Category Archives: Fate

Summer 2017 Anime

Just to recap, on the first day of Autumn?

Re:Creators – A lot of this story is fun and enjoyable, but it also kind of rubs me in a wrong way? Hard to explain. But I think Aoki’s direction is quite compelling so I’m sticking with it even if it turns into Aldnoah Zero again. I’m a bit behind on this one. For some reason I skipped the seiyuu/recap episode, and I should go watch that ep because, after all, it’s a fourth wall thing with seiyuu! I am kind of over the whole aspect of this story being a dumb fanfic, so I’m ready to enjoy it, but the story is now a bit slowed down since the first half.

Fate/Apocrypha – Pretty fights but overall dull. Coincidentally this is just how Fate Grand Order is, LOL. (Psst go play Magireco it’s way better in every dimension.) I’m also quite behind here so I’ll need to catch up.

Gamers – Not sure if this is fun because of relationships or because of games. I guess, like New Game, I dig the style. It has a pretty tiresome romantic thing going that eventually sheds the video game thing and just deals with low-esteem introverts and obviously low-esteem extroverts not being extroverted enough. Hoshinomori is great, I dig her a lot, possibly because she’s kind of the third wheel thing. Thematically speaking, Gamers is interesting in that it focuses on the divides between hobby, friendship, and romance, but I feel it’s not really poised to go home on that front.

New Game – It was a little slow going into the second season but it was fun seeing the, uh, employee mobility within this company. The new characters brought the drama but they were slowly growing on me as well. Kind of sad the new ED was not as design-y as the first ED, but ah well. In a way the assets in New Game surpass New Game anime itself…

Knight’s & Magic – Fun little show about the meta driving the present in a way that makes science fiction fun. But it’s trapped in an isekai shell that at least doesn’t get in the way. I hear the anime keeps to the good parts of the books, so there’s also that. I will miss this one, just because the anime packaging is so tight, for the most part.

A Centaur’s Life – To me this show is the winner of this season, it wraps around some of the same issues other shows this seasons dealt with, but in a way that suited my tastes the most. If anything, sometimes it feels like an American sitcom, which is probably not the best thing in this context. I do like how it takes on some plain philosophical questions, not as core, but as extra bonus.

Classroom of the Elite – I feel the draw of Yojitzu, besides fanservice and crazy characters, is the mystery element. The actual educational system and the plot are kind of drab, and frankly the pace of the anime is too slow. If it wanted to make comments on human conditions or Japan’s societal issues, there are better way to do so. Well, in its own way, it is a story about high school kids doing high school kids things, so it can be endearing on those fronts.

In Another World with My Smartphone – It’s Aho Girl or this, I went with this, now I feel kind of bad. At the same time, this is the kind of show you don’t need to check your brain at the door to enjoy, because you need it to understand how bad it is, and derive enjoyment from the badness of this show. And by bad I mean it’s just a poor production. The fluffy, softcore fantasy aspects of the story is enjoyable if you let yourself enjoy it, I guess. Despite having a lot of opportunity to play the smartphone joke up, it refrained from doing so.

Aho Girl – It’s dumb. I enjoy it to a degree but I couldn’t finish it–I wish the dosage is smaller.

Tsuredure Children – The Tsuredure Children are all right. It’s perfect because it’s  just all what’s good about romance anime boiled down and condensed. I feel that really added to the comedic effect of the series.

Sakura Quest – Long trek completed. I enjoyed it a lot, although it was more a slow burn than any great heights or valleys. I think the 2 best parts of the inaka experience are the sceneries and the people, but short of the former because your countryside is boring, then it’s the latter carrying the show. If anything Sakura Quest is stocked full of weirdos and fun people, in a normal folks are never really that normal kind of way. You can see it even in the way Sakura Quest credits itself with the storywriting by its own character.

Tenshi no 3P – Lolicons ahoy. I enjoy the music aspect of this enough. The story is even more soft pitch than Isekai Smartphone, although arguably it has an edge because they do play the lolicon jokes and threaten viewers with loli fanservice. Goes to show that among otaku, lolicons are not even the worst!

Magic Circle Guru Guru – Dragon Quest inspired cartoon is actually great. I am in the middle of it, but will catch up.

Restaurant to Another World – This is one of my top watching of the week, which I follow as soon as the new ep is out (Knight’s & Magic is the other). I dig that opening song. The story is healing and the food is delicious-looking. If there is a minus it’s that for a non-Japanese eater the food selection is kind of keks at times, and you will be teased by this show into wanting to eat what they’re eating.

Princess Principal – This is oddly fun, but I feel this is also a bit too wishfully fancy. I’m quite a few eps behind so hopefully I can catch up.

Welcome to the Ballroom – It’s just OK to me, but the animation is delightful to watch. I guess I’m a little fatigued by the character composition and the way how they are used in the plot. It’s kind of formulaic in that it tries hard to do its own thing, but I don’t want that familiarity it tosses to the viewers as a guide.

