Category Archives: Franchises

NouCome: Surreal In the Bones

Excel

This past weekend I had maybe half a dozen ideas to write up. I only retained this one only because it’s the only one I still remember. Also probably because it’s the newest one.

So there’s NouCome. The jokes write themselves when the premise is a joke. The Excel Saga-like insanity to episode 1 is supposedly no different than when Excel Saga pulled the exact same trick. “Put it in” it said. Well, that explains why all of the choices tend to have something in that line of thought.

Fast forward to today. NouCome still has some roots to these types of games. The character profiling and presentation come across the same. The choices play off known tropes and genre conventions. It, however, opens up a new world of orthogonal surprises.

It’s better explained using “expected” and “unexpected.” In most situations in an anime plot, you probably only expect a few things to happen at any given time. With enough foreshadowing and quality storytelling, the audience can be expected to expect a given set of choices of things to happen at any given time. Usually this is done to eliminate possibilities so the audience can be intrigued and surprised (in a good way). NouCome does that in the opposite way by telling you it’s not just going to draw on its canvas, but also on the floor, on the wall, on your nose, on your mother, on the bus, in the air, wherever it can. It’s built in with that mechanism. Since you are expecting everything, you become more susceptible to surprises, which is kind of counterintutitive but that’s how it works.

It’s easy to call NouCome random. Well, it is. But when you draw a dick on a canvas or on your notebook or on your Pictochat screen, it’s still a dick. It’s like I can’t explain if the face I see when I saw the close-up of that maggot candy with a >_< face is any different than any other “manga-style” emote I usually see, despite that I laughed a lot at that little visual gag. It’s just a face that you will see on your average LINE sticker or whatever. So, it isn’t that the randomness is in the content; it’s in the context. The story in NouCome is really nothing too special, at least outside of the initial montage about choices. (That little vignette is pretty special, though.)

To take a huge step back and look at it as a data point in a progression, NouCome is no different than Log Horizon or Arpeggio in that the story is always the same, but the context keeps going up, raising the stakes. At some point we will end up playing some kind of dating sim in your late night TV anime, or buying ships, or actually playing as an Enchanter; or I guess that is the joke. Note that I left out the average incest romcom… It makes you wonder what would happen to the actual things these extremely orthogonal and meta works will be when it happens.

It neatly segues to another idea I had over the weekend: wouldn’t the ultimate sports anime be the one that turns you into an American? Because it would make the transition of sports drama from totem worshiping to an actual way of life. Can’t ESPN do one of their docu-shorts on these Japanese imported pitchers or something?


Autumn 2013 Thoughts and Clippings and Thoughts: NYCC Edition

Part 1 and Part 2 are what I’m after.

I am going to be at NYCC for a day, just because there are still too many interesting industry guys. Some notes about that at the bottom. First, anime!

Happy Birthday Hibs!

The surprise hit of the season at one episode has to be NouCome. Confession: of all the shows I rewatched this new season at this point, only NouCome was done just because. I rewatched parts of Kill La Kill to partake in internet arguments. I rewatched Arpeggio to cap. And that’s it. It’s a riot all the way through. I mean, your mileage will definitely vary but it had me at the handstands. It had me with the TV show in a TV show. It had me with the coodere. It had me with the maggot candy. It had me when the girl fell out of the sky and landed with a bridge. It still had me by the time Kohime was talking it up. I mean, it’s not perfect, but it’s at least a 9. From what I read it is also just the intro part of the first novel that was in episode 1. Well, don’t take my word for it.

There was a weird problem for Crunchyroll viewers with the audio. I’m not sure if it’s because of a surround sound stage issue or what. Listened to it on stereo, it wasn’t as bad as when I was playing it via the PS3 through my surround sound system.

Arpeggio is surprisingly military action stuff. It’s not a fun time at the tankery field but I like how this is serious in a full-of-holes kind of way. Scratches my Guilty Crown itch I guess? Actually it’s just playing up fanservice in the normal way. As much as I enjoyed Vividred Operations that was too much of a fetish in comparison. In a way, despite the extensive use of computer-generated animation and graphics, it felt normal. Well, there were still quite a bit of 2D stuff put on top. So it isn’t all uncanny.

Unbreakable Machine Doll… Yeah. Not bad but not much of a hook for me. Yaya comes off as a fun and slightly appealing character, and that goes a long way. Especially when she is the type of character that “pushes” it.

Yowapeda is a fun show. I like the main guy but I can’t take the rest of the bikers seriously.

Freezing is Freezing. Ironic bonus points for taking place in Alaska.

NoitaminA left! And VVV!

