Category Archives: Popular Culture

The Raw Illiterati Conspiracy

Anime speaks a familiar tongue to me. The unspoken language.

Older Tiz

If you are like me, you are in good company. I mean, there are over 6 billion people in the world, but less than 1/40 of them speak Japanese. That’s right, 39/40 (and more) of the world population do not.

It feels like one of those “think of the children!” moment, but it is something to think about. We don’t really care that most people can’t speak Japanese, but if we were to concede that what makes anime anime is partly cultural, then it is speaking something that goes beyond the language and culture which rings true to those of us who can appreciate it and not being a part of its primary audience.

That seems like a handful. Let’s break it down.

In disguise it is a “what is anime” question re-visited, but what is unique about it? A cross-cultural exchange of the human experience isn’t unique to anime, but is there something about this exchange substantively different? Maybe, I don’t know. I know that some people ended up watching anime because it is quite different than what they’re used to see on TV, so there’s that.

In form, however, there is definitely a stylistic bend to anime that others are missing. The obvious one is what you see–art style. BESM and all that. But that’s kind of shallow: OEL manga is a good example how this is shallow (when it fails) or where the real difference lies (when it doesn’t). In fact, looking at it closely gives you a better clue to the gap between style and content and what makes anime (or manga) just that different. Serial narratives are also something fairly typical in anime but not common in the mainstream. The narrative styles and tropes, sure…

Does that explain why at all I post so much at the MT forums? Probably not.

Honestly, though, that’s not why I’m writing this blog entry. I want to document how someone who can’t speak a word of Japanese to save his life (well, I dunno about that) can watch raw anime and actually understand most of it. When I say most of it I mean it–most of anime series, most of an episode of an anime, most of the dialogues and certainly mostly what is going on narrative-wise.

Would this be true of an episode of Spongebob Squarepants? Dora the Explorer? Ok maybe for children’s programming…but The Simpsons? Futurama? Family Guy? Robot Chicken? Well, maybe it’s true for Over The Hedge or Ice Age 2, but how about Team America? I ask because I don’t know.

But what we could first think about is the children’s programming barrier. Presumably children’s animation are more visually expressive in terms of exaggerated motion to make sure the viewer doesn’t miss the visual cue. So when a show like Love Hina or Suzumiya Haruhi no Yuutsu is so expressive, they’re clearly meant for … you get my point. So is that because they are relics from anime and manga’s earlier days, that it was meant for children but the tropes and meme stuck on? Maybe.

But on the other hand some anime are not that visually expressive; or that they are more akin to acting? Jin-Roh comes to mind. It’s a fairly expressive film when it comes to character drama and the characters’ expressions. Or shows like Cowboy Bebop and Genshiken?

But that still doesn’t explain why it’s rather easy to understand these things. Maybe it wasn’t ever a hard thing to understand, after all? Or maybe it’s something that just comes to you after you’ve seen enough? Certainly possible.

But it is a silent conspiracy. A lot of raw watchers outside of Japan probably don’t really speak much Japanese at all. Why do we do it? Is the language just not a barrier? Or better put, is comprehension not a barrier? Or the fear of miscomprehension/incomprehension not a barrier? I imagine that’s one big thing people get hung up on, at least from the people I talked to.


Partly Passionate Past

It is hard to part with the past.

Robin Sena

Especially when it makes a great story that others enjoy hearing. This is the story of Robin Sena for me. Often times when it’s playing on the screen, I just look blankly and smile. Thankfully I rarely see her on TV.

Oldies are goodies sometimes, when what the old stuff evoke isn’t some higher power brain function but a simple emotional response. It makes us turn into little kids. It’s quite different than what I think is “moe” or what is plainly attractive or sexy. This feeling is layered, seasoned emotion. You taste euphoria by remembering how it was euphoric. It’s like ABC gum, but the flavor never goes away. Or Star Wars: A New Hope. Or lazying around with some old friends doing nothing.

