Category Archives: Franchises

A Musical: A Tribute to Floe

[Light spoilers up to episode 25, maybe 26. Below is written in a play script form.]

A Stage Production...

[Setting: The deck of Arcus Prima, under the canopy. The flying fortress lies in disrepair, abandoned.]

[The view changes to the aging music machine, winding down and playing a melody]

[Back on deck, Limone and Lodoremon sit side by side, on a park bench. Quietly the two survey what little natural beauty entangled with the signs of nature claiming the temple garden as her own.]

Limone: So is this it?

Lodoremon: It seems that is it! How is life with Dominura?

Limone: Oh, it’s… interesting. But enough about me! How are you?

Lodoremon: Oh, haha, you know how it is. I barely get by these days. So swamped with work, especially given what’s going on with Argetum and Plumbum. It’s rather nice, a change of pace, to sit here and chat and watch them go at it.

Limone: I think it’s embarrassing.

Floe [off the screen]: No it’s not!

[The view suddenly cuts to Paraietta, on a stage, spotlight and curtain and all. Paraietta struck a pose and sings:]

Paraietta: You are everything that is bright and clean / The antonym of me / You are divinity.

[Cut to flashback of prayer to the Plumbum priestesses; the rape; then the prayer scene between Paraietta and Neviril]

[Cut suddenly back to the same stage, spotlight on Lodoremon, likewise, singing]

Lodoremon: But a certain sign of grace is this / From the broken earth flowers come up / Pushing through the dirt!

[Cut to flashback of Mamiina, then cutting her hair, then lying in the flowery field]

[Cut to Yun on stage, spotlight, alone, doing the same]

Yun: You are everything that is bright and clean / And You’re covering me with Your majesty

[Cut to flashback of Onashia, then Yun making a nest, then Yun hugging Onashia]

[Cut to Morinas, on stage, spotlight, the same]

Morinas: And the truest sign of grace was this / From wounded hands redemption fell down / Liberating man!

[Cut to flashback; Waporif waving; Morinas’s boob moment in ep15; Wapourif’s final scene in ep26]

[Cut to stage; spotlights on Alti and Kaimu, hand in hand, singing]

Alti & Kaimu: But the harder I try the more clearly can I feel / The depth of our fall and the weight of it all

[Cut to flashback: rape; shower; A&K’s childhood scene]

[Cut to stage; spotlight on Neviril, singing]

Neviril: And so this might could be the most impossible thing / Your grandness in me making me clean!

[Cut to flashback: The exploded cockpit; the scene where Neviril consoles Aeru in ep21; the jail scene with Neviril]

[Cut to stage; hands joined, left to right, Paraietta, Kaimu, Alti, Morinas, Lodoremon, Yun, and Neviril. In chorus:]

Group: Glory, hallelujah / Glory, glory, hallelujah

[Suddenly, loud cracks breaks through the ceiling. The view pans up and revealing a mostly naked Aeru suspended on wire-fu string-works, descending onto the stage. She sings while floating down:]

Aeru: So here I am, all of me / Finally everything / I am wholly yours.

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Saiunkoku Monogatari Is Not an Epic Venezian Conspiracy

The World Needs More Neviril

I think my Aria the NATURAL backlog is now fully attributed to the fact that Saiunkoku Monogatari has taken over its role as an inoffensive no-brainer. I watch it to appreciate the reverse-harem almost, but more because Shuurei is just so cute and I WUB KUWASHIMA HOUKO…?

Nonetheless I think this show is getting the right amount of attention. I really don’t think it’s so good that you should drop a show just so you can watch it, but unlike Aria, stuff happens. It keeps my wandering mind focused when I put an episode in the media player once a week, on a tiring weeknight, for the fear that if I was watching Aria instead, I’ll fall asleep.

But I went into SaiMono thinking it’ll actually have an interesting setting and story, which so far neither has been the case. We see Shuurei, the only child of the court librarian (Chief IT officer?) learning her ropes as a girl who grew up during hard times, “taming” the delinquent King. Then she goes on this women’s suffrage bit, which is empowering and interesting but kind of, well, boring. Thankfully they’ve layered up enough mystery behind every single thing in the show that nothing is what it seems and there’s probably enough unexplained back story to make an entire anime series on its own. To be fair, yes, most of the potentially “interesting” stuff has not been explained.

