Category Archives: Nichijou

Year in Review: Team Iri Wear Pants – Comedy Reigns in 2011

If Mawaru Penguindrum can be explained by the transfer of fates via the vehicle of an allegorical apple, then Fate/Zero can be explained by the wearing and ownership of pants. The idea here is that, well, what did Rider work to get? What did Saber wear? What did Iri wear? In Urobuchi’s world, people wear pants. I mean that is typically what happens during winter in Japan anyway. Without spoiling it for you, the winner of the Holy Grail War this time also wear pants. All who survived as participants wore pants. Pants is clearly necessary for survival in the Holy Grail War.

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I’m going to say that 2011 is the return of the comedy. There were a lot of funny shows in 2010, but it feels like the funnies have for the most part stayed for the year as well. What is notable is seeing more of it in serious shows. I think if OreTsuba can bust my guts laughing, anything can. The potential is there.

I mean, talking about Mawaru Penguindrum again, was it funny? It isn’t epic funny like those Nanami episodes in Utena, but there were good chuckles all along the way. And man, Ringo. Ringo!

I watched Nichijou and Sket-Dance this year, so that may have skewed things. I think Hanasaku Iroha sometimes is really funny, although I don’t think some of those instances were intentional.

Working!! returned, which is usually solid for a few laughs. Bakatest, too, had some really big ones, despite season 2’s more somber tone. Squid Girl S2 also was solid, again. Majikoi and Horizon had laughs, and the latter is as serious as Fate/Zero is. Haganai, for the most part, was still funny. Oh wait, I’m suppose to laugh at the manual stereo mage orbit talk was I?

R-15 was pretty funny, despite being more hetare-funny half the time. Twin Angel was all hetare-funny all the time (but it wasn’t THAT funny unfortunately). Yuruyuri had a couple gut-busters, which is pretty surprising. And in 2011 we learned the true meaning of being a mage.

Going back to the start of the year, we did have Mitsudomoe S2 (which was pretty funny for the most part). OreImo True End was funny enough. Level-E was epic. And, well, there was Qwaser S2.

Looking back I think I ended up watching more comedies this year than what is fairly represented, but that is probably because they didn’t suck, like, say, in 2009.

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This year I read both the fan-translated Kara no Kyoukai series and fan-translated Fate/Zero series. They are available here and here, respectively.

As a result, over large stretches of 2011 my mind is full of Type-Moon-ness. It is like a keg of kerosene to react to some spark from Type-Moon. But Fate/Zero isn’t that spark.

Carnival Phantasm is that spark that blew my mind. I’m not too sure what to make of it besides that I have to fight that urge to import the whole thing. Because it doesn’t seem to make sense especially since I missed the boat on all that Take-Moon stuff way back when. I mean this is before Fate/Zero, sorta, and Fate/Zero’s been around the block once or twice already.

There is so much that goes on in that show. The visuals are engrossing and varied. It is funny. What the hell is going on? I don’t know. Does it matter? Not really.

The only regret left is that Fate/Zero content is not represented in Take-Moon, and thus missing in Carnival Phantasm. I mean, take a look at this to get an idea.

PS. #cp_dateall ftw.

PPS. ALTER! ALTER! ALTER!


Year in Review: N-Listing

So, the tradition continues. 12 lists of 12 things. Some are ranked, others are not. One this year is not ranked but merely numerated.

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Meta Fanfiction on Nichijou

It was the usual chatter at the club. Saturday night, in the lower levels of some monolithic, imposing institution of academia, nerds are having fun.

“So why do you like Nichijou so much?”

“It’s not that funny, yeah, do tell.”

“What are you saying? It’s second to Azumanga Daioh.”

The scheduler, at the mention of the club’s time-honored comedy anime meme, turns around to exlaim.

“Really, now.”

Our protagonist, the guy in the corner lounging on one of the portable tables at the back of the room, started to doodle on the white board that he was leaning against. Seemingly unaware of the discussion going on, it was suddenly Shark Week on the white board, with several sharks slowly morphing into existence at the tip of water-based markers.

