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Side-English

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The Idolm@ster SideM idol subunit SEM stands for “Science English Mathematics” and supposedly the seiyuu team put on a hell of a show on the live stage. But it gets me thinking–these idols have the image of that futuristic exoticism that comes with these “SEM” notions, but how?

Science? OK I can see that. What’s exotic about English? Okay, maybe from a Japanese point of view there’s something exotic about the West. But Mathematics? What is exotic about mathematics? Maybe it can be kind of esoteric?

SEM also reminds me of another abbreviation, STEM, which stands for Science, Technology, Engineering and Mathematics, or what is commonly known as “curriculum that will lead to gainful employment that actually makes money.” The SEM idols are three ex-high school teachers who taught those 3 subjects, so it triggers the “public education policy” line of thinking and that leads to STEM.

And SEM is kind of like STEM–they are the hard line items in public education in Japan, which focuses on stuff that is going to be more important and relevant like how STEM subjects are.

If the last blog post I titled is any clue, I recently read a couple bio write-ups of Elon Musk who paints himself as a physicist-engineer-entrepreneur who happens to also be a genius and wants to send a million people to Mars. Is that the kind of appeal SideM wants to uh, emulate?

To mix it up, recently I came across a spoiler about the latest Metal Gear Solid (V), which in short, reminded me of Itou Project’s Genocidal Organ. In both cases, language is part of a greater science-fictional plot about killing a lot of people. I’m not sure, but this seems a very novel idea. Which is to say, does English have a place in STEM? I think it absolutely does.

Of course, this isn’t really the case if you are talking about public education in an English-speaking country, but English is the language of science, and not knowing English as a scientist or tech/engineering person is like being a weeaboo who can’t understand Japanese. I can’t imagine someone who is at the top of the game in those subject matters not know enough English to get around. Maybe they don’t speak it (since most of the time it’s reading and writing only) but it is just another kind of barrier, perhaps, that the Japanese feel especially. And I can see how some people would take that idea far enough–to equate English as some kind of symbol of western imperialism, or what comes more recently as American dominance of global culture, in popular or as a world police-type entity.

Well, making SEM seem sexy is all good in my book. Very positive development if you ask me.


Musk-Style Idoling

Bin1 sure loves its crossovers

I side with Elon Musk when he (subtly) complained about the comparison of what SpaceX has accomplished with what Bezos tweeted about landing a (part of a) rocket, back when Blue Origin announced its feat. I think we cannot overstate the difference between landing a big thing that’s in freefall at near zero speed at its apex with landing a big thing that’s traveling at something like Mach 7. Or however fast 16000 kilometers per hour is. And that’s just its lateral velocity.

This is what I feel stands between IM@S and Love Live. They are both about fake idols and are media-mixed IPs with the usual attachments to them. But in rocket speak, IM@S is somewhere between finishing its second stage burn and going to the third, far beyond its Max Q point. Love Live on the other hand is still rocking that main burner. And I suspect the two idol ships are not even going to the same places, taking the same trajectory.

Maybe that’s just how far it takes to go beyond the glittering future.

I think we will want both to do well. And not only these two, but WUG, Aikatsu, Pripara, SB69, whatever you got, right now, floats all boats outside of Japan. Because the west doesn’t get idols. Those who think so somehow understand it only in the context of the infamous AKB and all the drama that name brings. But we have to realize while the 48Gs revolutionized what that concept is in practice, they are not the idol industry nor are they even representative of it outside of the very mainstream. And mainstream Japanese entertainment was never really relevant to the West anyway, speaking on aggregates with broad strokes.

The more people who get LL, and it doesn’t matter if they get into LL or not, the better it is for everyone else. I think East Asia generally gets it; Koreans are a good example of improving on some of that formula, while sticking to what works for them. But it’s also different than the kind of less-glamorous, oddly homely and otaku-friendly version of these things. Still, writing as someone from the USA, it is a change welcomed.

