Category Archives: Modern Visual Culture

My Little Pony: Plate Mail Zettai Ryouiki Is Magic

When I was growing up My Little Pony was about little magical horses and their owners–ie., little girls. Not exactly about friendships. Whatever. It was about cute little horses, fueled by children’s imagination.

Which is to say, when I watch Walkure Romanze, I did not expect it to show a story about friends and how a horse can mend a person’s heart. Granted, that’s not really where the story is going. It certainly isn’t the main reason why I’m watching the show, although that is a pleasant thing to see instead, of say, non-stop tits and butts that this eroge-turn-anime could have been. It’s distinctly not a pure-oppai anime, although it has the prerequisite payload, which saves it from the vapid morass of far majority of the too-earnest-so-it’s-all-tits category of shows. A degree of petty schoolgirl-politics also help to season things a little.

Depends on how you look at it, however, the things that draw most first-timers in is the horse animation and all that jousting. That, and all the pin-up character designs dressed in ornate plate mail with curious bits exposed. A lot of the designs also eschew the single-shape breastplate design for something more pin-up-y. It’s like someone went and analyzed the pile of Saber porn out there and realized it’s the plate armor part that is being underserved by the general output, creating a market opportunity. That said, I wonder how much of it overlaps with the fanbase of something like, say, Marimite.

Because of its roots in eroge, Walkure Romanze’s list of characters, design-wise, tilt towards “man, any of these girls can turn into full blown porn material” and sometimes it kind of blows my mind when I look at the right places. How could that possibly be you, Mio? Or Miss “Butt-of-jokes” Bertille? And nothing has answered my question as to why Celia-senpai is wearing two pairs of bottoms. Is it because she learned the meaning of “chafing” after wearing a godly suit of armor?

Translation typo from CR

I like how Walkure Romanze evokes that soft, freshly-baked-bread-from-Valkyria-Chronicles feel. I also like, as a gap moe sort of thing, that it did a “haitenai” episode, while still being so. And it’s being played as a joke! Moreover, all the horses are girls! It’s like “Oh snap, my master’s panties! She must be in trouble.” So when Sakura tries to eat Mio’s skirt, she was just playing as Saten to Mio’s Uiharu? How much horse-riding porn did the producers of this show had to watch to greenlit it? The world may never know.

But indeed, it is this gap that makes Walkure Romanze so amusing. That it tackles a classically barbaric sport with the grace of a sÅ“ur checking her underling’s sailor neck tie is much like how Celia (wo)mans up to riding out almost commando to give Akane one great ride, while evoking that Valkyrie (ala video games) imagery. Or just how all these pretty things parade up and down the stadium bearing the magic of “ftmm” in the latest display of superior fetishistic technology. (Then again, overflow ftmm on armor is just…way too lewd, so there aren’t any.)

Of course, maybe this is just a great example of how sexy and erotic things could possibly be girls dressed to the gills, all covered up? It’s like what they say about men–it’s the clothes that makes one. At the same time, I’m not exactly comfortable making that statement given how half the time it feels like they really aren’t wearing as much as I think they are? I suppose in 2D-w-fief-dom and jousting, it’s all about form.


Gundam Build Fighters

At 5 episodes in, Gundam Build Fighters might be the most delightful Gundam that I’ve seen. It’s not just the nostalgia factor–I can tell a Zaku apart from a GM, but not a whole lot more than that. In fact, that has been consistently the one aspect of Gundam Boyfriend (as passionately nicknamed by many) that gave me the cold shoulder. It’s like when I first started the road to iM@S fandom, I would recognize songs and characters but can’t put names to faces or songs. Same with the gunpla.

But what makes Gundam Boyfriend so great is that, well, the meta-ness. The fact that it went Xzibit and put a gunpla ad in itself on the Youtube stream basically sums up how I feel about the thing. I mean, Gundam BF is a gunpla ad, and not just in the “Gundam anime was made to sell toys to begin with” sense. Oh, and being able to watch it simulcast-speed on Youtube is a huge plus, too.

The other thing that makes Gundam Boyfriend fun is the relationship. I suppose that, to me, is the trademark of a Gundam anime. And if you cast wide enough of a web (like Valvrave) you will create that vibe just by inevitable coincidence of the ensemble framework. BF is not so keen on that scale yet, but this AU show is sticking to how AU shows typically are.

