Category Archives: Modern Visual Culture

Some Summer 2013 Season Thoughts

Shoot first ask questions later style post.

Honoka Mutsu

I generally like Servant x Service. I think in a lot of ways it is an improvement over Working, but it lacks magnetic characters. I think taking on adult sensibilities gives it a new flavor but at the same time brings too much into play that shaves away the charm of a simpler punchline and makes it harder to embrace. “It” here being both the jokes and characters.

I think Silver Spoon anime comes across just a little heavy handed, but at the same time that’s probably necessary to drive the deeper points of the story. I’m not sure how the manga handles it, but this Silver Spoon feels like it is a pretty deep work. I also think that this could have been a very cultural-specific sort of a thing, but the saving grace is that processing basic raw ingredients in agriculture isn’t so different this day and age, across different countries, thanks to scientific advancements. In other words, the core message is somewhat universal, and moreover a lot of them don’t have anything to do with agriculture. The pizza episode was a great example of a modern day stone soup story and it definitely was the best one out of them all.

Out of all the shows I couldn’t make it out of episode 3, I’m most intrigued by Kaminai and Monogatari series. I’m pretty sure I will catch up on the latter series.

I really enjoyed Tamayura ~More Aggressive~ episode 6 and 7. In the end of 7 Potte took a photo of the fireworks and the backs of her friends. What ISO was that film? Did she change it from her camera at some point after the competition? That said I’m kind of behind so hopefully I’ll get to catch up in the coming week.

MJPR ending was a sea of flags. I mean, it totally pulled an Evangelion in terms of the joke flags. Too bad the story came across as too simple, for me. It’s like a Hollywood cliche. Doesn’t mean it wasn’t executed well enough to be enjoyable. It was enjoyable, for sure, but a little too shallow for my tastes.

The two Oonuma Shin series were a riot to watch. Good for him. They executed well, and despite the obvious and usual resource-saving techniques used everywhere, Illya delivered all that action and Watamote was a very clever show. They exceeded expectation in a good way, but that forces me to examine my expectations for Watamote and Prisma Illya to begin with–admitted they were somewhat low. Still there were some obvious bright spots in both shows. Izumi Kitta simply was perfect as Tomoko. Besides the convincing action scenes of Illya, Mai Kadowaki by now has a ton of Illya speaking time, so she wears that role like a comfy sweater.

Compared to her performance in Genei Taiyou, at least, Ilya was simply delightful. It’s not to say Day Break Illusion would’ve been helped by that, but in the end it was a weird way to highlight how different the two magical girls show were. The weird thing is, as bad as Genei was, it still had a lot of good points to it. Otaku media, I guess.

Titan and Railgun remain as the two top least serious business anime on my watch list. Especially Railgun. I see people taking it seriously all the time, though… I don’t get how people can do this without making a fool out of themselves.

Free is a fun watch on its own merits. The manservice for the most part can be side-stepped easily. I don’t think the rest of the show is really that noteworthy–about on par with Tamako Market I guess. My complaints still stand, but the animation and story is enough to keep my attention.

Kaminomi is also a lot of fun, as a non-manga reader. It’s not often you hear Asumin and Ayachi in roles like these. This third season of Kaminomi changes the gambit of the show for me–my favorite episodes in the last 2 seasons were the filler ones. By pumping the plot forward like season 3 they removed some of my complaints about the forced pacing, but it also took those charming down-time moments away. I guess I can’t say I like it, but it certainly can be a lot worse.

Eccentric Family is my top show this season and easily a top 5 candidate for 2013. No need to waste my breath at this stage, lots of other people are doing it. I’ll take my time to think about it…

The surprise hit this season is actually Love Lab. I really dig the way it gives a normal girls-be-girls kind of a setup, a backbone. It also has boys. It’s overall just delightful. If anything it could be funnier.

Genshiken Niidaime is as good as I expected to be, which is a high bar to clear. It’s still one of the best meta anime out there in recent memory. But because I expected this, it’s not particularly delightful since it can’t quite surprise me. Even if I have the manga and have been saving it until I’m done with this anime. I really enjoy some of the cross-cultural jokes especially.

Well, I probably should watch K3 before making those claims about Genshiken. I saw some cool caps from that show. But it doesn’t distinguish itself beyond the really nonsense stuff. Is this show any better than Kinmoza?

C3-bu, on the other hand, is a big surprise  in a different way. I also really enjoyed it but I had a hard time talking to people about it because following that show on CR is basically following it a week behind. It comes out on Mondays and the new episode airs Thursday–given how busy I was this summer I basically end up watching the episode usually on the weekend, Thursdays being the earliest. Sorry Crunchyroll, please never do this.

As for the show itself, in a way I like how it approaches the pathos from the “negative” side of things. You can state the problem in a negative way or a positive way, and the solution would feel very different depending on how you approached it. I think it’s a great litmus test. I also love how it gives Yura all these “reality marble” sort of way to show whatever it is C3-bu was trying to get across. Anime no Chikara yo. In a lot of ways this is a great show, in the way that, for example, MJPR fails to achieve.

