Category Archives: Modern Visual Culture

Mid-Season Update, Spring 2013

Anime blogs are suppose to blog about anime right? Can I stop being one?

Before I begin I just want to talk about the APR. The anime  power ranking is a lot of fun and if you are a regular simulcast-y type viewer, maybe Kevo would have you give him your 2c every week. I’m a major slacker and wish I could be home and send emails about anime on the weekends, but that is usually not typically possible after Friday night and until Sunday night, when the APR is calculated.

Guilty plug aside, I guess I’ll keep it simple: Up, steady and on hold/dropped. Links to viewing portals. Ordering is semi-random.

Same Same

Up

Gargantia on the Verdurous Planet – A veritable science fiction healing factory. Hanaharu’s character designs alone might be worth the trip by itself.

OreImo Season 2 – I think this season is really bringing the pain, and for sisucons pain is not always a bad thing. The awkward exchanges between Kyousuke and his friends is at least less painful than Aku no Hana’s painful exchanges, which is good; that’s a sanity check. But it’s not a sanity check every seishun rom-com would pass. It’s probably up because we’re in the middle of the Shironeko arc.

Flowers of Evil – Since I am going to Animazement I probably should watch this to field questions for Nagahama. But it’s also just kind of an amusing show in that the bouts of fear, doubt and madness are baked into the atmosphere, only to be punctured by the visuals. The rotoscoping works both for and against the whole endeavor in a strange way. The story will continue to descend into insanity and who doesn’t love that? At least it’s an easier watch than, say, Texhnolyze.

Muromi-san – It’s half-length, but only if all gag anime was like this. It’s well-paced. It’s also the sort of Yukarin role that, well, is the best. Only if she plays characters like this all the time. That and people like this.

Attack on Titan – Well, it’s a fun show how despair continue to be front-and-center to the plot and theme. I just don’t know if that despair is for us or for the characters, because there is clearly a separation between “getting into the show” and “enjoying the show” in this case. Maybe this is because it does not focus on the plight of a single character.

Steady

Devil is a Part-timer – It’s a fun show, with solid comedy both ways. I’m 1001% in Yusa’s camp though. Chiho is adorable but I feel she’s the weakest link so far. With the addition of the new character in the romantic formula and the end of the “introduction” arc, however, I’m not sure where this show is going to go.

Valvrave the Liberator – The problem with making a show that has clear call cards from all your past hits is that the audience expects your past hits in your new shows, and it is really difficult to surpass all your pass hits. At this point I half expect Valvrave to go the way of Geass R2. Will it jump a shark? It already has. But will it jump a dozen sharks? Will it jump over a shark pyramid? Will it jump over shark Starfleet? I don’t know, but I know I will find out soon. That said, it would be a very considerable feat if it can replicate all that shark jumping in Sunrise’s back catalog while remaining coherent, and arguably it is on the way to do just that.

Fly like a bird, I mean, bat

Majestic Prince – Great show, for the Tatsuo Sato disciples among us. I think it’s going through a dull period but hopefully things will come together much better than Rinne or Pirates. After all it resembles the Stellvia template, which is probably the more successful line of shows. Unfortunately it’s kind of a wash for everyone else.

Space Brothers – Really glad that I had this backlog to work through, thus enabling me skipping all those recap episodes. Also now that the show is back to civilization, the full blown expectation of Japanese people hoisted upon unrealistic American experiences is again on display, highlighting yet again the real barrier between human and space exploration is human. And I mean it in the jaded, ironic, culturally hilarious kind of way.

Nyaruko-san W – I can’t really be bothered by this show but the shotgun jokes do still find their target week after week. It’s definitely a drop from last season and to me this is now a drop-worthy show that I’m still watching partly because of blogging obligations.

Henneko – The cute factor increases or at least keep steady weekly. I’m going to get diabetes watching this anime, but I look forward to it anyway.

