Category Archives: Franchises

Gargantia Metanarrative

Going on a limb to interpret the latest episode of Gargantia, I draw from the form of despair and sense of stress that NEETs have to deal with. Since talking about that episode of Gargantia invariably means spoilers, I’ll talk about what I mean by despair and stress first.

Well, first, read this post and get on the same page, if you haven’t already. I’m just going to take a shot at the next stage of the NEET stimulus package.

The average NEET probably wants a reasonably paying and steady job. I say this because the demand for those jobs are always pretty high; that’s why they are relatively hard to land in today’s economy (Japan and elsewhere). The societal pressure is, as understood by the NEET or freeter, a form of reinforcement of these kinds of cultural norms. And of course if you do have a steady job that brings in good money, staying single means you can go to all the offkais you want, cons, wait in line for goods, whatever. Living the single life, instead of living-with-parents-and-waking-at-odd-hours life.

In 2013 terms, it’s no longer clear if becoming a NEET is really socially unacceptable, because people understand the truth that it’s hard to get a salary job as a young person in Japan, even if it’s one of those “success” indicator. The subsequent problem with NEET-ness is well documented in terms of getting that late start in life, being able to plan for retirement, etc. Not sure if that has much of a bearing on Gargantia’s narrative, but it’s worth noting.

And the way I see it, it’s all in the head anyway. Much like Ledo’s understanding of his predicament by the end of episode 10, being a NEET/freeter can feel stifling, as if you are cornered with no way out. Getting a job NOT as a fresh grad is harder than getting one as someone who’s just out of college. Companies naturally would wonder why you didn’t get a job the first time around, at least in the NEET’s head that’s what goes on. Settling into a strange pace of life trying to make part-time jobs can make it harder, just like doing anything else while working the graveyard shift or simply having to deal with a normal workday. Worst of all, you can fall into a habit, develop a rhythm living the NEET or freeter life, assuming your situation is stable enough. And the longer you fly in that standby pattern, the harder it is to land a permanent job or break out of that funk.

Invariably, unless it’s a planned period of NEET-ness, NEET status tends to continue for a while. Truth is, I think most people, eventually, get back on their feet. And in truth, there’s nothing Gargantia can do to solve the root problems–unemployment, societal expectations, the way employment works in Japan, all that jazz. All it can do is encourage people to feel better about themselves, and show that while they may be victims of the situation, they can do something about it.

(Mild) SPOILERS.

Mayta is that mechanics girl last episode...

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The Garden of Rainy-day Sinners

Awkward pose for an awkward couple

It took me 3 tries for Hoshi o ou Kodomo, so if it takes 3 times for Kotonoha no Niwa then at least I can do that in nearly a third of the time. It’s at least gorgeous enough to warrant watching it three times.

But yes, I’m still not sure how to react to the film. My initial feelings are both somewhat moved and yet slightly enraged at the odd composition of the romantic relationship. It all came together in a way that just felt a little wrong. It doesn’t, thankfully, take away the underlying emotions and the way The Garden of Words wraps around you and moves you.

I think you really have to go into this show without knowing what it is. The revelation later on int he film is a little disruptive and even if you’re a big fan of indie Japanese cinema you might not quite have it all planned out. And if you’re not, then this is probably not the kind of anime you expect.

It is the kind of anime Shinkai fans expect however. Visually it is beautiful. Tokyo has never been this gorgeous. Short of flooding this post with caps let’s just say that the Blu-ray can’t come to my house soon enough. [Especially since it’s in an order with the Festiv@l of Winter blargh, which means it’ll probably get here when I’m not home @ AX.]

First contact

So many rainy sunshine cuts, so few rainbows. It’s not Shinkai to do rainbows, I guess.


All I’ve Got Are Stinking MADs

Convention season is also remembrance season. Spring is, for me, always a time to get excited. It’s when I fell in love with things like Sakura Taisen and Tsukihime and other nonsense that I can only look on fondly as memories, plastic figures, and a lost seashore of words as grounded sand by the passage of time on the internets.

I was just in the mood. And maybe you are too, to remember a couple old MADs that accompanied my recent fandom: Love Plus and the Idolm@ster. Or maybe they’re new to you?

It’s weird, because they do mark the points when I my tastes decided to change. In the Love Plus case, though, I was already playing the game around launch so maybe it was already too late.

I would like to thank the guy, who made the MAD, that made me first pay it any attention:

You can catch it at its original location on Nico (man, 2008 was not all that long ago). A high-resolution version can be found here. And, there’s sex bomb, a follow up.

The great thing about this video is that it doesn’t take much to understand what’s going on. The song is catchy, and it’s in English. The humor translates well without any meddling. It even has that iM@S feel within the concept–a gang of entertainers, being entertaining by being themselves. Sure, it’s still full of in-jokes, but that just adds to the flavor, not a requirement to get it. The follow up video is the same, too.

Less I could say about this pretty neat video featuring Love Plus (the original) and Nene the virtual girlfriend. I think it speaks for itself. And it doesn’t take an in joke to explain much anything. Familiarity with Love Plus just makes this video more striking.

You can find it on Nico and Vimeo. Only half a million views since 2010, this is pretty obscure relatively lol.


Mikasa Goodman

This guy thinks Mikasa Ackerman is a good girl. I’m not so sure. But while I was listening to that gaggle of voice actors sing along to the intense audio trope of a song the other day it dawned on me: Mikasa is played by Yui Ishikawa, who is in my mind, just Princess DNAra. A quick look on ANN says that Mikasa Ackerman is her second lead role for animation voice-overs. That’s a long time, relatively, in between. It’s also another incredible opportunity, to play a big role in a big show.

The thing is, Princess Dhianeila is also a “good girl.” In fact she is supposedly the literary parallel of some Greek mythological ideal for human goodness. I mean it in the “in contrast with, say, Gundam’s Relena or Lacus” but a force of nature pushing humanity into the next evolutionary level of existence, to join up with our space brothers and sisters; to chase after that mythical ancient race of gods or Qs or Precursors or whatever. In essence, DNAra is That Newtype. It’s about superhuman feats for an age where only such things can propel us forward, to overcome the other giants of the world.

It’s not too different, in that sense, from Shingeki no Titan. So what makes Mikasa Ackerman, and her muscle density? Or her voice actress? I have no freaking clue. It’s just yet another row in the database, where we bloggers run join queries and create nonsense for our entertainment. Ours and yours, hopefully.

And while sure, Mikasa, like Princess Dhianeila, are good girls, they’re also symbols in a way where a sense of flawlessness crusts over their humanity, their weaknesses. In my mind that is a great thing but it’s also not my cup of tea. In other words, I prefer girls who are more, shall we say, human.

Oreimo


Animazement 2013 Wrap: Kaku no Hana

There are a few big things I want to note but also some small details here and here. So the result is more aimless rambling from a sleep-deprived mind. Business as usual.

The Big Picture

This is my first true con of the year. Anime Boston’s new date this year did have some impact in the sense that it deprived Animazement some more dealers and a weaker dealer room presence. It also made it impossible for me to go to AB. AZ itself is possibly the same size as last year, I can’t really get a good grasp, but I didn’t think it got bigger. I think this year is generally feeling slightly less…good? Which is all to say, a down Animazement is still better than most cons out there.

Sunday Morning

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