Category Archives: Seiyuu, Idol, Pop

HDTV: High-Deshou Television

I’m sure all the people who care already knows, but just in case DJ Bouche has a really nice selection of remixes and midi related to Suzumiya Haruhi no Uutsu. Download and all that. And it is good–the tech spins the familiar hits under a new light.

Momotato should take note how it doesn't take up the whole screen.

Just like having those 720p encoded raws for the show, on a Sony KDS-60A2000, can spin up a new flavor for an old anime. I guess this blog entry could also serve as a mini-review if you’re looking to buy a nice microdisplay. It really looks nice.

Nice might even be an awfully inadequate understatement. I’m not entirely sure if the High-Definition broadcast of Suzumiya Haruhi was in 1080i or not, but that must have been jaw-dropping if you were watching it on a nice HD display. Hare Hare Yukai on this set was like that for me, even if people complain how the VGA port only allows 768 vertical resolution max, giving me a nice, but “not as big as it could be” replay. I still dropped jaws.

The picture up there is from my phone, and it doesn’t do anything justice, let alone a HD display in a relatively dark room, so never let the picture influence you in terms of what I am saying (always, in fact). Considering that I have already watched the first episode (well, episode 2) 5 times before today, going through it twice more on this set still leaves me hungry for the rest. I suppose that shows how much I enjoy this episode, but I’d like to think it’s because you really enjoy it differently watching it on a big TV, Hi-Def, than watching it on your monitor (well, also Hi-Def I suppose).

And … yeah. Why am I talking about it when I still have 13 episodes left to go? I could be watching it right now! Chronology for a second rewatch is what the Kyoani doctors have called for, so be it.

[And oh, if you are actually curious, these are not resized; but they come from my dinky camera anyways. And also they will probably be around only for a short while.]


Who in the World Is Ayako Kawasumi

YA RLY.

WHODAT?

Ayako Kawasumi’s wikipedia.jp article is a good start, if it isn’t a little fanboy-ish. There just hasn’t been a good write-up for her that I’ve come across, that has been keeping up to date, in English. As tempting as it may be, I’m certainly not qualified to write about her beyond parroting what others have said.

A good and brief bio would go a long way to help me ask questions at Otakon! It’s a little rare to get a relatively new generational voice acting guest from Japan who is in the precious position she is in–venerable and respectable and makes both Alex and I having a hard time picking an autographable item. She has (relatively) little hype, yet she’s in a billion shows. Well, that’s on top of the fact that she has long, long since overcame “the problem” plaguing Mamiko Noto when it comes to voice acting :)

The fact that she is going to be here means a few things, such as she’s taking a (minor) break this season. I would too if I had to play a main role in Fate Stay Night…. Anyways, I’m pretty excited, even if now is not the height of her popularity in Japan.

But discovering or re-discovering Kawasumi’s talents has been a bit of an eye opener even for me. I know she has her solo CDs, but I didn’t know Taku Iwasaki was a part of Primary (or I might have just forgotten). And funnily her rather amatuer style of composition fits my mood lately as it totally reminds me of a game like this. It’s also a good time to rewatch Piano.

Even if most people would find her more emblematic as Mahoro, Fuu, Saber, Lafiel, Koishi Herikawa (one of her best performance ever IMO!!!), or even Hinako from KOF, that’s all fine. I am excited! Aren’t you?


Put Your Hands to the Skies and Say…

Let's Sing Along!

Or in this case, scream CUZ THEY GOT THE KARAOKE TRACKS!

NHK ni Yokoso anime’s most notable feature for me is its ending song. The opening animation is delightful, too, but it isn’t nearly as entertaining. I suppose they only thing more they could have done is actually draw a baby. (That might be a little too creepy for some of us, though.)

Sometimes it’s just what you need after realizing how much smiliarity you share with the average NEET hikikomori.

Oh, yeah, I need romanji lyrics too! Hook a brother up yo.

[Update +8h]

Momotato = Awesome, and Great.


Love Languages For Lonely Losers

Living from moments of affirmation to the next, challenged by the harsh reality of both that they are rare and they are sometimes colder than what you’d expect, I return to question how I live as a fan, and as a person.

That’s what really pushed a story like Welcome to the NHK to my mind’s fore. The manga takes a much more worldly and humane road. Do people even think about having your parent walking on you while masturbating? Or rather, they probably don’t do so out of a positive force, but out of fear. That’s something I can’t really relate to well, but maybe you can tell me just how often this happens.

But we need not to go there–that’s just funny hijinks which makes Welcome to the NHK an edgy story that may be relevant to our interests. What is definitely relevant to mine is how it talks about the NEET/hikkikomori generation. How luxury provided us with escapism. How while hard work pays off usually, but laziness pays off now always. Or for some people, the journey to find your soul is long and tedious. Idealism battles realism, and unfortunately sometimes one has to die. Or sometimes it is just a sad fact of life: not everyone can make it out there. Rejection is a part of life.

In as far as generally emo people are difficult to confront and communicate with, anime can be a powerful platform to communicate something. Real life caseworkers for hikkikomori patients do rely on some of these common topics like video games and manga to start knocking. Persistence to push them to face the music works sometimes, too. It’s about communication, either by charm or by force.

Originally I was going to talk about love languages, but this thread of thought bridges the divide from literary to the literal. The sad fact is that a large number of Japan’s youths are locked up. It happens for all kinds of reasons which I won’t get into here. Be it a middle school in Hokkoaido or Neo Venezia on the Planet Aqua, there’s a connection. It’s about the uplifting message of humanism.

KOTOKO said so as much when she was asked. No man or woman is an island, and it’s hard overcoming that oppressive lie, that gap between what you think it ought to be and what it really could be. People like her puts that kind of emotion into the work they produce. It’s sympathy, compassion, love.

And just in so many ways love can express itself, we are not going to see what we are not looking for. If your definition of love is narrow, you are going to miss a lot of love speak. If you can’t sympathize, you will have problem understanding a lot of love speak. If you can’t love, then there’s nothing to be said. In as much reality is cruel, it’s important to hold onto some trace of innocence and ideals to keep you living like a person who can speak love.


Animelo, and Behold! The Sound of Music!

It’s this stuff that I live for as a fan.

What it says.

Overflowing passion is only observed when there’s a cup or bowl to flow over. The organizer, the funnel of this anime idol power is the concert hall and the passion of the fans. Take your livelihood seriously and with pride, anime idols.

And take my money with a DVD? It’s cheaper than actually trying to be there.