My GF is a Gal – This is kind of fun, a simple-minded but honest fanservice anime. It kind of played too close to textbook towards the end, for better (because it avoided being even more misogynist) or for worse (because it got real dumb fast). Towards the end, I’m not sure if it’s just a production thing or they decided to give the larger boobs minds of their own. It got kinda puri puri in terms of physics?

Still in the middle of PriPri Chiichan.

I’m holding onto Made in Abyss for a marathon, hopefully on my trip to Hotch Potch?

PS. That Nora Stray Cat anime short…has a whole episode (#6) where they showed footages of goats grazing, and the voice actresses dub over it. On a related note–that it’s not exactly anime–I’m still watching Agent Hazap, it’s worth it for the intelligence.

PPS. I didn’t mention much that I dropped, other than Aho Girl. I guess the Reflection counts? It’s the kind of show I’d watch 15+ years ago, because it’s kind of intriguing despite the other shortcomings.


Year in Review 2016: N-listing

I’m putting this out first because the other post can stand by itself, introspection or not. Hey, it’s not March yet.

Continue reading


Year In Review 2014: N-Listing

Just trucking along. Happy 2015 guys. Still celebrating Christmas for 12 days right?

Continue reading


Some Summer 2013 Season Thoughts

Shoot first ask questions later style post.

Honoka Mutsu

I generally like Servant x Service. I think in a lot of ways it is an improvement over Working, but it lacks magnetic characters. I think taking on adult sensibilities gives it a new flavor but at the same time brings too much into play that shaves away the charm of a simpler punchline and makes it harder to embrace. “It” here being both the jokes and characters.

I think Silver Spoon anime comes across just a little heavy handed, but at the same time that’s probably necessary to drive the deeper points of the story. I’m not sure how the manga handles it, but this Silver Spoon feels like it is a pretty deep work. I also think that this could have been a very cultural-specific sort of a thing, but the saving grace is that processing basic raw ingredients in agriculture isn’t so different this day and age, across different countries, thanks to scientific advancements. In other words, the core message is somewhat universal, and moreover a lot of them don’t have anything to do with agriculture. The pizza episode was a great example of a modern day stone soup story and it definitely was the best one out of them all.

Out of all the shows I couldn’t make it out of episode 3, I’m most intrigued by Kaminai and Monogatari series. I’m pretty sure I will catch up on the latter series.

I really enjoyed Tamayura ~More Aggressive~ episode 6 and 7. In the end of 7 Potte took a photo of the fireworks and the backs of her friends. What ISO was that film? Did she change it from her camera at some point after the competition? That said I’m kind of behind so hopefully I’ll get to catch up in the coming week.

MJPR ending was a sea of flags. I mean, it totally pulled an Evangelion in terms of the joke flags. Too bad the story came across as too simple, for me. It’s like a Hollywood cliche. Doesn’t mean it wasn’t executed well enough to be enjoyable. It was enjoyable, for sure, but a little too shallow for my tastes.

The two Oonuma Shin series were a riot to watch. Good for him. They executed well, and despite the obvious and usual resource-saving techniques used everywhere, Illya delivered all that action and Watamote was a very clever show. They exceeded expectation in a good way, but that forces me to examine my expectations for Watamote and Prisma Illya to begin with–admitted they were somewhat low. Still there were some obvious bright spots in both shows. Izumi Kitta simply was perfect as Tomoko. Besides the convincing action scenes of Illya, Mai Kadowaki by now has a ton of Illya speaking time, so she wears that role like a comfy sweater.

Compared to her performance in Genei Taiyou, at least, Ilya was simply delightful. It’s not to say Day Break Illusion would’ve been helped by that, but in the end it was a weird way to highlight how different the two magical girls show were. The weird thing is, as bad as Genei was, it still had a lot of good points to it. Otaku media, I guess.

Titan and Railgun remain as the two top least serious business anime on my watch list. Especially Railgun. I see people taking it seriously all the time, though… I don’t get how people can do this without making a fool out of themselves.

Free is a fun watch on its own merits. The manservice for the most part can be side-stepped easily. I don’t think the rest of the show is really that noteworthy–about on par with Tamako Market I guess. My complaints still stand, but the animation and story is enough to keep my attention.

Kaminomi is also a lot of fun, as a non-manga reader. It’s not often you hear Asumin and Ayachi in roles like these. This third season of Kaminomi changes the gambit of the show for me–my favorite episodes in the last 2 seasons were the filler ones. By pumping the plot forward like season 3 they removed some of my complaints about the forced pacing, but it also took those charming down-time moments away. I guess I can’t say I like it, but it certainly can be a lot worse.

