Category Archives: Chihayafuru

Sports Anime Should Be about Art

This below post was kind of something that came to mind after I hit “publish” on the previous post, and it’s too big to just edit into my previous post. So.

I actually watched half of S2 marathon style

To summarize my last post, I am just complaining that sports manga/anime stories shouldn’t be taking sports just as a character development vehicle. It’s not to say don’t develop characters. I’m not saying we shouldn’t focus on intercharacter relationships, teamwork, or any of that good stuff. What I am saying is the way the actual sport is portrayed in sports anime/manga should be taken seriously and more thematically thorough. It should not just be a means to an end.

To go to the next step, maybe Chihayafuru is a good example because that is a pretty hollow example. By that I mean competitive karuta, as much as you dress it up to be, is still not much more than Egyptian Ratscrew. There are techniques, but it’s hardly a game nearly as complex as, say, motor sports in general. Or even most team sports. Is it more complicated and nuanced than curling? Anyway, that’s not the point, and I don’t want to belittle anything. But part of what makes Chihayafuru ticks is how it explains one of the most ethnically obscure sport of Japan to an audience who largely isn’t aware that it is a thing. There’s the whole exploratory angle. It really isn’t a story focused on an audience of pro karuta fans who follows the scene, but we share Chihaya’s point of view, starting a novice, as she explores the world of karuta.

What I enjoyed from Chihayafuru is that it plays pretty hard on the artistic nature of karuta. That the poems’ history as courtesan time-wasters is not lost on the audience. The art to “singing” the poems, for example, interplay with how fast someone can pick up the audio cues and thus get the right card first, is precisely the kind of thing that ties both the athletics and artistry sides of the sport and what it means to people who play it, in light of karuta. It’s not done in light of some intercharacter conflict or struggle, but as a nature of karuta. And in a way that karuta is such a simple game means there were only a few ways they can make these sorts of things stick out in the anime. I think that is a mixed blessing because the story can focus on the “go to koshien” aspect, which is, admittedly a necessity if the game here is foreign to most viewers. I’m also glad, visually, Chihayafuru is all about those artsy things.

And I think that’s the best way to approach sports anime: treat it as art. To use K-ON as an example, music is, by default, treated like art. It is about how it affect our lives. It’s not as much about how competition, pressure, a desire to be successful, self-worth, or whatever teenage angstbait or page-turning trick, but about what it means to learn to be a craftsman in your art. It’s partly what makes team sports so much fun to watch, because it’s not just a single guy doing the physical equivalent of hunting wild boars in a MMORPG until he dings level cap. Mio and Azunyan can practice until their fingers bleed through and their guitars stain crimson, but it’s not what music is about. Just like how abusive and difficult summer camps is what Koshien is about, but not so much what baseball is about. But singing a nursery rhyme when it’s raining outside and you’re doing absolutely nothing on a Saturday afternoon is exactly one way what real life music is like.

This is partly why I really like Oofuri. That is one story where you know whoever wrote it paid the gods of baseball the proper respect. It’s a plain koshien story, sure, and it still focuses on the battery like 90+% of baseball anime, sure, but the treatment of the sport is glorious. You can actually find what is artful about both baseball and Oofuri just by watching a bunch of people play the sport. Despite swimming in its very culturally-specific context of the Japanese high school sports club experience AND the whole Koushien culture context, Oofuri takes a big step beyond just all of that, and talks, well, baseball.

So, yeah, the other big reason why I like Oofuri is because it goes beyond the rigid genre walls of sports anime, the go to koushien schtik, and even the walls of high school baseball stories (and high school stories). Maybe another way out of these barriers for a non-Japanese to enjoy sports anime is through the appeal of these simpler, fundamental concepts like teamwork or raw human emotion and growth/character development. But if the focus is on that, I feel the work would lose its sports appeal.


Mid-Season Update, Spring 2013

Anime blogs are suppose to blog about anime right? Can I stop being one?

Before I begin I just want to talk about the APR. The anime  power ranking is a lot of fun and if you are a regular simulcast-y type viewer, maybe Kevo would have you give him your 2c every week. I’m a major slacker and wish I could be home and send emails about anime on the weekends, but that is usually not typically possible after Friday night and until Sunday night, when the APR is calculated.

Guilty plug aside, I guess I’ll keep it simple: Up, steady and on hold/dropped. Links to viewing portals. Ordering is semi-random.

Same Same

Up

Gargantia on the Verdurous Planet – A veritable science fiction healing factory. Hanaharu’s character designs alone might be worth the trip by itself.