And it strikes me that ever since G Gundam, has there been any other tournament plot framework + Gundam mashup? When can I get my Nether Gundam on? I mean, it has to do it! It would be a lot more revolutionary if they actually used a Go To Koshien format for Gundam Boyfriend, but that might be too powerful to pull off.

Turn-A Gundam movie soundtrack

Others have graced upon the Fake Geek Girl subject so I won’t go too much into it. I just find it amusing to see that in a Gundam show. Idols are not rare things in Gundam universes but this one hits real close, and while it’s subject to your interpretation, I find this portrayal particularly honest?

PS. I wonder if anyone has applied the FGG framework on Air Master’s Kaori Sakiyama.


Sad Nostalgia in Snow

Back before people knew what moe was, there was sad girl in snow. Before there was Xzibit, people were putting cars in cars. So what do you call the thing today? What is this thang anyway?

Is White Album just a story banking on nostalgia (at least, for the 2008 anime)? What about White Album 2? The characters in it clearly has some strong associations with the “outputs” of the first anime, in-universe. When Rina and Yuki were going at it, these kids were, what, 8 years old? 14? I forget how many years it went by–either by anime continuity or game continuity? It’s pretty cool that Setsuna knows all of Rina’s songs, because that means her mom and dad are probably big fans of Rina Ogata in order to put up with that. Or, alternatively, it usually is the work of an older sibling or something, which we know Setsuna probably does not have.

Youtube that sucker

Here’s another visual signal.

Ever go on Youtube and look for old videos of stuff? VHS era stuff? Yeah, this is totally that visual language talking. Like, I half expect every single Himikoden OP rip to have this, because like, DVDs were a thing but it predated that and it was one of those things you probably could Youtube for. Or, I don’t know, stuff that might have finally gotten DVD releases but only after so long, you know? Or, maybe, just cover it? I tried and didn’t find any VHS caps of Himikoden OP; just LD and DVD rips nowadays. But the idea persists if there’s an audience.

Enka is a genre that predates all this stuff, and it’s all this stuff. It’s definitely not what I’d call moe or whatever, but if we transpose the feeling from “a set of circumstances” to an icon, and if that icon happens to be a cute anime girl, then what? How do we manufacture wabi sabi? How can we convey feelings in general, for mass media entertainment?

Which brings me back to music. And White Album 2. I think music as a theme is one of the most powerful and succinct way to convey all of this, if not THE most. I suppose still mileage will vary from person to person. So White Album 2 quotes music from White Album, and that was just a stepping stone for two developing anison idols at the time, as each reach various degrees of fame–one got super famous, the other not so much–as of White Album 2. And in that gap of time, what happened to the people who played the game? Who sang the songs in karaoke? Are they waxing nostalgia watching kids singing their present lives in nostalgia-tinted lenses? Is this how we feel about Ogiso and Touma? That their personalities reminded us of things years ago? What’s actually happening in this show, its theme and atmosphere?


A Light Novel about Curling Is a Thing

Skip

Curling is a joke of a sport for Americans. No disrespect is meant by that statement; I probably would enjoy watching it if the opportunity arises and to me it’s as valid of a sport as any other, but that’s just my observation.

The other day at NYCC I stopped by a Japanese publisher’s booth, complete with a translated sample of a light novel pitch. The curling aspect of the proposed light novel was not the only surprise; that there was a booth about light novels was the bigger surprise. I think it’s kind of a thing at big cons like NYCC to see at least one Japanese media company going around without a very good idea what is out there in the marketplace in the US. Their pitch was to see if someone would publish their new “LANOVE” which took me a second to get. Yeah, it’s that bad.

The good thing about these guys is that they kind of know what’s going on and that’s partly why they’re trying to hit it up. It’s a light novel pitch because it isn’t even published (in Japan) yet. I took a leaflet and didn’t read it until well after the con, so I didn’t even know it’s about curling at the time, and it’s called “Skip.”

It’s not usual to see a light novel with one word title, so I guess there’s hope. Too bad the whole thing feels like a giant rickroll. You can find out more about these guys at their website.

PS. While these guys win the “most clueless Japanese exhibitor at NYCC 2013” award, the most gawking one would probably be 1st Place’s booth, which is actually very awesome except, like, man, pearl before swine kind of a deal. Any vocaloid enthusiasts attended their events?