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NYCC 2013 – Generally speaking, this year’s con spells death for NYAF in its entirety. There are still anime-related programming but it’s basically all sponsored material, basically whatever Aniplex, Viz, FUNi or Daisuki is throwing up there. There are actually a cool list of guests from Wikia, featuring some big names. Crypton will be there. Sunrise will be there. Ryu Moto will be there. The usual vendors will be there. Getting a sketch from Ryu Moto/Bkub and GSC’s booth are the two things that excite me at all for NYCC. It’s real sad.

Food: Some local highlights this year include this pretty simple deli near my office on 35th between 7th and 8th. It’s not super special but it’s good stuff for lunch and breakfast. For more special deli stuff, try any of the 9th Ave specialty places. Sergimmo Salumeria is really good, for example. Not a sit-down place though. Well, speaking of Italian, there’s now this to scratch your crazy pizza itch.

If you have a small group and want to go to Ippudo, the Midtown West location is a good choice. But if you have more than 4 in your party then go to one of the larger places, unless you want to wait a while. I haven’t been to Totto in a while, maybe it’s time. Ramen is the one food scene that changed rapidly between last year and this year. So many quality options now.

Anyone up for dinner tonight? LOL.


Autumn 2013 Thoughts And Clippings

Part two.

AmiMami

Outbreak Company has, if anything, got the fanservice right. I think that will usually seal the deal for 3 episodes on my books, but it also had to add that Cool Japan jab. Not sure if the show will actually get beyond 3 for me, as I will have to enjoy the antics of the main character first. I think with a little more polish he can be a modern day Kintarou Oe, but at this point he is just an otaku without any restraint. On the fence, I guess.

Sekatsuyo on the other hand is all about screaming Ayachi and that is something to behold. The Asumi x Ayachi combo also makes me “I Can See the Ending” and in this case I kind of do. The production value is worse than expected, which says something–I’m not really expecting anything. I mean, how can you? I guess the least we deserve was seeing quality holds animated and I don’t think Sekatsuyo cleared that bar. It’s a mixed blessing that I am not really a martial arts person so I can’t make it out what’s right or not half the time. The fanservice is pretty okay, but I’m not S enough to fully enjoy it? Maybe?

Kingitsune: Maybe for a little while, let the squidgirl heal you?

Walkure Romanze: Maybe for a little while, iM@S seiyuu aside, because this jousting thing is ridiculous. Also, the CG horse animation is a little mesmerizing; the way they were able to animate the actual joust sequences by taking advantage of digital composition via the armor animation is great.

Magi S2 is Magi, which is okay in my book. I missed this version of Kyari~

White Album 2: I really like it. It’s like Kirakira all over again…except the music already gained significant stock with me from the first series.

Are we ready for another week of new anime? I am.

One more on Kill La Kill, and I think this is a pretty good read–if only to have someone explain why they like and hype the show, the assumptions and concepts that underpins some of the decisions people may make on the show. Unfortunately it’s also one of those cases where before I get to the point he (?) tries to make (maybe more importantly, before I give up paying attention), I already count 2-3 simply wrong statements that he made. It’s like the same perpetually inaccurate things film people hold to regarding Japan and anime for the past 30 years.


Autumn 2013 Clippings And Thoughts

Haruka & Fenway Park

Yep, just random nonsense.

Kurogane on IS S2E1

Oh god, Germany is invading France again. [Gotta see the image to make this caption work]

[]

Please let the entire episode next week be 24 minutes of Chiwa Saitou giggling.

j1m0nes on … panties?

This has GENERIC written all over its lovely little red checkered panties.

Sometimes reading blogs on these things I wish I had some kind of contraption that lets me slap someone on the head with a harisen. I mean, anyone who calls Yuushibu “low budget” LOLOLOL. It’s basically got the best animated boobies on this side of Gainax, at least at episode 1. I mean, take it from a pro:

[T]he series does seem to have quite a big budget, but here is the thing: you do not simply assign all of your inbetweeners to your boob shots.

I mean, alternatively, YOU COULD animate on the 2s for all your money shots. I don’t mind. Because no amount of budget can fix poor source material! You might as well spend it on something that is worth the while. Just to drive my point home, Chris B. rated episode 1 an A- and Kill La Kill a B. Although that is probably a pretty biased thing to quote and shows that first impression posts with a letter grade means about as much as nothing.

Kill La Kill: Has it gone Redline? You decide. It’s certainly not yet free-to-watch however (makes me think that this is just a ploy ala Little Witch Academia). It’s basically the one show most people enjoyed watching, even if it’s not necessarily their bag. I think everyone needs to realize this–it’s just not a show for everyone. Same as Redline! And it ain’t gonna save any industry.

Aint it cool?

Other first-episodes:

Log Horizon: Yawn, but not bad.

Kyoukai no Kanata: Yawn, but sakuga.

Coppelion: I’m waiting for the fanservice part of the thing to start, lol.

Nagiasa: TT. To its credit, it’s the most uncomfortable anime I’ve seen this season.

