Author Archives: omo

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Anime Central 2022: Wrap

I went to Anime Central 2022. Given the state of the pandemic, I was somewhat surprised to see any Japan-based guests at all. Well, beyond high levels of hope (as they say, hopium), it’s easy to expect something good, but frankly that’s quite unrealistic.

It’s unrealistic, as the logic goes, because given the strict limit on re-entering the country of Japan for much of 2021 and early 2022, including the ever-changing travel restrictions that could upend travelers on short notice upon new development during the pandemic, it’s hard to promise a con and start the visa process so much in advance. It could take at least 6 months, usually up to a year, to get that P1B or whatever visa. All the while you need to ensure that a guest could make the trip and return to their regular work-life in Japan without interrupting their schedule in case they catch COVID. Given that Omicron is very contagious, it’s hard to predict in a social work visit like traveling to play at a show at a con, how that could expose the talent to COVID. Some bands and musicians can probably pull it off, if they have slack in the schedule in case a positive test is recorded. This can explains the likes of ASCA and Nano, maybe.

So, yes, other cons this 2022 Spring season do have marquee JP guests–namely ASCA at Boston and Hawaii and maybe Nano in Hawaii. Not-BACK-ON Blank Paper is going to be at Otakuthon (could be a safe bet this year). Diana Garnet also made the oversea trip last minute, but she doesn’t have visa issues. Other cons turn to less straight-JP type guests with DemonDice, or DJs like TeddyLoid and Moe Shop. That’s Acen’s JP guest roster. There are also two very popular VTuber guests at Acen, but what do they even count as?

DemonDice is best described as an indie hip-hop artist in Japan, but is really an American woman who is trying to make it there. It can also be said that she is the persona behind Hololive EN’s gen-1 hip-hop vTuber Mori. DemonDice typically does her set at cons via Fake Star and Teddyloid plays along with her set as well. I rather like Mori’s hits but DemonDice is unfamiliar to me. She’s the kind of artist that performs in small hole-in-walls but at the con she does her thing in front of thousands.

Acen continues to be that rowdy rave con of that I remember, so Saturday night’s rave featured top acts that really hit the spot. Moe Shop dropped Hyper Bass and Good Night Baby, so that’s good. Teddy dropped his Nijigasaki song, which was a surprise. There were also a few anisong that he remixed the past couple years that were released separately. It helped that I just saw Bandai Namco Festival the week earlier and it tuned me into Denonbu.

Witnessing the long lines for DemonDice and HoloEN reminded me that those subscriber counts underneath Gawr Gura’s name on her channel page translate to real human beings. Maybe not 1-for-1, but close. I went to the HoloEN panel with said Shark and Bae, and it was rather enjoyable. They had remotely-controlled cameras to shoot the crowd. Instead of a chat people just used props and signs to chat back. I think the format worked, so props to team Mike and Sujay and others. From what I hear it was much better than ANYC’s panel for HoloEN.

Besides these usual nonsense, Acen was more an excuse for me to get out of the house and meet up with friends I’ve not seen in some time. It’s also a great excuse to ditch the lackluster guest lineup and visit Chicago proper for once, given that I’ve been there a number of times but never downtown. I went to a Cubs game and hung out, it was a lot of fun. I ate all the hotdogs that I wanted.

Which is just to say, this is all made reasonable with not catching COVID at the end of it all. Mid-May 2022 in the midwest, infections were trending up, and I took some reasonable precautions like wearing a N95 mask as much as I reasonably could. The rave and big con chokepoints definitely were dense enough that it felt necessary, even with tall halls of the con center and hotel ballrooms.

Acen softened its COVID policy the week of the con and kind of left some people in the lurch. It went from vax and mask required to just mask required in some areas. I think it’s unfortunate and they didn’t handle the change in COVID policy well, but in the end it probably didn’t matter that much given the nature of community spread and most people still wore masks at the show.

Just to conclude, I think Acen had to happen, the crowd was for it, but it dropped a few things such as the COVID policy and what not. Still the outcome didn’t matter too much. I will write more about COVID and my thought about cons in this moment in a separate post. Otherwise, without so much at stake personally, these cons are laid back and fun if you mix in some RJ stuff. And especially surprise guests like 4 of Happiness and 1 from iScream show up to rock JP-idol style!

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Omonomono Newsletter, May 9 Update

It’s been a busy but also quiet month. Spring hasn’t quite arrived where I live although it’s clearly Spring. It feels at odds.

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Omonomono Newsletter, 2022-05-09

The con circuit is about to kick into gear big time this month. COVID news in Japan is trending in a good direction, even if case counts aren’t always trending in a good direction in some places. It’s just more adjustment after adjustments.

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Omonomono Newsletter, April 12 Update

Spring has come. The clock of the Cinderella Does Not Stop. Time waits for no one.

Wait, wrong director.

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Omonomono Newsletter, 2022-04-12

Director Shinkai has released the teaser for his new film, scheduled for November this year. Maybe this is ticketed for SLA and ANYC? I don’t want to watch any movie inside Javitz. Pompo has made me resolute when it comes to the cinematic format, and frankly I can wait. BTW Pompo is in theaters later this month here. Oh, there’s even more Shinkai news.

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Omonomono Newsletter, March 23 Update

As Major League Baseball is now slated to resume normalcy, will my sleep schedule do as well? With the world economy taking potshots from Vladimir Putin’s war, the weakening yen and the still-going concerns about COVID variants take on a different sheen as we head into Spring. Will we have too much or too little hopium? Well, that doesn’t really stop anything.

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Omonomono Newsletter, 2022-03-23

The end of the anime season this time coincided with the end of FUNi as a simulcast anime source for North America and some other English-speaking geographic regions. The merger with Crunchyroll has started in earnest and as a subscriber of both the transition, I feel it is not entirely smooth. I’m not a FUNi annual subscriber so I don’t have that FUNi issue, but not every show has gotten moved over. Hakozume, Realist, Slow Loop, Pupil of the Wise Man and Tensai Ouji are shows I’ve been watch and those are staying until the end, and others have raised the concern about home video updating the broadcast version, which is more of an ongoing concern. What was most amusing to me is how FUNi actually uploaded a few videos to explain the CR apps to its users. On the home video side, this is a bit more murky.

https://www.youtube.com/watch?v=K0D9w_k_GXs
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Omonomono Newsletter, February 28 Update

The Newsletter experiment stumbles into the second year. I guess I will continue because regurgitating these links into a single post is still worth it for myself. BTW, it’s only dated Feb. 28 because I couldn’t finish writing by midnight–you have the MLB lockout deadline to thank for that.

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Omonomono Newsletter, 2022-02-28

February came and went. It’s low-key a power month. The cycles are driven not by what’s new, but by what counts. Russia invades Ukraines–someone said something about war in Russia in the Winter or something somewhere, and now sneezed. But, there are other things like Kizuna AI moving on.

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