Category Archives: Modern Visual Culture

Schatzkiste

Schatzkiste front door

Today I visited the maid cafe Schatzkiste. Their main claim to fame is the annual horror events that they do on Halloween, which is reported over at bigger venues like Kotaku and, well, any site that writes about maid cafes on any semi-regular basis. What’s actually interesting about Schatzkiste is how it’s one of the more unusual maid cafes in Japan, given how it’s not about calling out at their masters “welcome home” and it’s more about the basic and more “classic” fares involving maids just working in a cafe.

In some ways, it’s really just a counter-cultural maid cafe, I think. The fact that some of their furniture was hand-made or that they bake their own sweets are just the little things which makes it an attraction in a market that is full of other entries offering the usual cafe or izakaya fare, or the stereotypical moe omelette thing. But, really? Maid-made furniture sounds kind of boring. Respectable, but “doujin furniture” inspires as much confidence as what that phrase sounds. It’s not exactly what I am looking for in a maid cafe, anyway.

What they do add is the intangible aspects. There’s this hyper-artificiality about maid cafes as presented by the gallery of leafletting maid army that lines Akihabara’s nerd shopping district, or the massive Maidreamin banners that hang on top of building corners. And if you ask me, walking down Chuo-dori from the south, it’s the immortal Dejiko that makes me feel at home, not the images of hair-shaving army of idols and maids, as “pure” as they may also be.

But Dejiko can’t serve me tea, where as the lovely maids of Schatzkiste can sure pure a pretty good one. For 500 yen per 30 minutes, you can get as much tea as you can drink, and you can help yourself to one of their books, magazines, board games, or purchase some additional refreshment like a soup of the day. There are also events that go on periodically, which I presume are posted on their website.

It seems that the owner of the establishment produces a doujinshi of some sort for the cafe periodically and in it, explains what the story is all about. It feels kind of the same way when you sit down at the cafe, going through their menu and “concept” about how the maids at Schatzkiste were originally working for a master of unknown origin and is far away from home. In the “house” that they were in (which is Schatzkiste’s old location), they turned the “attic” into a cafe.

That is all well and good and serves little practical purpose, but it’s pretty thick in a vanity purpose sort of way. In a weird post-modern kind of way, it’s exactly that in which adds warmth, and value, to the maid cafe fantasy. Well, what isn’t vain was the scones; I had some and it tasted pretty good. It feels exactly as home made food should.

Scones

It’s the kind of maid cafe that you bring people who want a cafe experience, not a maid experience, so to speak. I think there’s a lot to be said about people who enjoy going to this sort of a place, and I also think Schatzkiste is not really what most tourists want out of a maid cafe. In a way, what makes Schatzkiste interesting is exactly how it isn’t rooted in the shallow kind of vanity that outsiders see Akihabara as, but the pure emotions that makes people spend countless waking hours and even more money on AKB48 events or the motivation behind the existence of such a thing, like Schatzkiste.

PS. I dig Schatzkiste’s boardgame angle. Check out their live streams.


Tamayura Season 2 Event

The long silence between posts is because I spent all my “free” time drinking at A Button. Until tonight anyway. Game Bar A Button is a pretty legit place to spend your nights if you didn’t have anything better to do than to hang out with a bunch of nerds drinking lemon sours and chuhai. I poked at its whisky selection for some Islay inspiration for mild success. Would hate to buy a bottle of some of them and end up hating it, after all.

Oh, right, I did go to the afternoon session of the Tamayura Season 2 event, nanode. Or whatever the hell they add to the full title of the thing. You can get all the details in moonrunes here, but I’ll just skip to the important part not mentioned via this animeanime translation.

@ Ghibli Museum

Fu-chan will start a photo club–this is partly why SatoJun decided on ~more aggressive~ This is a drastic direction change, possibly. How will it work out?

The Pentax Q is a line of mirrorless interchangeable lens cameras with its own mount. How will the new girl take advantage of this feature?

As someone who hauled around a 35mm e-mount NEX camera all day, I don’t know.

 


Attack on Titan, Giant, Whatever

Eren

I watched the first episode of Shingeki no Kyojin. It’s kind of unsettling. And it’s hard to describe why.

I think from a basic level, the show is gorgeously animated. The thick lines is kind of a style thing, and the exaggerated character animation makes me feel like this is a less gimmicky version of Jojo. Of course, this is all just when there isn’t some crazy action sequence going on, in which the show feels like a league beyond the average late-night TV offering. The OP is crazy.

The gore and violence is probably unsettling by default. I didn’t think too much of it because it’s much too cartoony to be taken seriously. I think that’s exactly it–the entire show has this level of theatrics to it that when combined with the deadly serious presentation, somehow it just doesn’t match. The Titans are ridiculously designed, and I mean it in the sense of their facial expressions and movements, not that they’re giant naked people (although that is an enabler). The action choreography, while very cool, is a few levels removed from “real” (in fact it just seems a little too standard “anime”).

I don’t know, it’s kind of like eating a bowl of pho and finding sun-dried tomatoes in it or something. It’s just weird, it doesn’t quite clash, but it doesn’t quite match either. It isn’t  like having cheese with your curry, but it might be like having cheese with your curry for the very first time.

