With Spring anime almost over it’s time to look at the Summer cour offerings. So then I learned about Oosuki Mamako and her son, Oosuki Masato, from the light-novel-turn-anime title Do You Love Your Mom and Her Two-Hit Multi-Target Attacks? In Japanese it’s 通常攻撃が全体攻撃で二回攻撃のお母さんは好きですか? I think both names give me the same kind of headache. I should say all 4 names, eh.
This Spring season is featuring two series with interesting names. And let’s be clear, anime with interesting names for characters are not unusual. There are usually at least one per cour. In Bocchi, the characters are all plays on their character archetypes. They go in as far as making them not just jokes themselves but also deep introspective points.
In Joshikausei, the main character is named Futo Momoko. I was going to crown this one winner of lol names category in Year In Review 2019 already.
Well, names of the characters are really important for anyone writing fiction. This is a kinda-universal thing that I learned, from classic British lit to folklore in China to light novel and video games. I don’t think you can put too much emphasis on how things are named, even though at times they aren’t significant either.
The joke names, though, reflects an attitude of these narrative. They are comedies. And we need more comedies in our lives, especially ones based on fiction. It feels mainstream entertainment tend to veer nonfiction for humor and fiction for the serious. Anime feels a strong buckling of this trend. Like, Bocchi deals with some serious issues and is generally a very sincere story, but it’s a comedy.
Sometimes, the name of the character is like the opening animation for the anime. You get it even in the opening animation, even. It’s what you see first about somebody. It help sets the viewer’s or reader’s expectation. And sometimes you really wonder what to expect from a title and characters like those from Okasuki [#お母好き].
Just because an idol group ended, it doesn’t mean the fandom stops. That’s super true when the idol group really wasn’t an idol group–they are simply assassins, adventurers, and aberrants that were hired to be a party, and that gig is now over. Now they’re back at work simply being assassins, adventurers and aberrants. Also, when the group exploded like a supernova ramping up to the final live, WUG!’s life as a star kind of ended but it made the loudest bang it ever did in its short life. As a result I think it’s worth mulling over some of the music, maybe you might find something.
Personally though, I’ve been listening to a lot of WUG music just the past 12+ months, actually since March 2018. It’s about a year since that tearful day when the Final Tour was announced and the associated disbanding announcement, but forget about that. I’m just trying to write down what I’m thinking after grinding on WUG music for a while. The purpose of this post is largely me just rambling about songs, yes.
(Before I get started, just limiting to WUGchan songs that they have performed. Not including non-WUGchan solos here to keep things manageable.)
Intro tier: Do these only if you specifically want to. Moreover, I’m not listing every WUG song in this list, so you can consider those also in the “don’t do except if you want to” category…just not intro tier. Like you can do HIGAWARI Princess for the idols you love or their solo event solos…that’s fine obviously. Well I’ll call the ones I know out in the list. But I wouldn’t need to tell you that if you know about them.
7 Girls War
Tachiagare – This song is quite special to me now, and I imagine that is true for most WUGners too, so when folks casually do this song as a chika idol cover or at anikura I might cringe. It doesn’t bother me so much anymore, but just a PSA: Think twice before doing it. This tier list should help with it. I won’t tell you to stop either if you wanna. Go right ahead, and thank you for showing WUG some love.
One in a Billion – Great song with May’n Tie-in and it’s one of their better-known tie-ins, even if the anime is not the kind that will have hardcore fans. A lot of people heard and loved this song (if sales ranking meant anything). The joke was, as the one WUG (well WUM) song not sold by Avex, it outsold all the other WUG tie-ins at that time. Anyways, people know this song, for whatever the reason.
One step up: Good representative songs, and at least shows you know more than just the OP/ED.
Gokujou Smile – This ought to be THE go-to song for people who wanna tribute WUG. It’s their most fun song and the lyrics are pretty amusing. The calls are the best, though. It’s got everything you want. Also see my prior write-ups.
Sugao de Kiss Me – This song is actually a ton of fun for anikura (the hipster kind). (Use April Fools version for the non-hipster kind at your own risk.)
