Category Archives: Modern Visual Culture

Sweet Aftertaste: A Brief Rundown of Sorts

When the episode ends with putting a smile on your face, I think that’s a good thing.

11/11 always makes me smile

Of course, sometimes it’s just a cheating cheap trick that’s doing the smirking for you. (Hello wawawa wait I forgot what show I’m mocking?) Gurren Lagann’s rather-epic end to the first 13 episodes is a good example of how to do it so honestly, on the other hand. But still, you aren’t sure if you are smiling because you know we’re going into a recap episode and jump forward in time (yay non-loli NonoNia), or because you’re still on the well-animated euphoria of good old battle robot…goodness.

On the flip side there’s this さよなら絶望先生 sort of smile. Shinbo’s show generally does that for me, although lately he’s doing it with a twist. Hidamari Sketch had those sublime and Azumanga Daioh-like moments; Negima mixes adolescent romance with some pretty cool otaku tropes, plus a bit of that Nanoha battle feel to it. But with Sayonara Zetsubo Sensei he goes back to super-overloading the basics of a simple manga adaptation to create a lot of joy for, at least, some of us. I know it’s not the sort of show everyone will enjoy, but like Soul Taker, Shinbo manages to transform a rather mundane thing into something very unique and it doesn’t terribly suck!

Sort of like Sky Girls TV, actually. Although I think, like Yin, I might have to use my fingers for that one.

On a completely unrelated subject, this is pretty cool–and you won’t see it in a street racing anime:

RX-8


An Entertaining Uninstall Redux

Flowers for Ishikawa

Chiaki Ishikawa at AX explains a lot about Uninstall. And how Simoun’s production was full of girls.

Yea, some guy booted the audio from her show. To save you the trouble of having people yell into your ears by listening to that hour-long thing, here are some tidbits:

1. As an anisong singer (she explained what that was) she really got into it through Kajiura’s collab in Gundam Seed. Their partnership had a deep impact on her, it seems. She has been doing solo only a year or two.

2. Speaking of anisong singing, she wrote Uninstall in a way that people (in Japan) will recognize that it is an anisong. So, naturally, Ishikawa sang “a ni song, a ni song.” HAHAHAHA. You go girl. Only a song’s writer can mock the song’s fan the best? Oh, oops, I’m suppose to keep this secret! (Isn’t this on the internet already? But I bet not a recording of her singing just that…)

3. Which songs? Annaniisshodattanoni, Kimigaitamonogatari, Yasashiiyoake (she soloed), Uninstall, Utsukushiikerebasoredeii, Kimiwabokuniniteiru, and Obsession. Ugh @ Obsession. I hate this song. Well, I think she sang it better here than on the CD at the least…

4. She doesn’t do many lives at all. (Ugh)

5. I can use a picture of her costume? LOL.

Speaking of Uninstall, though, there’s also Ishikawa’s blog and it talks about that a bit (under 7/3). Among other things. For someone who saw the first Gundam series when she was little (I guess this is heading 6?), she’s a champ for toughing it out on this AX trip…and wow, that’d also make her someone who was inspired (well, maybe subconsciously) by it and ended up working on the franchise, even if probably unintentionally. It’s all up there.


Lost and Finding Nodame

Yep, I’m sort of lost.

It’s not that I don’t know what shows to watch, but I think I might have to take a break to regain my drive to care. The new summer shows are popping up now, so maybe I’ll find a show that will motivate me.

But even before I do that, watching the end to Nodame gave me enough boost to keep going? Maybe it’s the lovely soundtrack to the show. Beethoven > most pop music, sadly still.

For a show about people getting over their memories, it was a cute and entertaining adventure with all the internalizations clearly depicted but kept quiet in favor of Nodame’s repeating antics. Like Honey & Clover, Nodame also lift in whole some of the manga schtiks to good effects. The end result was not just a mere-falling-in-love with the characters, but also getting caught up to its pace and the style of humor.

That said, the show is not a masterpiece unlike some of the music it played. There were some pacing issues and the rough spots but it was simple and I think the staff was veteran enough to dice this up despite some limitations. It ran knowing where it is going, and it took strong and steady strides.

In retrospect, Nodame was the kind of show that really anchored my viewing habits. It’s like a drug–a weekly dose to keep you sane…or insane. It doesn’t get me excited, and it isn’t really experimental or out there that I have to worry about what I’m getting each week. On the other hand it’s something you can count on to entertain, and you know how much it’ll make you laugh or make you feel sentimental about your own youth.

