Category Archives: Conventions and Concerts

Con Season 2011: Preliminary AX Scouting Stuff

With Memorial Day weekend squarely in the rear view mirror, it’s North American anime con season proper. With Anime Boston, Acen, and the Memorial Day triplet at Anime North, Animazement and Fanime Con, it feels like I’m already conned out. Except I did not go to any them!

Still, it’s good to keep an eye on what’s developing. With the Tohoku disaster still fresh on our minds and with the disaster opening up new opportunities while shutting down old ones, the guest-guessing game is a bit odd this year, I suppose. I’m just going to do a brain-dump of the AX events transpired thus far, since I’m planning to attend it.

Anime Expo is slowly rolling out its big guest announcements, but to many the Miku-fest (or properly, Mikunopolis) is going to be the biggest one. And amusingly to others it may not be obvious as to why. Maybe that’s for the best. Maybe not. It’s somewhat of a “large” event for any con, anyways. With Toyota behind them, it’s kind of just how it’s going to be. I just hope the organizers are encouraged by the result when it is all said and done.

Seeing Miyuki Sawashiro being announced, though, is pretty neat. She’s a very unique talent in a sense, since she’s on the full seiyuu career track for a while now (10+ years), and is already an industry veteran before she is 30. I mean, she’s only 26 or something (for perspective, Aki Toyosaki is 25). Also, she’s not really doing that idol thing either; instead she is just in a ton of random shows. It’s a very different kind of perspective. Anyway, it is her first real oversea fan event.

From the PR it looks like Miyukichi’s participation at AX is brought to us by at least NISA, with those ArakawaUB plugs. The other possible tie-in is from GSC–she is half of Black Rock Shooter OAV, after all. The president of GSC is going to be there, with Danny Choo. It makes you wonder. For the record, by Memorial Day Weekend 2010, the big guns for AX 2010 were already posted (not counting Secret Guest Kanno, but you knew). So compared to last year, AX is rolling out late by a couple weeks. Blame it on the quake I suppose; and definitely the best announcements, hopefully, is yet to come.

Well, a Kalafina is fine too. It’s cool to use this opportunity to see how much bigger of a fan I have become of them. I wasn’t much of one during their AB visit a couple years ago. It was amusing to see myself and some others I know in the omake video that came with the second album, now that during the time I have grown much more fond of their music. For a group formed just to do music for Kara no Kyoukai (why do a seiyuu group when you can use real singers?) Kalafina’s got some long legs. I wouldn’t even need to burn any glowsticks for this one.

On a totally different note, I want to see what’s on the menu for the symposium AX is hosting. Having seen (online) at least one Ian Condry talk, it sounds like something worth going to see. Is it worth an hour of precious con time, however, is something to be determined.

On Mangagamer’s side, the latest word from Bamboo during the live chat he hosted last week, it was unclear what industry or artist guests he will be able to arrange for. He did note it will be a quieter year in terms of that. The extent of the damage from the quake is large on the galge development efforts, given that they are often very small operations. Maybe next year he could drop by Otakon?

And speaking of the other Summer cons, Otakon has up to 6 seiyuu guests slated, along with a couple directors and the like. Could be very interesting! AnimeNext is the next con up on my list, even if I may not be covering it. I wonder if they have any opinion on Naoto Kan’s resignation and the recent vote-of-no-confidence thing. Wonder if Taro Aso would make a trip these days! Even if he ninjas into NYC like Aya Hirano, I don’t particularly mind.

That just leaves AM2 to be figured out. Scandal would be a cool addition to my list, but while at AX I would be at mercy of locals in terms of legging it to Anaheim and back to downtown LA. It’s about an hour drive, more with traffic. The con is free, but they do sell some special tickets for shows and what not, plus a paid badge for extra perks. It’s totally gimping off AX. Aside from the fact that it is run by people who used to run AX and released a PR about they’re not gimping AX, they are totally gimping off AX. On the other hand, AX is huge; the people can use an alternative. And I think that someone could double-dip on Scandal or kanonxkanon (Koi no Doutei? soooo not like Calendula Requiem. Heh) is always a boon than not being able to.