Suki no Skill – The tie-ins from 2016-2018 were all quite good. People might know this song, and as anikura DJ you can point to them and say “these are otaku that appreciate late night isekai light novel adaptations.”
Koi de Ai de Bokun desu – See above, but it’s a dumb manga adaptation that is far less popular for some reason. This is also the secret Yoppi oshi song. In this point in time there might be more Yoppi oshi than fans of Renai Boukun. Sorry Guri.
Beyond the Bottom – A powerful song no matter who you are, where you are, and how you feel, and it goes beyond the fandom gates.
16-sai no Agape – I don’t know where this really should go, so here it is. It’s the derpy idol song for girl idol units, but at this point it is salve.
Shoujo Koukyoukyoku – This is more “Appreciator tier” (see below) but I think a lot more people know this song from the WUG movies. And it’s really an enchanting song that will forever prime my emotions due to how strongly I now associate it with WUG Final Tour, so I just had to say that.
Jera – This is the one cool I-1 song that WUGs would do and people would die if people would look in their old footage.
Little Challenger – This is a fun song that really captures that early WUG energy and some pure idol fun. Kind of like 16-sai but more anime.
WUG ZOO ZOO
WUG Appreciator tier: The good stuff people find out by farming WUG’s catalog more. And we come to the reason for this post:
7 Senses – It’s a song that is only good because it grew on you, LOL.
Chikatetsu Labyrinth – I did not really understand or appreciate this song until WUG Tour Final. It’s a powerful tune with different genres in it, different rhythms, and styles. That brass section gives it a mainstream feel without feeling too forced. The way they ended that in Final part 3 was some really powerful entertainment.
Jewelry Wonderland – This song is solid all around. It’s got a melodious progression to it that makes it hard to dislike despite the choice of how some of the instruments that were arranged. It sticks in your mind but doesn’t worm, and overall just very good composition.
Polaris – It’s a simple song that makes us cry.
outlander rhapsody – After dragons were slain in WUG Final Tour part 2 I think people opened their eyes finally as to how this song could go…
SHIFT – Similarly, this song is just very good because it is another showtunes-y and not-very-idol-y track that gives WUGs some range. The routine, song and dance aside, it’s just a well put-together kind of a fair (reminds me a bit of Chikatetsu actually). Really wows. And it sits a bit in languish as a c/w to Suki no Skill. Too new to be picked up and during a time when WUG was struggling a bit.
Bokura no Frontier – Great song, great vocals. It’s the overshadowed tie-in among the other hits but it’s probably my favorite in that batch…it’s the most representative MONACA x WAKE UP, GIRLS! song in my mind.
Heartline – Putting aside what happened to this song in Sendai for Final Tour, this song is just a charming tune that should get more play. The calls are fun by default, and also for furicopy.
Seventeen Crisis – It really pairs well with Platinum Sunrise but this song has the power to bring down the house, just it’s so rarely played up as such. Such a waste.
Shirt and Blouse – For OG WUGners.
Tight Rope Runway – I am thinking only I appreciate this song LOL. It’s got a more barebones arrangement that makes it kind of EDM-y in that 90s style.
Beyond the borderline: special songs because they were special and not as much because they are good, or just outright no bueno for other reasons. Or other special exceptions.
Sayonara no Parade – LOLOLOL
Doyoubi no Flight – LOLOL it’s not that bad. But kind of a downer like the other new songs from Final.
Kotoba no Kessho – Yeah….downer a bit?
Umi soshite shattaa-dori – LOLOLOL
Sakurairo Crescendo – Shoutout to Sendai and Airi. What a wonderful little piece she’s got for a solo. Do this only if you really, really mean it.
TUNAGO – LOLOLOL
Taiyou iwaku moeyo kaosu – Please use the original version unless you want to rep Myu or something LOLOL
Any WUGners out there, want to add anything? Comments are all yours.
I have dozens of takes on this, hear me out. It’s all I could think about lately. And it has been 2 months. Not all the takes are sane, or fit for posting here, so they aren’t. A few made it. And I do get to talk about the live itself. I do get there. Trust me. This post isn’t even 5000 words!
