
After the missing years of COVID, I was able to return and attend a Million Live solo show. Before 9th, I attended stops of 3rd, 4th, 5th, and 2 stops of 6th.
Continue readingThe Yard Sale

After the missing years of COVID, I was able to return and attend a Million Live solo show. Before 9th, I attended stops of 3rd, 4th, 5th, and 2 stops of 6th.
Continue readingWhen I first read about Hitomi Suzuki in or around 2016, it was a line item under the concept of “NOW ON AIR,” a seiyuu idol unit produced by Lantis with agency Office PAC. It didn’t stick. The second time I read about Hitomi Suzuki, it was looking up which color Yuki Tanaka was in NOA when she was added to IDOLM@STER Shiny Colors as Asahi.
I’ve not really seen NOW ON AIR at all, as they were low profile, and other than two of their anime tie-ins I have barely heard them either. Still, that was enough for me to “get” what it was like once I connected the dots. In 2021, NOW ON AIR was put on indefinite hiatus.
Reading about Hitomi Suzuki recently, it was the news of her passing from cancer at the age 26. It seems she was part of Office PAC during her entire seiyuu career. At first I didn’t even realize she was formerly of NOW ON AIR. Then the realization came. Cheers to Crunchyroll calling it out in the headline.
It’s so weird how that little bit of context adds so much–because you can now imagine how a Hitomi Suzuki tanoshi’s life is like? Can you imagine the feelings the NOA cast and staff had to deal with the last 18 months? Your struggling seiyuu dreams crushed by COVID and the rest of your future robbed due to terminal illness? That just seems way too much.
Since NOA disbanded in 2021, Momoe, Misako and Mina have left the agency as well. Momoe seems to have completely retired from show biz. Misako and Mina found out about Suzuki’s passing through social media and it’s rough to see their now-freelance reactions on social. Here’s also a shout-out from Aira Yuuki who worked with the group in the past. The remaining members were still connected via their agency, and they work together in the agency’s vocal unit, “Coe-mony.”
What’s really tragic isn’t so much of all of the hang-wringing I’m now reading up on, but that “Coe-mony” has a live show on Jan 15 2023. Hitomi Suzuki is listed as a cast member still for that show. I’m assuming “Coe-mony” has a regular program and they talk about this throughout, and have some kind of plan to put everything in perspective given that Suzuki’s agency should be in the know throughout her health journey. But I’m just guessing.
To me, the most memorable thing was finding out that NOA participated in Machi Asobi one year and did the race within the city. Was it a half marathon or something? It was pretty amusing to see seiyuu idols go through it, which is why it stuck. I’m just hoping everyone affected by Hitomi Suzuki’s passing can find some solace in these pretty harmonies.
[LAST UPDATED 12/16/2022]
Now that each branch’s streaming plans are set, it’s time to make public my big IDOLM@STER streaming music rec post. I had to update it to change some selections from 765Pro and CG because Columbia decides to not stream a lot of the catalog or not in full. I also removed some from Shiny because Lantis aren’t streaming the back catalog yet for some reason. And since it’s not quite 12/28 yet some of these may be subject to change. I probably won’t be updating this further though, when new stuff get added eventually from the back catalog. Anyways, for the ones I removed between when this was first written and mid-December 2022, I will try to add some other picks, which wasn’t hard at all.
For the ones not included in the streaming
Shout out to @AngryDaenjangny for goading this P into writing this and it was a great idea. I hope this was all useful to you in the end, and even if not, I found the exercise helpful.
IDOLM@STER music runs the gamut. On one hand you have the most standard fair otaku property image songs. On the other hand, you have literally K-POP. The large IP spans several sub-brands and two record companies. It employs whole hosts of musicians and creators, not to mention 100s of cast members. There are the music games in which we associate IDOLM@STER with in 2022, but to me it’s also about the big concerts and performances where the cast perform all the songs. Everything comes together for those moments and this franchise orbits around that idea.
765 Pro All Stars: I’ll keep the new stuff and the tangent stuff (radios etc) out to keep this short. That said, Puchimas music is now also streaming so I’ll fill in the excluded picks (strikethrough) with them.
Cinderella Girls – a good bet for total newbies into this series is to listen to the set lists from 10th tour. It’s all great. I’m not really into Deremas much these days but the bangers of Cinderella never stop. What is disappointing is that outside of the main songs from the Cinderella Girls TV anime, all the solo and game songs are the short/game versions. About 4% of the total Deremas discography are in full. Thankfully, a huge percentage of them are available as short versions, including almost all the Deremas songs from the game.