Or is it? I think when I rewatched Witch Hunter Robin last week as it was being rewatched by someone else (does that make me a mere by-stander?) I realized this show, vintage 2002, is really well done even by today’s standards. Maybe that’s just me watching my own DVDs for the first time (at least, the first time I remember it) and all I can mostly remember is my first impression from the off-air digisubs that made me a believer, but aside from the awkward lines here and there by the animator team trying to do Shokou Murase’s designs justice…it looked really nice.

I think all fans have memories like these that make them the type of fan that they are. Come to think of it, the gothloli fad was making its way just about then in Japan in force. Maybe I have this show to blame for my strange, elegant slant. In a way this is really the kind of idol-effect that I really need to be aware of. Naturally what I adore, I praise and follow…

It all makes sense. Genres are pioneered by massivly popular hits into the mainstream. Gateway drugs-type experiments open the door to greater differentiation and diversity (and more gateways) when they’re successful. We all have to thank Astro Boy? What and who is responsible for all the lolicon in anime? If we can trace it, that is.

Sitting Pretty & Slacking

Yurika Doujima: …
Robin Sena: …
Yurika Doujima:


Manhattan-Run

HD does this regularly, and it’s rubbing off on me. I hope this is the only kind of thing that does, and the only time I do it. But here goes: an excerpt of my NYC Manhattan shopping guide or what I did last Saturday.

Golden Triangles Everywhere

Speaking of triangles, East 41st and 5th, 45th and Madison, and the Rockefeller Center are the points that form my main shopping triangle in midtown Manhattan. It’s not that you can’t get good stuff elsewhere, but these places are where you’re going to get anything authentic at all with a real selection in the city, AFAIK.

Personally I like the Bryant Park area–free wifi, a Chipotle near by, and the home of a freaking large library. On top of that, it’s conveniently located between Time Square and 15 minutes by foot to Penn Station. Well, most of midtown are all close to each other, so that’s not something that special–it’s like saying there are Starbucks near it (which there are).

Well, who am I kidding. I like it because Book-Off is right next to it. It’s nice when Japan’s largest used media chain opens a store in the middle of the city (inside a half-block of other Japanese establishments). And I stress “used.” You can actually pick up a lot of used English-language stuff there; all kinds of books and CDs. I was close to picking this up for $3 today, for example. Book-Off, despite its fair inventory, is very much hit-or-miss when it comes to looking for a purchase-worthy CD or DVD (let alone a particular one you want). Its main strength lies in its superb manga collection–easily the largest Japanese-language manga depository in the greater NY area. Nonetheless because everything is used, it is super affordable. God bless the First Sale Doctrine. I think almost half of my import CD collection is from Book-Off. I snagged nice CD sets or that super-rare Out-Of-Print CD more than once. I think I spent a good amount on artbooks as well.

From East 41st it’s a brisk 5 and a half block uptown to the reincarnated Asahiya. In 2003(?) Asahiya’s old storefront in Manhattan closed down. However when it reopened mid-last year, I didn’t find out until earlier this year; a pleasant surprise it was indeed. The new Asahiya is located off Madison, which is way better than their old location off Mulberry, right next to Grand Central. That said my last shopping spree I took a different path, so we’ll revisit Asahiya after I hit up Kinokuniya.

Kinokuniya at Rockefeller Center has been a landmark for many years now. The walk up 5th from 41st takes you through some of the more glamorous shopping areas in midtown, which includes both a CompUSA and a Best Buy; two Borders; plus God-Knows-How-Many caffeinated beverage vendors and apparel stores. That said, Kinokuniya is much like Borders; it seems kind of lame to get your anime/manga/music fix there. Well, it’s not so bad. Kinokuniya is the largest corporate B&M vendor out of Japan after all, and being such a flagship symbol in midtown they’ve recently (well, for a couple years now) retooled their store to have a strong anime media focus. Well, it is a fad in the States, right?