Photo Kano – I was going to drop this show until I watched the photo shoot with the student council president. I am not sure what that says about me (probably nothing flattering) but the visuals are worth a look. I think this is really an “anime no chikara” example because without the animation direction this show is totally crap-tier. I like how it makes me feel like a dirty upskirting otaku without being one, but at the same time some really enjoyable visuals, with or without fanservice. I hope that one photography girl’s episode is all about dutch angles or something.

Sparrow’s Hotel – It’s a sin to be watching this without finishing Inferno Cop. I probably should finish Inferno Cop. Maybe same can be said of Nin Nin Shinobuden. Half-length. I’m actually a couple weeks behind but I think Minori Chihara’s greatest power is leveraging her natural ditz.

My Teenage Romantic Comedy SNAFU – OreGuile as I call it, it’s like a more pleasant version of Haganai in my mind. Which is probably a good thing. Also, what’s up with making Hayami Saori do the chew-you-out routine? I hope some enterprising people have made a cliip of it circa Tari Tari. I mean I would pay for this. Seriously.

Railgun S – As long as it continues to dish out things I want out of this franchise, I’ll continue to watch it I guess. The set of things I want out of this franchise may include beam weapons, awesome combat scenes, and that nostalgic, early 90s “winners don’t use drugs” mentality and themes. What I have to put up with kind of evens out with what I get, so I’m not in the greatest hurry or most wanting of this series.

Hold/dropped

Yuyushiki – I want to like this show and for the most part I do like it, it is likable, but the pacing suffers greatly. I might still stick with it, I don’t know.

Zettai Bouei Leviathan – Same can be said of this show. It’s way weaker than the other anime with Leviathan in it. Other than for the seiyuu, nothing is lost by dropping this one so it made a quick out.

Date-a-Live – I really enjoy the premise and they started off with a nice, earnest-type tsundere character, which is a very safe bet. I hope the show lives up to its creative premise. It’s on hold because there’s too much on my plate so this anime will take a back seat; also I don’t feel I have a good grasp of this show at 3 episodes in.

Chihayafuru S2 – I decided to put this off because it is really easy to marathon later. The funny thing is, after I got back from Japan I was going to catch up, but the word of a recap episode kind of put me off. So it continues to be put off. It’s going to be fun to watch either way you do it, so I think it’s no big deal other than having to mute everyone who tweets about the show.

The Severing Crime Edge – I just want to hit up all the fetishes every week. Not enough of a reason to continue I guess.

Red Data Girl – I probably would be watching it every week if I didn’t have to dodge people who are watching the pre-release, and as a result unable to talk to anyone who is watching this show. I mean, I know many of us are not watching the pre-release but this totally ruins the overall discourse. That said I’ve not dropped this show, although it’s up in the air if I will end up finishing it.

And that’s all folks! Actually, I’m probably missing something, not including the shows I didn’t want to include (I did skim through some Carnival and Utapri). But oh well…

PS. Aiura – This is, like a teaser/demo/sampler right? It’s both funny how people whine about its length, and how cruel because it’s so good yet so short. At the same time I think I’ll be okay if every episode has a shot of the back of the leg of someone lying down, the whole time.


The Shiny Festa: Now an English Language Hoobie

Isn't she on my team wut

Since Bamco decided to localize the three iDOLM@STER Shiny Festa games for the iOS (and especially make it look nice on the iPad), I’ve been enthralled with them yet again. Well, specifically, I finally got to play all three this time, thanks to a friend whose favorite is Chihaya, which rounds out the one game that I don’t own in some form. If it wasn’t clear, I own “Rhythmic Record” on the iOS (that’s the team lolicon version) and “Groovy Tunes” on the PSP (that’s the one everyone buys, ie., Makoto, Miki, Yukiho & Takane).

In some ways if you are familiar with iM@S, there are no surprises here. It’s the same smooth cool-aid that I’ve been drinking since almost 2 years ago. The games offer new songs, old songs, popular songs, character songs, meaningful songs, and some duds. I still don’t think much of the music in the game, but seeing the girls dance to the rhythm is a fun thing. Turning the experience into a video game, though, is something else entirely.