It occured to me, repeatedly, that there are 3 baseball anime this season and I’m also watching the MLB as per the past, uh, decade. It’s still April so nothing really newsworthy other than Ichiro’s retirement game and how it was done in Tokyo Dome. It was a bit surreal because the news was all over social media and I also had to hear my big boss talk about it in a company meeting. That was fun. Anyways, IMHO baseball anime is also fun.
I really enjoyed Cross Games, which is my only personal connection to Adachi’s brand of baseball. Maybe that’s for the best–I’m not sure if I can stomach his other works (like Touch namely). I’m willing to give Mix a try, especially if I had some easy way to stream it.
But I’m continuing on the Ace of Diamond series now that it has resumed again. I think it is still the best baseball anime that balances reality with the dramatic overall. Oofuri, as much as I loved that, is probably too real and too boring for most sports-anime types.
And yeah, baseball is kind of boring! Oofuri deserves mad props to incorporate that aspect into your story, while still maintain some excitement to make the story not suck.
I realize the amazing thing about these 3 baseball anime this Spring is not just that there are 3, baseball anime this spring. The amazing thing is how different all of them are at tackling this genre. Hachigatsu no Cinderella Nine (HachiNai or Hachi9 or 89) is your standard group-gathering of cute, school-age anime girls building out a baseball club of legends. It comes from the root of a media-mixed, gacha-based freemium mobile game, so the expectation is very character-driven. That just means each of them will be really quirky and easy to remember.
And media mix as in, there’s a 4-koma manga by bkub and a proper manga adaptation I think…? What I loved about the Hachinai game (that got me playing a couple years(???!!) ago) was how the game visuals and designs were extremely “up my alley” in that soft pencil, sweat-drenched youth style (sup Oofuri) complete with materialization of hopes and dreams in sparkles and silly motion-comic dialogs that I always hit skip on. I mean the gacha animation is 2d anime of the protagonist running after a sparkle (and depending if you got a SR or SSR, the sun would set or turn night!!) which she jump-grabs by the fist. It sums up the concept so well.
The story mode for the game features a series of minigames that “produces’ the team through a set of time-specified training tasks (think: WING in Shinymas) in which you can grind mats to level up your guys, and/or beat the competition in the tournament. The baseball game itself is more like a statistical display than an actual game. As you would imagine, most of the baseball coaching and management is dealing with “cards” that you level up and otherwise make more powerful, your deck being the bench slots and batting order of a baseball team.
So far the anime is too preoccupied to not self-destruct to carry forward with all that tender loving sakuga so I am a little disappointed. In exchange, all the cool animation from the trailer and OP and the series so far has made it back into the game, so that’s a nice touch. Also a nice touch is hearing the voice acting cast doing it anime-style. This is a shock in that there are some very new seiyuu mixed in there with some experienced newish seiyuu (is Hanabe new still?) which makes for a delightful, if jarring, experience. Man I need to get used to Karaage sounding so high pitched.
Yeah Hachinai is the odd one out. Well, maybe Adachi’s comic adaptation is not so different than Terajima’s Ace of Diamond, but in my mind one is actually about baseball, the other is a lot more about soft aspects of the sport, like an ESPN 30-for-30. And then you have this thing that’s arguably not even about baseball in that standard postmodern sense. Well, it’s more about that brand of Koshien-tinted, romantic reminenence to high school sports than baseball, at least. So I think it’s not too unlike Mix even, if you can see past the plot device.
I’m watching all 3, or will try. Two of them are on CR so it’s business as usual but it will be trying to follow Mix, especially if it doesn’t grab me strongly at first (but this is Adachi…so if it doesn’t, it’s not without trying).
PS. Just some random notes:
There are 4 WUGchans in Hachinai, hopefully we’ll see at least two if not all of them. Most of the usual seiyuu baseball people are in this game, for those who follow the HRr mainline and spin-off events/shows.
By the way there was a free 10-draw campaign in Hachinai to coincide with the first week of the anime release, and I pulled Myu’s character’s SSR during it. While watching the anime. The anime is a good way to remind me to play this game (as I have neglected it most of the time).