That’s all good for me. Kinokuniya has probably the largest import artbook selection now (and as hard as I looked, never a copy of Flamboyant; but they have a couple of those coveted(?) Sphere++ for $47 a pop…). Blah. What’s more interesting is that they do make an effort to stock at least all the latest jpop hits, plus some of the more mainstream offerings (which made the Joe Hisaishi fan I shopped with splooged quite a bit) like a healthy dose of new game music and anime CDs from shows on the air (I didn’t know Re: Surface was used in Yakitate Japan! for example). Plus what you’d expect from a Kinokuniya in terms of Japanese manga and books, it also now carry a healthy selection of domestic anime and manga.

Kinokuniya still is a good place to shop despite their ridiculous prices. At the least, if not only because Asahiya charges more. However, when I was looking around at Asahiya, I felt the need to take a couple pictures just because they were total Kodak moments. First, I found a new copy of Masami Kobushi special edition. That may not be a big deal, but to me it is about as shocking as seeing your favorite musician’s picture on the wall of a restaurant you’re patroning for the first time. And it’s not just a picture, but it’s a picture of your favorite musician in a pose with the establishment’s owner. Complete with autograph.

I think I might have downplayed that analogy by quite a bit, but you get the idea. It’s way notable than finding the new Eureka 7 albums there (which was quite notable)–I didn’t know The Best Of came with a DVD (and ZOMG, goodies); and I was nigh close from buying OST2…I guess eventually. What’s probably just as shocking was seeing this. I guess this makes me an official Nana Mizuki convert? Or just to make the truthful statement that pirating mp3s make me end up buying them? Something in between. I guiltily paid for it, with little comfort knowing that the copy of Love and Bubble I picked up at Kinokuniya was $3 less than the one at Asahiya.

The other photo-worthy statement was just something words cannot describe. Typically all three of these stores are inhabited by native Japanese. You get the whole “Irrashaimase! Konnichiwa!” treatment as you pass through the door (at least in Book-Off). The cashier hands you your receipt and credit card with two hands and I get mistaken as a Nihonjin more than once. It’s often that Japanese housewives visit these places for leisure while their kids stew around at the children’s literature section. It happens that there’s a small TV playing Laputa (raw, btw) at the children’s literature corner at Asahiya, and there was a little boy about 3 feet away from the screen watching it. The TV was set up so it was embedded into a display so it looks like a part of a tree, and the display was set up to be a corner piece between two shelves. There are some carpeted steps (think of a swimming pool’s wading steps) leading up to that tree display. The boy (about 4′ tall) was kneeling on the middle step.

It was just messed up. Alas, words still fails to describe, but I tried. It’s a fateful reminder that worshipping materialism and anime is no good, even in fact that’s what we do often times. Don’t get too deep into it, even if culture programs us to!


Blogging 203 – Informational Virology and Introduction to Memetics

iHaruhi

Life exists in more than just the mechanical – it exists as information as well. History is important as well as memories; not only these things constitute the sum of our existence as a civilization and as each individuals but it is a thing unto itself. People who shares your memory lives on in your memory when they pass away in a very sensible way. Generations after generations may have come and past but they leave their fingerprint on everything they’ve touched for the next generation. Indeed, humans live to express, to communicate with the world and each other. It is an innate desire to produce something original and imaginative. The same fundamental force of nature applies to writing. It’s one of the primary way to express, and people have done it for millennia. It’s important to realize that the moment you put your idea into words and wrote those words down, it is just the first step to breathing life into them. In today’s mass-media-saturated world, it is easier than ever to breath life into ideas. Take William Hung for instance…

But I’m jumping the gun. If you’re familiar with this train of thought you should know what I meant. Ideas live, good or bad. How it lives and how long it lives are other kinds of questions. Below, we’re going to focus on how it lives, through the study of memes, trolling, and the meaning of…meaning. How do these things help a blog is up to you to apply them. Hopefully I’ll have some simple examples to show you.

