Category Archives: Modern Visual Culture

Songs from Earthsea

I have a friend who is a huge Joe Hisaishi fan. Huge. We still make fun of him when he chickened out at going to Japan this summer, for Hisaishi’s mini tour thing. Well, we can’t blame him too much; flying to Japan just for a show is a tad extreme, but I think he’s due a trip. This is his copy that I’m enjoying, which is odd because it isn’t Joe Hisaishi.

At any rate, Gedo Senki Kashu (Tales from Earthsea Poetry Book) is actually a vocal album featuring some songs from the Studio Ghibli film, with no involvement from Joe Hisaishi at all, AFAIK. What it is, is the first album by a new vocalist Aoi Teshima. Doubly so interesting is that she plays a character in the movie, too.

But what makes this blog entry happen at all in the first place is how it reminds me of two neat things: KOKIA’s early works, and Akino Arai. The vocal style is rough but soothing, with a stripped and sad-folksy speed to its simpleness. It’s the sort of music that may go with an imaginary dream accompanying a funeral progression at the beginning of a film, or something to that nature.

It’s not all sad, but it is all slow, that said. The CD goes through a variety of moods, but it’s like watching Kino’s Journey; if you “get” one episode, you get them all. And in a way this CD is a journey much like that, too. Our lead protagonist here is a soulful vocal that marches unendingly from one classical arrangement to another, sometimes alone, sometimes with a small troupe. The voice itself is not a bishoujo, either, to stretch the analogy. It would look like someone I’d like to see.


HDTV: High-Deshou Television

I’m sure all the people who care already knows, but just in case DJ Bouche has a really nice selection of remixes and midi related to Suzumiya Haruhi no Uutsu. Download and all that. And it is good–the tech spins the familiar hits under a new light.

Momotato should take note how it doesn't take up the whole screen.

Just like having those 720p encoded raws for the show, on a Sony KDS-60A2000, can spin up a new flavor for an old anime. I guess this blog entry could also serve as a mini-review if you’re looking to buy a nice microdisplay. It really looks nice.

Nice might even be an awfully inadequate understatement. I’m not entirely sure if the High-Definition broadcast of Suzumiya Haruhi was in 1080i or not, but that must have been jaw-dropping if you were watching it on a nice HD display. Hare Hare Yukai on this set was like that for me, even if people complain how the VGA port only allows 768 vertical resolution max, giving me a nice, but “not as big as it could be” replay. I still dropped jaws.

The picture up there is from my phone, and it doesn’t do anything justice, let alone a HD display in a relatively dark room, so never let the picture influence you in terms of what I am saying (always, in fact). Considering that I have already watched the first episode (well, episode 2) 5 times before today, going through it twice more on this set still leaves me hungry for the rest. I suppose that shows how much I enjoy this episode, but I’d like to think it’s because you really enjoy it differently watching it on a big TV, Hi-Def, than watching it on your monitor (well, also Hi-Def I suppose).

And … yeah. Why am I talking about it when I still have 13 episodes left to go? I could be watching it right now! Chronology for a second rewatch is what the Kyoani doctors have called for, so be it.

[And oh, if you are actually curious, these are not resized; but they come from my dinky camera anyways. And also they will probably be around only for a short while.]


Gonzo Is Snarky

That looks awfully familiar.

People knows about fansubs even in Japan. Industry people. I recall once such instance when the ROD TV core creative team was fielding questions @ Anime Central 2004. I believe was Hideyuki Kurata-san who asked the panel audience “how do you know about ROD the TV? It’s not in the US yet.” The answer was not awkard, and IIRC someone in the audience gave a very good, short, snappy summary of the nature of fansubbing. We all nodded to concede its impropriety yet its necessity, even our creators.

The reason I thought about that was watching Gonzo’s Welcome to the NHK, I realized the OP used 3D text that dropped shadows and ran on chroma key for overlaying and underlaying. In the scene where various women walked past the screen it was pretty obvious what was the trick–the uniform colored background probably made it easier. That was the key. “Why the uniform background? Was the text applied after animation”? And as a rule of thumb, it was–that’s how we can get “clean” OP and EDs. “Wow, that’s like something you can pull off in aegisub if you spend enough time doing it.” Click. Wasn’t this something we saw in Shinsen’s Speed Grapher subs? How they managed to string the song lyrics into the slideshow ED with a uniform background color?