It’s exactly what you don’t get when you go to an idol concert. Maybe this is where wotagei can transform these group-participatory experiences into game-like situations. It’s as if someone turned the ritual of Mass into achievements and on-beat motions, or pulling off a PPPH with the preacher gets you bonuses? I’m not sure how to feel about that exaggeration that I just made. But it’s not far off the mark.

Which is to say, Shiny Festa is still a set of video games. It’s fun, because of the songs, of the dancing, of the core game design decisions, because it’s well-polished, it looks nice on an iPad, and it’s got our oshimen in it.

Best Cinderella Idol

Me too, Anzu.

And lots of jokes. Jokes are the studs and buttons and the stitches of iDOLM@STER fandom. The entire franchise is a series of corny jokes, interspersed with showsmanship, gameplay, and spending of money. And I’m barely exaggerating. Continue reading


Reading Reddit So You Don’t Have To: DQ/GSC AMA

I missed cherry blossom season just by that much

In summary, these are probably the most interesting actual questions/answers (IMO):

  • A blurp about Mikatan’s translated blog posts and being too sexy? It’s kind of funny to read this, and that is probably only because I read Mikatan for luls. For people who don’t know, Mikatan is a GSC employee who “reviews” figures by posing photos of new products that go on sale or on pre-order. Review in quotes because it’s more just plain PR, although it is still quite functional. Her blog also includes a lot of inside info, as expected of a social media outlet for a small, otaku-focused company. It’s just in the past few weeks there were some entries that is LOL, shall we say, a bit fanservicy. And she gets right down to it (“One of us”). Perhaps what is truly notable is that she writes in Japanese and someone translates it into English (old posts) usually a day later (and I think part of that charm might be lost in translation, causing it to feel more pervy). It’s also kind of prolific (a couple posts a week).
  • Regarding import restriction. I don’t have the full picture on this but it comes down to that there’s some degree of price discrimination between Japanese releases and oversea releases, plus an additional time lag. It’s most notable with Kotobukiya figures. The price difference between oversea and domestic releases are usually not very big so it’s not a super big deal, but the larger Japanese online shops do brisk and good business selling overseas, such as HLJ, Hobby Search and AmiAmi. There’s a reason why Amazon doesn’t sell overseas I guess. At the same time, you get into this situation where an official oversea distribution setup has to jump through more hoops like licensing issues and what have you, and that puts local retailers at a big disadvantage. What has happened in the past is that some JP distros will tell JP retailers to not sell to oversea buyers, but that doesn’t really hold any weight legally so the practice continues for the most part. Thing is, most importers aren’t paying any less to get our figures from Japan, so the real victims here are local shops, who may get the same figures, often for a slightly lower price, but months later. Well, with the exchange rate being what it is, it’s even cheaper now.
  • GSC is planning to hold tryouts for figure sculptors in the USA? Very interesting.
  • Future of 3D printing (including paint). I guess this hit the JP news cycle a while back but it’s good to see it again.
  • Sales patterns between US and Japan. Pretty much what you expect.

Some bigger picture things:

  • People want more vocaloid figures, duh. By more I mean non-Crypton ones. I’d say IA, because she’s still new, not to mention I’d buy one.
  • Pretty much everything popular, GSC will try to make it, or so it seems.
  • Figure collecting is still a niche market, overall, but like what DQ says, it’s got a very wide bottom, with a sharp spike somewhere representing you, me and all these peeps.

I like GSC. They run their company as if they know what they’re doing in terms of marketing. I hope you guys going to Acen or AX take the time to visit their booths, should be a good time.


~Spring~ 2013 Anison Albums

I put ~ around Spring because the albums I’ll cover in this post go before Spring. Basically, the crap I alluded to in this post.

As a commenter on Danbooru would have it, "DES Metal!"

Actually the main reason I want to share these opinions is so I can write a sentence about something from Angela to Zwei. And it really reflects the sort of releases we’re seeing for the first half of 2013. There’s also some observable trends. The “vocaloidzation of seiyuu idol music” is really the number one thing. That, and the appeal of groups.

