Category Archives: Ore no Imouto ga Konna ni Kawaii Wake ga Nai

Year in Review: Team Iri Wear Pants – Comedy Reigns in 2011

If Mawaru Penguindrum can be explained by the transfer of fates via the vehicle of an allegorical apple, then Fate/Zero can be explained by the wearing and ownership of pants. The idea here is that, well, what did Rider work to get? What did Saber wear? What did Iri wear? In Urobuchi’s world, people wear pants. I mean that is typically what happens during winter in Japan anyway. Without spoiling it for you, the winner of the Holy Grail War this time also wear pants. All who survived as participants wore pants. Pants is clearly necessary for survival in the Holy Grail War.


I’m going to say that 2011 is the return of the comedy. There were a lot of funny shows in 2010, but it feels like the funnies have for the most part stayed for the year as well. What is notable is seeing more of it in serious shows. I think if OreTsuba can bust my guts laughing, anything can. The potential is there.

I mean, talking about Mawaru Penguindrum again, was it funny? It isn’t epic funny like those Nanami episodes in Utena, but there were good chuckles all along the way. And man, Ringo. Ringo!

I watched Nichijou and Sket-Dance this year, so that may have skewed things. I think Hanasaku Iroha sometimes is really funny, although I don’t think some of those instances were intentional.

Working!! returned, which is usually solid for a few laughs. Bakatest, too, had some really big ones, despite season 2’s more somber tone. Squid Girl S2 also was solid, again. Majikoi and Horizon had laughs, and the latter is as serious as Fate/Zero is. Haganai, for the most part, was still funny. Oh wait, I’m suppose to laugh at the manual stereo mage orbit talk was I?

R-15 was pretty funny, despite being more hetare-funny half the time. Twin Angel was all hetare-funny all the time (but it wasn’t THAT funny unfortunately). Yuruyuri had a couple gut-busters, which is pretty surprising. And in 2011 we learned the true meaning of being a mage.

Going back to the start of the year, we did have Mitsudomoe S2 (which was pretty funny for the most part). OreImo True End was funny enough. Level-E was epic. And, well, there was Qwaser S2.

Looking back I think I ended up watching more comedies this year than what is fairly represented, but that is probably because they didn’t suck, like, say, in 2009.


This year I read both the fan-translated Kara no Kyoukai series and fan-translated Fate/Zero series. They are available here and here, respectively.

As a result, over large stretches of 2011 my mind is full of Type-Moon-ness. It is like a keg of kerosene to react to some spark from Type-Moon. But Fate/Zero isn’t that spark.

Carnival Phantasm is that spark that blew my mind. I’m not too sure what to make of it besides that I have to fight that urge to import the whole thing. Because it doesn’t seem to make sense especially since I missed the boat on all that Take-Moon stuff way back when. I mean this is before Fate/Zero, sorta, and Fate/Zero’s been around the block once or twice already.

There is so much that goes on in that show. The visuals are engrossing and varied. It is funny. What the hell is going on? I don’t know. Does it matter? Not really.

The only regret left is that Fate/Zero content is not represented in Take-Moon, and thus missing in Carnival Phantasm. I mean, take a look at this to get an idea.

PS. #cp_dateall ftw.


That Anime Character Contest I Get Involved in Every Year…

I have been running a little game over at Megatokyo forums (LOL) for the past few years. Few refers to some number I lost track of, but probably greater than 5. This year, for a change, I wasn’t running the game. But somehow I am now, again.

Long story short,  you get a forum account, you find a poll that has the person(s) you like, and you vote for that person. There’s a schedule of when things happen, and there is a bracket prediction contest in which the winner gets a box of random junk from me and several other people who have stuff to give away. In years past it consists of mostly DVDs, CDs, figures, books of all kinds, stationary, and what weird things you may find in your daily CD Japan email subscription for their goods store. In years past I mail the thing on my own dime, but only as far as Romania. Or was it in some Latin American nation? My geography is not so good. Of course others contributed to the pot via helping out on shipping.

The final round ends in another day or two, and it boils down to Kuroneko versus Homura. I think Kuroneko also headlines Japanator’s “saimoe” contest. That one has a sample size not too different than the one I’m running, maybe 10-15% fewer voters show up there.

I think that is probably going to be a good indicator of Korea’s Best Moe. How will 2ch’s annual Saimoe unfold, that’ll be hard to tell. But I think Homura and Kuroneko are both going to be forerunners, and Kanade will also make a strong show. What are some other “big” polls running out there along the same rules? AnimeSuki does one too, right? And I kind of ignore ISML just because it runs on for way too long and requires too much book keeping.

Personally Ruri Gokou may be the first pure otaku type that I liked since…may be as far back since Hikaru Amano. Man, that’s a long streak. I don’t know how I was largely immune to the girls’ charms from Genshiken, but I was. I typically dislike those otaku-type characters, too. Maybe for once, snark is being done right.