Rally Behind Terms, Fracture; Obvious Stuff

A lot of people say a lot of different things in terms of what defines anime or manga. I don’t know who is right, wrong, if even they are in conflict or if the varying definitions are incongruent. What I do know is that anime and manga are broad brushes that describes a lot of things. Once we throw games in the mix, it actually…gets no more crazy than it already was.

The gaming community is a good way to look at it. In reality there are a large number of different types of games. What’s more is that video games have long since reached the mainstream in the utmost sense, especially in the past few years when casual gaming tied up with the gadgets everyone wanted, on the social networking platform everyone was on. It’s gotten to the point where everyone knows what Angry Birds is, and really, why is this? I don’t know, besides that the game ties into a variety of devices.

All I’m trying to say is, say, someone like me, who doesn’t really play much in terms of marquee titles, is very different than my bros who play Halo and CoD and what not, which are all too different than a blogger on hiatus or one who’s not. Are we even gamers? By some stretch of the definition, sure. We might all watch anime at some point in our lives, too. Or read manga. But we are not similar in our inclinations at a fine grain resolution, to say the least.

I see this, painfully so, when it comes to manga in America. The general marketing concept behind it has not evolved beyond TokyoPop’s brand of “Woah this crap comes from Japan! It’s like, girls read this thing! We call it manga! UNCE UNCE UNCE!” Which is fine, if the calendar says 1989 or something like that. But in 2011 terms this is woefully insufficient, especially since Japan is thoroughly involved with this little localization scene. Especially now that the internet is a major player, and the path everyone is taking to get to the next level.

The sad thing is, even posh and classic manga publisher like Vertical can’t get stuff lifted off the ground in this way. It’s like selling mushrooms, to use an analogy: $500/lb truffle can be marketed in the same way as your $2/lb white buttons, simply because they share some biological similarities in their life cycles? I mean, yeah, you’re a mushroom dealer. And not even the illicit ones. So, again, just because you read/sell/buy/review/follow manga, what does it mean? What does Drops of God has anything to do with Bleach? Nothing, I propose.

I mean, compare this with, say, Marvel or DC’s catalogs–there’s this kind of fracture for attention that is just unimaginable and unseen with these American publishers. It’s not to say those DC or Marvel don’t have diverse offerings, but they really aren’t concerned with just the wide range of topics, forms, modes, and concepts that all of manga has to offer. Which, is to say, manga covers basically everything under the sun.

And naturally, this extends to the fanbase. Just because I may have an anime blog, it doesn’t mean it’s the same sort of blog as any particular breed of anime blog. Anime is a lot more niche than manga, relatively speaking, so I think the relative success of marketing based on that product identity in the west is much better as a result. Ultimately when I go to an anime con, most people overlap in their anime consumption experience, as far as what makes them fans. I cannot say the same thing for manga, at least, not as confidently. But to not just contradict myself, I probably cannot well-identify with majority of American con-goers either, just because I am well-above the average age. Maybe. Honestly, I don’t really know.

Which is why things like this happens, I suppose. Learn to offkai amirite? It’s more serious than that: Learn to realize your hobbies is actually (slightly) different than mine? Do we need to create/import vocabulary for this to happen? Is your illustrated pornography different than mine? How different is too different? Or are they really the same and some people (at the con) are just old and some other (characters) are too old? Do you belong better at a JumpMangaAdaptationCon than a LatestLateNightTVAnimeCon? Or maybe go straight to 4ChanCon? Do plot-driven drivel get you going farther than the House the Artfag built? Or do you require the services of both? Neither? All these things can strongly dictate what we enjoy, what we experience, and how we enjoy yourselves, together. I don’t know why we would want to confuse them. Let’s spell it out.


Brain Dump: 2011-05-12

Just to capture what’s on my mind today before restless sleep flushes it out, that or just a lot of work:

The Aya Hirano thing happened. If you’ve ever been to Forbidden Planet, you might note that it is arranged not unlike the Strand used bookstore next block down, which, if you have not been to either, is a place with a lot of stuff stacked mighty high, and there’s not a lot of room to move around. It’s kind of like shopping in Akiba, I guess. So even if you want to do an event there, there’s just not much space for it.

