Category Archives: Franchises

Straight Flush

Putting Manabi Straight behind is like putting behind a very heartful conviction behind you; it’s just not healthy. Instead, I think, it’s a good way to do it is to commemorate it through rewatching :)

The thankful, yet unfortunate fansubbing effort is a good way to do it, and for every episode that I rewatch I can spend more time picking up things I missed the first time. I think one of these days I gotta start from episode 1 again just to relive the experience full well knowing the full revelation.

Hopefully the new season of shows will match the joy I get from watching this charming little thing.

But before the spring season hits and Haruhi Suzumiya on your screen turns a year old, this is a very good way to end a full run of 4 seasons; from one high school life to another. In some sense this is the “unappreciated” gem of last season, but I don’t know how many people can appreciate this kind of show. It’s going on my all-time favorites list!


Yukari: A Stylish Rocket Girl

I don’t know how hard it is to tell geography by visuals when you’re in low earth orbit, but Yukari can do it. For some reason I got the impression that it is rather hard? For one, you don’t look at things north-up.

Eri Sendai’s performance as Yukari Morita in Rocket Girls is strangely familiar with a pinch of indignity and mild irritation. It took a while for me to find why but I narrowed it down to her role as Yuuhi from Neo Ranga. And in some ways, the mean streak continues on with Yukari when she fights and consents to the various trials and strangeness that makes a high schooler going into space something to be taken slightly more seriously (than not at all). More than a bunch of washed-up idol singers, at any rate.

But in exchange, maybe Matsuri should be in Wadaba Style instead? Maybe Rocket Girls should make reference to Lisa Nowak? Anime fans like determined girls with a streak of insanity, I suppose?

In some ways all of this pseudo low-tech sci-fi gets on my nerves like a confused bee grazing under a blooming Spring sky. Is it like Gundam? As in, an event several decades ago that changed the minds of the animators and creators forever? Are we bridging that gender gap? My parents saw the momentous Apollo 11 landing broadcast live across the world and told me about it when I got older, and most of you reading this blog probably hasn’t, or too young to remember. Is it just a staple genre that old Japanese guys buy to remind them the memories of fascination and dreams they had as children? I don’t know.


UFOTable Does Ending Right

The end is the beginning

BYE-BYE!

I can’t say if Manabi Straight! is the best thing since Sliced Bread (and I can’t recommend it to you unless I know a little about you), but it sure finishes well.

I haven’t been more so gratified by an end to a TV anime for as far as I can remember. It isn’t even a matter of expectation–I expected UFOTable to deliver–it’s just so sweet and it hits the spot so squarely on, that I even put off my original post for today just so I can splooge here.


Crouching Tiger, Hidden Pumpkins

Valiant

In retrospect, Pumpkin Scissors is a very well-executed concept. Too bad the concept is blah.

If anything at all, the fact that I’m writing about it means that there’s at least something redeeming about the show. I think, to be fair, the show did well as a character-driven series. We really got to know the cast and even the little episodic stuff injected periodically interesting side characters. Loli Chiwa episode was a lot of fun, as with the Stekkin episode. Not sure if the penis jokes were all that effective, though.

Still, that is no excuse for turning the last 7 episodes into a huge DBZ-like affair, with a single scene lasting across 6 episodes.

I think there’s this very enjoyable irony between the work Alice does as a noble (which she slowly discovers across the series) and the work she does for the army (which is well-explained when she describes how “Pumpkin Scissors” came about). Well, figuring out what I mean by that is half the fun, so don’t let me ruin it for you.

The idealized concept of Alice, however, is what is truly enjoyable about this show. Shizuka Itou did a wonderful job. Her character design panders just right (which is to say, very little but a lot at key moments). It’s a very simple idealist position. She challenges the gray ethical and moral areas and come up with some convincing answers, at least enough that you can think about it. She doesn’t back down from a fight, but is also smart enough to know her place.

What’s scary is that I see how much I can identify with the way she thinks and the values she subscribes to. That can’t be a good thing…


Manabi: The Real God Girl

You know the episode is good if you can squeeze 2 or more posts out of it :3 And I didn’t even have to try.

High as a Kite

Haruhi Suzumiya appeals to the earthly notion of God: someone who is powerful to craft reality through sheer power.

But the God I serve works it much more like Manami Amamiya, who makes miracles by putting people together–from friends to buddies–to do things that only buddies can accomplish. Manabi lives in a reality that is a fulfilled future, and she brings her prophetic “vision” of how things could be to inspire and bring people together. This is really what is so “heartful” about Manabi Straight.

What’s probably a little disingenuous is how apparent it all is in the show. They really make it clear with the whole seeing thing. To some end I derive a lot of joy out of watching Manabi Straight just out of my personal perspective alone. And nonetheless I think a fair look at episode 11 would suggest that the animation quality, while isn’t jaw-droppingly gorgeous as Haruhi Suzumiya 12, is well thought-out and fluid when it is necessary. The rocking out scene, to me, was better done because the body movements felt more natural, sans the strange synchronousness of the band. Granted, in a real live people tend NOT to move around as much, but I guess they had to do it to satisfy some notion of “good animation” by serving it up to the fans.

And it’s a dekkai zettai ryouiki jamboree, for real.

Seeing reality for more than what it is–beyond flesh and blood and the physical–is part of the human experience. People relate to each other, and that’s the foundation of society and meaningful human existence. Merely puppeting your surrounding to amuse yourself may be a lot of fun, but it’s a hollow thing at the end. No matter how much of a god Haruhi is she can’t meet her internal, mental, and psychological needs with just her powers alone. In fact her search for aliens and espers and time travelers goes to show that those are the sort of things we look for to fill our needs.

Granted, looking to Mikan to fill your needs is not that different than looking to Kyon to do the same, so well, there’s plenty of reasons to like both shows :)