I thought I would be all over Kinmoza, but this show didn’t have a higher gear to kick in to so it lost against the other shows of this season for my viewing time. It’s like I need to save certain times of the day when I am awake enough to take in these low-tension shows like Tamayura and Uchouten Kazoku (at least earlier on) to enjoy them fully, bumping out shows like Kinmoza and K3.

Gatchaman Crowds is the odd ball of the season. I guess that is only expected given that it is a Kenji Nakamura anime. However it is also a pretty fun show carrying the same kind of weirdo-yet-progressive ideas Nakamura has been sprouting. Whoever lets him have the freedom to make weird shows like this, God bless you and I hope you keep doing it for another 50 years.

Anyways, Gatchaman Crowds is also kind of the show that could “go wrong” really easily. It’s like Fractale, basically, that if the execution dropped something important, it’ll lose all credibility. I guess we have one more week to find out.

If there is one guilty pleasure this season for me, that would be Ro-kyu-bu SS. SHOW YOU GUTS COOL SAY WHAT saikou daze. No, more like because it is a koushien story after all. Kanae Itou is being her usual self in that show too, which is something getting rarer by the season. I also have to say it has a weird effect watching this right before/after MJPR. Iguchi!

I’m going to marathon Rozen Maiden…from episode 6. It’s fun. But probably less fun than marathoning Senyuu and Teekyuu back to back. Or interweaved. Which is something I’ll have to do too.

Bonus round:

  • Favorite OP: Servant x Service. However C3-bu’s final sequence is woaaah moeeeee. Also, kz song is so kz.
  • Favorite ED: Drowning in saudade in fhana’s Che Sera Sera, although I will reserve 10% for LOLI LOLI GROWING, whatever that means.
  • Most surprisingly good: C3-bu
  • Most surprisingly bad: MJPR
  • Funniest: Love Lab…or Teekyu.
  • Most surprising: Gatchaman Crowds
  • Most Mamiko: Uchouten Kazoku
  • MVP: Rento Kirishima

New Idol Master CD Is Actually Worth Buying

newonion

Tokyo, Japan – Throngs of youthful men and women gathered at the 8th anniversary live tour of a popular music group this summer. What you might not have known is that this group is made up of voice actresses from a video game call The Idol Master [iM@S], where players manage a team of pop idols on the road to stardom.

The marketing for iM@S presents itself as a traditional, multimedia mix of goods, video games, CDs, DVDs and performances, but it is revolutionary in having such success in packaging fictional characters as effective idols not unlike famous acts like AKB48 and their ilk. In fact, because its niche upbringing as a 2005 arcade game, and then as a game for the relatively obscure console Xbox–Microsoft’s consoles are not well-distributed in Japan–iM@S attracted a very hardcore fanbase, at least at first.

“I’m glad we can get the same songs on one single album that used to be across four or five different albums.” Jon Tyler, one of many of the avid iM@S fans–who call themselves “producers” as fashioned after the role of the player in the iM@S games–remarked on the way Columbia Japan handles the CD releases of iM@S music. “It’s really a change of the times. The series got really popular right around the time I became a producer. At first, it was very hard to buy all the popular songs, since the average iM@S album, not counting mini-albums and singles, was about half vocal tracks and half either instrumentals or voice tracks like skits. Columbia knows that’s what people are after and accordingly spread out the top hits to get more sales.”

“It was difficult to get more than four or five of your favorites on one CD, for a lot of reasons. Another problem was that many of the album releases were based on characters or different parts of the video game releases. I think Scamco wants you to just buy the Blu-rays, or collect all the albums.” The candid statements detailing the steep curve, not only as a matter of the cost of being a fan, but the logistical complication one have to keep on top over time, as iM@S-related CDs are released almost monthly.

While for some, overcoming the labrynithe of release patterns and being able to finance their collections are badges of honor. For others, the difficulty to identify and purchase their favorite songs is a barrier to entry. Perhaps this is why Columbia Japan is finally producing these simple collections. For others, it’s a sign of something else to come.

“The so-called ‘Second Vision’ series of games and merchandises are coming to an end. I think this is why they are now releasing new SKU with good value.” Oscar Kha, a market analyst describes the overall strategy behind the iM@S releases in terms of the bigger, cross-marketing effort combining Columbia Japan and other publishers and studios. “During this campaign, the goal was to transform a relatively straight-forward video game IP into a sprawling franchise where monetization strategy is no longer limited to the typical console or arcade use cases, or the usual licensing and merchandising opportunities. The campaign begin to add some of the newer strategies such as mobile gaming and through live events. The timing is right to take the franchise to the next level, along with various market signals such as the next generation home consoles.”

Commenting on the future, Kha points out perhaps the most persuasive motive behind these affordable new releases. “Lowering the barrier of entry at this juncture is strategic as well, as it prevents too much attrition from the newer customers who became attached to the IP in the past couple years, and keep everyone engaged as the next campaign starts.”