Ahh. I feel like those old geezers in H&C again.


AX2007: Manhandled?

Well, pissed off con goers are dime a dozen, at least that’s how I feel as a long-time con goer. This year’s AX, however, is a different story. I’ve not been, so I can’t say on my own, but I have all the hearsay in the world to back this up.

For one, Halko Momoi herself openly dissed AX. Com’on, guys, Momoi might be a little less diplomatic and forgiving than the typical Japanese guest, but she really loves her fans and whatever that pushed her this far can’t be just some trite little thing. ANN reported a bit on it, but you can get a bigger picture of what went on in the comments and especially as detailed here, by someone who was at the Momoi events.

Of course, the extra-hours wait in itself is not too, too unexpected; the multitude of concerts AX has this year invariably will mean one or more mismanagement and legions of pissed fans. The delayed concerts and the subsequent chain effect? One pissy performer can cause all these subsequent ills that would affect just the fans attending those shows (a large amount to say the least). But, well, AX forum itself is full of horrid stories: like 50 autographs for the SOS-dan girls? That bit of news made even 2ch.

I’ve seen my share of inept con managements. But I think what is unfathomable is pissing off fan favorites. People like the SOS-dan trio and Halko Momoi are really big (or will be) in the scene, and that kind of ill-will goes far to discredit not just AX’s management, but western fandom in general. Even if this was a once-in-a-lifetime screw-up.

To that end, it’s not so much a matter of “AX’s fault” or any kind of silly blame-game, but it screws with the prospect of other cons scoring these guests as visitors in the future. It creates the sort of damage that (perhaps) not even time and money can undo. Perhaps, as of this writing, it is already by-gone and water under the bridge. I suppose I can only plead humbly to the other con organizers to treat their shows not just “yet another con” but that for the special guests themselves, this is their livelihood; and the collective sacrifice of your typical major-con goers has to be respected. It’s ugly when the middleman screws it up, you know? Con managements do not have thankful jobs and they really get to deal with a lot of crap with very little glory. I’m sure there is more to the hearsay floating around out there that make all of the trash talk fit reasonably. But please, do something! D:


Today: AnnouncementTorrent

This year is not too bad as far as US con news goes so far. Definitely an improvement from the last. I’m just going to highlight some of the ones I care about:

Emma being licensed is actually my biggest ZOMG. It’s a great little gem but it’s so far off the well-treaded path for anime, let alone anime in the US, that RightStuf might have some trouble finding good homes for their DVDs. But somehow it’s the sort of show that makes you think “hey, there must be some people out there who’d buy Victorian romance imported from Japan.” Especially in the US. Especially after you scrub-a-dub-dub and remove traces of “Maide In Japan” from it.

Gurren Lagann being licensed is a nice treat. I like the show enough to watch it, but it suffers from the Eureka 7 problem in some ways. I wish it was shorter so at least I have no excuses about being able to afford it. Then again, technically I can still wait for a thin-pack from E7, and ADV is much better about releasing collections than most other studios. What’s wrong with Eureka 7? It’s too long, it’s not the sort of thing that you want to watch the whole thing twice (although some episodes definitely many many times over).

DMP is going to release Flamboyant. We know they’re bringing over a Megami compilation later this year, so this is more of the same, I guess (I hate Megami stuff with a passion, but it’s good to know). It’s interesting because I bought Flamboyant back when it was hot enough for a second run… Well, at least it’ll be cheap (and with more artwork!). Flamboyant, for the noob, is the first (and so far only?) art book by Hakua Ugetsu. Sure, it’s got the name Bakuhatsu Tenshi to taint, but the stuff inside is awesome.

Along with the re-announcement of Nanoha and Nanoha A’s, I think I might even buy the SRW OAVs when they come out. Probably pass on SRW TV though. These are all “maybe” but I think I like A’s enough to not pass.

Cosmode USA. Uuugh. In other words, a US cosplay magazine.

Last one for the day: Wings of Honneamise on DVD and HD-DVD is actually a big deal. The US is ahead over Japan on the HD home video effort. At this point in the game I don’t care if it’s Blu-Ray or HDDVD. I just want my anime on 1080! And this is a classic to own for this purpose.