The discussion, meanwhile, heated up. Some people raised the whole meta-on-meta aspect of Nichijou. Others simply said it was boring. The simplicity of the accusation seems to do more to incite than the accusation itself. Defenders gonna defend. Some enjoyed the trolling, others the hyper-reactions. But detractors just didn’t find it funny. Thankfully, the arguments are on good faith; the fact the club scheduler is interested in the discussion meant it was serious. The nerds all hailed the scheduler as, in other words, the emcee of the night. The curator, the provider, the weekly club meeting is where the members partake in the choice sampling put together by the scheduler. If the schedule provided a screening of Omoide Poroporo, it would mean the same 5 people would sit through the scheduler’s favorite, and everyone would have to go home and fight the raging crowd of drunk frat boys and what else going on at the campus on a Saturday night. If the scheduler provided your latest dose of moe anime, people would have only bear with it in 30-minute doses.

“See, this is a shark. And this is another shark. And they are all sharks.” Remarked the protagonist, quietly. The club president was sitting next to him, along with a couple lone wolves. Already somewhat amused by the sharks, they paid attention as the protag-man started to doodle out the kanji for shark underneath one of them.

Now one of those majestic, terrible creatures, is verbally identified. There are two other unlabeled sharks on the whiteboard, in which the protagonist now writes:

SAME

Under them. The club president’s eyes lit up, but he remained quiet.

“You see, the joke is, they are the SAME. But they are also SAME. If you find this joke funny, then you will probably like Nichijou. If not, you probably won’t.”

The discussion continued, but seemingly elsewhere, far away. And unimportant.


Mid-Summer Review, 2011

When the humidity is high and the  sun is making waves on steaming pavements, do you want to watch an anime like Aria, where the same is sometimes protrayed, or do you want to watch something from the deep freeze, like a scene from Spriggan? I don’t know, and it’s not like I’m getting either this summer.

So, a list of stuff I’m kind of watching.

I’m still keeping pace with No. 6. I want to start this post about No. 6 out because those … homoerotic gazes kind of bothers me when it’s put at the fore, so let’s put that to the fore. Those scenes bother me in the sense that “wait, there’s this long pause in which I am suppose to be feeling some kind of tension between the two male protagonists, but what kind of tension is it? Why is this pause here?” It kicks me out of the mind set in which I’m following this mystery about killer bee things, which is probably the main draw for the show. At least for non-fujoshi types. On a normal, sunny day, I typically like to think critically anyways. But when the show gives me a chance to–scratch that, more like when it invites criticism, I can’t help but to think in the negative. It isn’t necessarily a “wrong” on the show’s behalf, but that’s just how I roll. Some anime invite you to introspect, to reflect and consider what is happening in the story from a third-party perspective. Others invite you to take part in the action, to get the audience wrapped up in the narrative. There’s nothing special or good or bad about either approach. But sometimes the beams cross, so to speak. In the game of Magicka, it usually means an explosive, suicidal death. Thankfully anime is not some European-made exercise at self-infliction of pain.

I bring up Magicka because it is a game sold on its solid gimmicks. Gimmicks can be solid. I think this is why I still like R-15 a lot, half way through. The gimmicks, compared to, say, Yuruyuri, are random as hell and yet somewhat organic. It’s kind of like Xavier’s School for the Gifted; you have a bunch of kids who have some kind of special powers. Except by “power” we don’t mean cool mutant powers, but “the most random, most Japanese crap-anime plot generator” you can think of. Some of these “powers” are really creative; in order to top some of these, I have to go to fanfiction. And we typically don’t want to go there.

It’s easy to point to some show and say it is more organic than Yuruyuri. Because Yuruyuri is very…inorganic. I don’t know why and how, it just feels very stale in terms of its timing? Direction? Animation generally? I can’t quite put my finger on it. The writing works pretty okay with whatever that I feel that is stale, and once we can begin to tolerate the main characters, the jokes come alive. I think that might just be the strength of the writing to a degree. I don’t think the staleness is particularly a bad thing, it just makes it difficult to form a good first impression. When done right, staleness gives a show a unique flavor. Sometimes stale bread tastes good too!

Speaking of stale bread, Yune has the cutest scene with stale bread possibly in the history of anime. I mean, it isn’t something that comes into play on a regular basis. Croisee is a sharp anime, but it feels a little bit, shall we say, out of the water? It’s missing something, something big, that pushes the enjoyment level over the edge to the next level. For Aria, it was how it channels the mono no aware stuff, for example. As is, Croisee is just a cute and well-executed show.

That’s also what I’m going to say about Ro-Kyu-Bu. It’s just somehow one gets you branded as a lolicon and the other doesn’t, when in reality they’re kind of the same thing.

I am really enjoying Usagi Drop, but I also don’t really want to talk too much about it right now. Maybe when it’s all done. And maybe I’ll read the manga then.

