Think of this post as a last-episode impression. Naturally, there are spoilers.
Category Archives: Rinne no Lagrange
Anime and ending is a tough topic, because in order to talk about it to people who speak English you have to first talk about eastern and western storytelling modes, just in case. But I can talk about something about endings that ought to be universal–or rather, the opposite of judging a book by the cover: judging a book by almost the entire thing except the very, very end.
I think there are a lot of wasted ink spilled on why it is okay to justify crapping on a show with only the first, second or all three of the first three episodes. To be honest I don’t care; fact remains you are making a call with just (at most) three episodes, and I’m hoping your wager is equally tempered with how you’re rolling your odds against the other 9 or whatever episodes that you haven’t seen yet. That’s not my business, anyway. However I think the equal if not much stronger argument can be made with the last, next-to-last, or three episodes from the end (or any 1-3 episodes in the middle, for that matter). Some shows, rather, really need to end on a strong note in order to have a shot at being “good.” I’m thinking we have at least a couple this season, for various reasons.
Take Another for starters. [I totally picked it first so I can avoid making another pun.] It is more or less a classic Hollywood-styled and paced horror anime. It’s also the kind of horror anime that wants to play the entire spectrum of happy and sad scares. Its final-destination-esqe deaths are one of the biggest booms. I can’t help but to compare it with Angel Beats. I think all the Angel Beats naysayers would have had a great time if the cast in that show actually died in those comedic ways. Too bad they were already dead.
Anyway. I think a show like Another really, really needs to end on a strong note. It’s that sort of poetic/thematic redemption that can make or break a show where it bankais on all the emotional chips it built up over the season. So it had to end well. Or else all that emotional ride comes crashing down, and people will leave the theater with a bad impression. I’d say it’s because this precise thing that made Shiki at all a bearable show (I didn’t think it was very good, except for the climax and the end), so I have high hopes, given how it’s written by the woman’s husband.
The other big one riding on the end is Lagrange ~ The Flower of Rin-ne. Technically Lag-Rin (or Kamojo or w/e) is a Fate/Zero-style hack–it is doing just the first half this season and I’m assuming it’ll get a break and resume in the summer. But for people to care about this show, it has to go all-in with this ending. This week’s build-up was beyond expectation in terms of quality, so hopefully we’ll go into the break with some positive feeling about this show, despite how it really tried to squander all that good will by its lackadaisical character development.
Not as dire as the previous two, but the romantic throwback Ano Natsu de Matteru also needs a very strong ending. The biggest reason why would be that it already has expended most of its chips; it may be safe to say the emotional climax has come and gone. What remains is largely people’s expired expectations. If it were to merely meet these low hanging fruits it would have made the show unremarkable on its own. But given how people lowered those expectations it is precisely the time to strike. It would be easy to surprise us with something clever when we’re least expecting it. I think a car chase is a good beginning to the end! Actually, given how close Natsumachi is to filmmaking in general, I’m not going to be surprised if it makes a real push at the end. It would be a pleasant thing.
Among these, however, the show that really, really needs a good ending is Guilty Crown. It hasn’t quite lost the audience it picked up from the very beginning, but it’s beginning to thin. We’ve had a good run of the show as a joke but if it can’t cap the dramatic climatic turns that this high-energy, high-budget formula has typically provided in times past, it will soon be forgotten. Maybe it’ll get as much creds as Star Driver?
As for what I’m watching…that might be it. Or at least I’ve come to expect these handful, for better or worse. I guess if a show is really dire I probably wouldn’t think a great ending could do much for it, so maybe there is something to be said about that.
Another year, another season, another activity under the sun. Three-ep test time, right?
Danshi Koukosei no Nichijou – Nichibros is great fun. But I am not compelled. I think Nichijou was more compelling, despite significantly less gut-busting fun. Maybe it will grow on me. Maybe not. It’s still a lot of fun though.
Symphogear – Only if Polyphonica was like this. That said I ought to drop it. Wake me up when Minami Takayama shows up again. What is up with Nana Mizuki and crap anime anyways? At any rate, the weird feeling that I should go suffer through Blood-C first before this prompts me to do that first before watching any more Symphogear. Which is probably unlikely.
Kill Me Baby – It’ll probably be fun to watch at 2x speed. But not for me.
