Category Archives: Seiyuu, Idol, Pop

The Starry Divide

NobuYuuki@Otakon06!

It was a long time ago when I first decided to find out who voiced an anime character that was interesting. I think the reason was an image song used in the show, and some related extra material (a music video or something?) gave me the first glimpse of of who they were. I think that is still the most prominent way voice actors are featured today–DVD extras, image songs, and the occasional documentary.

I get the impression, over the years, that many of us are aware about voice acting. Disney made a point to give well-known actors and actresses chances to feature their voice in feature films. There are also those who were consistently more famous doing voice work than their live-action counterparts. In a lot of ways the only real difference between the American voice acting industry and the Japanese one is the sheer size–America is small, in this instance.

Over the years I’ve read up on a fair share of voice actors as well. Many of the older generations in Japan had training both as professionals and as students in acting as “voice acting” schools didn’t really pick up until recent years. A few even branched over from live action acting, like this charming lady. Many more applied their acting skills into voicework, some more vocal about it than others.

However, what always strikes me as a peculiar aspect of the Japanese voice acting industry is its repeated attempt to package some of their better talents. In some instances they really are talents; they eventually breach genre bounds and make a career for themselves. In other instances they fall into the fold as we know as the pop idol industry not unlike everyone else, but it just seems less brilliant than they could have been. They’ve made it, but they aren’t that big.

As stars in the sky, these stars are just as interesting though. Interesting enough that I think someone can really fansub this piece and uh, we’ll watch it and go “oooh” and “waah” and maybe we’ll ask smarter questions at anime convention panels as a result. Yea, it is so relevant… In as much as it is a curiosity, it is a story for every one of them, pioneering in a strange industry that only really exists in Japan, and yet making things so big for themselves that their fans overseas would wait in line for hours just to hear them. As much as I’d like to attribute things to personal insanity, part of it might just be due to the fact these stars are brilliant.


To The Rock Garden

This Is How She Gets All The Way Up On Oricon

Visiting Elements Garden’s website makes me wonder, “are they hiding any more people?” They’re a new bunch of people, relatively, but since I stumbled upon this peculiar organization it made things slightly more clear as to “where did all these songs and music come from?” There are musical threads that links them all together.

But aside from that neat tidbit I have been savoring for a few months, Jal’s revelation was no more shocking to me than how no one likes Hikaru Nanase‘s Scrapped Princess soundtrack besides myself? (I think I have as many CDs from each of them, oddly enough.) And what’s up with all the Mizoguchi fans? Where have you gone? And there is just no push behind, say, Ryo Kunihiko, except spottily glorious reviews about Twelve Kingdom. Sure, we hear about YK and YK and maybe occationally some video game music big-shot, and Kunihiko probably charges just as much…

To me, they are all well-accomplished musicians, and just an excerpt from a short list of many others in the anime score and songwriting industry. Granted not every work they put out is gold, but they score rather high. Marc Mancina’s Blood+ is just as good as any. The disparaging amount of attention is disturbing. Granted I think once people latch on names as labels, the game is over and we don’t listen for quality anymore, but even before then it’s all too often a game about matching–taste or style to anime and its audience.

Back to gardening: Elements Garden is not only behind her HUUEG hit, but behind this as well. ZOMG. Does that explain the picture? I hope so.


A Collision of Snarks

It comes to me as no surprise that these three people are going to Animelo to perform. The intersection between anime, music, and idol personalities has always been one of my most liked aspect about Japanese Visual Culture. My favorite jpop personality is probably one of those people spearheading this thing from the beginning a few years ago…probably also not by accident, both ways.

Oh, actually what really tipped me off was watching Suzumiya Haruhi 12. Somehow things worked out that I watched Nana 10 right after, and double-stacking the band-ness really created this strange chasm of feelings. I guess that’s what Haruko Haruhara means when she pulled Kanti out of Naota’s head.

But this impromptu announcement matched the plot within episode 12. It’s probably a coincidence in as far as a contractual obligation (such as MUCC’s announcement with Otakon, if you’re familiar with that story), but it may be the same obligation I’m talking about. If that is the case, whoever did it is snarky to a deranged degree.

A Tribute to Lordi

Then again, Suzumiya Haruhi and its production generally have been rather sharp. It comes from both the fans, as well as individuals with KyoAni. Intelligence and a high level of coordination are generally seen so far both within the show as well as with what people are doing with it. Will the sequence of smart things continue for this soon-slotted-away TV series? It’s not going to run silent, but will it run deep?