The rumored 5pm starting time is grossly exaggerated. Things didn’t really happen until 6:30. The word was Hirano and crew were filming something at the Met, and, well, NYC is the birthplace of gridlock. It’s not a long drive at all from UES down to Union Square, thankfully.

The whole thing went down like an episode of Otaku Versus Zero, except instead of Macias going to the field (or the improved Macias x Asakawa combo in season 2)  for some half-reality, half-reporting programming, it’s Hirano going to the field for some of the same. It is really casual; the crew was about 7 people, including two camera peeps, a boom guy, and a bunch of girls who are, I guess, handlers and interpreters and whoever Hirano needs on location.

The crowd was pretty small; pretty much all kids until later on. A couple business types showed up so I didn’t feel so out of place. I think there were a bunch of kids who had to leave because of classes or something, so the delayed start thinned out a lot of people. That said, it’s Forbidden Planet, so by “a lot” it’s like just a dozen.

What did Hirano do? She did her half-scripted thing with the one clerk there, she asked some questions and 2-3 of the people in on the thing asked her some questions. Before that she was just looking and shopping and pointing at merch. There was this bigass Haruhi dakimakura right by the entrance to the anime/manga section (oh, right, this all took place on the second floor of FP, which is even smaller), I wonder why. Anyways, after the Q&A, we got friendly, took pictures, and she signed a few items before being ushered away. Oh, she also did like 4 different voices. I was holding back my urge to yell “Katja-sama!” but that’s probably the right thing to do. But if anyone cared, one of the four voices was Ms. “Give Me Blood” Pachira! Thar be otaku in our midst.

There’s a line about how it went down in terms of press and media. If there was anyone to blame, it was one of the guys who had the heads up on Hirano’s visit and tweeted about it. The next thing that happens is that the all-seeing tweetbot of Scott Green (of AICN/CR News) picked it up and retweeted it. It happened some time like 3pm on 5/11, but I didn’t notice it until I was reading my feed on 5/12, on my commute in. I think Jtor picked up the story for serious, and ANN got the full scope afterwards. Wonder who wrote it up for them…!

There’s also some back story that I overheard about Hirano’s low-profile visit. But surely, Japanese people read ANN. I guess it’s just the anime industry types…but that stuff cross-breeds on 2ch just the same. Uh. The back story has to do with stuff about the low-profile visit, so you can take a guess what I’m referring to.

===

The other thing I want to just blarb about is Anime Expo’s Hatsune Miku festival. Pound for pound, while Kalafina is pretty cool, Scandal over at Anaheim is probably a little more attractive. I happen to like Kalafina’s music more, but I’ve also seen them already. Now, this Vocaloid show? It’s, what, the third or fourth time we’ll see actual holographic projection for real? We as in, the world? I think this one is just a little more serious business, Toyota’s involvement notwithstanding. Plus, Sega is doing it!

And holograms don’t weight very much I think. Even if you throw in Len, Ren and Luka on top of Miku. [They also don’t take up space in the green room…hrm THE PERFECT AX GUEST LOLOLOL.]

It’s got a production committee behind it fer crying out loud. But with the behind-the-scenes works, it doesn’t surprise me.

As for the last bit on Miku and Toyota (for now), the WSJ blog post on it is as good as it gets to the bottom line. Ricers may not dig Corollas, but their girls and sisters might just have big dreams and compact dreams. (I’m sorry, I can’t help myself.)


Animelo Summer Live 2010, Finally

Ever since Animelo summer lives switched to the 2-day format, it takes some kind of planned approach to even watch the home video release. All is well, it takes a lot of effort to attend these things, so we homebodies are just getting a small taste!

Over 10 hours of anison artists parading themselves up and down Saitama Super Arena is probably noteworthy, I think, regardless of DVD or BD or Nico stream or actually being there or whatever. So here goes.