With Love Live’s Tokyo Dome event on the horizon, and how the movie release shattering late-night anime records, I hope this is just the beginning of something more wonderful for everyone, not just livers. And I think while it’s okay to get nervous and jittery about going to LL 6th (RIP if you are attempting), don’t worry. If it was as awesome as IM@S 10th, you will be in for a treat, and it wouldn’t even be that severe to score tickets.

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I have posts to write, but I don’t have that much time. We’ll see. One thing for sure all those “Year in Review” posts will come after Christmas.


Cinderella Chiaking; Wives; Miscellany

I was reading this translation of Takahashi Chiaki’s write-up on the seiyuu business, her career and some notable past stories she wanted tell. It occured to me, the way she talk about seiyuu is really similar to how IDOLM@STER Cinderella Girls works.

Pilot + seiyuu doesn’t quite exist in CG universe, or is there? Maybe in SideM… I guess, it’s okay to be the best French or Russian or Esper or Rock or Mushroom or Creepy or Smiling or Flutist or Dairy Farmer or whatever. You get the idea. Who knows what will happen to you?

Just to talk about Chiaking a bit more, recently, she participated in the Aice5 Reunion as a part of the Sore ga Seiyuu event featuring Aice5. There was the drama about her torn achilles heel, possibly a stress injury as a consequence to her knee problem from a couple years ago. It happened during the Aice5 event rehursal, and people were obviously upset over that. The silver lining was that she was very much up for the event regardless, and there was enough time between her immediate recovery and the event to plan around having a Chiaking who can’t walk unassisted. Namely, a cool couch and someone to push it around.

It’s pretty neat.

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Nonohara Akane, Happy Birthday!

I searched my blog to see when and how often I use the term “waifu.” The first hit date was in 2010. Recently more and more I feel otherwise about the term, however.

The bottom line problem here is that waifu is equivocal to the “yome” in “ore no yome.” Japanese otaku claim their wives, 2D or 3D, it doesn’t matter, in this way. But this is not exactly with that tinge of irony that a weeaboo-ized term of the same literal meaning carries. In this sense you are just declaring your wife in that otaku context. It still can be ironic, but this is not why it’s done. But I think when westerners co-opt this concept in “waifu” we do it in a way how we use “otaku” to equivocate “fans.” And I mean this is the super-gate-keeping, lock-us-up-and-throw-away-the-keys kind of way. It really should only mean “hardcore fans” at the most, but that’s not how marketing out west handles it. Obviously in glorious year 2015 of our Lord the O word no longer carry the thick stigma of yore in Japan, but when a blessed nerd finds and declares wife (or husband), this is done without irony, East or West. Because it would be disrespectful otherwise.

And this is why I find waifu problematic. The term is built-in with irony. Like, at best, we use the term to signify the context in which a wife is declared, like an anime nerd and his or her animu character. But this context is always never positive; maybe it’s pretty much neutral usually, but why even bother? If you call Shimakaze your wife I don’t think anyone will be confused, or at least no more than if you were to call Shimakaze your waifu. So why the linguistic twist? What does it mean?

If people were calling their wives ironically in Japan I don’t think I would be as bent over this. Or maybe I just don’t have the same notion about marriages in general, since I probably lean conservative in those topics? I don’t think that even matters.

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It’s that month of the year. I have stuff planned. Will write. God speed in Deresute.


Let’s Beat That Dead Horse: Always Debate about Fansubbing

As you get older and if you keep up the good habit of self-reflection and introspection, the various nuggets of wisdom of the world may become crystallized into notions in your mind. It’s not a guarantee but it happens to most, sooner or later. The manifestation of wisdom, to you, might be like a light bulb that finally turned on inside your head. But good luck trying to find words to describe it, or better yet, convince those younger so they too can share in the glow. This difficult task tend to have a low success rate, which is why when we go through this exercise, it make sense to widen your audience. If your success rate is 1%, maybe it helps to involve at least 100 people?