Sing, Sing Like You Want to Win!

Con season means karaoke season.

Demon-Possessed Bishoujo Band

Bakakozou had their fansub idol competition with e-cash as prizes. Oddly enough I actually heard of it in time before the contest started…if I wanted to participate, I could have. Alas, the trip was in the way so I didn’t do anything.

What’s much more interesting is this website. ZOMG. ZOMG again. HAHAHAHAHA. I just have to contribute something. And I did.

Since 2002 I’ve been doing one song (or more) at Otakon annually. I try to pay attention to various con’s karaoke setup (AN2006 had a karaoke hour 11pm on Friday, but I couldn’t go to that; partly because I just got out the car about then. The jrock idol thing was pretty ok and I was there for most of that). It’s a very different experience than some otaku singing in front of their computers by themselves and goof around with audio editing software. Live is better. For good and for evil.

But it’s just that much easier to sit in front your computer and belt out the words to some songs you don’t know that well. Heck, you can even use various singing aids. And it’s something people can point and laugh repeatedly! Better than my deserted and lost-forever karaoke website?

Enough. It’s time for action! Sing! Dance! Watch Evangelion!


Anime North 2006 & Miscellanous Canadia Lore

Kujian Cosplay Group

Toronto was like, the dark evil twin universe of The West Side. There were just too many odd things that happened outside the con-chasing chain of events while we were there. It started out when my friend told me that his two WoW guildies, natives to the locale and playing our tour guides, share names with myself and our third in the party.

I guess this is the second time I’ve been to Toronto ever, and it was pretty close to what I remembered a long time ago. Things has changed for the better in a lot of ways but I just went to different places this time. I could’ve spent a couple more days there, for sure. Maybe we’ll save that for a future visit. AN alone was more than enough, and plus what outings we did it was actually a packed day-and-a-half.

Going to try to do this con report slightly differently–hey, like a Character-Driven Narrative? I think that makes more sense this time around, partly because the three main characters (in this story) all had different agendas. Maybe I’ll toss it up like an anime website. Plus some fictionalization, yay!

Introduction

Anime North is this growing convention up in Toronto annually. It used to be this pissant little thing (like most cons) but where can the sizable Toronto population get their convention fix? Most East Coast cons are way down by VA or below and what little offering in the NY Metro area has been lackluster at best, leaving those Canucks in the cold. Toronto is a pretty nice city in its own right and the huge Asian population there demands some kind of anime festivity.

But why am I, an American, going to AN? Plus two others no less? We’re about to find out.

Characters

  • Zekmyr
    The main character in the story; in a lot of ways only because his disposition is neutral. Friends with Omo and Ming for a long time IRL. Somewhat of a new anime fan, as well, making that POV even more sympathetic?
  • KOTOKO
    The lead antagonist/female interest in the story. Concert musician from Japan. Has a posse.
  • Ming
    The fearless ranger and master of Canadian Lore. No “About” or “Eh” escapes his well-trained ears. Plays a raid-happy rogue in World of Warcraft in his second life. Well-connected with Canadians.
  • Omo
    The mastermind behind the plot, yours truely. KOTOKO fan and scores high on anime convention lore, at least he thinks so if such things exists.
  • Lord of All Evil
    The Inside Man. Little is known about this mysterious character.
  • Sinbios
    The Resident Comic Relief Maid Boy.
  • SS
    Plays the straight guy for Comic Relief, RL friend of Sinbios.
  • Hayama
    Silent yet infamous clutch comedian. Master of screen cap blogging and free porn game fans.
  • Ed
    Clutch translator of stereotypical proportions.
  • The Random Security Guy
    Nice con volunteer. A true fan. Bilingual and wants to get on in with LOAE.
  • Ex-Military Ops
    Ex-Military people. Communicates with hand signals. Comes with sunglasses.
  • The Geneon Guy
    Fan at heart but now a corporate interest. Master of rock paper & scissors.
  • The Crazy Fangirl Party
    This group of 4 fangirls, ages 16-18, is inseparable entity of MSN handle stalking glompers.
  • Go Nagai
    Old school anime con guest. Pimp.
  • DJ Izumi
    DJ and Master spinner of anime video/audio. Evil Man Maid.
  • The Good Twins et al.
    Ming’s guildmates and our tourguides.