The Fanservice Frontier, 2013

Aside from my complaints on pretension, there’s a lot of fun going on at Digibro’s blog about Kill la Kill episode 3.

Satsuki

And in some ways, with OreTsuba now on US home video (Funimation, I respect you for at least this) maybe it’s good to revisit what this really means.

The past few years has been a turning point in terms of late-night otaku anime fanservice. On one hand, I think the overall quality has gotten better. It’s like with shows like Ladies x Butler and Kanokon, we’ve kind of scratched all the itch left to be scratch for any demographic whose itching is worth scratching, monetarily and in terms of popularity. 2009 to 2011 was high time to start to pivot, for various reasons, but also this reason.

Did anyone watch Yozakura Quartet Hana no Uta 2? My goodness. And Kill la Kill episode 3 has that…windboobzone thing?

I would take a step back and say that the fanservice in Kill la Kill is authentic and unpretentious in a way that fanservice is just fanservice. But it is kind of annoying in the normal moral high ground sort of way, as if it is saying something that is more worth saying than, say, Arpeggio. [I mean, if this was part of the discourse, I would respect Kill la Kill more. Like how I respect Panty & Stockings slightly more at this point, over Kill la Kill.]

Arpeggio is a good example in this regard because it’s in a lot of ways the polar opposite of Kill la Kill. The 3DCG use looks great when they are stills but terrible when moving in Arpeggio, and in KLK it’s great when things are always moving, and not as much when things stops spazzing. The story in Arpeggio is serious, but the fanservice is baked into the conceit of the story. The story in KLK is a commonly run trope full of hooks for reference bait, but it takes itself very casually. Arpeggio is the fulfillment of this concept, except trading jokes for fanservice (of a different kind). Kill la Kill is a drama vehicle about fanservice (so far).

So in a way, it’s appropriate to talk comparisons between a good anime and a questionable-at-best anime (just ask an Arpeggio manga reader).

And let’s talk about sexy for a second. Take this post for instance. I am not sure how many Bentens will appear in Kill la Kill. Or even the simple, next-door-girl type, Aika Fuwa. But this is one pivot. Short of going all the way home, thematically and in terms of consistency (best example off top of my head would be Yosuga no Sora), fanservice’s native advantage is that it is database-modular, you can pick it up and drop it in, or you could co-opt it wholesale. So YZQ and KLK are on the two opposite sides of this spectrum (although neither is at the ends, I think), while Infinite Stratos is very clearly going for just sexy characters, as an example of the middle ground.

Which is to say, it’s not really about pretenses, because that’s just a method. Pretension is necessary in a story like Kill la Kill, if we want to talk about shame, rape, the Nth reference to Utena-esque uniforms, or whatever. (Every time someone makes a reference to Utena in a blog post about KLK, God kills a kitten.) It’s why Madoka is pretentious or Evangelion is pretentious. Not a big deal, really, but, the story in Kill la Kill has to rely on pretend conceits and presupposed frameworks that can be challenged, like the whole Satsuki thing–the dress, the clansmanship, the class differences, the way her underlings work, the power structure, how she manipulate things to her own ends, and finally, her character construct. In as much as LordGenome (really?) and Kamina’s SOP is kind of a conceit, it’s easy to see the same sort of narrative style in Kill la Kill in which we have to ride the amusement park ride and see the theme fly by before our eyes, along with all the eye candy and Hell Yes moments.

How can an anime that casually drops the rise of Hitler to power not be pretentious? That’s like the Corollary to Godwin’s Law if such a thing was to exist. You know what’s not a pretentious fanservice anime? High School DxD. Infinite Stratos. Probably Yuusibu. Maybe even Freezing. In some ways, also those usual high school hijinks shows like Kyoukai no Kanata and Nagiasu. Why? Because it’s just normal fanservice, served up the way they know best and most appropriate to the work. It’s not some kind of pretend imagery that empowers women or whatever. I mean, nothing wrong with that, but that is pretension by definition. It’s a pivot.

Pivot like a handstand, you know.

PS. Chris B. reviews Funi’s Blu-ray and finally gets it, but is nonetheless marred by his first impression.

PPS. This post is brought to you by the word “pandering” which is the onii-chan of the word “pretentious” because like, give me a break. I would rather talk about moe (which I haven’t in a couple years?) than any of this.