I’m also really enjoying Mawaru Penguindrum, if it wasn’t clear. In a way this is the anime I always wanted after watching Utena. So it’s a long time coming. I just don’t think words do much against it; there’s a simple, calculated yet visceral point to the way the show is directed. It feels very theatrical (as in, a play) but yet not that over the top. Maybe I’m just too used to over-the-top stuff, but for a cartoon this is pretty okay. Given its Thursday lineup and the equal doses of girls-side pandering, I’m half suspect that this is real free-market competition versus noitanima.  Also it makes me suspect which show has done it before. It’s time to pander harder, Fuji TV.

I’m still keeping the pace with Sket Dance. It’s probably some form of penance. I guess without the trappings that Gintama is surrounded by, I find Sket Dance a cleaner version of kind of the same thing. It also slightly reminds me of Nadesico, in the way that Yurika and her crew would consistently making peace signs at the camera–something I am also watching it (similarly to how dm is watching CCS).

And oh, episode 16 was AWESOME. For a show as inorganic as this advance-formula Jump anime.

Blood-C? I guess I’m behind, but it isn’t bad. Just not really engaging until you get to episode 5…and I’m behind. It’s kind of a dangerous thing; nico comments boosts its entertainment value drastically, but I can’t say too much about the source material like this.

I’m also behind on Blue Exorcist and Tiger and Bunny. I just don’t have the time to catch up now that I’ve fallen behind. Maybe soon! I enjoy both shows (especially T&B) so hopefully I can make a run before some major climax goes to town.

Back to fresh stuff: The IdolM@ster is doing well. Is it canon to spell it “The Idol Master”  when the @ is an illegal character in the title? Or what? Anyways, this show doesn’t disappoint, but I don’t think my expectations was high in the first place. Still, given how much I loved episode 1, episodes 2-end have a lot to live up to. Also, this is definitely an anime that is made for the game fans, which is kind of refreshing. It’s done well enough to not bore me, giving us something of an episodic character focus while expanding on the rest of the crew, at least as much as they reasonably could. The Producer main character is interesting enough, which highlights something interesting coming from the game, too. Maybe someone can go wax poetic on the importance of assertion of the other self in first-person ADV games where the overall narrative is driven by intercharacter drama. Something a mix between Sakura Taisen and IdolM@ster?

Kamisama Dolls is pretty okay; I don’t particularly dig the character designs either (but it does make Utau cuter than she ought to be) but the story is snappy and enjoyable. There’s a little bit of everything to make it worth watching, even if the end is kind of telegraphed.

As for telegraphing, there’s a lot to be said about that in Nichijou. It’s pretty quality textbook example of how to do it. Is it doing the telegraphing right? For the most part; but that doesn’t automatically make the jokes work. For meta-humor of the direct kind…I’m not sure how to put it into words. It’s like if Nadesico (again) is an anime about meta of everything about itself, then Nichijou is just meta enough about the execution that it tries to do something about it. Where as a show like SeiZon is just straight-face meta. It’s like how in MLB, hitters adjust their swings to counter-game the scouting on them, over the long season?

Mayo Chiki is kind of the Seizon kind of meta, except it’s straightforward enough to make the jokes internally. Sadly it’s kind of boring if the lead characters don’t sell you. I’m not sure they’ve sold for me yet.

It’s a busy summer season that continues from a busy spring. Maybe Hanasaku Iroha continues to be the “bar” this year as to measure the effectiveness of anime to entertain. It flounders periodically and yet it hits the mark periodically, and like many series this year, the presentation is overall solid. What lies in the differences is how good they are at telling their stories. It’s also not a surprise the best storyteller anime (at least for battering average) is also one of the most popular and most anticipated series this year, Steins;Gate.

As for stories, totally random last note here, but big grats on Maaya Sakamoto x Kenichi Suzumura marriage. It is pretty awesome– they have canon OTP roles! There’s Shiki x Kokutou from Rakkyo, Haruhi x Hikaru from Ouran Host Club, Lunamaria x Shinn from Gundam SEED Destiny…and some not-as canon ones, like Sakaya Nakasugi x Shamyalan from Birdy Decode. Both are from the same agency, and despite the 5-yr age difference, Sakamoto got her debut before Suzumura. I guess they see themselves as from the same “era” or whatever. Anyway, congrats to two of my favorite voice actors! You can find a full pairing list here.