Story & Episode Synopsis

Episode 1: KOTOKO’s harbringers came by and foretold of great fun and fortune and excitement. Like all good intelligent people, Ming and Zekmyr are skeptics of all harbringers, let alone this one. Omo tried hard to make it work–but most of the episode flashes back to a shared experience between Zekmyr and Omo a year ago with KOTOKO. Just what it was is unknown…

Episode 2: After some off-the-screen shuffle Ming mysteriously becomes pro-trip and Zekmyr joins the power of three on this journey. With mild panic at the national border all was well. Most of this episode features dreary landscape of western Pennsylvania.

Episode 3: Down but not out, the trio makes landing at the appointed hotel at the appointed time. Toronto is the land of free wifi and Omo makes contact with the Inside Man. Secrets and money were exchanged. The party ends the night at the inn with a shocking reappearence of KOTOKO, but she did not notice(?)

Episode 4: The new day was indeed new. Inside Man botched (but not his fault) so the party expended some of the local currencies in pursuit of underaged (yet legal) booties and badges. Lines were to be waited, free Full Throttle kept things upbeat and security guards confused. The episode ends as a cliffhanger: special KOTOKO tokens were needed to obtain entry to the Concert; will Hayama pull out something to help the gang when Sinbios and SS failed?

Episode 5: Plenty excitement is to be had when the three secure three of the last thirty Concert tokens. To that end, we split up and did the usual convention thing: dealer’s room. Advance reports from Hayama indicated a poor offering, and it was so. However expectations varied and Ming and Zekmyr nonetheless scored good loot. Omo grows wary, however, and tension is to be had. The group was brought together under the magic of clay dragons.

Episode 6: Lore of the Con says that lines are to be waited, so Omo split off in anticipation of KOTOKO’s coming. Zekmyr and Ming continued to chase underaged booties. Sinbios and SS meet with Omo. After a time Hayama returns to swap info with Omo, but resulting a partial mission failure as line waiting got slightly botched.

Episode 7: The line. Yep. Lots of pics but mostly line. Just line. A line. Inside man swapped more info. Anticipation. Line. At the end of the episode we slowly build up to the start of the concert. Inside Man guaranteed us front row seating. The Crazy Fangirl Party makes their debut.

Episode 8: Lots of jumping, pumping in the air, screaming, chanting, and adoring KOTOKO. And a lot of KOTOKO, too. A chat with The Random Security Guy kicks off the show with some honest to goodness words about fandom. Ex-Military Ops makes a showing too, just to expend budget. There was also glomping, tickling, being called names and not able to recognize people’s faces. Shouts to sit or stand? Glowsticks? So much in the climax episode.

Episode 9: Managing to lose the Crazy Fangirls at the post-concert exedus, the trio also managed to lose a chance to get KOTOKO swag. There were a lot of waiting but we scored autographs!

Episode 10: Recoperated and relocated–Inside Man goes to get drunk post-concert. We aim to not get outdone. Ming returns triumphant, as he usually does; Zekmyr and myself took it safe. The Good Twins et al. are great locals, and even offering us the meat market scene with their guidence. The food was good, girls hot, costs were sensible, and LOAE is a funny drunk.

Episode 11: Things come to an end. There were exchanges of thankfulness and hopefulness. More nice Chinese food was had. KOTOKO makes her last appearence at the panel; Zekmyr and Omo both won hoodies! Alas, goodbye Canada. Thanks for all the Hikkikomori encouragement!

Episode 12: The way home was much like Lando & Chewie in Episode Six. Except they just have to go very fast where as we have to go very fast and slow down when we see cops. We made record time, nonetheless, and had more fancy foods.

Episode 13: Happy end–the three celebrates the end of their vacation with a movie and meeting more friends in the local area.

Screenshots

Now Printing? Whatever. Check this website periodically for updates.

Goods

Samurai Champloo Hoodie (free!)
About a bijillion KOTOKO concert flyers (except I don’t have them anymore) (free!)

Yes, I didn’t buy a single merchandise at this con. First ever.

Links & Props

Big thanks to AN itself: its staffers and organization. To LOAE I owe my …something. I guess a future IOU if he needs legal advice or something. A <3 to KOTOKO and the guys who made it possible. A \o/ to the fans. Zekmyr and Ming both deserves lots of prop for good sports that are willing to spend more than 24 hours out of a long weekend on the road.