Category Archives: Seiyuu, Idol, Pop

Put Your Hands to the Skies and Say…

Let's Sing Along!

Or in this case, scream CUZ THEY GOT THE KARAOKE TRACKS!

NHK ni Yokoso anime’s most notable feature for me is its ending song. The opening animation is delightful, too, but it isn’t nearly as entertaining. I suppose they only thing more they could have done is actually draw a baby. (That might be a little too creepy for some of us, though.)

Sometimes it’s just what you need after realizing how much smiliarity you share with the average NEET hikikomori.

Oh, yeah, I need romanji lyrics too! Hook a brother up yo.

[Update +8h]

Momotato = Awesome, and Great.


Love Languages For Lonely Losers

Living from moments of affirmation to the next, challenged by the harsh reality of both that they are rare and they are sometimes colder than what you’d expect, I return to question how I live as a fan, and as a person.

That’s what really pushed a story like Welcome to the NHK to my mind’s fore. The manga takes a much more worldly and humane road. Do people even think about having your parent walking on you while masturbating? Or rather, they probably don’t do so out of a positive force, but out of fear. That’s something I can’t really relate to well, but maybe you can tell me just how often this happens.

But we need not to go there–that’s just funny hijinks which makes Welcome to the NHK an edgy story that may be relevant to our interests. What is definitely relevant to mine is how it talks about the NEET/hikkikomori generation. How luxury provided us with escapism. How while hard work pays off usually, but laziness pays off now always. Or for some people, the journey to find your soul is long and tedious. Idealism battles realism, and unfortunately sometimes one has to die. Or sometimes it is just a sad fact of life: not everyone can make it out there. Rejection is a part of life.

In as far as generally emo people are difficult to confront and communicate with, anime can be a powerful platform to communicate something. Real life caseworkers for hikkikomori patients do rely on some of these common topics like video games and manga to start knocking. Persistence to push them to face the music works sometimes, too. It’s about communication, either by charm or by force.

Originally I was going to talk about love languages, but this thread of thought bridges the divide from literary to the literal. The sad fact is that a large number of Japan’s youths are locked up. It happens for all kinds of reasons which I won’t get into here. Be it a middle school in Hokkoaido or Neo Venezia on the Planet Aqua, there’s a connection. It’s about the uplifting message of humanism.

KOTOKO said so as much when she was asked. No man or woman is an island, and it’s hard overcoming that oppressive lie, that gap between what you think it ought to be and what it really could be. People like her puts that kind of emotion into the work they produce. It’s sympathy, compassion, love.

And just in so many ways love can express itself, we are not going to see what we are not looking for. If your definition of love is narrow, you are going to miss a lot of love speak. If you can’t sympathize, you will have problem understanding a lot of love speak. If you can’t love, then there’s nothing to be said. In as much reality is cruel, it’s important to hold onto some trace of innocence and ideals to keep you living like a person who can speak love.


Animelo, and Behold! The Sound of Music!

It’s this stuff that I live for as a fan.

What it says.

Overflowing passion is only observed when there’s a cup or bowl to flow over. The organizer, the funnel of this anime idol power is the concert hall and the passion of the fans. Take your livelihood seriously and with pride, anime idols.

And take my money with a DVD? It’s cheaper than actually trying to be there.


The Starry Divide

NobuYuuki@Otakon06!

It was a long time ago when I first decided to find out who voiced an anime character that was interesting. I think the reason was an image song used in the show, and some related extra material (a music video or something?) gave me the first glimpse of of who they were. I think that is still the most prominent way voice actors are featured today–DVD extras, image songs, and the occasional documentary.

I get the impression, over the years, that many of us are aware about voice acting. Disney made a point to give well-known actors and actresses chances to feature their voice in feature films. There are also those who were consistently more famous doing voice work than their live-action counterparts. In a lot of ways the only real difference between the American voice acting industry and the Japanese one is the sheer size–America is small, in this instance.

Over the years I’ve read up on a fair share of voice actors as well. Many of the older generations in Japan had training both as professionals and as students in acting as “voice acting” schools didn’t really pick up until recent years. A few even branched over from live action acting, like this charming lady. Many more applied their acting skills into voicework, some more vocal about it than others.

However, what always strikes me as a peculiar aspect of the Japanese voice acting industry is its repeated attempt to package some of their better talents. In some instances they really are talents; they eventually breach genre bounds and make a career for themselves. In other instances they fall into the fold as we know as the pop idol industry not unlike everyone else, but it just seems less brilliant than they could have been. They’ve made it, but they aren’t that big.

As stars in the sky, these stars are just as interesting though. Interesting enough that I think someone can really fansub this piece and uh, we’ll watch it and go “oooh” and “waah” and maybe we’ll ask smarter questions at anime convention panels as a result. Yea, it is so relevant… In as much as it is a curiosity, it is a story for every one of them, pioneering in a strange industry that only really exists in Japan, and yet making things so big for themselves that their fans overseas would wait in line for hours just to hear them. As much as I’d like to attribute things to personal insanity, part of it might just be due to the fact these stars are brilliant.


To The Rock Garden

This Is How She Gets All The Way Up On Oricon

Visiting Elements Garden’s website makes me wonder, “are they hiding any more people?” They’re a new bunch of people, relatively, but since I stumbled upon this peculiar organization it made things slightly more clear as to “where did all these songs and music come from?” There are musical threads that links them all together.

But aside from that neat tidbit I have been savoring for a few months, Jal’s revelation was no more shocking to me than how no one likes Hikaru Nanase‘s Scrapped Princess soundtrack besides myself? (I think I have as many CDs from each of them, oddly enough.) And what’s up with all the Mizoguchi fans? Where have you gone? And there is just no push behind, say, Ryo Kunihiko, except spottily glorious reviews about Twelve Kingdom. Sure, we hear about YK and YK and maybe occationally some video game music big-shot, and Kunihiko probably charges just as much…

To me, they are all well-accomplished musicians, and just an excerpt from a short list of many others in the anime score and songwriting industry. Granted not every work they put out is gold, but they score rather high. Marc Mancina’s Blood+ is just as good as any. The disparaging amount of attention is disturbing. Granted I think once people latch on names as labels, the game is over and we don’t listen for quality anymore, but even before then it’s all too often a game about matching–taste or style to anime and its audience.

Back to gardening: Elements Garden is not only behind her HUUEG hit, but behind this as well. ZOMG. Does that explain the picture? I hope so.