By “vocaloidzation” I mean it in a simple, one plus one sort of way. Just like how I can enjoy a Kuchiroro track because of the seiyuu connection (and also because Kuchiroro is ballers), same can be said of producing seiyuu music in a similar way–just treat their vocals as samples rather than cohesive part of an idol image. Well, the vocals are part of the idol image, may it be reduced more so in recent years, but you gotta wonder how many people stopped listening to the likes of Mamiko Noto because it kind of hurts. Well, maybe it’s better to say that thanks to vocaloid fandom, now there is another framework in which we can make idol music. Because as cool as showa-era idols are, it’s a tough thing to ask of anyone. The sad fact is that while there are a lot more pretty faces today among the seiyuu idol crowd, and there are a number of decent singers, the two still rarely overlap.

Joking aside, with Yuikaori graduating from StylipS (and I feel this is something they sort of planned from ages ago), or how the Yuki Aoi x Taketatsu Ayana combination is now a thing, what does this mean? On the other hand Itou Shizuka is still putting out stuff and there’s that Pikasha woman with her album debut eminent. Aniplex’s Hanazawa project is going swimmingly, and it really does complement the array of artists they have under their thumb. With competent production companies and pipelines, idols gonna idol…? Money will part from fools, all is well with the world. And let’s get a move on– [aff links ahoy]

Continue reading


Internet Scrap Heap, May 6, 2013

Just random thoughts.

John from Ask John finally addresses the hilarious bit in the Wikipedia entry for Risky Safety. AN Entertainment, the short-lived licensing arm of AnimeNation, a fairly sizable Florida-based anime store (online and B&M), licensed Risky & Safety. Later, it licensed Miami Guns. Then, Hare Guu. That would be the three things they’ve licensed. In the Wikipedia article for Risky & Safety, a snarky joke was put in the article (edited in Dec 23, 2011, out in Mar 31, 2012) that you can see here.

How do you even hate on Risky Safety anyway? It’s like kicking a puppy. John’s blog is basically the semi-official mouthpiece of AN so it’s good he addressed it finally.

===

Arudoc’s kickstarter to translate Little Witch’s Romanesqe, launched earlier in May, has now been DMCA’d. So LW’s HQ is in Koto, Tokyo? Cool. Anyway, this is actually not as big of a deal as people think it is. It’s just an interesting thing to gnaw on mentally. Slightly less interesting than how ZUN still hesitate to release his games “commercially.”

The comment thread of the original launch post on Arudoc’s blog go through all the key elements. Basically, it’s illegal. And once money is involved, your petty translation project now gets a higher level of scrutiny. People will DMCA you. And I think Kickstarter is way too high profile for illegal fan crap anyway. This is why fair use is kind of a lamer way to say what you do is illegal. Better is to make sure what is legal is legal to begin with [yes yes free culture 4eva blah blah].

I think Arudoc operated with a “if it’s not stopped it’ll go ahead” kind of the mentality, one that makes the Internet the hyper-copyright-infringing machine that it is. Maybe that’s okay, but people will stop you? Anyway, I agree it’s a step in the right direction–just a wrong step in the right direction. He did reach out to various “legit” parties but it seems LW just doesn’t want their game ported for whatever reasons (eg., piracy). Maybe we can analyze their claims in detail (I think it is not ridiculous to consider games that are exported & localized will increase piracy even in its home country) but that’s way too much work. I would give Arudoc more credit if he cited a $ figure that LW might budge. I mean, this is Kickstarter he’s trying to use, he owes us that much. Actually, that’s exactly the “wrong step”: he’s basically trying to use KS as an improved “donation” system and that is just way too half-assed.

Which is to say, donations for piracy is simply way too shady. How can you really bring yourself to do it? I’d buy some xdcc bot owners a beer or something, sure, but money for servers and bandwidth is too much.

===

https://twitter.com/Yuyucow/statuses/331038897146580994

oh also

https://twitter.com/Yuyucow/status/331452437221228544

(psst)

===

Yuniko