OreImo Season 2 – I think this season is really bringing the pain, and for sisucons pain is not always a bad thing. The awkward exchanges between Kyousuke and his friends is at least less painful than Aku no Hana’s painful exchanges, which is good; that’s a sanity check. But it’s not a sanity check every seishun rom-com would pass. It’s probably up because we’re in the middle of the Shironeko arc.

Flowers of Evil – Since I am going to Animazement I probably should watch this to field questions for Nagahama. But it’s also just kind of an amusing show in that the bouts of fear, doubt and madness are baked into the atmosphere, only to be punctured by the visuals. The rotoscoping works both for and against the whole endeavor in a strange way. The story will continue to descend into insanity and who doesn’t love that? At least it’s an easier watch than, say, Texhnolyze.

Muromi-san – It’s half-length, but only if all gag anime was like this. It’s well-paced. It’s also the sort of Yukarin role that, well, is the best. Only if she plays characters like this all the time. That and people like this.

Attack on Titan – Well, it’s a fun show how despair continue to be front-and-center to the plot and theme. I just don’t know if that despair is for us or for the characters, because there is clearly a separation between “getting into the show” and “enjoying the show” in this case. Maybe this is because it does not focus on the plight of a single character.

Steady

Devil is a Part-timer – It’s a fun show, with solid comedy both ways. I’m 1001% in Yusa’s camp though. Chiho is adorable but I feel she’s the weakest link so far. With the addition of the new character in the romantic formula and the end of the “introduction” arc, however, I’m not sure where this show is going to go.

Valvrave the Liberator – The problem with making a show that has clear call cards from all your past hits is that the audience expects your past hits in your new shows, and it is really difficult to surpass all your pass hits. At this point I half expect Valvrave to go the way of Geass R2. Will it jump a shark? It already has. But will it jump a dozen sharks? Will it jump over a shark pyramid? Will it jump over shark Starfleet? I don’t know, but I know I will find out soon. That said, it would be a very considerable feat if it can replicate all that shark jumping in Sunrise’s back catalog while remaining coherent, and arguably it is on the way to do just that.

Fly like a bird, I mean, bat

Majestic Prince – Great show, for the Tatsuo Sato disciples among us. I think it’s going through a dull period but hopefully things will come together much better than Rinne or Pirates. After all it resembles the Stellvia template, which is probably the more successful line of shows. Unfortunately it’s kind of a wash for everyone else.

Space Brothers – Really glad that I had this backlog to work through, thus enabling me skipping all those recap episodes. Also now that the show is back to civilization, the full blown expectation of Japanese people hoisted upon unrealistic American experiences is again on display, highlighting yet again the real barrier between human and space exploration is human. And I mean it in the jaded, ironic, culturally hilarious kind of way.

Nyaruko-san W – I can’t really be bothered by this show but the shotgun jokes do still find their target week after week. It’s definitely a drop from last season and to me this is now a drop-worthy show that I’m still watching partly because of blogging obligations.

Henneko – The cute factor increases or at least keep steady weekly. I’m going to get diabetes watching this anime, but I look forward to it anyway.

Photo Kano – I was going to drop this show until I watched the photo shoot with the student council president. I am not sure what that says about me (probably nothing flattering) but the visuals are worth a look. I think this is really an “anime no chikara” example because without the animation direction this show is totally crap-tier. I like how it makes me feel like a dirty upskirting otaku without being one, but at the same time some really enjoyable visuals, with or without fanservice. I hope that one photography girl’s episode is all about dutch angles or something.

Sparrow’s Hotel – It’s a sin to be watching this without finishing Inferno Cop. I probably should finish Inferno Cop. Maybe same can be said of Nin Nin Shinobuden. Half-length. I’m actually a couple weeks behind but I think Minori Chihara’s greatest power is leveraging her natural ditz.

My Teenage Romantic Comedy SNAFU – OreGuile as I call it, it’s like a more pleasant version of Haganai in my mind. Which is probably a good thing. Also, what’s up with making Hayami Saori do the chew-you-out routine? I hope some enterprising people have made a cliip of it circa Tari Tari. I mean I would pay for this. Seriously.

Railgun S – As long as it continues to dish out things I want out of this franchise, I’ll continue to watch it I guess. The set of things I want out of this franchise may include beam weapons, awesome combat scenes, and that nostalgic, early 90s “winners don’t use drugs” mentality and themes. What I have to put up with kind of evens out with what I get, so I’m not in the greatest hurry or most wanting of this series.

