Omonomono Newsletter, 2022-08-23
Otherwise, yeah, the usual dog days of summer, work, churning into this season of anime, churning into baseball (grats to Tohoku’s first Koshien winner), and accumulating quality family time.
Continue readingThe Yard Sale
[LAST UPDATED 12/16/2022]
Now that each branch’s streaming plans are set, it’s time to make public my big IDOLM@STER streaming music rec post. I had to update it to change some selections from 765Pro and CG because Columbia decides to not stream a lot of the catalog or not in full. I also removed some from Shiny because Lantis aren’t streaming the back catalog yet for some reason. And since it’s not quite 12/28 yet some of these may be subject to change. I probably won’t be updating this further though, when new stuff get added eventually from the back catalog. Anyways, for the ones I removed between when this was first written and mid-December 2022, I will try to add some other picks, which wasn’t hard at all.
For the ones not included in the streaming
Shout out to @AngryDaenjangny for goading this P into writing this and it was a great idea. I hope this was all useful to you in the end, and even if not, I found the exercise helpful.
IDOLM@STER music runs the gamut. On one hand you have the most standard fair otaku property image songs. On the other hand, you have literally K-POP. The large IP spans several sub-brands and two record companies. It employs whole hosts of musicians and creators, not to mention 100s of cast members. There are the music games in which we associate IDOLM@STER with in 2022, but to me it’s also about the big concerts and performances where the cast perform all the songs. Everything comes together for those moments and this franchise orbits around that idea.
765 Pro All Stars: I’ll keep the new stuff and the tangent stuff (radios etc) out to keep this short. That said, Puchimas music is now also streaming so I’ll fill in the excluded picks (strikethrough) with them.
Cinderella Girls – a good bet for total newbies into this series is to listen to the set lists from 10th tour. It’s all great. I’m not really into Deremas much these days but the bangers of Cinderella never stop. What is disappointing is that outside of the main songs from the Cinderella Girls TV anime, all the solo and game songs are the short/game versions. About 4% of the total Deremas discography are in full. Thankfully, a huge percentage of them are available as short versions, including almost all the Deremas songs from the game.
Million Live – Nowadays, my main jam. This brand is known for being all over the place musically. 765Pro members also sometimes have songs under this brand, and that leads to some fun collaborations. I mean, there’s a song about Costco (not licensed). Everything goes in this series. For songs up to 2016 I have separately posted before, which overlaps with many below. At start, 490 songs are available with exception of a handful not yet available or omitted for unknown reasons. A few of the songs attached to the Gessan manga serialization are also available!
SideM – I don’t really know SideM. Going to be looking for other people’s recs once streaming is available. Like Million, most of the catalog is on streaming at full size.
Shiny Colors – Compared to other brands, there aren’t as many songs. Makes this job no less easy perhaps. It also doesn’t help that I’ve fallen off this bandwagon a little. About a quarter of the songs are on streaming, which is mostly the latest series of group songs and one of the character solo albums. They have already announced that more old songs will be released over time. I’ll just cross out the affected ones for now, because it’s the majority of these and there isn’t much I can make up for; I’ll also add something streaming in the cases where it applies.
Others & Covers – crossed out if they’re not being streamed.
It’s really nice to get back to my “home” convention and run through it as if nothing happened since 2019. I enjoyed the humid Chesapeake Bay summer as much as I ever could enjoy…humidity. Otakon was packed to the gills with things to do in 2022 and things I wanted to do, even if much of it is just hanging out. On top of seeing some old timers that I haven’t since, I would chalk it up as a great time, if too short time all together.
Rather than the usual newsletter I just want to throw this out there to organize some thoughts and info. It’s also an update on my personal leisure time as whatever they’re called, for however much left that I have spent not on family or work-related things. Or watching anime–I guess I am in the middle of a Made in Abyss marathon.
To segue from that, I’m trying to catch a glimpse of Mariya Ise at Otakon 2022, down at o’ Washington DC. Consider this an open jiao if you catch me. Maybe try me at the “official” off-venue rave? Since Aniparty is there.
Otakon is throwing a big k-pop show on Friday and a music affair on Sunday, with Kaoru Wada back in town with his musician friends like Yuki Hayashi (who was at AnimeNYC last November). There’s also a rock act Saturday. The busy weekend probably got a lot going on that I’m not even aware of. I looked at their Guidebook just now and there is conflict city all Saturday. It is terrible honestly.
I am also trying to figure out how to go to Japan, now that it’s open to some tourists, plus people who can apply and get an entry certificate to get a visa. Everybody needs a visa to go to Japan now, besides people who can “re-entry” and other citizen-types. Yes, it makes going to Japan a lot more expensive and a lot more difficult, if just the fact that going as a tourist means registration and monitoring, plus nobody knows what happens if you actually catch COVID (or rather, besides mandatory quarantine and tour cancellation). For people going to concerts this is a brand new world. It’s possibly also a fleeting situation since you never know if another variant will occur and rewrite the rules like how Omicron did during Delta’s reign last winter.