Now, I’ve only seen about 12 episodes, but at this point they’re just doing the usual parade of tropes–the court queer, the double agent, the double-double agent, the secret successor, various lineage tricks, the “I understand you but I must fight you” crap, gender bending, typical puppetry and manipulation in politics, etc.

Does it matter? Not anymore. It feels almost slice-of-life, yet stuff goes on! I guess the production value is overshadowing the flaws of the adaptation at this point. A good thing, probably, because out of its planned 39 episodes, it will have a lot of room to hit some climaxes. I’m just wishing those would come soon, if not already! I gave Simoun at least 14 episodes, and 16 was sweet enough to sell me out to it. I hope that is the case with SaiMono.


Fall, Spiraling Away into Seasonal Melancholy

Koyori

Looking back at these past 9 months, a lot has changed. Suzumiya Haruhi’s lasting impact in the minds of the fan-sphere is a weird one. For people like me, we cling to it. But like many of Kyoto Animation‘s works, it lacks that consistency which reminds me of warm, home-made breakfasts; toasty winter holiday family fests; and that cup of hot chocolate on a chilly winter day. The fallout is evident but surprising despite the cynical blog-sphere and fan scene. Its strong fan response in Japan is trapped within the cultural context and language barrier, unable to affect the outside world in any significant way.

The more I dwell on Kyoto Animation’s Kanon, as a result, the more it boggles the mind. I suppose one could say that by the end of Full Metal Panic: The Second Raid, one would have a good grasp as to the style they are after. Fumoffu won us over with its crisp juxtaposing humor, but when it comes to writing a teenage mercenary’s real life, they have a ways to go.

Yet with the delivery of Suzumiya Haruhi (as an adaptation) and its tender treatment on the tragic subject matter within AIR, we’re left with hope. This tender feeling, for someone as cynical as I am, is, well, tender. It’s like a lonely candle flicker on a chilly autumn night, its end only the next breeze away. Yet my hopes are up only because Kyoani’s track record. Only because Kanon’s potential as an anime hasn’t been depleted by Toei. Is this on solid ground I stand?

Inherently the process from start to finish, animation is complex to create. I think for every one think Kyoani gets right, there is probably one thing they could get right, but it’s out of their reach. For one thing Kyoani gets right, there’s also probably 3 things that could go wrong just by luck. Considering how bare-bones the typical Japanese animation production team can get, it’s not an unfathomable fear. Or is it? I’m just putting numbers down just to scare myself. Why? It’s obvious…

I want to enjoy Kanon 2. I want to be able to embrace the fan splooge. I want to see a good mood anime piece with Nayuki. I’m fed up with TEROGE adaptations. I want to be able to come home and melt into the emo embrace of an exemplary Sad-Girl-in-Snow story.

But I think somewhere I also want to see Kyoani struggle with failure. They’re due one. Maybe it won’t be this time, but who knows?


Anime Porn Is a Wild Goose Chase

This is probably a lesson I’m learning in constructing an audiovisual narrative. People who go to film school probably learn this as well. I say “probably” because, well, it’s kind of a thing that I just think up and talk about with random people on the internet.

[Just imagine how difficult it is to have a straight-faced discussion about the effect of inserting various explicit sex acts in a film or a TV series or an OAV series. It just doesn’t happen unless you get lucky with someone who can do it and is willing to do so.]

To cut to the chase: sex is just like anything else that happens in an audiovisual narrative. In that how the typical ero anime is terrible aside from the way one enjoys a B-movie or like any other kind of porn, it is constructed in such a way that it does what it sets out to achieve. However, when we’re talking about inserting a sex scene as a coda or conclusion to a relationship, it just seems to be a poor choice.