First off, this is the first time ever that if you pay the bucks to buy the release, you get all the footage. I don’t get why it took like 5 years for this to happen, because it seems kind of retarded. Yeah, maybe sometimes it just can’t be helped, but it’s money for the taking! Anyways, it’s a great thing, and I hope they can continue this next year.

Overall, I think day 1 is just better than day 2 in terms of average quality of acts, but it feels like day 2 acts probably have the larger fan populations. Since this is anison, I don’t think quality is something I’m going to be too concerned about anyways. And did I just insult everyone just now? Even if it’s not what I intended? Oh well.

As for special duets, I think 2010 is definitely on the weak side, although there were two good ones on day two: Get Wild and Unchain World. Day one was severely lacking, plus when Kurinoko stood in for the opening JamPro song on day one, it feels like we shouldn’t count that. I thought Aki Misato’s performance last year was the one to top, when it comes to JamPro collabs.

I’m going to approach this in a non-chronological order. You can get a better breakdown from elsewhere already, and you can always watch it yourself now that it’s well-distributed…

Minami Kuribayashi – I think lately she’s on a hot streak, but this took place right before that broke out. Pro. Regardless of your opinion on her bust size, she always dresses well. It’s a pretty good constant to have for day one. I think she’ll be fun to watch this summer in Anisama 2011.

Yuuka Nanri – Speaking of well-dressed, she was by far the best dressed singer on day one, if not both days. She’s a complete package: the look, the style, the voice, the type of music, plus seiyuu chops. She was slotted in a good spot during day one, when people are still fresh enough and not overly dazzled by all the acts yet, but warmed-up enough to welcome a pretty tight act. It’s perfect.

Jam Project – Their small set was also a tight act. Group karaoke was a good way to naturally “evolve” from their usual 10-minute-SKILL calls. I suppose “evolution” is a theme they thought up after all, so they follow it? I think the choice is good, too. Gong is awesome when taken slowly. Great way to end day 1.

Yukari Tamura – She’s one of those acts that I can’t take seriously, but when inserted into this omnibus format I think her stuff really shine. That cuteness stood out and I think the crowd calling wasn’t impacted by the fact that not all people are into her stuff. Otagei by and large is easy to follow along, right? Right? And I guess the same thousands of people who packs out her shows were obviously in force on day 2.

And, man, You & Me. LOL. Is that white strip on Motsu’s shirt a racing stripe?

Halko Momoi – Another day-2 act, she also stood out in terms of being weird, or cute, depends on how you look at it. I think there’s definitely some cross-pollination and marketing between her and Yukarin, but it’s the same schtik I guess. She played classics, which is probably suitable for this oft-repeated Animelo attendee. I think it’s good she preceded the weirdest visual act….

Ali Project – I think Arika takes the weirdest title again. It’s both classic and  new. I liked the song choices, and the motif is pretty awesome, much less weird than Ishikawa’s on Day 1, which also had samurai folks with swords, I guess. Historic …aristocrat?  just works better with those okama-types. But being the weirdest visual act I think her role in Anisama has always been the same, probably much like her fans. In other words, when you dress up as some kind of fusion geisha type and then wave at people with your katana, while singing something from Katanagatari, it might work.

Fripside – I think these guys may rank number two for weird, mainly for the magician acts. Yeah, throwing ears at the crowd. Yoshino Nanjou is cute in that outfit. Also makes me wonder if Qwaser will have an attach to Fripside… It would work. All in all it was an odd way to begin Day One.

Chiaki Ishikawa – Another improvement from previous year, her dress makes her looks 10 years younger. It’s like she took cues from Chihhi from last year. But her stuff is all about the composition and vocals, and no amounts of fabric can change that. Solid choices  for an otherwise uneventful year for her. Day 1.

Chihiro Yonekura – Also day 1. She looks much more like her age this year, and she sings the stuff you think of when her name gets mentioned anywhere. But the thing is, you know she can sing, and it’s just a matter of her singing something new, in order to have something new to sing? It’s just something she isn’t doing for whatever reason.

