The Tried and Tiresome Sound of the Cicada’s Cries

Yes, Eureka7 != Higurashi

Higurashi no Naku Koro ni is, by all means, a wonderful telling of a fairly creepy story. Those who’ve seen it look forward it being solved; the rise and release of tension, and the confusing reconstruction of its repeated performance like an eternal groundhog day. The rustic, country Japanese feel the show gives it an unique flavor as the bulk of the show ran over the course of this summer.

But like its powerful performance in the OP animation sequence that shadows what is to come in an episode, the rest of the series pales to the first 5 episodes, the first story arc “Onikakushi.” It’s not particularly surprising–the most powerful trick of a horror thriller is surprise, and after its first performance most of the surprises have transformed into speculation and exposition.

For sake of coherence and narrative integrity, the piecemeal visual novel is adopted into small, repeated performances, each replay spiraling up the complexity and gruesome ladder. And as it should. As the audience familiarize with the, sadly, one-track-path Higurashi is taking, even if we cannot fathom the precise mechanism the plot works off of, we know the color and flavor out of its prior consistency. The ultimate saving grace that comes of Higurashi’s narrative, maybe, is its ultimate appeal to the supernatural: Oyashiro-sama. Maybe it’ll actually poise itself to try to leave that unanswered!

If I was a compulsive curious Sherlock, I might be amused with trying to figure out the mechanics; but I am not. It’s sad to say, but at this point of the game I am just done with Higurashi no Naku Koro ni. It may still have a lot of tricks up its sleeves, but they’re all of substance, not of mannerism and flair. While nothing has been explained, nothing needs explanation. Maybe it can promise me that somewhere down the next 2 arcs something more exciting could happen, but for someone who watches it out of the fresh scare and creep and, well, the awesome OP/ED sequences, I just don’t think I can believe that easily.

I remember when I was younger and less jaded, I lived in a country with a lot of cicadas. Their cries marked the call of the season and invariably if you want to have a good night of sleep, you learn to live with their twilight symphonies. After moving to a place where there are no cicadas except the rare one or two per acre, you notice their distinct cries. It very well may be the same trick in play with When the Cicadas Cry.


I Love Simoun

I spend a lot of my leisure time with people on IRC. It rubs off on me, that pattern of behavior, you know, the entire bit about conveying emotion through emoticons, capitalization, image macro links, and just very clever asshattery. Jaded and now gotten used to the usual tricks, it is amusing what can be salvaged for my tarnished mental innocence, left floating in the gutter that is known as the internet.

Perhaps that’s why every time when I tune in to the plight of the Chor Tempest, I am right there as if I am Guraghief! Ah, this is the essence of the Battle Miko fetish, is it not? Or better yet, the best spin on the children of war theme? A symbolic coming of age?

But like most rewarding things in life, it doesn’t come to you without effort. Simoun is totally a show that got the shaft from the fansubbers at the get-go, but the fault lies on Simoun itself for being the best internally-consistent, unconventional fantasy setting probably since Last Exile. On top of that, the massive cast, the steadfast pacing, and a confusing (yet important) beginning can leave viewers bored, confused, disinterested, or all three.

However it has rather solid production values. Simoun boasts a competent voice acting cast, and it is directed by the director of Ranma 1/2. Working what’s left from their Fate Stay Night splooge, Studio Deen does what they do best: gorgeous (animated) illustrations. They’re frameable paintings, for crying out loud. The 3d-CG Simoun aerial fights covers their still-frame butts this time around, and while that looks cheap and takes getting used to, it doesn’t bother me after a few episodes. The music is nothing to write home about, but it is good.

If you are curious, definitely give the Wikipedia entry a read, or refer to Hashihime’s Simoun pages for quick reference.

What really captivated me was the focus on character drama. While we can pun away all day and night about the “they’re not really girls!” thing, Simoun presents itself very similar to a shoujo version of Last Exile–in fact the whole Tatiana and Alestia angstfest is a glimpse of what we see in Simoun. As opposed to renegade mercs, Chor Tempest is a parade of priestesses, offering their usual, but deadly, prayer to their theological object of affection when they dance in the skies.

On the other hand, you can look at it not too differently than day soap–it’s full of surprise, innuendo of rape; illicit relationships; people empathizing each other, people manipulating each other, and people growing up. Falling in love, falling from faith; claiming success, losing prestige. The whole nine yards. It’s a lot more subtle than offerings you find from Strawberry Panic, so it’s a little less “exciting.” At the same time, it deals with something that is just much more fundamentally resounding in me that I have to take it seriously. I just can’t do that for a 3rd rate Marimite spoof.