Hold/dropped

Yuyushiki – I want to like this show and for the most part I do like it, it is likable, but the pacing suffers greatly. I might still stick with it, I don’t know.

Zettai Bouei Leviathan – Same can be said of this show. It’s way weaker than the other anime with Leviathan in it. Other than for the seiyuu, nothing is lost by dropping this one so it made a quick out.

Date-a-Live – I really enjoy the premise and they started off with a nice, earnest-type tsundere character, which is a very safe bet. I hope the show lives up to its creative premise. It’s on hold because there’s too much on my plate so this anime will take a back seat; also I don’t feel I have a good grasp of this show at 3 episodes in.

Chihayafuru S2 – I decided to put this off because it is really easy to marathon later. The funny thing is, after I got back from Japan I was going to catch up, but the word of a recap episode kind of put me off. So it continues to be put off. It’s going to be fun to watch either way you do it, so I think it’s no big deal other than having to mute everyone who tweets about the show.

The Severing Crime Edge – I just want to hit up all the fetishes every week. Not enough of a reason to continue I guess.

Red Data Girl – I probably would be watching it every week if I didn’t have to dodge people who are watching the pre-release, and as a result unable to talk to anyone who is watching this show. I mean, I know many of us are not watching the pre-release but this totally ruins the overall discourse. That said I’ve not dropped this show, although it’s up in the air if I will end up finishing it.

And that’s all folks! Actually, I’m probably missing something, not including the shows I didn’t want to include (I did skim through some Carnival and Utapri). But oh well…

PS. Aiura – This is, like a teaser/demo/sampler right? It’s both funny how people whine about its length, and how cruel because it’s so good yet so short. At the same time I think I’ll be okay if every episode has a shot of the back of the leg of someone lying down, the whole time.


Winter 2013: Played Out

I think we’re at the point of the season where new shows are either cleaning up from their explosive and intriguing pilots, or holding on to its cards until the final stage of the game. I feel the lull.

AzusaShiori

I think this is where a lackluster anime can really fly its colors and get people’s attention, now that the TV anime mix has stratified from sedimentation; the unforgiving centrifuge of short attention span will float those Senren Kaguras on top and hard campers like Shinsekai Yori and Psycho-pass on the bottom. Not that either is particularly value-assigned good or bad, mind you, and certainly that means the Jojos of this world is probably somewhere in between. Man, what a show that is.

But is there anything really outstanding? It’s kind of like how all this people who harp on Magi, either way? I mean, yea, I see animation mistakes and the like, but I wouldn’t call it bad. Or else nobody would watch anything SHAFT makes (at least on first pass). At least there has to be that proverbial cabbage, and it wasn’t there anywhere this season. But anyways, why do people chime after Magi, besides that it ended a story arc in the middle of the season? Maybe that was it. At least it didn’t do what Chiyomaru’s Robotic;Notes (almost) did, which is grow a little too long in the tooth. No matter how moe Frau is, we want to know what happens next.

It reminded me of that show with flying panties a few years back. I mean, all you need is just a little bit of whack. Maybe Kyoto Animation can make Tamako Midori burst into a tango duet with Dera? Or in Magi’s case, a cute Haruka Tomatsu character doing a gap moe dance routine (and unlike Frau, that clip is spoiler-free and context-free). Or maybe what it takes is Urobuchi killing some more people gruesomely in his Psycho-Pass (surely that is tired). Maybe it has to do with gothloli maid character bouncing around in a dance routine with a bunny sharing the same rack size with Kurokami Medaka (complete with hair color change)? I’m looking forward to that. (And I hope someone tells me Medaka’s are larger, because they may be.)

That said, if there’s anything reassuring in Winter 2013, it is that boobies only get you so far. Who’s still watching Senren Kagura again? Maoyu’s sacs of fat is a somber reminder that boobs are really no big deal in the real world–we all have them, it’s more about how you use it. It’s much like how SHAFT, try as they might, can only do so much in Sasami-san episode 5 because that material is so Haruhi in this post-Haruhi environment, that the Based God herself (CV: Asumi Kana) goes meta over her own desires, in which becomes the plot driver. At least now we can claim that the combination of Haruhi anime with incest is actually a thing, or Haruhi with untranslatable puns is a thing. Plus the only booby character is the loli (who is fully clothed at all times, God willing). On the other hand, adding the right amount of boin (and it could be in all forms, from Kanade “Boin-chan” Oue to the cast of Da Capo III–Da Capo Sakura Drift) does give your show a little bonus juice. It’s about time we’ve gotten that formula right. (Is calling Kana-chan “boin-chan” the, uh, the 1000AD version of “Titty-ko”?)

