Category Archives: Modern Visual Culture

Gargantia Metanarrative

Going on a limb to interpret the latest episode of Gargantia, I draw from the form of despair and sense of stress that NEETs have to deal with. Since talking about that episode of Gargantia invariably means spoilers, I’ll talk about what I mean by despair and stress first.

Well, first, read this post and get on the same page, if you haven’t already. I’m just going to take a shot at the next stage of the NEET stimulus package.

The average NEET probably wants a reasonably paying and steady job. I say this because the demand for those jobs are always pretty high; that’s why they are relatively hard to land in today’s economy (Japan and elsewhere). The societal pressure is, as understood by the NEET or freeter, a form of reinforcement of these kinds of cultural norms. And of course if you do have a steady job that brings in good money, staying single means you can go to all the offkais you want, cons, wait in line for goods, whatever. Living the single life, instead of living-with-parents-and-waking-at-odd-hours life.

In 2013 terms, it’s no longer clear if becoming a NEET is really socially unacceptable, because people understand the truth that it’s hard to get a salary job as a young person in Japan, even if it’s one of those “success” indicator. The subsequent problem with NEET-ness is well documented in terms of getting that late start in life, being able to plan for retirement, etc. Not sure if that has much of a bearing on Gargantia’s narrative, but it’s worth noting.

And the way I see it, it’s all in the head anyway. Much like Ledo’s understanding of his predicament by the end of episode 10, being a NEET/freeter can feel stifling, as if you are cornered with no way out. Getting a job NOT as a fresh grad is harder than getting one as someone who’s just out of college. Companies naturally would wonder why you didn’t get a job the first time around, at least in the NEET’s head that’s what goes on. Settling into a strange pace of life trying to make part-time jobs can make it harder, just like doing anything else while working the graveyard shift or simply having to deal with a normal workday. Worst of all, you can fall into a habit, develop a rhythm living the NEET or freeter life, assuming your situation is stable enough. And the longer you fly in that standby pattern, the harder it is to land a permanent job or break out of that funk.

Invariably, unless it’s a planned period of NEET-ness, NEET status tends to continue for a while. Truth is, I think most people, eventually, get back on their feet. And in truth, there’s nothing Gargantia can do to solve the root problems–unemployment, societal expectations, the way employment works in Japan, all that jazz. All it can do is encourage people to feel better about themselves, and show that while they may be victims of the situation, they can do something about it.

(Mild) SPOILERS.

Mayta is that mechanics girl last episode...

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The Garden of Rainy-day Sinners

Awkward pose for an awkward couple

It took me 3 tries for Hoshi o ou Kodomo, so if it takes 3 times for Kotonoha no Niwa then at least I can do that in nearly a third of the time. It’s at least gorgeous enough to warrant watching it three times.

But yes, I’m still not sure how to react to the film. My initial feelings are both somewhat moved and yet slightly enraged at the odd composition of the romantic relationship. It all came together in a way that just felt a little wrong. It doesn’t, thankfully, take away the underlying emotions and the way The Garden of Words wraps around you and moves you.

I think you really have to go into this show without knowing what it is. The revelation later on int he film is a little disruptive and even if you’re a big fan of indie Japanese cinema you might not quite have it all planned out. And if you’re not, then this is probably not the kind of anime you expect.

It is the kind of anime Shinkai fans expect however. Visually it is beautiful. Tokyo has never been this gorgeous. Short of flooding this post with caps let’s just say that the Blu-ray can’t come to my house soon enough. [Especially since it’s in an order with the Festiv@l of Winter blargh, which means it’ll probably get here when I’m not home @ AX.]

First contact

So many rainy sunshine cuts, so few rainbows. It’s not Shinkai to do rainbows, I guess.


Mikasa Goodman

This guy thinks Mikasa Ackerman is a good girl. I’m not so sure. But while I was listening to that gaggle of voice actors sing along to the intense audio trope of a song the other day it dawned on me: Mikasa is played by Yui Ishikawa, who is in my mind, just Princess DNAra. A quick look on ANN says that Mikasa Ackerman is her second lead role for animation voice-overs. That’s a long time, relatively, in between. It’s also another incredible opportunity, to play a big role in a big show.

The thing is, Princess Dhianeila is also a “good girl.” In fact she is supposedly the literary parallel of some Greek mythological ideal for human goodness. I mean it in the “in contrast with, say, Gundam’s Relena or Lacus” but a force of nature pushing humanity into the next evolutionary level of existence, to join up with our space brothers and sisters; to chase after that mythical ancient race of gods or Qs or Precursors or whatever. In essence, DNAra is That Newtype. It’s about superhuman feats for an age where only such things can propel us forward, to overcome the other giants of the world.

