Author Archives: omo

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We’re Going to Master of Idol World 2023

For long time readers of this blog, you might recall back in 2013-2014 I did some stuff to prepare for Master of Idol World 2014. After that I wrote something like, 13 thousand words to try to sum up the experience. I am doing nowhere nearly as much this time. Why? Because I don’t have to. Flower stands are not allowed, and instead we have these Bandai Namco-sanctioned flags that you can fund, and there are at least several oversea Producer ones. I joined probably the most popular one of those, which looks great by the way.

I don’t have to plan a big meet up after the show, because charitable Japanese and Oversea Producers are doing it, so I am just going to theirs. It is definitely a different world in 2023 versus 2014. I might even have multiple things that I could go do, I don’t know, just not too focused on it.

The difference to me, I think, is mostly on me–I just don’t have that much time and attention span lately to spend on this stuff. I play some mobile games…and it’s already too much. I guess I only seriously play Theater Days, and even then that is a very light load. I sorta-serious play JP Priconne and semi-casually play Global Priconne, but those combined is still a light load. JP literally runs 5-10 minutes a day and up to 30 for CB, while Global is not much more. I’m so behind on those games too in terms of commu and what have you. I have a love-hate relationship with Blue Archive still, but I think I have to shed this game despite it being occasionally fun and frustrating. And it’s a light-weight game as these things go, being largely a Priconne clone.

All this is to say I still watch a bunch of anime, but even then that’s always kind of the struggle, since as long as I have been watching seasonal anime. I guess we are in February, where I don’t have any Baseball to watch and there’s just 1 game left in the NFL schedule. Speaking of which, is there a bar or somewhere in Tokyo where I can crew up to watch the Superb Owl and all the dumb ads? I guess I can do it in a hotel room (or, more likely, at the airport) thanks to unplugged television services, but it isn’t the same (at 8am).

When the NFL is the only main thing on my mind during MOIW weekend, is a good thing. There are other logistical items to note, at least some out of many:

  • The buppan (goods sale) area spans 3 separate locations this time–Tokyo Dome, The Science Museum (near Budokan), and Kanda Square (about 10-15 minutes walk from the Museum). Looks like Tokyo Dome won’t have all of the stuff, and the heavy lifting is going to be at Kanda Square. The music CD stuff will be at the Science Museum. Along with the lottery on ticket time, this could be tricky for folks wanting to pick up stuff. I haven’t had much time to look through the goods list, but there are a few things I want.
  • I’m going to an Asaka concert on Friday, just to get the juices going. Also Asaka with a live band is always a fun time.
  • I’m going to Lonesome_Blue’s first show on Saturday, so this is going to be tricky trying to get tickets out before MOIW lol. I hope I can make it from Shibuya timely and meet everyone. Ideally the day before.
  • Tokyo Dome has an amusement complex attached to it. There’s a MLB cafe. There’s the JP Baseball Hall of Fame museum. There’s a Ferris wheel…? A lot of stuff there. There is a collab with IM@S that weekend at the various shops there. This means I can literally line up for Shake Shack and get, I don’t know, an imas sticker or something. The details are all online.
  • After MOIW weekend I am going to have a proper vacation while shepherding my folks around town in Japan. That’s also on my mind.
  • And on a similar note I have to go to l-tike and buy tickets to Ghibli Park on the 10th, for May. Sigh.
  • For fandom extra-curriculars, besides the meetings after the show, there are some producers doing a display at a rental office/meeting space, and the usual call guide handouts at several locations.
  • At some point I should at least learn all the group songs, especially the SideM ones. Pretty sure I got 765Pro All Stars and Million down pat. For Cinderella Girls, I watched their show from November on live stream, so that’s something. I don’t know any Deremas calls for anything 2019 and onward, though. Now that calls are unbanned, Ps are gonna yell out loud. Do Shiny Colors even have calls besides Urya-Oi LOL. I’m pretty much up to date on Shiny except maybe just the latest series.

Did you know that same weekend has a ton of other events? It’s the weekend before Valentine’s Day. It doesn’t really matter to the Ps out there I guess. Worse comes to worse, there’s a stream and an archive viewing.