Which makes a lot of sense that she gets paired with Naomi Tamura. As much as seeing Naomi Tamura at Otakon was, I guess. The song is epic anison from the 90s, the only thing better would be a 3-way duet with Atsuko or medley into MKR OP3.

Lia – She’s pretty good contrast to Chihhi in that she’s also being mom-ish now, and her excellent English enunciation is like an UO in a dark room of Engrishness of Day One. But unlike Chihhi, she has new songs! And she sings old ones too. I definitely enjoy Lia a lot partly because recently I’ve been looping some of her older CDs, but she’s just another one of those singers that makes day one stand out more than day two IMO.

Perfect con guest, but probably nesting for the near future.

Elisa – Another day one guest, she is more a gag now than anything. Ok, she is also beautiful and sings pretty okay. So the humor thing is just another charm point to an otherwise competent but uninspiring artist. I wonder how they’ll do those Kaminomi songs this year, if they even do them.

Faylan – I think she single-handedly redeemed the first disc on day two. Last year she was pretty shakey, but showed a lot of promise. This year? She’s spot on and she has a pretty winsome smile. Probably the third most winsome on day two, which is no easy feat.

Nana Mizuki – The difference between the reigning Queen of Anison and her cohorts on Day 2 is less than one may imagine. But the overall impression is pretty awesome and very different, it’s like once everyone turns on their UOs, I get teleported back through time and space to some baseball stadium… But in essence, her act is not a huge leap forward compared to even Ayane’s.

The duet with Makkun is pretty awesome, as one would expect. Makkun’s outfit looks like something out of a K-ON music video, lol. Also, stick play is tricky! Minorin needs to learn a couple moves from them!

As far as duets go, Makkun is probably one of the best duet combo you could have since she’s insta-spot on for harmonization. You can tell this was not the case for Minorin x May’n’s on day two for Sousei no Aquarion, and despite the massive nostalgia value of Northern Lights, it was two good vocalists belting out karaoke; there’s not a lot of skills being played between them.

Minori Chihara – Porcelain-skinned Goddess is still white and smooth. At least she knows to pick the one song I actually like on day 2!

Motsu – Not a real act, but the encore is 100% better with him than without. I like how they play on this on day 2 with the lift intro and all.

Crush Tears – Yu’s best singing is during the encore. That says something. Well, apologies to Elisa, because this is a real gag, right? This is a cute addition to day two, but I think everyone was disappointed that Kobayashi wore pants. At least there was screaming.

Lisa & Marina – They’re suppose to be gags, but they’re both solid hitters in day one’s lineup. I think Lisa just sold a lot of CD that day. Too bad her first solo CD came out right at the same time as the BD/DVD for Anisama! Marina was slightly not what I was expecting, being the first time I saw her perform for reals, but she did good. Kind of like the bassist and guitarist that were with them. I really need to watch that live tour video…

The 3-way collab on Aoi Tada’s piece was great, because they probably all are better than she is?

May’n – So young and so pro! Second most winning smile. I think they gave her more face time this year, and she did a good job holding up the show for day two. Universal Bunny was somehow more interesting this time than the one time I saw it live. Interestingly she didn’t mention her US live when the MC turned international, where as Yukarin used that to talk about her Japan Expo live. Citizenship be damned.

KOTOKO – No longer so young but still pro, and it feels a bit out of place. But man, Kotoko slays. Kind of like hearing FJ last year. Totally a full-room-of-UO kind of performance. Except it’s kind of a cold showing. I don’t know why. Also, she wasn’t in on the encore for some reason, probably had to run!

Masaaki Endou – I was expecting him to go all out more and do something outrageous, but I guess this works for day 2. I think the Jam Pro solo stuff is more filler material, but I guess he and Makkun did have some activity outside the group.

Masami Okui – Well, you know how I feel about her. Which is to say, she is always awesome despite rapidly aging out of this segment, and maybe she should have a real act with the Anisama band, since that’s kind of how it works. Also noted how they even have the rights to show the Koihime Mousou clips during her song, lol.