The humanoid Titans in the barbarian kind of sense reminds me of D&D giants. I wonder if that’s where the inspiration is from? I rarely see a visual depiction of giants outside of video games in the savage, barbarian sense, so this is actually kind of cool. Sadly that passing novelty is not going to last beyond a couple episodes, I think.


Aku no Hanananana

All this controversial talk about Aku no Hana has one true casualty: it spoils the surprise. So to share my suffering I will tell you why. And this isn’t a surprise about what the manga is about, which, well, I’ll talk about in a bit. It’s a surprise that will foil both manga fans and new people alike (like me).

After watching the first episode, I think I would be way more creeped out about it if I didn’t know it’s got these no-face rotoscoping, what the awesome post-rock track for an ending was, or that this covers not even the first chapter of the manga. If you went in knowing all this, it somehow detracts from the total experience.

Well, that still stops nobody. The show is not even live on CR for over 12 hours as of this screen cap.

10:38PM Eastern, Apr. 8, 2013

I think the enjoyment of Aku no Hana is going to hinge on really just two things. One, can the powerful manga carry itself over despite an unorthodox, to put it mildly, presentation? Two, do you like Mushishi for what Mushishi is good for?

At the hand of Nagahama, I’m inclined to think we’re in for a real treat. The rest is just a matter of finding something you like, or not caring about not finding something you like because it’s too good to let go. If you read Bakuman at all, you’ll know all about chapter ones for manga. And this episode one is a beautiful illustration where manga and anime fundamentally differ, or how guided viewing versus self-paced viewing fundamentally differ. If stuck on a set of rails, you can do a lot worse than Nagahama.

Most importantly, I understand why this would drive manga interest up, up, up. And at the same time, I totally find it acceptable to be a major turn-off. I thought Mushishi was a major turn-off until I was able to watch it with the right frame of mind. I think exactly the same thing applies to Aku no Hana except in an even worse way.

For the record, the average “hit” show on CR gets 5 stars on its eve, at worst 4.5. The ones that gets dinged usually drops to 4. On the flip side, for an anecdote, I vaguely recall Vividred Operation episode 1 had maybe 100 more views in roughly the same amount of time–but that was on a Sunday.

You know, Mariya Ise plays Nakamura. That is probably going to be a good ride. Hopefully the journeyman seiyuu will pop a good one here.

This is also one of the very, very rare instances that I wish I can read all of the manga before starting the anime. I guess a huge reason why this did not happen is because, man, 9 volumes and still going? Forget about it. Unless you’re some Urasawa masterpiece I don’t think I’m going to go there. Plus, it’s not over, so it is not possible to begin with.


Sasami-san@Ganbaranai

Tsukiyomi Sasami

To ride the Roger Ebert remembrance bandwagon some more, he said: “Your intellect may be confused, but your emotions never lie to you.” Sasami-san@Ganbaranai is the sort of anime that left me confused emotionally but somehow excited intellectually. It’s like, I know this is actually really good, they managed to accomplish something special, but where are the feels?

I think we can agree that Akira’s light novel makes perhaps the most eccentric Shaft x Shinbo TV anime in a long while. Sasami-san is at a point where I think it’s so out there, that Shinbo had to play it straight at times in order to not lose everyone. Maybe it’s just because we don’t have that Shinto foundation, that one overlord vantage point, to make sense of it all. Maybe you can write about how animation direction is inherently western and Shinto is not even a little bit western, so it is a tough hash.

It’s unfortunate, really, because I wish I can recommend this show to people who like delicate and intricate plot concepts and themes that weave non-linearly and form a bigger picture about generational disillusions, about Japan’s youths and how they relate to the previous generation. It’s weird because I know it is really a tour de force of late-night TV anime and what it can do, except it doesn’t feel especially skillful or evocative.

That is, until you start to think about it and putting the pieces together. How do you do a body-swap story? How do you portray different people and personalities inhibiting the same physical body while expressing it, AND trying to disguise it at the same time? And sometimes only externally or internally? It’s a huge challenge but somehow they were able to do it.

And I guess I really need Ebert’s line to give me an out here. The bottom line is that as much as Sasami-san@Ganbarai is dazzling my mind, in the end it is no better than the source material for the typical viewer. Unless you are an anime otaku who would think about how iterative improvement of the late-night media-mix marketing machine can transform any trash light novel into something actually novel, or want a crash course on post-modern Shinto narratives, Sasami-san really needs to work harder to earn an audience. It’s a very special anime, because it engages the mind like few others, but that alone is not enough.

I guess that just means I am not big enough of a “funyaaa” fan (99% sure Hanazawa just phoned it in here) or an Asumiss fan or have a thing for Chiwa Saito voicing a loli-baba. Or maybe I think Aipon’s Tama is too precious to find her exploitative. Give me a hand here, Asa-nee!

Yeah, this show peaked at episode 9. Edogawa Jou didn’t really add anything.

PS… besides the massive fanservice vehicle that she is.