And again, there’s the whole children of war aspect. It’s blatant that shrine maidens are not meant for war (at least outside of Touhou). The mixed expectations crossed with the sacrilege of turning tools of worship into weapon for destruction goes beyond merely the secrets hidden within the Spring of gender crossing or the Simouns machina themselves, but in the heart of the Simoun pilots, or Sibyllae. It’s being backgrounded over time as the series marched on, but with the interplay of its setting, the enemy states against the Simulacrum, and the variety of priestesses for the one and only Tempus Patium, there’s so much stuff there that a 26-ep run will not exhaust it all.

So go watch it already! At least you can enjoy all these gorgeous vectoring of the eyecatches while fully realizing just how awesome this cast of half-misfits really are.


Trap-chan, Fanboy, Tool, Punk’d, and DQ – A Convention Primer

You call this a Roberta cosplay? Shame.

Another way to look at a con, from a top-down framework, is how anime cons serve several purposes across the board. I’m going to try to list the most prominent and attractive reasons here in an archtypical form, but who knows, some people come to cons for very specific things sometimes. Anyways, the follow framework basically categorizes the average con-going crowd into 5 types, and one could describe the population of each con event with these categories. It’s possible that one person exhibit multiple, even all of these traits. However generally there will be one guiding, overpowering tendency–or else how would you know which panel/event to go to?

The Cosplayer. The general trend in anime cons in the US is that cosplaying is a necessity. This is actually a divergence with cons in Japan where cosplay is a very distinct activity either as a means or as an end. Today, con cosplay has gotten to the point that anyone can cosplay and go about doing any kind of thing. Crossed with other activities such as doing a skit at the masquerade, a hall costuming contest, LARP, or even just for meetups, the cosplayer is ultimately engrossed with costuming. In as much as race cars are meant to be raced, a con is a race for those well-oiled costumes. Ahem. Of course more traditional use of cosplay as booth-babe-age also happens, even in Artist Alleys type places. Some do it for only the attention whoring aspects. There are also a lot of people cosplaying just for the giggles, but 9 out of 10 of those are crap cosplays or creepy old people.

+: They give anime cons its flavor. They’re dedicated (it takes work to get a costume together!), and generally pleasant.
-: They tend to be attention whores, and prone to drama. Also too many cosplays just suck these days.

The Fanboy. It’s hard to find people who are very much so in this category, but often times these types exhibit signs of obsession. They would line up for a certain event at the expense of other, leisurely fun things to do. They have 1-track minds when it comes to *the thing* they attend a con for. Like the typical fangirl at a Yoshiki autographing session. Or my French friend who’d travel to the US just to see KOTOKO. Honestly, they’re generally a good group and they make cons fun for everyone; on the flip side they can also manifest for the worst, and all it takes is just a couple bad ones to ruin some event.

+: They’re the ones that cons are meant to cater to in the first place. They welcome our guests of honor and gives everyone something to talk about. Also dedicated, but only to their respective fans and whatever they worship.
-: Too much dedication makes a certain event difficult to access for normal people. Need to shower more. Scares normal people.

The Cruiser. I’m probably squarely in this category half of the time. We go to cons for what a con is–its programming. We browse through the cosplayers much like how we go through a stack of promo posters at the dealer’s room. We go from one panel to another. Depending on how hardcore you are about it, you could take it easy and even go visit the local attraction when traveling to a faraway con. Taking time to eat, rest, and even go to bed early if there’s nothing interesting going on at the end of a tired day. Lining up for the masquerade is something we do out of tradition, and we always have a blast at the AMV showing. The sad thing about this group is that they are not too passionate about everything, even when hanging out with friends.

+: They’re the bulk of con goers. Relatively normal.
-: Often conceited and selfish, prone to burn-outs at cons because they’re just here, and not for something specific. Make dealer’s room line really, really long.

The /b/-tard. I use this word not only in the familiar 4chan.org sense, but in general. Cons provides a context that not unlike how 4chan provides a context for anonymous posters of random pictures. With decreased inhibition from peer behavior, lack of sleep, use of certain substances, what have you, they may go around glomping random people, hold up stupid signs, mosh at the wrong time, whatever. Elevated case can involve inappropriate crossplaying and other kind of stuff you don’t want to know.

+: They’re funny.
-: They’re jerks.

The Social Butterfly. This is the type of people who comes to con just to socialize. They could be any of the above categories, but that’s what keeps the coming to cons. Usually also because it’s just a lot of fun to watch /b/-tards make fun of themselves, and it keeps them up to date with what’s going on. These social people are often veteran con-goers, and can resemble late stages of a burnt-out Cruiser or Cosplayer. Sometimes a very dedicated fanboy could also be at a con purely to socialize outside of seeing only 1 event. Sometimes this can describe certain con staffers!