Ano Natsu de Matteru – Probably my most anticipated anime coming out of the first 3 episodes. There is a warmth to the characters and the animation radiates love. Kind of like how iM@S was. And believe it or not, Ichigo Morino (kind of wondering what would go with Umino) takes the spot of the first fixed pose PVC moe girl figure I ever owned. But actually, even if none of what I said just now is true, I would’ve put AnoNatsu in the #1 spot on the strength of episode 3 alone. It’s just a terrific piece of witty rom-com in the span of 23 minutes. It’s this kind of stuff that elevates late-night otaku fantasy into the realm of something that can be taken seriously as entertainment.
Mouretsu Pirates – Definitely my most anticipated anime going into this season. Does not disappoint. I am fine with the slow pace.
Rinne no Lagrange – This and Aquarion fight a bitter fight to see if it can fit into my even more restricted anime viewing time. It has an edge because it is on Hulu.
Aquarion EVOL – Just like the old series. But unfortunately I didn’t like the old show that much. I get the feeling it will be a mid-season call for this one, or will it have more staying power than Gundam AGE? One weird thing I noticed is how watching the OP and ED without any subtitles drastically improved my viewing experience. It’s like there is a saturation point in terms of what happens on every cut at any given time. The credits actually reduces the load on my sensory organs, but the subtitles (especially my favorite Karaoke subs) pushes it way over the edge and you missout that immersive experience as your eyes begin to ignore the stuff the subs breaks out from one moving frame to the other. Or at least it was for me.
High School DxD – Boobs are great, aren’t they?
Nisemonogatari – I wish I could just say “Boobs are great, aren’t they?” Definitely will finish it, simply because despite how much I find Nisioisin’s tricks worthless, they are quite entertaining. Also, at this point how can anyone take this show beyond pure fanservice? I have a hard time taking it seriously at all, maybe at the most as a funny word problem.
Papa no Iukoto wo Kikinasai! – Better known as Papakiki or “Listen to Me Girls, I Am Your Father!” it is more like, well, a planewreck than a train wreck. The first two episodes does a great job making a serious matter serious in this heavily saturated genre of man meets loli. The only question left is will the man meats loli? Also, the sempai character is kind of interesting.
Knight in the Area – Sums up why I have a hard time embracing shows like Cross Game, which I further contemplate if it has to do with why sports manga will never fly in America. Also, carwreck lol.
Another – I generally dislike horror as a genre, but this show is so gorgeous I don’t know if I can drop it. Also, Chihiro vibes where? Episode 3 ends with a very nice punch. Too bad she was my favorite moe character in the show; also makes a great first target.
Amagami SS+ – Glad it only has 2-ep arcs. First arc was kind of dreadful actually. But at this point I might as well finish. Good thing about 2-ep arcs is that any bad stuff only lasts for so long before another two reroll. Rihoko arc has proved to capture a bit more of the charm from the first series already!
Inu x Boku SS – I’m blogging it over at Jtor, and so far it is a deviation from what we typically expect out of David Pro. While I’m not holding my breath on it I expect it to be actually entertaining enough along the lines of, say, Maid-sama. Except instead of the annoying feminist blunders, it’ll have a lot of fujoshi baits. Or I hope. Ending is a great little nod.
Thermae Romae – It’s short and sweet. Being educational is a bonus. Also I’m really happy that it is only 6 eps long, because I’m not sure how much more of this I can handle.
Poyopoyo – It’s short and sweet and I can handle cats like this.
Recorder and Randsell – It’s short. Watching this on CR makes me wonder why am I not watching Morita-san or GDGT Fairies instead? But being on CR and being short means I can watch it on the commute.
There is just one comment I want to make:
How do you deal with an audience who is going to point out that those girls are working in zero-gravity with skirts? In a show where they’ve tried to, well, avoid showing anything underneath skirts? Tried to, because it seems that they did in Mouretsu Pirates anyway.
How do you deal with an audience who is going to ask themselves “Wait, how do you get cellular reception underwater?”
I guess this is where I grin and nod to your typical Tatsuo Sato anime.
I think that is one of the continuing challenges to make content for an increasingly fanatic and jaded crowd; like a sea of Simpson’s Comic Book Guys. But some people just have the touch.
Two girls, one cup.
The forbidden uniform. The forbidden line. What is next?!
Wait… Disney will never license this show, right? Just like Ocean Waves, right? LOL.