Miss Monochrome: She works at a Lawson, folks.

Golden Time: Budget harisen aside, did anyone pull the “hey the’re not high school kids” card yet in their blogs, because LOL.

So far this season feels overall more fun than last season, although last season was a pretty solid block without too many outstanding shows. Maybe we’ll get more than one or three this Autumn?


Idolm@ster Channel & Shiny Festa TV First Takes

So I spent a night with iM@S Channel (ie., 30 minutes) and here’s a very rough take. Well, you will do well to read this first.

Iori & Tropicana Field

Idolm@ster Channel, the game is a free download from the Japanese Playstation Store. It’s a game. It is about 3GB, and took me ~25 minutes to pull it and maybe another 20 minutes to install it, I didn’t keep track (was away from PS3). Each song pack is about another 2GB. Yayoi (pack 2) was slightly smaller than Haruka (pack 1). [Insert joke here.]

The iM@S channel game takes you to a landing page with some options you can select left and right. On start it phones home for new content updates, so you probably need to be online if not logged in? I didn’t get to test. The background music in the main page is off-vocal versions of the iM@S classics, although it kept on playing relations when I was in the main menu.

The first option launches you to Shiny TV and it’s basically a PS3 port of the Shiny Festa game. Instead of the “story mode” or watching an anime or whatever, you just play the song packs in the “stage” mode or do challenges in the “Shiny TV” mode. The game engine is notably different in the following:

  • Calibration. You can calibrate to adjust for lag. It has an “auto” feature where it does a sound sync and then TV timing sync. You can also manually adjust the delay slider (but it uses arbitrary units from -10 to +10).
  • Silence is a default chime tone, for those of you who want your presses to be silent (like me).
  • The scoring has changed a little, if not the timing window. Or so I feel it’s a little tighter than on PSP/iOS. I think it’s a lot easier to get a lower grade, but that might just be me sucking it up.
  • Gravure Mode, which I will describe below.

Honestly I haven’t had that much time to tease out the details even if I spent most of my time playing this. Machiuke Prince is a very…AKB48-style song, and it’s a nice change of pace. For some, that alone is worth the price of admission.

iM@S Channel’s free download comes with one song, We Have A Dream. It’s a little funky but could grow on you…after God knows how many times like the majority of iM@S music. As for song packs, if you sunk money for Shiny Festa already, then this kinda sucks because about 2/3 of it is stuff already on Shiny Festa. For example in song pack 2 you get READY which is exactly as is from iOS/PSP, Hamburger is new. I didn’t look at VampKyun and Yakusoku, but they have the same line up as iOS/PSP so I expect the same (especially since VampKyun is great already, no need to change). Machiuke Prince is new, but it repeats on every pack so far. Finally Kiramekirai is almost exactly as is from PSP/iOS, except for Gravure Mode.

Gravure Mode….basically gives you a third video track to the stage mode to Shiny TV. One song per pack (should be obvious which) will have this feature. When enabled in the stage mode, instead of the usual video to that song, you get the G4U experience instead. I think this is a great improvement; instead of camera UI hell, you get to play a game with Haruka or Yayoi in the background, making cute poses. Can’t go wrong with that.

Totally worth the 1500 yen. Ahem. Maybe it is time to remember Tanake is next up.

G4U mode seems to be the same, I didn’t really go into it, but for 300 yen you can unlock the same kind of game play as those Blu-ray bonus items from iM@S anime or the LE PS3 game. I wonder if they’ll hike the price. The free download also comes with the “demo” version of G4U #1 which does what you think it does.

The rest of Idolm@ster Channel features some voice clips and you can cycle through which idol graces the main menu, and thus who is talking to you. The sub menus have different background tracks. The home page selection opens the web browser. DLC page takes you to PS Store. There are two additional “???” place holder spots in the main menu. There’s also some kind of log in bonus and you can unlock pictures. I’m going to assume it grafts into the G4U image sharing service as advertised, so you can send it over the internet easier. Not that I have tried.

I guess I better play some more tonight. Learning the timing on PS3 is kind of annoying, now that I have to do the same songs over again.

What I can say is, even if you don’t buy anything, it’s a good value for a free download. If you do end up buying something, it probably is a good value too. Because if you did it, you probably did it for a reason, and I can say that these reasons are probably good reasons. Do you know what I mean?

PS. The EN iOS version of Shiny Festa has some songs with toned-down graphics. The one I can confirm is Kimi wa Melody, where in the PSP version Takane juggles that dance routine at the beach and on iOS she does it in the meadow or something, wearing a winter school uniform (one of them DLC outfits like from Vol. 16 or some such). But there are probably others, I don’t remember. I wonder if JP iOS versions are the same? Anyway, I bring this up because Kimi wa Melody would probably be the Gravure Mode song from pack 03, which is just ironic.