleeves, one on each side, right under her shoulder padding. The last two go on her gothloli headgear, one on each side. The 4 larger ribbons look similar, but they have different shaped attachments which only fit with the proper part of the figure. It’s a bit of annoyance.

It’s almost as annoying as putting her wings on, and to do so without taking her head off.

“Off with her head!”


Election

Suiseiseki won Saimoe, as it seems to be news in these circles.

Moe?

But what’s in a title? In as much as people subconsciously resign that popularity tests, as these are, means just that and probably only that, we all want our favorites to win.

Or do we? In some ways I like Suiseiseki a lot, but she’s just another girl on the list of characters that are moe, that are widely-recognized, that drives memes, that needs a good PVC figure, that adores doujinshi that we see as dime-a-dozen. Like roses.

Yet somehow, way before her steamroller victory, I found that she’s the girl I’d rally behind, out of all the others. Of course, Saimoe operates with a set of artificial rules (as all good elections do), such as it has to be a new anime aired between certain time periods, it has to be well-nominated, votes have to fit strict formats, what have you. Three observations:

1. Purpose. What makes Saimoe different than a poll that you see in Newtype or something is not in what it sets out to do. Simply put, a big reason why I’m thinking about “vote for your favorite” contests is that watching Saimoe makes me want to participate in one too, one that is more accessible. Don’t you? It’s kind of fun: fun to talk about it, to think about it, to administer it, to argue it in the various discussions that spring up, and to see how the population come to terms in a democratic fashion. That’s why Newtype and others have it–it’s something to read, to pay attention to, to get the publication’s name out there, to get the readers involved. In the same way Saimoe unites the anime community somewhat, at least those communities feeds (in varying degrees–first hand, second hand, etc) from the happenings in the 2ch boards. It is, arguably, the heart of anime fandom on the internet after all. I’m not sure, so don’t cite this, but something like 25% of the votes in the final match were from outside of Japan. It’s a good reminder for everyone that anime is a global thing!

2. Purpose. Again. The difference, as to Saimoe versus other polls, is to cater to 2ch-ers. These people are obviously too hardcore for Newtype polls, which caters to a huge, mostly detached, domestic audience. They watch the latest shows, and would rather talk about them more because they’ve talked the old shows to death. And of course if Saimoe is to be a reoccurring event, we just can’t have the same bunch of characters running every year (even if it may not make any difference towards the outcome in an isolated, closed set of voters). And of course, they want to give people the freedom to let any character to have a chance, and these people know every character. Like Ms. Invisible from Magipoka. Or Nanoha’s stick.

3. What makes these polls fun is the participation. The voting alone is pretty boring. But the meta-talk. The fanart and other fanwork. The campaigning. It’s fun. It goes to point number two, too, in that it’s more fun to be able to talk about characters you care about, so having a huge base to pick from makes it much more fun to talk about, at least early on. Once the winners win and most others become losers in the later rounds, at least you’ve gathered enough history and the “politics” of voting can continue on revenge motifs, and consolidate your voter bloc to leverage. People can still have fun.

And that’s what’s it’s all about. I don’t see why people complain about people getting too serious about Saimoe. It’s part of the fun to be serious about it.


List no Houkou

1. The manga is still going on for Asatte no Houkou. Volume 3 is the latest volume, AFAIK.

2. There are more characters, more spoilering fun! SPOILERS!

3. UWAAAAAAA~N.

4. No, thankfully I wasn’t spoiled, but if I were you I’d AVOID IT. Said the person who was, to me.

5. Nayuki is still the best.

6. In as much as copyright is a hot topic on the internet today, the anime slice of the copyright-topical pie is something that I am trying to delineate into discrete topics that are forward-looking. We have a lot of dialogs about now-looking and some paper written from a past-looking perspective, and that’ll be useful to talk about what is to come. I think this is particularly exciting when you look at it from the cross-licensing perspective. Bishoujo gaming, the rise of shoujo manga, gunpla, and professional costuming are just a few examples.

7. I’m still pleasantly surprised that I can bring myself to watch Akiyuki Shinbo’s Negima?! without prejudice. I hated the manga, I hated the anime, but most of all I hated all the fandom. The surprise is pleasant because the remake is actually enjoyable! It’s hard to find shows that are so enjoyable when you’re trying to hand-pick from all the offerings. Going by hype, cover, OP/ED, and what have you only gets you so far. Shows like Tokimeki Memorial is going to get left behind, despite the quality production. Maybe I’m just lazy and even if I can download the raws and have the ability to enjoy raws, I just don’t have the time and drive to watch them half the time.

8. Black Lagoon is still love.

9. I dropped Code Geass like a brick, sort of along the line of Innocence Venus. Neither are bad shows, but I am not in the mood. I think I’ve had enough angst from my weekly dose of Red Garden to last for a while. Yet, I’m watching staple stuff like Death Note (I think I owe it to some people to watch it) and Pumpkin Scissors. I’m probably watching the latter just for Kana Ueda, on that note.

10. Is that why I stopped on Nana too? What does it say about women? Besides that they’re sympathetic yet probably slam-worthy targets for femnazis? I dare not to ponder further.


The Curse of Un-Moe

When I read a typical figure review at RIUVA, for example, I get bothered by the shameless, fiery passion some people get with whatever the latest polymer idol being reviewed. I think that’s just a fact of life. It’s like talking to some colleagues to kill time, and they go on about something you either dislike talking about or disagree–for example, “Jessica Alba is hawt.” But who am I to say no? I have my own eccentricities as well, and they’re probably less commonly shared than popular idols and actresses.

But what bothers me is how anime fans, by and large, falls into very predictable herds when it comes to “liking” a character design. The oldest memory I have of this was from Escaflowne, and this complaint repeats itself with Nobuteru Yuki’s other works. “Who cares about their noses,” I thought. My opinion of his stuff is pretty high–at least, until he started to recycle his Hitomi designs. Many of them looks full of life, and his faces are expressive because the various elements work together. That’s on top of the fact that his designs are more detail-oriented.

In the age of moe, inoffensive, cookie-cutter designs are the way to go. No one complaints about droopy eyes. Or lacking lips. Or having no nose (this one is kind of across-the-board). Or zettai ryouiki overload. Or having little detail on the rest of the character outside their hair and eyes. Gotta pander and make your show accessible, after all?

So when I tell people “Red Garden is gorgeous!” I actually get weird looks. Pretty? Yeah, it’s by far the prettiest anime this season (Kanon not withstanding). The colors are strong and that highlights its goth-emo tendencies (the Rozen Maiden team is on it, after all). The heavy lines, the angle used (most evident in those scenes when the characters walk down the hallway), the shameless pandering to mood with sweeping landscape shots of the upper east side?

Well, ignoring two very serious problems with Red Garden–its overly superficial take on American school life and excess emo–it has one very interesting packaging. As of 3 episodes I can’t say much about the rest of the show and the depth of it, but even now having seen episode 3 and by rewatching the first two, I am already picking up points of internal consistencies that I missed the first time around. It is meticulous.

But of course, God forbid the use of thick lines in character art in anime. Even more so having to animate something without the use of moe dynamics. I think it’s more than just preferences and eccentricities when something that’s honestly quality gets slammed for being different.

Rocking for Red Garden to Rock the Status Quo? Rock the LM.C!