Ayane – I was impressed, she reminded me of that generic, high-energy Elements Garden type sort of act. It’s nice. The duet was a lot of fun, but nothing really memorable for me, a non-fan of sorts. Good job with the dance choreography. It may feel jaded, but I rather liked her act. In a way it reminds me of Yui Sakakibara’s thing from last year.

Milky Holmes – Fun group, but probably better live than on video. They’re the deers-in-headlights group for day two.

SPHERE – These girls are the deers-in-headlights group for day one. I’m not sure how they feel, but I was happy that they got 3 songs. NowSka is always a pleasant experience. Too bad behind the scenes cut out all their stuff :( On the other hand, Milky Holmes puts these girls to utter shame in terms of their dancing abilities.

Milktub – Nice hat, I like the songs from 2011 more than 2010, so looking forward to that. An unremarkable day two guest, but one on the rise.

The duet, as I mentioned before, was a great choice and matches YUFFY very well. Milktub was just hitting it straight though.

Psychic Lover – Wow, that Shinkenger song is pretty awesome. Too bad I feel sorry for him on video, sweating and exhausted after that! Day 2 jammers gonna jam, I guess.

Angela – I always liked them, and I probably could chart how I feel about them over the years and it would come out like a sine wave. That said, 2010 was a good year for their songs, and it helped that I trucked through the anime attached to them. Aoi Haru is awesome, and it’s actually not as hard to sing as you’d imagine. But doing it at anisama? Priceless. I enjoyed Alternative too, with the weird outfit Atsuko’s got on.

Naozomi Takahashi – I was doing the dishes. It’s not bad though. Good day one choice, because I think the cool dudes were largely on day 2.

Kanako Itou – She still looks freaky, but somehow she looks freaky even among a cast of weirdly-decked-out performers. Thankfully she’s pretty good at singing. Certainly upping the weird quotient for day one. Or is it upping the number of female performers that hunches over and swayed a lot? I think that’s what’s freaky about her more than her outfit or hair. She gets really intense-looking and it’s like o.O

nomico & Masayoshi Minoshima – Bad Apple is bad ass, I think the whole “NND meme” thing is in play. But it sure is interesting to see some internet person sing the thing in the flesh. She’s not bad at it either. Another little perk to make day 1 over day 2… Plus, nomico’s line during the encore was cute.

GOMBAND – Definitely the worst act for day one. Or may be they are the second set of deers-in-headlight for the day? Musically they’re okay I guess, but they feel too much like someone popped out of some cohesive marketing scheme to make a bunch of journeymen do silly stuff.

Granrodeo – Rose-hip Bullet is pretty catchy, but I want my Psychic Lover plz. These guys are not bad, just not my thing. I guess it had to do for day one.

Some final thoughts.

I think Anisama lives are hitting a turning point. The 3 spin-off events–Shanghai and the two Girls Night shows–are clearly where they want to go next in terms of moving things onward and growing the fan base. I think it’s the right direction, but I don’t know if it will be able to overcome some of the obvious logistical and financial difficulties to hoist this ever-larger festival onward to an even larger future. From what I can tell the GN and oversea shows are pretty successful, so at least to the larger market in East Asia and around the Pacific Rim, there’s hope for more cool stuff like this.

But there are other ways for Animelo evolve. It was always a premium stage for new and smaller acts. I think it’s doing that even better this year, among the likes of Faylan, LiSA, and even May’n and others. That’s good. What I want to see even more is the meme-farming that has been happening every year, where somehow, one of Nico’s largest act show up one time a year. I think we can expand that. We can also expand the line-up to have more fresh blood. I think that % is the lowest this year versus prior years.

Also, it needs more seiyuu ensembles. I thought the Zetsubo Sensei act was one of the best things to roll around Animelo since forever, and more of them would be welcomed.

Totally looking forward to Anisama 2011!


JamPro Symphonic Is What Again?

What is this, I don’t even…

[youtube http://www.youtube.com/watch?v=y1nCo-cMhIk&w=400&h=244]

Okay, where do I put my money, you social-media-sharing bastards from Japan? No, not just the music, I want the video–that video someone from Lantis obviously leaked on to the internet to promo the CD that’s coming out. Plus, where’s all the solos?