It’s not too different, in that sense, from Shingeki no Titan. So what makes Mikasa Ackerman, and her muscle density? Or her voice actress? I have no freaking clue. It’s just yet another row in the database, where we bloggers run join queries and create nonsense for our entertainment. Ours and yours, hopefully.

And while sure, Mikasa, like Princess Dhianeila, are good girls, they’re also symbols in a way where a sense of flawlessness crusts over their humanity, their weaknesses. In my mind that is a great thing but it’s also not my cup of tea. In other words, I prefer girls who are more, shall we say, human.

Oreimo


Mid-Season Update, Spring 2013

Anime blogs are suppose to blog about anime right? Can I stop being one?

Before I begin I just want to talk about the APR. The anime  power ranking is a lot of fun and if you are a regular simulcast-y type viewer, maybe Kevo would have you give him your 2c every week. I’m a major slacker and wish I could be home and send emails about anime on the weekends, but that is usually not typically possible after Friday night and until Sunday night, when the APR is calculated.

Guilty plug aside, I guess I’ll keep it simple: Up, steady and on hold/dropped. Links to viewing portals. Ordering is semi-random.

Same Same

Up

Gargantia on the Verdurous Planet – A veritable science fiction healing factory. Hanaharu’s character designs alone might be worth the trip by itself.

OreImo Season 2 – I think this season is really bringing the pain, and for sisucons pain is not always a bad thing. The awkward exchanges between Kyousuke and his friends is at least less painful than Aku no Hana’s painful exchanges, which is good; that’s a sanity check. But it’s not a sanity check every seishun rom-com would pass. It’s probably up because we’re in the middle of the Shironeko arc.

Flowers of Evil – Since I am going to Animazement I probably should watch this to field questions for Nagahama. But it’s also just kind of an amusing show in that the bouts of fear, doubt and madness are baked into the atmosphere, only to be punctured by the visuals. The rotoscoping works both for and against the whole endeavor in a strange way. The story will continue to descend into insanity and who doesn’t love that? At least it’s an easier watch than, say, Texhnolyze.

Muromi-san – It’s half-length, but only if all gag anime was like this. It’s well-paced. It’s also the sort of Yukarin role that, well, is the best. Only if she plays characters like this all the time. That and people like this.

Attack on Titan – Well, it’s a fun show how despair continue to be front-and-center to the plot and theme. I just don’t know if that despair is for us or for the characters, because there is clearly a separation between “getting into the show” and “enjoying the show” in this case. Maybe this is because it does not focus on the plight of a single character.

Steady

Devil is a Part-timer – It’s a fun show, with solid comedy both ways. I’m 1001% in Yusa’s camp though. Chiho is adorable but I feel she’s the weakest link so far. With the addition of the new character in the romantic formula and the end of the “introduction” arc, however, I’m not sure where this show is going to go.

Valvrave the Liberator – The problem with making a show that has clear call cards from all your past hits is that the audience expects your past hits in your new shows, and it is really difficult to surpass all your pass hits. At this point I half expect Valvrave to go the way of Geass R2. Will it jump a shark? It already has. But will it jump a dozen sharks? Will it jump over a shark pyramid? Will it jump over shark Starfleet? I don’t know, but I know I will find out soon. That said, it would be a very considerable feat if it can replicate all that shark jumping in Sunrise’s back catalog while remaining coherent, and arguably it is on the way to do just that.

Fly like a bird, I mean, bat

Majestic Prince – Great show, for the Tatsuo Sato disciples among us. I think it’s going through a dull period but hopefully things will come together much better than Rinne or Pirates. After all it resembles the Stellvia template, which is probably the more successful line of shows. Unfortunately it’s kind of a wash for everyone else.

Space Brothers – Really glad that I had this backlog to work through, thus enabling me skipping all those recap episodes. Also now that the show is back to civilization, the full blown expectation of Japanese people hoisted upon unrealistic American experiences is again on display, highlighting yet again the real barrier between human and space exploration is human. And I mean it in the jaded, ironic, culturally hilarious kind of way.

Nyaruko-san W – I can’t really be bothered by this show but the shotgun jokes do still find their target week after week. It’s definitely a drop from last season and to me this is now a drop-worthy show that I’m still watching partly because of blogging obligations.

Henneko – The cute factor increases or at least keep steady weekly. I’m going to get diabetes watching this anime, but I look forward to it anyway.

Photo Kano – I was going to drop this show until I watched the photo shoot with the student council president. I am not sure what that says about me (probably nothing flattering) but the visuals are worth a look. I think this is really an “anime no chikara” example because without the animation direction this show is totally crap-tier. I like how it makes me feel like a dirty upskirting otaku without being one, but at the same time some really enjoyable visuals, with or without fanservice. I hope that one photography girl’s episode is all about dutch angles or something.