Joke aside, I read ANN Forums so you don’t have to, this week, on Justin’s column on pro-sub versus fan-sub. It’s a good soapbox, but it feels like his concern has mainly to do with people complaining about translations. The resulting thread plays out in expected ways, if civil. To jump to the good stuff:

A handful of pro freelance anime translators participated in the thread too.

There were some demonstrative posts that expressed opinion that were directly rebutted by the OP. Like one guy who complained about “senpai” versus “sempai.” Or the guys who wanted honorifics in their translation even after a few real pro translators disagreed for exactly the opposite reasons. Mostly it was civil and people posted their opinions and questions, with anecdotes here and there. My favorite one has to be the Noragami “name” one; feels like someone can compile a list of stories like that and it would be a fun read.

Initially I was more curious about people’s participation to the ongoing discussion on “sub quality.” I am in no part of it, but sites like this do exist, and has for some time. Because how would nerds be able to tell which file to download, right?

Happy Birthday, Rio-chan!

To break it down some more, this is kind of how I feel about science. The study and research of scientific endeavor, on the whole, is about the pursuit of ignorance. By ignorance I mean in a pure sense, like the opposite of knowledge, if knowledge is a quantity. A thing or concept can only be known, or not known. If you know it, there is nothing about it that would further interest you as someone who persuit knowledge. A scientist is someone who knows stuff and is trying to find out what else we don’t know. This is the pursuit of ignorance. A fool is someone who knows stuff and stops, and doesn’t know what lies beyond what he has. The average fool is just content with that; the worse ones think they know it all, making no effort to make sure that’s actually true.

The thing is the body of human knowledge is huge. No one person knows everything; at best you can only expect that person to know just his or her field of expertise. And often these are people who are professionals, doing groundbreaking research, who’s studied such fields for many years, typically speaking. For someone who is new to a field, it takes a lot of studying existing knowledge to get to the edge of the collective known body of information, the cliff where Human (as a race) ignorance lies on the other side. In other words, to make sure he knows it all. And maybe a cliff is a bad analogy, more like a bridge over the vacuum of the unknown, given how today’s scientific research is driven by all these external factors like public interest, commercial investment, ethics, interests, and whatever, into specific subject matters, not quite as organic as the subjects themselves.

This is also why often we equate learning with research. We all are born ignorant, and we have to learn everything we know, because we were taught it, read it in Wikipedia or something, or found out via empirical experiences. Since it’s impractical to know and learn everything, human minds take what we know and make the best of it. So when you get a bunch of fools who know a few things about Japanese language, anime, and translation, you end up with a bunch of people who are really ignorant, don’t know they are ignorant, and are just doing what their minds think is best with the limited information that they have.

What’s worse, and it applies universally, are the people who don’t even realize they don’t realize they don’t know. Not to mention the larger pool of people who know that they don’t know. Equally bad is that they might not even want to know more or is not interested, even if they do.

What are you suppose to do in this case? Put damn -kuns in your subtitles.

Let’s be clear, I don’t blame them for not knowing; ignorance is an universal condition. The body of information of Japanese language, like any other large and well-studied subject matter, takes years to master and a lot of hard work. It’s not something you would expect the average westerner to have any ideas about. But you should expect the average person to know that they might not know that they might not know, and temper their opinions with that realization. Or maybe they’re just giant babies and would say whatever that makes them feel good with no regards to what that make them look like. I know all too well about that.

And to be fair, that’s just opinion on translations regarding Japanese. They might have opinions on English, because clearly they speak it and that makes them know-it-alls (because clearly 50% of translation skills required is English so that makes them half-experts right LOL). You can see where this is going. Articles like this Answerman column mentioning extrinsic reasons why pro translations are one way or another, and those things often don’t register in the comments of the masses, because they are already self-proclaimed knowers. They may not be experts, but that doesn’t stop anybody these days.