THE IDOLM@STER
765PRO ALLSTARS+
GRE@TEST BEST!
-THE IDOLM@STER HISTORY-

COCX-38070 2500 yen (w/ tax) (Blu-spec CD2)
2013.09.18 on sale

PS. This is fabricated, yeah?


That Was a Good Last Episode

Genshiken Nidaime E11

In English, “last” can mean “final” or “previous”; this pun is made possible by translation, although by syntax it infers the “final” definition in common use, as in “the last episode.” Instead, “The last episode was good” would suggest the punned meaning. Anyway, as you can see this is really about episode 11 of Genshiken Nidaime.

Octoballs

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Uchoten Kazoku: When You Got Sauce in Your Wasabi

By that I mean when you got saudade in your wabi-sabi.

Or when you got anime in your Kyoto-style life.

Or when you got moe in your tanuki.

I see why they like Kaisei.

Kaisei Ebisugawa - She doesn't go Hitode on them

More seriously, while there’s nothing particularly problematic about Uchouten Kazoku as a whole, the more I watch the show slowly unravel itself in typical Asian familial tragedy manners, the less I feel compelled by its narrative. Maybe it is partly due to the whole PA Works animation angle. Maybe it has to do with the relatively contemporary setting. Maybe it’s because Yuasa’s Tatami Galaxy set a false and unrealistic standard/tone to what I thought this sort of a story could be. It’s kind of like falling in love with somebody only to realize that person is not who you think it is, in a good, “hey I can live with this” sort of way. It’s fine and practical but largely devoid of glamour.

I guess this is the ultimate problem when every other show you get hyped about has to do with some social taboo like Twincest for the Win or A Little Sister Is Fine Too or Oh Man That Pig Is So Cute And I Want to Eat Him. And I’m not even talking about Silver Spoon. Fantastical Tanuki Family Bickering Foolishness has a tall wall to climb. But then again Kaisei is close enough for incest in some jurisdictions, assuming if she and her mate are human. I guess this is where Uchouten Kazoku could’ve really played things up. Let the tanuki be tanuki.

Which is to say, 8Ken will never make it as a Friday Fellow because what defines true love for him is some shallow shadow of its true nature.


Animusic Tourny Musings, Day 31

Actually instead of highlights, this is more like propaganda. And this is one of those cases where I don’t think it’s a big deal–all the songs are winners in my eyes, for these groups. I just would like certain songs to go forward because it would be more fun than if they didn’t.

In fact that has been more often than not the case, where all the songs in a given group feel like they deserve to move on, so the choosing the entries on the basis of personal biases and preferences feels much more permissible. Now that hasn’t been the case all the time, but in general the contest has yielded a crop of very entertaining entries (musically good is a whole different story…).

What I want to see people vote on is READY, from the iDOLM@STER, or The Idol Master, or iM@S, or whatever the hell people like to call it. The song is basically the “main” theme to not just the anime (it’s OP1) but all of the “2nd Vision” project of iM@S. Not that there’s per se a main theme…you get what I’m saying?

This is the TV-size cut from the anime. In the 2011 TV anime itself there are a couple different versions, but most notably the final concert version where it changes into, heh, CHANGE (OP2) in the middle, because we all know CHANGE has the better pre-chorus.

Actually that has been kind of a theme for the Anime Music Tourney, because often times (IMO) inferior songs are not the representative songs from a given IP in the tourney, which both makes me kind of sad that the better representatives are entirely missing, but also not so sad when these slightly-worse samples don’t make it to the next round.

At any rate, READY is first rate, from the stand point of a lot of different contexts. And it’s all about the contexts. Here’s the master version (which shows you a pretty HOP STEP JUMP bridge (Jeff Lawson was on to something wasn’t he; I know it’s from Kita e but still).

The full song and lyrics are available above, with minor errors within margin, I think. I didn’t really check. As you can tell it’s kind of a rallying cry type of song, because that’s the kind of encore/kickoff track you use at a live show. Keeping in spirit and functionality of idol groups, READY is not only fitting anime OP/ED material, it has to work on the stage. That’s a lot more than what I can say than most songs in the Animusic Tourney.

Possibly the definitive live version:

It has to work on stage, it has to work in a game, but it also has to be easy enough to sing to since something like 13 different voice actresses of varying skill levels has to perform it in the recording booth and also on stage. You and I can also perform it at karaoke, since this is that kind of a song. A real theme song for a franchise with big aspirations. Of course, it has to work while waving your glow sticks around, too.

If you prefer Rie Kugimiya, there’s this version…

And then there are these eager cosplayers! In America no less.

Lastly, if you want to learn the calls, this video on Nico can help.

You can vote for READY here. While you’re at it, check out all the other cool songs in the tourney!

PS. So, about that bracket thing…yea, I have a USPS priority mail cardboard full of things. I guess as the contest gets further I might become less busy and thus can hammer out some details.