+: They make cons worth coming to year after year, despite the change in programming.
-: They can get in the way if you’re one of the other type of con-goers. Also drama-prone.

To me, ultimately anime cons are giant parties, or a congolmeration of several parties strung together, both chronologically and geographically. Compatible people hang out in each of the party types. For example Saturday night, you have your Cruisers and Cosplayers and Social people at the masquerade, with some /b/-tards. Rest of the Cruisers will be out at dinner with other social people. Some Cruisers with Fanboy leanings will be with other Fanboys at the programming they’re interested in, along with /b/-tards doing whatever they can get away with in the halls hanging out with other Cosplayers not doing the Masquerade. At a panel like 4chan, you get a good mix of Fanboys, /b/-tards, and Cruisers who reads 4chan. At a panel like Geneon After Dark, however, it’ll be mostly just Fanboys and whichever Cruisers are still not tired at that point. The Social Butterflies are probably at various room parties, hanging out at the hotels, or karaoke. It’s party-after-party-after-party like an endless game of musical chairs.

With the framework laid out, there is one thing on my mind that you can use it for–to plan your next con-going experience for maximum profit! If you want to skip lines, pick ones with the least Cruisers. If you want a lot of LOL, go to the /b/-tard things or one with a lot of Fanboys. If you want some con atmosphere, hang out with the Cosplayers. And always, have some Social Butterflies in your con networking map. If you want to know what’s hot and what’s not, ask a Fanboy, a Butterfly with fanboy tendencies, or an expert Cruiser. If you want to stay safe, stay away from the /b/-tard things.

I hope this is helpful.


Geneon After Dark or The Alternative Dimension of Licensing Hell

When the day ends, you hang up your coat, put your guns away, lean back, feet up, and air out your tiredness. We did that at Geneon After Dark.

Unlimited Corny Jokes Works ALL THE TIME!

Geneon After Dark is the name of the panel Geneon used to describe their 1am Otakon 2006 industry Q&A where cuffs are mostly off and the fanboy producers (and fangirls) giggled with us. I rather liked it last year when I went crazy and committed various forms of idolatry against Nana Mizuki. Speaking of which, I did forget to reiterate the question why there’s no movement on that front…

The panel itself is fairly simple. We sat, they pitched a trailer, they solicit a few questions regarding that thing, we raise our hands and get picked, we ask, they answer, and we get a free item. Rinse and repeat. A few clips later they opened up to general questions, but we had videos to see all throughout the panel including the Hellsing Ep2 previews. The floor opened up a lot more after we saw that.

The freebies they gave away were pretty good. I think I was the 3rd person to get picked so I had a wide variety of choices–piles of scrolls and t-shirts, and a lot of random stuff. It was sad, though, because the only thing I want I can’t have (a box of autographed incest given to some Hellsing fan), and the second thing I wanted is…from Kyo Kara Maou. Yes, a shoujo anime that I don’t even watch. It was a tin of something. I decided to just go for my 3rd pick, at least it’s g. I would say “damn you” for getting that Fuu figure, but I don’t even want it that much.

I think a big problem with a gathering attempt like this is that some of the audience are just plainly clueless. If you didn’t know what Black Lagoon was at that panel, well, that might be the sign to you that you need a clue before opening your mouth; let alone ask a long-winded question that makes no sense and cut into Q&A time. On the other hand a lot of the audience very much keyed-on when it comes to pointed questions, so props to them. I think this really shows especially when nearing the end of the panel I feel a lot of us were just dying to simply get some plain Q&A, but with the freebie-giving-away in the way we couldn’t get the questions out and have that dialogue going unless you’re a knowingly-rude person like me who does it because it’s supposed to be done. Terry(?) was the Geneon guy picking hands and he was trying to get to everyone who hasn’t had something–nice try but bleh. People were just raising their hands and asking dumb questions to get stuff. Since the panel didn’t conclude until 2:30, I was mad tired and didn’t want to stay around to hear all the chit chat post-panel, partly because the Good-Question-to-Bad ratio is probably too high, and I am just done airing my laundry for the day.

That said, I did stay for a couple round with…that other producer guy. I would have made my rounds to Stephen but he was pretty busy with the music people and I didn’t want to line up. And that brings us to our real topical point:

No one will ever license Futakoi Alternative.