Memes. What’s so fascinating about the modern use of the internet and the World Wide Web is the proliferation of memes. I think we can trace them back in the days when most people use the internet for email and usenet. IRC had a big hand at growing some of the key memes we still see today, such as l33t-speak and other memes that exists in form. Email and usenet memes tend to exist in the substantive, OTOH, as chain letters, things you email your friends because it’s a funny read, or even simple pyramid schemes.

That’s not to say, though, that meme didn’t exist or proliferated prior to the internet. What is special, however, is the internet’s ability to connect people not by geographical proximity but by thought proximity. When you look up something on the internet, odds are you are also thinking about it. Perhaps you are even interested in whatever you’re looking up–news, sports, a TV show, whatever. Odds are the funny email that got forwarded to you was sent by someone who thought you would apperciate it, or because you’re on a mailing list regarding something you are obviously interested enough to sign up with in the first place.

Memes, in short, are mind viruses. It’s a bit of a stretch to call them viruses, when in reality they are unitary ideas existing sort of like a virus–they sit just like every other idea on the text of a website. But when an “infected” person reads it, it triggers something which evokes this (relatively uniform and consistent) idea. When two people infected with the same meme communicate this trigger, they both will relive the meme. Furthermore, a meme by nature is replicative. Ideas by nature is diffusive and grows from person to person. A real meme, however, exists not just within the medium of communication (say, a sentence), but it becomes, in some ways, the medium itself (such as an allusion). Someone who doesn’t understand the meme, when confronted with a meme trigger, would ask for clarification and explanation, and the meme is passed on.

Memetics (the study of memes) is a relatively controversial and new area of study. For the most part academics look at it through the parallel of memes as organisms to microevolutionary mechanisms for biological organisms, but we don’t really need to go there. For our purpose we need to simply recognize that ideas that share much similarities tend to be accepted by people who already share other ideas that are similar (see memeplexes), and some memetic traits makes them more or less acceptable by other people, as well as changes the likelihood of replication of the meme both in terms of how fast it spreads and how long it’ll stay with us.

In detail, even if you and I are inundated by information everyday, only the ones we find interesting we end up remember, and fewer still are the ones we tell others about, or use in our writing. Schools and education is remarkable in that it innoculates us with a set of fundamental memes, from the ground up. However outside of that, and any self-learning that you do, not much will stick. What make these memes stick? What makes them worth propagating? How do different people measure this calculus in their heads?

Understanding memes is just one way to look at this age-old question, but understanding this framework yields some interesting answer to the same age-old question. We now turn to some real applications: Just what makes a good idea viable idea? Or in our application, how should we editorialize in the meta?

Trolling is just one of the many ways people use to pitch their ideas. However, a troll’s primary distinction is to rile up a reaction, not so much to pitch an idea. The subtle troll thus is one who shapes a meme through creating that allergic response a normal person has against trolling. It’s partly why Rush Limbaugh or Jack Thompson get their minutes of fame. More importantly let’s see how a memetic framework explains the power of trolls.

There are several ways why trolling is a powerful way to send out your message in a nutshell. Crafty writers all do this when they want your attention (the first and foremost element of a good blog is one that people pay attention to). It’s an easy way to take a carefully constructed counterargument or lateral attack and make it entertaining and effectively communicated (both are helpful to make your ideas interesting and easy to understand). An emotional response is also highly memorable (for a lasting meme) and it tends to get people talking about it (fast replication).

On the other hand trolling is only best in moderation. Excessiveness has its place but generally it only works if you are already building a memeplex (ie. preaching to the converted) or expressing it for its own sake (artistic). Otherwise it is likely to be not taken seriously (people will forget it over time) and it gives other competing memes more leverage over it (basically, makes your idea much less persuasive). Another way to see how trolling works is in a Marketplace of Ideas framework: the way you market your idea (trolling) should be tailored to who you are selling it to. You can make more people buy a less worthy idea by marketing it better, than a more worthy idea; and alternatively you can market wrongly and cause the same effect, as well.