Which is why I think while it is fair that arguments and debates about fansubs is like beating a dead horse, let’s beat it some more. Get that 100 people so maybe one person get a clue, and the next time we beat this horse we will have a 2% chance.

Okay, I haven’t even touched on the arguments on a more self-centered perspective about “being entertained” (which I think is a totally different thing personally) and thus their entertainment consumption should please them and not upset them because “it sound weird when the dub says -kun and the translation doesn’t.” Nor have I addressed bigger picture questions about why we are even trying to do by beating this dead horse. Maybe I get a kick out of it, I don’t know. There are also legitimate complaints about pro sub translation qualities too, but until we lower the volume on the noise I don’t know how much of legit complaints can surface above it. In other words, make beating this dead horse less metaphorically relevant? LOL.


DereSute Week 12: The Passion Compression, Luck

We’re still being tested on.

The event cycles are shorter this second go-around. If we mark the start of the NB event to the start of the Ponkutsu event that marks a cycle. The start of the NB event to the eventual start of the Orasapp event will be the second one, beginning on 11/20.

All the events in this go-around are shorter. As a result I only scored 10 Azuki SRs, when I squeezed out 15 Honoka in the first caravan. That is a bummer but I can live with this.

I did okay in the medley event. I didn’t like it much, but I begrudgingly admit it helped my game by forcing me to play songs too hard or uncomfortable for grinding. I spent more stamina dying than ever. I also spent like 100 jewels on continues. Learning when to quit was important, but thankfully I didn’t have that many opportunities to do so. At the end I was at the cusp of the 50k rank border but I was only aiming for 100k anyway.

I hated it, in retrospect, because it required you to play songs back to back with no ways to adjust system settings. It was only good in that you can burn all your stamina without playing anything, then find a chunk of time to grind out 8 songs in a row a few hours later.

But, how long will the OraSapp event run? This is an inflection point.

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Just today I had a discussion on the daily 60 jewels. It’s a no-brainer that the odds of getting a nice card from doing it is better per-jewel than the 2500 pull. But the human mind doesn’t work this way. To break it out:

  • You will always get 1 SR or SSR from a 2500 pull.
  • There’s a roughly 66% chance of getting 2 SR from a 2500 pull.
  • There’s a roughly 66% chance of getting 1 SR from 9x 60 jewel pull.

So the satisfaction is good on 2500 pulls. Yeah, there’s a third chance that you will not go home with more than 1 SR, but that’s less often than not.

FWIW, here’s some more to think about

  • Odds of getting 3 SR or better in a 2500 pull: ~11%
  • Odds of getting 4 SR or better in a 2500 pull: ~3.7%
  • Odds of getting 1 SSR in a 2500 pull: 4.9%
  • Odds of getting 2 SSR in a 2500 pull: ~0.2%

That 11.5% chance of pulling a SR or better everyday for 60 jewels sounds pretty good now doesn’t it. And I think this is why I do the 60 jewel pull–it’s kind of fun, cheap, and you can do it everyday.

I didn’t do it everyday. I didn’t keep track which days I missed or skipped, or the days I double-dipped due to new cards being released (you can pull 2 times on those days, once before and once after patch). Say I did it 80 times since the start. I have just 5 SR from all of it (my luck sucks). That still means I did better with 4800 jewels than if I rolled 2500 jewels twice for 20 pulls–a median case of 4 SRs, accounting for very average luck (close to half the time this is the result). And 5 out of 80 is pretty shoddy luck if my chances are 11.5% of getting something that good or better.

When she goes Mika dayo I just laugh because

Now that the TP hip thrust is for the public, how do you guys feel about it? I think the concensus is that Anzu no Uta is still the hardest song (and I have not yet cleared it on Master!) while TP and Legne are just below that (I cleared those pretty okay actually). Romantic Now is now my favorite song to play, and for 27 stars it’s really easy? I have less problems with it than Let’s Go Happy.

Man, Kirari and Mika voiceover for event announcement. That’s advancement in mobile gaming if anything.