On the other hand maybe this is why Aniplex is going for butts in Vividred and Lantis & ASCII Media Works are putting money on the surging idol trend. It is free market at work, folks; the industry is growing to meet your ever finicky and ephemeral demands. The only question is which people group are they taking feedback from? Surely not from people not paying any money into that exorbitantly problematic financing model. Maybe the final hook from Vividred would be the “OMG my body is an elite combat machine from the future and I’m just a plucky 14yo girl who wants to make friends using world-destroying weapons, but now I can’t do anything because I’m a zombie like Grandpa and I will never get married.” That would be such a cop-out. A more direct way to make sales is to just give us some bonus throw-ins, like how they deal with those rednecks from Osaka.

Or if you’re like me, you’re still glued to this show called Hyoubu Kyousuke, because it’s actually the most anime-y and best anime-y anime on the air. Why hello there Aya Hirano. If I had any regrets, it would be that shipping Hyoubu and Hinomiya is probably the canon thing to do, even if one (or both) of them is a real lolicon. I almost regret to be able to introduce the show for those “oh why are anime full of teenagers” crowd, but Hyoubu Kyousuke does work for them.

What is up with all these lolicons, anyway? I think there are probably a couple more than usual this season. Not that I actually keep track–it just feels weirder. It’s just like how Oreshura takes that oddish turn as it continues to introduce the girls in a mid-flight attempt to boost its solid if lackluster drama, borrowing from both Haganai (which continues to be problematic, for better or worse) and maybe even Chu2koi? I don’t know and I don’t even. It’s probably way too hopeful to expect it to be like Sakurasou, since I think a lot of us were expecting Sakurasou to be like Tora Dora, which is already way too hopeful. Does that mean Hocchan > Asumiss > Yukarin? It feels that way certainly when it comes to luck of the casting draw.

I’m starting to think Asumiss is the Morgan Freeman of the otaku anime world. でんがなまんがな! Or maybe more appropriately, PUCHIM@S!


Chihayafuru: Anime for Most of Us

We anime watching folks are sad creatures, you know that? I think the more I think about and more I see what happens the less I want to listen to anyone who raises a stink about creativity or how noitanimA is going down the drain or whatever. It’s really just the opposite.

I think there are some serious and valid concerns in terms of industry specific issues and challenges, but a lot of the times these issues aren’t spun in a way in which we look at what the problem is. It’s like looking at pictures of men and women in swimsuits and being unsatisfied with the type of swimsuits you can see, rather than being unsatisfied with the actual models posing them. Putting the carriage in front of the horse, I guess.

The truth is, Chihayafuru is a beautifully and poetically rendition of a long-running manga. The subject matter and characters are really beside the motif and execution of it, elevating something rather esoteric (national, competitive karuta) into the realm of “just yet another sports manga adaptation.” I think there are a lot of great manga adaptation of this type over the years, and it’s great to see something in doses of 26 episodes joining the rank of such (hopefully).

But my bones with Chihayafuru is that it brought very little of new; it’s just an excellent execution of the old for the most part. Chihaya’s voice actor is a neophyte, and she definitely demonstrated promise in her performance and in the ending song she performed. She’s also head and shoulder taller than Kayano Ai which is amusing when you see them line up for the cast photo op, but anyway–there’s not much beyond that. I think there are some very creative use of animation CG pattern overlay in the show (especially in the OP), and the soundtrack is adorable and quite enjoyable if yo’re into that sort of thing.

Maybe this is just another way to say I’m jaded about anime, but I want more out of my anime than just what Chihayafuru provides. It doesn’t take away that Chihayafuru does provide some of what I look for in all anime, but in the end there is nothing groundbreaking or really something to get excited about from the perspective of a fan of the medium, or specifically, late night TV anime. I guess this is a classic case of getting not what I wanted but just what I needed.

That is why I actually find what this crazy social-networking cultural critic had to say striking a chord with me. I have no opinion on Sayo Yamamoto’s new work besides that it is full of naked breasts and it is promising. I’ll probably enjoy it. Because I’m the miserable anime watching type. Because as much as I might like Dezaki’s work they only give me what I need.

[Y’know, what I need is to write a post about Another.]


Year in Review: N-Listing

So, the tradition continues. 12 lists of 12 things. Some are ranked, others are not. One this year is not ranked but merely numerated.

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