If you recall, Geneon licensed UFOTable’s “big hit” Dokkoida. And you might also notice, if you pay attention to hype and fan clamoring, Dokkoida isn’t exactly a hot title. I think even in the fansub-sphere it didn’t make a lot of noise. Or much of noise at all. A speedy sub was all that was left in the path of an excellent but sadly forgettable show for most people, it would seem. What’s wrong with UFOTable? What’s wrong with you (who did not buy Dokkoida yet)? That’s not a big deal compared to what awaits Futakoi Alternative.

The brief conversation we had with…ugh, what’s his face next to Terry? Sorry for not remembering your name at 2am in the morning. In any event, said Geneon Guy professed his love for Dokkoida?! (and o/ for you brother) earlier which reminded me about Futakoi Alternative, one of the few titles I hunker for license-age. Naturally I brought up the topic later and he countered with something like “Well, the Japanese licenser will probably want to sell Futakoi too, and I don’t know about you but Futakoi is…”

A-yep. Futakoi is, yeah. Not a title Geneon would really like to license, at any rate.

So there we have it. It’s not the same kind of licensing hell Macross Zero is stuck in. It’s definitely not the same kind of licensing hell that Random Shoujo Series is stuck in, but that one might affect Futakoi Alternative indirectly if Dokkoida just doesn’t do well enough to justify it from the bottom line. In retrospect this situation probably has played itself out in the earlier years of fandom especially with game licenses. How do you get a “Tsukihime” without a “Tsukibako” anyways, right? How did businesses overcome that? I suppose licensing two shows is different than licensing one and ignoring the game counterpart.

More importantly, just what do we fans have to do to get a piece of it? Sucker a company, or wait for one, to license Futakoi vanilla first? I don’t really like the idea of that, but it might be the only thing left to do. Got any bright ideas for us threesome fans?

Certainly no more “Alternative” shows! Unless the original isn’t crap, anyways.


Otakon 2006: An Average Story about a Convention

If words were enough to describe this convention, I wouldn’t need pictures. Even if words were enough, I’d still use pictures because I am lazy.

I was a Harutard

But some words are necessary. Like tags. Could be chronological:
Hot Thursday prereg, drinking, dinner, drinking; hot friday lineup, ticket, sat in line and watch anime, dealers, eat, Nobuteru panel, Madhouse panel, eat alone, concert, karaoke; Saturday ticket, dealers, Kawasumi panel, autograph, karaoke, fate meet, concert, mt meet, Geneon, Hellsing, dinner, art gallery, 4chan, Geneon panel; sunday karaoke, art gallery, hotel crap, karaoke, lunch, karaoke, home.

Or more descriptive:
Haruhi-tard, ETERNAL BLAZE, Hottest. Otakon. Ever., Kawasumi Ayako, Lafiel, Mahoro, Trap-chan, Raptor Jesus, Getsumei Fuuei, MUCC, fatigue, NO U, Free Stuff, Mihata no Moto ni, Pictochat, Geneon, Dan Kim, Futakoi Alternative, Touhou, Ever17, waiting in line, Nobuteru Yuuki, Nakazawa Kazuto, God Bless…

There were the usual amount of cosplaying. Without beating around the bush anymore, you can click on these links at your own risk. Traps, you know. I think the variety this year matches more my expectation from last year than this year.

A good meme from the con to recall is Web 2.0. It’s amusing how much I’ve changed in doing an otakon write-up over the last 9 years. And yet I’ve done it every time save my first Otakon, in a blog form. Instead of AMVs maybe I’ll do a trip down memory lane kind of thing. Some things, despite age, just don’t change time and time again.

Like hitting traffic on the NJ Turnpike.

But there are still stories left to be told of our battle last weekend. Yours and mine. Like how karaoke post MUCC concert means you can’t hear the monitor too well. Or our Canadian friend makes one helluva Trap-chan. Or how 4chan manages to transform time and space and bring anonymity to a convention line. Or how the panels I missed out I wish I could attend, or watch videos of. Or how I asked about Lafiel, and made a fool out of myself at the Kawasumi panel. Or how people should do more Nana Mizuki songs at the karaoke. Or just how much fun we had, or how we wish you were there, too.

I was actually looking for Os on Friday–imagine we were all in the Mad House panel

Perhaps one more notable point to it all is how my friends played into the picture. There was a major blurring between my RL friends, different circles of RL friends, internet friends, and random people. It’s good to know people who know people but knowing so many people can make things difficult. This year marks a good, sharp distinction between people who I consider “con buddies” with “visiting friends” and “groupies.” It’s so important to have all three. Just don’t mix them up in the wrong categories… And keeping the right kind of stories to the right kind of crowd :)

And on that note, I wish you all would show at Otakon next year, because I have high hopes…