Million Live – Nowadays, my main jam. This brand is known for being all over the place musically. 765Pro members also sometimes have songs under this brand, and that leads to some fun collaborations. I mean, there’s a song about Costco (not licensed). Everything goes in this series. For songs up to 2016 I have separately posted before, which overlaps with many below. At start, 490 songs are available with exception of a handful not yet available or omitted for unknown reasons. A few of the songs attached to the Gessan manga serialization are also available!
SideM – I don’t really know SideM. Going to be looking for other people’s recs once streaming is available. Like Million, most of the catalog is on streaming at full size.
Shiny Colors – Compared to other brands, there aren’t as many songs. Makes this job no less easy perhaps. It also doesn’t help that I’ve fallen off this bandwagon a little. About a quarter of the songs are on streaming, which is mostly the latest series of group songs and one of the character solo albums. They have already announced that more old songs will be released over time. I’ll just cross out the affected ones for now, because it’s the majority of these and there isn’t much I can make up for; I’ll also add something streaming in the cases where it applies.
Others & Covers – crossed out if they’re not being streamed.
I write this just as after Aimi announced that she will take a roughly 2-month break from work activity to treat a chronic health condition, so let me start this by wishing her a speedy and complete recovery. During the final MC segment on day two, Aimi jokingly gave us her æ„› as she is christened, so the rest of us (including those also on stage at the time) joked that she is now just 美 (her stage name is 愛美 as written in Japanese). She said we can return it on White Day (or something). But, now, I wonder what she was thinking when she said that! I guess there’s the archive stream I can review.
So despite the gasp of hope we had late last year, the Omicron variant shut down Japan’s borders yet again and inside the country cases has exploded to new heights just late last week. None of that means anything compared to the power of æ„›, as in Japan’s take on Valentine’s Day. Million Live has its big number live as a Valentine’s Day event, a first, which is really just a regular concert with a Valentine Day’s theme.
So, here are thoughts about Million Live 8th. You can still watch it until the end of the week here (paid stream).
Oh, new anime teaser dropped.
Actress and singer Sayaka Kanda was found dead on Dec. 18 at the hotel she was staying at in Sapporo. The circumstances as far as I am aware of come down to these two articles. Since it is an ongoing investigation, I’ll refrain from inferring from the fairly well-known set of circumstances surrounding her. It’s kind of on brand that ANN just namedrops Sayaka’s parents without any footnote–Seiko Matsuda is one of the most popular Japanese idol ever, and Sayaka’s relationship with her star-lit parents had been turbulent (and public). But first, I want to extend my condolences to her family and all her friends, colleagues, and fans…especially the fans of her characters. Well, as one of those, I’m writing this to cope, partly.
Sayaka Kanda was a geinokai royalty, who most recently got on my radar from her work in Idoly Pride. Recently she was on a live stream to celebrate Mana’s birthday–the “ghost” character who were later on implemented into the mobile game. It’s not the first time I’ve seen or known her, but as I don’t follow Sayaka’s musical roles, it’s the first time I’ve seen her perform in character as such. Well, yes, also Idoly Pride staff put her name on the little chocolate name plaque on Mana’s birthday cake, because she was Sayaka Kanda, she was somebody?
It turns out Sayaka played a lot of roles in other pop culture notables even before 2021. Her biggest role might had been Frozen’s Anna in the Japanese dub, but she nerded out in Danganronpa, who she provided a character voice to as well as sang a song for as TRUSTRICK. Like others of her age, she was into vocaloids, which you can see her covers on her Youtube channel. Her music career went along these routes, probably because she had an affinity to it?
Needless to say, Sayaka was a talented, multi-role sort of a performer. But, the reality is, does it matter? Personally, I am emotionally hit by waking up to this news today–a tragedy that a popular 35-year-old dying is bad enough, but that she played a character I like in Idoly Pride means this character fundamentally will now also be impacted. It’s a reminder when people passes away, it creates a figurative hole in the world bigger than the size of that person’s direct impact. All of this hit on me is for an IP that’s almost a year old. It only took a year for me to attach so strongly to someone who plays a character I like. It’s really about the distance in your head, and there are few ways to shrink that faster than doing that idol routine.
I’m not sure if I can still play or look at Idoly Pride the same way. I don’t know how the cast feel about Sayaka’s passing, but I hope the best for them. As a fan and player I just hope the management of the game do her contribution justice and do so respectfully.
Me? I’ll probably continue to put off that newsletter, LOL. I have some post ideas lined up and I just want to throw them up as soon as I can.