Category Archives: Conventions and Concerts

Otaku Hotspots in Tokyo

Saitama Super Arena

This is the notes post for the Otakon panel Otaku Hotspots in Tokyo hosted by Wah over at Analog Housou and I! Featuring special guest Dave Cabrera!

You can download the presentation here.

Here are some of the links to what we talked about (and some that we didn’t). This post will be updated as the panel progresses (and afterwards…).

Now that the con is over, we’ll try to update this as soon as the post-con funk goes away~

Hotels

Arcades

Akiba Shops

Akiba Foods

Akiba Others

Others

STC filmed the panel. Gee thanks!


Otakon 2013: Day -1 & Details

Just the facts, ma’am. And some opinion and advice. I’d say this post may update but I got no time to do so, realistically speaking. [And ho, Update 1–Otakon lounge and booths][Update 2: oh boy new rules for concerts this year woooo whole sections out of the door][Update 3 added FUNi][Update for correct panel info]

The latest schedule (now a PNG). Just get it on Guidebook instead.

TM Revolution’s concert with Home Made Kazoku is at the Arena at 4pm on Saturday. TMR is also selling a special compilation CD at Otakon. See their booth in the dealer room. Details for the show here.

Yoko Kanno’s concert with Ishikawa Chiaki is at main events at 1pm on Sunday. Piano Me will probably need an advance lineup if you want to be in the live audience (and by advance I mean like, 9-10am), but [T]here is a simulwatch room as well for late comer types. I presume merch is also available in the dealer room, since there’s a booth for her. The concert will now require tickets. The tickets are available in limited quantities Friday and Saturday from 1-3PM, and Sunday 9-10AM. They are first-come first-serve (2 per person) at Sharp street lobby by Hall D. To go watch the concert live you will need a ticket. You don’t need a ticket for the simulcast. And you still have to line up for the concert as usual! Details here.

Good Smile Company is going to be at Otakon, at least sharing a booth with Daisuki. Goods TBD.

Daisuki will be doing their usual deal as per AX, booth and a panel. I assume Crunchyroll is doing the same thing, but it’s worth checking out if they’re doing any interviews with guests. Would be cool if Ishikawa showed up.

Aniplex is basically done with their Otakon plans. We have the charity poster, we have the OreImo event (and a poster giveaway there). There’s probably a booth autograph session since there’s only 1 con autograph session with the OreImo guests, and 2 con autograph sessions with the SAO ones. And of course they’ll be selling leftover AX merch. Adachi will be live drawing at the World of SAO panel.

From Chiba to the World

The OreImo Premiere screening might or might not require a room clear. I hope not, because this way I can catch the Young Animator Showcase that goes before it. Well. Maybe. This could be complicated.

Mangagamers said at AX there are 5 titles for Otakon, so yep. And probably more leftover AX merch to sell.

Otakon has their Thursday festival. It’s cute but also a little quaint. And this year is no different. What’s different is it’s at the West Shore Park.

Studio Nasu, the Otakon video Game people, are doing a pre-con game room thing for their Otakon game backers (of any level). It’s neat and I probably should spare you the details–check your email or the project updates if you are a backer before Thursday night.

What is this I don’t even.

Funimation is doing the Wolf Children dub premiere at Otakon. They’ve got their usual lineups of actors and actresses. Some loot based on badge tags. You know the drill. More importantly is the Evangelion 3.0 screening on Friday…

Lastly, the rumored autograph random draw–TMR and Yoko Kanno both have 2 autograph sessions and Otakon is actually doing a ticket lineup (on Friday morning 10am) for these autograph sessions to lessen the line/crowding at the autograph area. Details here. I am going to be there like, crack-ass dawn, because I have to be somewhere at 10:20……

Oh hey, a 21+ lounge at Otakon. Pimp. Friday night 8PM, top of Hyatt Regency. A cash bar and … dance lessons?

PS. Again, free iM@S tags if you can catch me!

PPS. Come to my panel 7:30pm Saturday in Panel 4 (BCC) lol.


Otakon Uprising, Manga

Author discovers manga. I’m not very different from him, except I probably gave it a lot more thought. You really can’t talk about TV anime in the 21st century without talking about manga, after all. The problem for me is that there are too much stuff I enjoy about anime that’s absent in manga. My main gateway into anime has been seiyuu idols, OP/ED themes and soundtrack music. I still remember the one summer where I listened to Macross Plus soundtracks like a bijillion times. Direction and cinematography may overlap with paneling and framing the shot in manga but it’s not exactly enough to “get” it on from one format to another, even if a sharp-eyed critic can probably appreciate one going to the other. And of course, I adore animation in itself. These are not exactly why people read manga for. Maaaaybe you can say they’re in motion manga type things, but who wants to read manga in a guided mode…?