In some ways you have to be a bit of a psychologist. Sex in media is a divisive topic especially in the more prudish parts of the world, but even in audience groups who are less fidgety about it, explicit sex acts draw reactions from the audience on a per se basis. This reaction can be distracting, and it’s uncertain how it furthers the point of the story when it has already been resolved to that extent (think of a romance story that has nearly ended).

A good distraction can be a useful tool. REC, for example, does a wonderful job with that as a hook, and they didn’t even have to be explicit about it. Looking back at it, REC is a story about reliance of people, so having a sex act by itself was a good thematic stake that pegs one corner of the bigger context and frames the issue in a distinct way.

But that’s still kind of shameless. It’s a shock tactic. Is it really fair to say that sex or fanservice, when used per se, is of a “lower” use? It may distract some people from looking at the underlying narrative, but what if the show isn’t about that?

To look at the typical TEROGE, it’s a wild goose chase, and sex is the golden egg to get the player’s bodily organs pumped with blood? Yet do people lay acclaims to these TEROGE’s virtues through the geese? I mean, the characters within? Or the chase itself?

I suppose in Fate/Stay Night anime’s case, it was a wild dragon chase.

The point is this: if we abhor poorly and cheaply pandering fanservice and sex scenes, do we have a rational foundation to make our claims credible? Obviously it doesn’t make sense to complain about having sex scenes when we’re talking about a porn piece. But is it true in the inverse, that pornographic scenes are inappropriate in non-pornographic works? And I phrase this not in the artsy-fartsy context, but even in popular, mass media. We definitely can have implications of sex, and even actual depictions of sex acts when it is fairly or even critically relevant to the purpose of the show (Rahx, Eva, Berserk, just to name a few).

Do you like it? Do you hate it? Is this really, killing the goose to get the golden egg?


A Cheap Trick Is Cool x Sweet Anyways?

Tsuyokiss is a crappy show, but I don’t regret watching it one bit. Why?

Twin Tail Is Not DOHC

The actors. Tsuyokiss throws a handful of veterans with a bunch of anime voice acting n00bs. Nana Mizuki takes the lead role and I think she alone carried the show. It all works out well because she is really the main character with the majority of lines. Without spoiling the last episode, let’s just say, she really performs. While I’m not sure where to place Mai Nakahara, but Norio and Takehito Koyasu? They shine when they get the chance to, I suppose?

The theme. Granted as a TEROGE adaptation (or an bad eroge adaptation/bad adaptation of an eroge), Sunao’s schtick is acting, which folds right in with the fact that the best part about this show is the acting! And I think it kind of shines through.

The focus. Considering the man at the helm of this directed some…TERRIBLE? GOOD? I don’t know. Mahoraba? Maburaho? But this is a quick & dirty repeat formula with no originality aside from the shift of focus/theme to double-up on the acting cast. It’s done simply and farcically, and people have fun doing it, it felt. Fun both in “lol I get to cut corner in TEROGE adaptation” and “lol I get to mock TEROGE adaptation.” The show was serious, yes, but it walked through the motion only as much as it was necessary.

The feel. Some got pissed because the OP of the anime wasn’t this. What’s worse, and the pissed people have it right, is that the anime OP is downright awful. I’m sorry but it’s so true. However the last episode gave us a little treat when the SFX team and the voice actors got together and aurally annotated the OP for us. It’s got that “energy” the game OP has, despite the crap animation and crap music. It was fun. I guess he did get a bit less Maburaho and a bit more Mahoraba in the end.

And speaking of which; the end. Both for the series and the ending theme. The ending theme is a nice piece written by KOTOKO, and Kaori Utatsuki delivered it sufficiently to carry the feeling across. Ok, well-illustrated naked chicks in tasteful poses does help, too. As far as the end of the anime goes, I’m just not going to spoil it, even if it’s all too obvious. I think it would suffice to say it ended on that positive note with enough wrap-up to capitalize on the full build-up over the course of 12 episodes.

Yeah, in Air Gear terms, Tsuyokiss was a trick. And it’s a cheap trick. But I guess it’s got less love than the equally cheap trick, Soul Link. Boo-hoo. Alas, I did see it, so I merely lament having few to no one to share.