Could the two be possibly related? They are both Gonzo shows… I mean, it is probably more likely that whoever was doing the credits just went to town and did a great job “adding” to the opening animation. More importantly it was probably coordinated, as the flat BG was kind of necessary for post-processing. Or it just could be someone trying to “fix up” a poor production? I don’t know.


Who in the World Is Ayako Kawasumi

YA RLY.

WHODAT?

Ayako Kawasumi’s wikipedia.jp article is a good start, if it isn’t a little fanboy-ish. There just hasn’t been a good write-up for her that I’ve come across, that has been keeping up to date, in English. As tempting as it may be, I’m certainly not qualified to write about her beyond parroting what others have said.

A good and brief bio would go a long way to help me ask questions at Otakon! It’s a little rare to get a relatively new generational voice acting guest from Japan who is in the precious position she is in–venerable and respectable and makes both Alex and I having a hard time picking an autographable item. She has (relatively) little hype, yet she’s in a billion shows. Well, that’s on top of the fact that she has long, long since overcame “the problem” plaguing Mamiko Noto when it comes to voice acting :)

The fact that she is going to be here means a few things, such as she’s taking a (minor) break this season. I would too if I had to play a main role in Fate Stay Night…. Anyways, I’m pretty excited, even if now is not the height of her popularity in Japan.

But discovering or re-discovering Kawasumi’s talents has been a bit of an eye opener even for me. I know she has her solo CDs, but I didn’t know Taku Iwasaki was a part of Primary (or I might have just forgotten). And funnily her rather amatuer style of composition fits my mood lately as it totally reminds me of a game like this. It’s also a good time to rewatch Piano.

Even if most people would find her more emblematic as Mahoro, Fuu, Saber, Lafiel, Koishi Herikawa (one of her best performance ever IMO!!!), or even Hinako from KOF, that’s all fine. I am excited! Aren’t you?


End of the Road

JAL’s blog always makes a good springboard.

It’s not so much that I don’t watch anime any differently than most people who do–we probably download it some time after it comes out off Share or torrented, and watch it when we get in the mood and have the time. I consume it as I would any other kind of media. To put it into context, it’s times like this when people drop out of their World of Warcraft addictions and back into other stuff? What makes you switch on something else and off the world of anime?
What keeps me going? Do I like it? Sure, I can’t imagine why I would be doing it if I didn’t. Perhaps it makes sense to see that as a person watch more anime, his fill would be met at some point. What was fresh just isn’t anymore. By the same rationale I can see that not only people would be offended by seeing, say, the new TMNT or Transformer moving Hollywood is putting out, but also because they got fed up with it.

But I think the magic of being a fresh anime fan all these years lies within those moments (and just how people are not fed up with what they were obsessed with as a child). Thinking back to my youth, I was riding pretty high on the TMNT wave, but I was nowhere nearly materialistic enough to actually own that much swag. I don’t even think I owned a TMNT game, although I did play it plenty at friends’ places. I had a couple action figures…and that’s it. I think I made my own iron-on TMNT shirt and used it as a poster in my room.

Invariably as kids grow up, though, the nature of their consumption changes. It becomes more and more purpose-driven. Why do you sit down and watch TV? Why do we have to have reasons to like what we like besides to explain why? It’s a change from “I like this” to “I like this.” Identity through preference. When we put passions into words, I think part of the charm disappears.

(Alas, that’s also why particle physics is so awesome. And puns.) But that aside, I think those who receive much has to also give much. It’s natural and almost a law of nature. If I watched a lot of anime and didn’t give it any mind, that would be odd and numbingly meaningless. Perhaps I laugh, cry, and otherwise get emotionally entertained or intellectually stimulated while watching anime, but that alone only goes so far. I can get the same with just talking to friends and family, by thinking, playing music, or even by taking a class.

There needs to be a reaction, a change, something. For me the humanist train of thought is a great reason, but also it reaffirms, in a way, a set of morals that I identify with. Of course at the same time the stuff itself is overflowing with passion as well, and it’s hard to not to get caught up in it. A lot of the time it is what you bring into watching something that makes it enjoyable, too. As much as sitting in front of a tube is a passive experience, enjoying it takes as much work as you put into it.

For me, the internet community, friends, people in Japan, cons–they are all a part of the network which keeps me locked up. I spend more time writing and thinking and discussing the various aspects of anime and fandom than spent actually watching anime. It’s a bit sad, but it is pretty fun.