I think going to see all the IM@S happening in Tokyo is exactly the kind of escape and relief I need. I hope to see some of you there? This is like a very perverse victory lap.


THE IDOLM@STER Million Live! 9th Live Impressions, Thoughts

After the missing years of COVID, I was able to return and attend a Million Live solo show. Before 9th, I attended stops of 3rd, 4th, 5th, and 2 stops of 6th.

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Omonomono Newsletter, December 30 Update

Just before the end of the year, I write now because now I can. How have you been? Happy holidays.

Sign up for these as emails here.

Omonomono Newsletter, 2022-12-30

As I sit and think about the 100s of links I’m about to repost below, I realize marble, the band we booked for Kurocon vol1, has a little series of shows to celebrate their 15th anniversary. Aoki Ume was announced for their 1/15 show in Tokyo and I could make it if I skipped the other show I ticketed for already. Just sort of a bummer that I couldn’t make it because I really want to see marble in person now.

See you at Million Live 9th? I’m going to Japan again, after this blank of 2 months or so. Although I will only be there for a few days, it would be great to meet up with anyone who I’ve not seen for some time. It’s also nice I can just copypasta (almost) the same paragraph from the last letter lol.

It sure was better than the previous idea I had about opening this letter–on Hitomi Suzuki. I’ll get on with this later.

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Hitomi Suzuki, 26 Years Old, Way Too Early to Go

When I first read about Hitomi Suzuki in or around 2016, it was a line item under the concept of “NOW ON AIR,” a seiyuu idol unit produced by Lantis with agency Office PAC. It didn’t stick. The second time I read about Hitomi Suzuki, it was looking up which color Yuki Tanaka was in NOA when she was added to IDOLM@STER Shiny Colors as Asahi.

I’ve not really seen NOW ON AIR at all, as they were low profile, and other than two of their anime tie-ins I have barely heard them either. Still, that was enough for me to “get” what it was like once I connected the dots. In 2021, NOW ON AIR was put on indefinite hiatus.

Reading about Hitomi Suzuki recently, it was the news of her passing from cancer at the age 26. It seems she was part of Office PAC during her entire seiyuu career. At first I didn’t even realize she was formerly of NOW ON AIR. Then the realization came. Cheers to Crunchyroll calling it out in the headline.

It’s so weird how that little bit of context adds so much–because you can now imagine how a Hitomi Suzuki tanoshi’s life is like? Can you imagine the feelings the NOA cast and staff had to deal with the last 18 months? Your struggling seiyuu dreams crushed by COVID and the rest of your future robbed due to terminal illness? That just seems way too much.

https://www.youtube.com/watch?v=HhKm9lCTGE8

Since NOA disbanded in 2021, Momoe, Misako and Mina have left the agency as well. Momoe seems to have completely retired from show biz. Misako and Mina found out about Suzuki’s passing through social media and it’s rough to see their now-freelance reactions on social. Here’s also a shout-out from Aira Yuuki who worked with the group in the past. The remaining members were still connected via their agency, and they work together in the agency’s vocal unit, “Coe-mony.”

What’s really tragic isn’t so much of all of the hang-wringing I’m now reading up on, but that “Coe-mony” has a live show on Jan 15 2023. Hitomi Suzuki is listed as a cast member still for that show. I’m assuming “Coe-mony” has a regular program and they talk about this throughout, and have some kind of plan to put everything in perspective given that Suzuki’s agency should be in the know throughout her health journey. But I’m just guessing.

https://www.youtube.com/watch?v=gkhbVXB8MIw

To me, the most memorable thing was finding out that NOA participated in Machi Asobi one year and did the race within the city. Was it a half marathon or something? It was pretty amusing to see seiyuu idols go through it, which is why it stuck. I’m just hoping everyone affected by Hitomi Suzuki’s passing can find some solace in these pretty harmonies.