Eccentric Family is my top show this season and easily a top 5 candidate for 2013. No need to waste my breath at this stage, lots of other people are doing it. I’ll take my time to think about it…

The surprise hit this season is actually Love Lab. I really dig the way it gives a normal girls-be-girls kind of a setup, a backbone. It also has boys. It’s overall just delightful. If anything it could be funnier.

Genshiken Niidaime is as good as I expected to be, which is a high bar to clear. It’s still one of the best meta anime out there in recent memory. But because I expected this, it’s not particularly delightful since it can’t quite surprise me. Even if I have the manga and have been saving it until I’m done with this anime. I really enjoy some of the cross-cultural jokes especially.

Well, I probably should watch K3 before making those claims about Genshiken. I saw some cool caps from that show. But it doesn’t distinguish itself beyond the really nonsense stuff. Is this show any better than Kinmoza?

C3-bu, on the other hand, is a big surprise  in a different way. I also really enjoyed it but I had a hard time talking to people about it because following that show on CR is basically following it a week behind. It comes out on Mondays and the new episode airs Thursday–given how busy I was this summer I basically end up watching the episode usually on the weekend, Thursdays being the earliest. Sorry Crunchyroll, please never do this.

As for the show itself, in a way I like how it approaches the pathos from the “negative” side of things. You can state the problem in a negative way or a positive way, and the solution would feel very different depending on how you approached it. I think it’s a great litmus test. I also love how it gives Yura all these “reality marble” sort of way to show whatever it is C3-bu was trying to get across. Anime no Chikara yo. In a lot of ways this is a great show, in the way that, for example, MJPR fails to achieve.

I thought I would be all over Kinmoza, but this show didn’t have a higher gear to kick in to so it lost against the other shows of this season for my viewing time. It’s like I need to save certain times of the day when I am awake enough to take in these low-tension shows like Tamayura and Uchouten Kazoku (at least earlier on) to enjoy them fully, bumping out shows like Kinmoza and K3.

Gatchaman Crowds is the odd ball of the season. I guess that is only expected given that it is a Kenji Nakamura anime. However it is also a pretty fun show carrying the same kind of weirdo-yet-progressive ideas Nakamura has been sprouting. Whoever lets him have the freedom to make weird shows like this, God bless you and I hope you keep doing it for another 50 years.

Anyways, Gatchaman Crowds is also kind of the show that could “go wrong” really easily. It’s like Fractale, basically, that if the execution dropped something important, it’ll lose all credibility. I guess we have one more week to find out.

If there is one guilty pleasure this season for me, that would be Ro-kyu-bu SS. SHOW YOU GUTS COOL SAY WHAT saikou daze. No, more like because it is a koushien story after all. Kanae Itou is being her usual self in that show too, which is something getting rarer by the season. I also have to say it has a weird effect watching this right before/after MJPR. Iguchi!

I’m going to marathon Rozen Maiden…from episode 6. It’s fun. But probably less fun than marathoning Senyuu and Teekyuu back to back. Or interweaved. Which is something I’ll have to do too.

Bonus round:

  • Favorite OP: Servant x Service. However C3-bu’s final sequence is woaaah moeeeee. Also, kz song is so kz.
  • Favorite ED: Drowning in saudade in fhana’s Che Sera Sera, although I will reserve 10% for LOLI LOLI GROWING, whatever that means.
  • Most surprisingly good: C3-bu
  • Most surprisingly bad: MJPR
  • Funniest: Love Lab…or Teekyu.
  • Most surprising: Gatchaman Crowds
  • Most Mamiko: Uchouten Kazoku
  • MVP: Rento Kirishima

Summer 2013, < Three Episodes After

The anime blogging ritual continues.

whitecats

Overall I thought this season yet again features a lot of solid shows. Even questionable entries like Fantasista Dolls or Inuhasa (for different reasons) give me reasons to want to watch it week after week, even when I wish just the opposite. The problem, if there is one, is that the shows with the most potential, the ones I like best, can only be engaged at an arm’s length.

By that I mean it’s hard to cheer for them. Let’s take Genshiken Niidame or Watamoe or the Monogatari series as a counterexample. These are pure otaku fodder. I can sleep with them in bed, carry it with me and read it on the train, what have you. That’s the typical case for late-night style anime. But entries like Gatchaman Crowds and Uchoten Kazoku, both fascinating pieces of work, require a level of rigor in order to engage them fully. It feels wrong, for example, to indulge in making dirty doujinshi of, say, Benten (but maybe not Utsutsu). Not that it won’t be done, of course, but there’s just something off kilter about theses two works. Maybe it’s the visuals? Maybe it’s just me? Probably it’s just me. It makes me want to watch them in theaters, or talk about it at cons with like-minded people. Or blog about them in a way to distinguish them.

I can’t say how it feels to engage all these works from a distance further than that, though. It must feel kind of ordinary and boring when, at a large enough distance, invariably everything seems to be the same thing, day in and out.

Continue reading