The answer that I figured out thus far is that you can do a private tour. It’s doable, it isn’t cheap, but it’s feasible. So I’m going to try to do one and see how it is and let you guys know. I can say for sure it’s “not the answer” anyone is looking for already, but it is a solution to some problems one person may have. If you have a lot of money that you want to burn, this may be it if you can also physically endure the “tourist in Japan” part as that’s mandatory. For people who just want to go to a lot of lives and stay nerdy in between concerts, this is not it, because again, you need to do tours. If you want to just hole in your hotel room, this is not it. If you want to enjoy Japan frugally, this is not it. If you want to meet friends, this probably is not it unless your friends are not picky about you being a part of a monitored tour and can adopt to your schedule. Furthermore, I’m not even sure if this is kosher by the terms of the tourist agreement set by the Japanese government. Sort of just going based on what I was told here.
There are a lot of risky “downsides” as well given that the high level of operational standard required for foreign tourists in Japan. It’s got extra chance of tour cancellation and forced quarantine, for example. It’s not really “fun” and really the tourist program Japan put in place is just to save face as a G7 country still practicing its xenophobic isolation policies in the name of COVID prevention.

This is really for people who absolutely need to go to Japan for that One Thing. Like, to segue nicely into the next topic, the next “Master of Idol World” or as the announce has it, a five-brand concert next February at Tokyo Dome. On the bright side it is for sure they will stream it and probably even do theatrical live viewings overseas (in HK/TW/KR). But, yeah, I really want to go. I also really want to go to the Million Live show next January. This is gonna be rough.
So yeah, it is suboptimal, to use a nice word, but such is the state of things. As the latest variant of Omicron rages, cons are back. It’s timely and it’s got various levels of risk, but it is what we got in this post-COVID world.
Let’s do this foodie pics first, because it accurately depicts the order of importance to me of what happens at this con. To recap, A-Kon 31 announced fhana and BACK-ON and subsequently un-announced them about a week before the show. In their place we got Shihori and Diana Garnet. We also got surprise-SG5.
CattleAck BBQ is one of Texas’s best BBQ joints, and a perennial top-3 in Dallas-Fort Worth region. So I went with some folks. This tweet sums it up well.
The con itself deserves some mention, as it’s my first time attending A-kon. For one, it’s one of America’s oldest cons, and it has its share of highs and lows. Without getting into it too much, 2022 featured a completely new venue as they move into DFW area proper, literally 2 stops away from the airport on the local train, between DFW and Love Field. It’s a nice location as it used to be just wilderness and the new development is, well, new. The con center is next to the Westin, and around the area are other nice hotels, foods, and venues. There’s an open space with free rave music on the weekend even.
The weather in early June was actually pretty cooperative for Dallas. Nothing I can complain about really.
Toyota Music Factory is a pretty new venue that was built there and it felt a tinge of LA Live, dare I say? But the venue was new and pretty good. Shihori and Garnet made short work of a small crowd, but I had fun just trying to feel that concert mojo again.
What was really impressive was the fan idol/odorite showcase at A-Kon. The IM@S, Aikatsu and Love Live groups made the thing felt like a fan-made Bannam Fes (which I watched not that long ago as of attending A-kon). For a fan production it is pretty high level, but it’s also clearly still on the crest of cringe. If you enjoy idols like I do I think this is all very precious though, so it’s fun seeing some of these acts trying their best given what they got. There was a full on Million group that wore 3rd cosplay outfits and that got to me pretty goddamn hard.
The fun part about this is also SG5. Turns out they were socializing with all the other fan dance groups the night before at a party which is amazing, lol. SG5 closed out the fan idol showcase with some serious firepower and yeah, clearly professionals at work. After the show there was a post-show autograph area where you can go and buy stuff, so I got an autograph there and a 2shot. I also talked to some of the other fan performers and it was fun to see them just do their thing.
I was able to go to SG5’s panel on Sunday and get more 2shots. Real Idols in America hurrah. During the panel, I learned more about the situation behind their prior works. These LDH-branded entertainers have real chops and maybe this is all very produced? But who’s idea is this? It’s amusing.
Besides that, I guess I did do a lot of chilling in Texas, talking to folks who I haven’t seen in quite a while is always good, to catch up in person versus over social media. It was a nice retreat from the daily grind. I took a quick walk around the con, but didn’t explore every corner. It’s a fairly large crowd for a relatively small space between a couple hotels and the con center, I think. There is a lot of outdoor areas though.
As a con, I don’t have a whole lot to say, as a result. I can talk about the con experience as I had it, which is that A-kon 31 was a bit of a mess, and the least organized one I went to among Acen and AB, but that doesn’t mean a lot in this day and age. It’s a new venue after all, so I had came into it with that expectation. I also heard it was run by some newer folks. There were also some interesting things they did…like a foam rave, or showing films at the Alamo inside the shopping/entertainment complex the con is part of. I think the overall experience was okay, as long as they fix some line and crowd control issues. It’s also unfortunate they dropped the ball on guests! Still, I guess I didn’t mind the lemonade much from the lemons A-Kon gave me. It help cut the grease from all that BBQ.
PS. Covid was definitely a guest at A-Kon because masking was poor if at all, despite con’s policy about it being mandatory. I guess this is how that part of the country rolls, unfortunately. On the bright side much of the con experience is outside, and other than inside some panel rooms or parts of the Westin, you’re either outside or in big open spaces. Even the very crowded dealer hall probably isn’t as bad because of the better ventilation of a modern convention space.