Nonchan voiced one of the little boys in episode 2, which is cool.
ChikuwaP is still doing the player announcement for Dia no A, and Mako’s jelly tweet for that after the last event was lol. I mean, I understand where she’s coming from. Baseball seiyuu dream gig would be announcing at Koshien, yeah? BTW during her anniversary event last weekend she did the beer pour from a backpack keg! Another cool thing I want to see more of re: JP baseball culture.
PPS. Oh, right, I wrote this post after reading this and forgot the riposte. I quote:
Unlike Mix, where baseball has been a part of the characters’ lives for a long time, Hachigatsu no Cinderella Nine features mostly neophytes, at least in terms of skill level.
What a load of bollocks. Did you even pay attention to episode 2? At least 2 of our core 4 characters grew up with baseball. Actually 3 out of 5. OK fine Mix it’s 100% but I think you meant to say that there’s a clear difference between living with baseball and actually playing it? Actually, isn’t that entirely the heart of the matter, mister media critic? I think this is a critical failure in wording.
With the last of the Sendai stop in the rear mirror, the seiyuu-idol unit Wake Up, Girls! is only one more live away from disbandment. I’m just trying to grapple with it the best I can as a fan of WUG who has now attended the last few shows in Sendai.
As to how we got here, let’s just say in Japanese popular entertainment, idol groups are common and idols of this variety come and go just like how their next-door-girl charms can be found, well, next door. There are a lot of reasons behind why a media-mix idol project that is about to hit its 6th year in existence would stop, too, despite selling out their largest venue thus far (Saitama Super Arena for their final live). But this is not that post. This post is about me, and WUGchans, damn it.
As a fan who started to follow WUG before the term WUGner became official I think there is something about following the group from cradle to the grave. I still remember reading ANN articles on Yamakan’s search for talent nationwide. I remember how in Jan/Feb 2014, while attending the big IDOLM@STER MOIW 2014 concert and on that trip to Japan, we tried and failed to go see WUGchans at a theater greeting, showcasing the first WUG movie. A friend and I were browsing K-Books and saw a signed poster from WUGchans going for over a man, left the aisle and then came back, and someone had already taken it from the shelf. The tinge of regret from that event lives on even today, even if both of us have gotten several signed goods since.
To be fair I didn’t quite consider myself as a WUGner until later in the year–more like just a typical seibuta who is into voice actresses and eventing. Well, I am always that I suppose. It was not until, at least, Chicago, when I first met the WUGchans at Anime Central 2014, that I consider myself fan enough to call myself one. (But then again, I had to be a fan to even fly to Chicago to see them in the first place.) As I would say now, I went to Acen that year to pick an oshimen. From watching the first TV anime as it was airing in winter of 2014 as well as other footage online, Miyu seemed to be the right fit for me. But having seen them in person then only further confirmed Miyu for me, despite how cute and appealing the others also were. I guess I’m not that big of a seibuta after all.
I still remember first seeing them while waiting to go into the opening ceremony at Acen. We were just chatting in front of the entrance when Hiro, Yamakan and four(?) of the seven walked right in. We waved at them. It was Airi, MayuC, Minami and Yoppi. Actually memory is now sufficiently fuzzy that I don’t remember or am misremembering these details. I still remember MayuC’s expression when I first saw her, though. It’s not too different than what you would expect of a typical Japanese young person walking around, lol, Anime Central, in her first trip to the mainland USA.
[That first Anime Central was quite instructive in a number of ways. One thing that came up repeatedly is different close encounters with these 81Produce seiyuu at various events. I’m sure some of you have heard of the stories coming from Machi Asobi, but we had the same at Anime Central already, plus AX 2017, and elsewhere. It seems like these seiyuu are more next door-y idols in more than just the figurative speech kind of way.]
Fast forward to 2019, things have changed, but only by a bit. MayuC remains the same person that we saw then. She’s like that timid but very brave-minded woman with a wild streak, but also who now has the confidence to show it off. I too have changed: from “I don’t like the WUGchans that much” to “WUGchans ga dai daisuki da!”