Anime Frontier 2022: Wrap; And Some Additional Thoughts

I was just looking on twitter randomly and noticed Holiday Matsuri. This is the annual event in Orlando, Florida, right before the end-of-year holidays. I can’t find easily the attendance numbers, but it’s held in a large resort hotel that maxes out at 10k in its largest meeting space, so it’s probably safe to say the con is not larger than 10000 per day in warm bodies. The guest list and content checks out for a mid-size con. There are several other cons in Florida of similar nature and varying sizes. None of them hit my radar because of the lack of both industry and Japanese guests. It’s not to say they never show up, just very rarely… Still, the programming at those events look really good and would be pretty great to attend, from a hangout point of view.

To the extend that there are quite a few anime-culture events that are destinations for the now-fit-for-travel Millennials, which is really the first generation who grew up with family-friendly (to the extent that you could be going before you were an adult) cons of this type, cons mixing with popular travel destinations are a thing. HolMat is on the doorsteps of Disney World, Anime NYC is in Manhattan, and Chara Expo was across from Disneyland are of any note for vacationers. There are the Colossal cons, which are basically resort cons. There are cons in Vegas. There are cons in Hawaii. And there’s always going to Japan for a couple weeks for Comiket or whatever event you fancy.

Which is also to say, “American anime cons” are its own thing. If you look at the programming available on HolMat’s site you can see it’s listed with about 13 or so events tracks, on top of various gaming, social, and the usual AA/Dealers setup. No JP guests, just a bunch of influencers, dub actors, cosplayers, DJs and the like. The content is highly tailored to indie or fan material.

On my way home from DFW, I can’t help but to think this is really what Anime Frontier should copy from to have a good jump in a year where they can’t pour in the outside help. This is what they sort of need to go in to a new place that has already established conventions around.

Anime Frontier 2022 was in Fort Worth Con center. It’s a nice and large space in downtown Fort Worth. It was also my first trip in that part of the country so I had a chance to walk around and take in the sights. If you can ignore the fact that DTFW is a giant parking lot for a good 1/4 of it, the experience was fine as the holiday vibe was on full. Given FLOW was the primary draw for me at the event and they’re gone by Saturday (I guess they were playing in Mexico City on Sunday after?), there was not much to do at the con either for the most part. The last guest they invited had to be cancelled on Sunday so I just switched my flights early to take off first thing in the morning.

I walked the dealers/AA room in full on Friday and canvassed it on Saturday. That’s probably a first in many years… Actually the quality of vending is just fine for this event, but the foot traffic and sales are low, given what I heard and seen. Gundam Base being there is a big boom but I wonder how well they sold. I was able to pick up a couple Gundam Aerial HG, which seems to be sold out in Japan but not elsewhere, or some such.

The panels at the con had a lot of industry content. What caught my eyes are the concert archive streams, but none of the show jumped out at me. The movie screenings were probably more pertinent, with Shin Ultraman on Sunday and Blue Thermal on Saturday. I passed on those and instead caught a showing of the Gotobun movie at the local theater about 8 minutes away from the con. I also went to Goldee’s, which is what I did at the other Dallas region con earlier this year. The BBQ game at these places are a full blown experience and worth every minute of it. Oh, I guess I did watch the USA Men’s National Team lose at the World Cup while having breakfast at the hotel.

Anime Frontier did have some fan-run panels, but it’s thin. There were 2 panel room tracks, that’s it. Maybe it’s a new con so few people had the ability to work it in their schedule, but this felt big time lacking. The con also basically shuts down by 10pm, and has no attached hotel presence like many other cons in these parts of the world.

There are a bunch of places in DTFW to eat, or you can cross over the highway to lounge out at spots at the south side, which is what I did on Saturday night. The places there are all legit but it’s very…what’s the word, a car kind of a city. It’s not the most pedestrian friendly. You can walk it, but it’s not a great walk. The food is good though.

As for the rest of AF, I think until they kind of gain momentum and bring the big guns to the South, I’ll probably just treat it like a “winging it” kind of an event like I did this time. Hotel and flight weren’t expensive, and probably can be had cheaper if I wasn’t winging it…

PS. I had a weird situation at this event when my hotel reservation were transferred to the wrong day in the system. I think it was using one of the event booking system. Thankfully everything worked out in the end and I confirmed it with the hotel directly.