One of the important lessons about trolling is knowing your audience. Anyone who is an experienced writer can tell you that. It makes all kinds of sense. Don’t troll if your readers are looking for affirmation. Do troll if your readers are looking to hone their edges. Make your memes meaningful and on the same wavelength as who you want it to click with.

With that we’re coming back to the heart of it–meaning. To people who are looking at simple means-ends communication (for example, “how to fix my computer”), that is easy stuff. But for people looking for more, it becomes an increasingly complex if impossible task to give them something really meaningful in such a package that they not only understand it, but apperciate it. Education is valuable to society because it provides a format to obtain meaning to the questions people have. Religion and culture are valuable to society because it gives meaning to asking those questions. Friends and families are valuable because they help you answer those questions.

But don’t get me wrong. Meaning is optional. An evolutionary perspective would say that a meme that survives best is a meme that makes the person who it inhabits lives and teaches the best. In that way memes that relates to happiness, health, and relationships easily are the most successful and popular memes. Anime bloggers stand zero chance.

But do they? Medical schools, for example, teach all kinds of information that only highly educated and qualified individuals receive, and these doctors practice those information for people’s better survival and physical well-being. However very few people, relatively, knows any detail about doing a hysterectomy (the 2nd most common surgery for women in the US). Many more knows who William Hung is. Why? Is William Hung more meaningful? Not by any means.

However the fact remains that knowing how to do surgery is something droves of intelligent people would toil over for years (in med school and residency) in order to be able to actually practice it. In that sense, these med students and residents are asking a different question than those who knows about William Hung. Is logetivity and physical well-being more important? In the long run, no, obviously. But in the short run, it is fairly irrelevant.

In that sense, a successful blogger answers the right question. The answer is meaningful only because the question makes sense. I can talk about how wonderful Jesus is all day long, but it means little to someone else; however if someone ask me about Jesus I can answer their question and there is some meaningful communication going on. In other words, the blog needs to connect with its reader on a much more fundamental level before a meme can successfully be transmitted. Remember the very beginning of this dissertation? The internet is a powerful tool in this regard precisely because it allows people who are already in the ballpark to look for other fans in the same. People who stumble on your site are likely already asking the same questions you are asking. Take advantage of that.

At the end of the day, looking at memetics tell us that sound writing advices from ages past are likely to last simply because they work empirically, but a theoretical confirmation helps us apply these techniques better. Importance of network, especially, is highlighted by looking how memetics affect your audience base. It seems that when it comes to blogging, word-of-mouth or comment-linking seems to be the better form of dissemination of memes rather than, say, Google. In the ever differentiation of blogs how we ask ourselves and how we ask of our reader becomes the key in defining a blog being what it is, as an editorial ultimately asks questions. Trust your readers, and they’ll likely to trust you back if you have something to offer everyone.


Ai wa Bubble Bubble Trouble

Magipokan Surprise!

Love is trouble
Love is trouble
Priced like truffle
We are baffled
Makes me babble

Love is a bubble
A growing puzzle
Poetry, a riddle
or bloggable hassle
Almost predictable

Love is trouble
A harem debacle
Male leads fumble
the romance polygonal.
Totally serviceable

Love is bubble
Just like a bubble
Pops like a bubble
Realizations subtle
We all roffle (anyways)

Love is trouble
A big trouble
Vampires cackle
Lycanthropable
A Hamster troubled?

Love is bubble
Plagerizable
Shoujofiable
All adorable
Loli? Certifiable!

Love is trouble
Love in a bubble
Expectation shatterable
Anime cliché-able
Call the blog constable!

Love is a bubble
Full of trouble
Ideals Romancible
All in a fable
Archtypical

Because, after all…

Love a riddle
A poetic riddle
Cryptic trouble
Magipokan babble
Totally blog-able

Love is Trouble
Copyrightable
And Parodi-able
Like Love a Riddle
An aural miracle