That said, it isn’t like I don’t read manga. My collection is a few times bigger than Author’s but that’s not saying much. I just can’t really call myself a fan of the categorical format, genre or medium. That said, I highly prefer reading on a portrait-mode monitor. At home, I read it using a Dell U2412m–basically that was the only way I can tolerate JManga while they were around. I just can’t stand reading manga on a tablet. The resolution is crap, either because of the display or the source files (all non-high-quality scans should DIAF). Maybe it’s okay on a Nexus 10 or the latest iPad for some, but it’s no substitute for the paper version in my opinion. Maybe this is because I do the manual “zoom” by holding it to my face, which doesn’t really work on manga on a tablet.

Because I’m not the kind of person who just want to read about “what happens next” on average. I like to appreciate the medium. Which is probably why I would rather subject myself to crap-tier light novels than high-quality, near-artbook, manga tanks that Ed is peddling.

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From Chiba to the World

Otakon finally has a public schedule, and that announcement brought the website down. Pretty telling about Otakon this year–it’s a little uncharacteristically late, and it’s going to be crowded. On the other hand when AX brought up theirs, it was just a PDF and it was running off of AWS. Hah. Otakon’s schedule is more like an account-based thing where…obviously some backend sharing was happening. It happened last year too but I didn’t think it was this bad.

I’m going to be there, of course. I have these iDOLM@STER tags that are burning a hole in my wallet and I would love to give them away. If you see me there, let me know if you want one. I’m probably going to ask you a couple questions in exchange, though.

More importantly, I’ll be running a panel with Wah. So if you want to catch me at Otakon you can surely find me there ;) The Panel is Tokyo Otaku Hotspots, scheduled currently for Saturday night at 7:30pm, Panel 4 (which IIRC is in the Hilton). COME ON GUYS DON’T BE SHY. (I am assuming the average reader of this blog is not the con-going type, but tell your con-going friends!) Mainly because there will be prizes.

Here goes hoping the scheduling masters of Otakon (as a press attendee that means several groups of people!) don’t swap things on me to make things difficult.


Anime Expo 2013: Wrap

G&P

If there’s a theme to this year’s AX, it’s that things are just going to do and run the way they always have. But people change. Our perceptions, our expectations, and what makes us happy, all can change. Not that is a problem, but the convention exercise is ever the subjective introspection that brings out the best or worst in all of us.

Also, there was a tank. Continue reading


Anime Expo 2013: Day -1

Cure Kugyuu?

So far this AX is shaping out like many other AX that I attended, minus the guests I really care about. Well, okay, I still care about the PA Works folks. I kind of care about huke? I can’t say. As a Kick Heart Backer I do care about Yuasa’s new work. I want to see Shinkai’s feet anime on a nice master (not sure if this is possible at AX). Well, you know. Otherwise few things rise above my care for Foodtruck Con 2013.

But I do care about the whole press/industry angle. Soooo glad I’m doing this con with Hiroko. Really opens up my agenda for other stuff. Gotta prep interview juice.

So far the funniest pre-AX joke, other than the various “AX this year sucks for guests” types, is Little Wicth[sic] Academia. Ok, I probably shouldn’t laugh. What makes me laugh is how they are now not selling said pillow cases. Oh well.

I’m sure soon enough we’ll be cracking jokes about bag checks.

Packing a bunch of shikishi this time. For discs, I’ll lug around Shinkai’s feet anime and some portion of the True Tears BD box…I probably should just request Ayahi and Iguchi for now on, at all them forums. Maybe I’ll take a concert program to show off too.

All my worries stems from just not enough time trying to get it all done. Still have to do my schedule for Saturday and Sunday. Still have to fill in all my corresponding references for the team. Gotta charge my batteries. Gotta wake up at 4am on Day 0.

This AX feels just like every other AX. On the flip side it makes me more glad that I am hopefully not gunning this alone. The lack of wota guests become a blessing in disguise. A blessing that Otakon, fortunately, is too good to have a need for?

Oh, check this for deets guys. All the AX deets that I care about anyway. And lots that I don’t apparently.