Sparrow’s Hotel – It’s a sin to be watching this without finishing Inferno Cop. I probably should finish Inferno Cop. Maybe same can be said of Nin Nin Shinobuden. Half-length. I’m actually a couple weeks behind but I think Minori Chihara’s greatest power is leveraging her natural ditz.

My Teenage Romantic Comedy SNAFU – OreGuile as I call it, it’s like a more pleasant version of Haganai in my mind. Which is probably a good thing. Also, what’s up with making Hayami Saori do the chew-you-out routine? I hope some enterprising people have made a cliip of it circa Tari Tari. I mean I would pay for this. Seriously.

Railgun S – As long as it continues to dish out things I want out of this franchise, I’ll continue to watch it I guess. The set of things I want out of this franchise may include beam weapons, awesome combat scenes, and that nostalgic, early 90s “winners don’t use drugs” mentality and themes. What I have to put up with kind of evens out with what I get, so I’m not in the greatest hurry or most wanting of this series.

Hold/dropped

Yuyushiki – I want to like this show and for the most part I do like it, it is likable, but the pacing suffers greatly. I might still stick with it, I don’t know.

Zettai Bouei Leviathan – Same can be said of this show. It’s way weaker than the other anime with Leviathan in it. Other than for the seiyuu, nothing is lost by dropping this one so it made a quick out.

Date-a-Live – I really enjoy the premise and they started off with a nice, earnest-type tsundere character, which is a very safe bet. I hope the show lives up to its creative premise. It’s on hold because there’s too much on my plate so this anime will take a back seat; also I don’t feel I have a good grasp of this show at 3 episodes in.

Chihayafuru S2 – I decided to put this off because it is really easy to marathon later. The funny thing is, after I got back from Japan I was going to catch up, but the word of a recap episode kind of put me off. So it continues to be put off. It’s going to be fun to watch either way you do it, so I think it’s no big deal other than having to mute everyone who tweets about the show.

The Severing Crime Edge – I just want to hit up all the fetishes every week. Not enough of a reason to continue I guess.

Red Data Girl – I probably would be watching it every week if I didn’t have to dodge people who are watching the pre-release, and as a result unable to talk to anyone who is watching this show. I mean, I know many of us are not watching the pre-release but this totally ruins the overall discourse. That said I’ve not dropped this show, although it’s up in the air if I will end up finishing it.

And that’s all folks! Actually, I’m probably missing something, not including the shows I didn’t want to include (I did skim through some Carnival and Utapri). But oh well…

PS. Aiura – This is, like a teaser/demo/sampler right? It’s both funny how people whine about its length, and how cruel because it’s so good yet so short. At the same time I think I’ll be okay if every episode has a shot of the back of the leg of someone lying down, the whole time.


The Shiny Festa: Now an English Language Hoobie

Isn't she on my team wut

Since Bamco decided to localize the three iDOLM@STER Shiny Festa games for the iOS (and especially make it look nice on the iPad), I’ve been enthralled with them yet again. Well, specifically, I finally got to play all three this time, thanks to a friend whose favorite is Chihaya, which rounds out the one game that I don’t own in some form. If it wasn’t clear, I own “Rhythmic Record” on the iOS (that’s the team lolicon version) and “Groovy Tunes” on the PSP (that’s the one everyone buys, ie., Makoto, Miki, Yukiho & Takane).

In some ways if you are familiar with iM@S, there are no surprises here. It’s the same smooth cool-aid that I’ve been drinking since almost 2 years ago. The games offer new songs, old songs, popular songs, character songs, meaningful songs, and some duds. I still don’t think much of the music in the game, but seeing the girls dance to the rhythm is a fun thing. Turning the experience into a video game, though, is something else entirely.

It’s exactly what you don’t get when you go to an idol concert. Maybe this is where wotagei can transform these group-participatory experiences into game-like situations. It’s as if someone turned the ritual of Mass into achievements and on-beat motions, or pulling off a PPPH with the preacher gets you bonuses? I’m not sure how to feel about that exaggeration that I just made. But it’s not far off the mark.

Which is to say, Shiny Festa is still a set of video games. It’s fun, because of the songs, of the dancing, of the core game design decisions, because it’s well-polished, it looks nice on an iPad, and it’s got our oshimen in it.

Best Cinderella Idol

Me too, Anzu.

And lots of jokes. Jokes are the studs and buttons and the stitches of iDOLM@STER fandom. The entire franchise is a series of corny jokes, interspersed with showsmanship, gameplay, and spending of money. And I’m barely exaggerating. Continue reading