Year In Review 2012: A Sengoku Collection Episode Collection

Sengoku Collection is a 26-episode TV anime. Read this review for a good idea what it’s about. Actually, given I have yet to come across a Sencolle review that I disliked, you can read any review out there as long as it’s written by someone who has seen the whole thing.

The pure episodic nature of this series makes it difficult to characterize on a level where the typical anime-viewing, English-speaking public can relate to via another series–most people haven’t seen Seraphim Call or Kita E. Regardless, the nature of the show enables selective viewing where you can jump around and hit the “best” episodes without much of a loss. Here’s my list. The idea is that, yes,  you can just watch any of these episodes at your fancy with total disregard of the previous ones. I would even go farther than other people who enjoy this show and say that you can even ignore episode 1.

I tried to write this post about 3-4 times. It started this summer and it did not finish until winter. I don’t know why it took this long, but I think part of it is that there were some grand ideas in the show that I had a tough time getting a handle on, and at this point someone else would have already written about it at some point. Like this awesome write-up. So I don’t have to. It goes over not only the films Sencolle cops from, but the whole epic structure, the Greek chorus, and all that jazz.

Also, go read the staff interview, generously translated by 8c, here.

Sengoku Collection and the films it copies from

TL;DR – this guy wrote the kind of post I wanted to write, all that lead-in with < 200 words. However, the following are my own take. List, yes, the list. Bolded episodes are the ones I recommend, if you must pick and choose. But really, anything is fine. If you ask me, I’d say just watch everything; skip this list and let the show surprise you. If all else fails, click on the image above and watch the corresponding episode to the film you like.

  1. Sweet Little Devil — This episode would be nice to watch if it wasn’t the first one. As is, it’s a play on first impressions, which hopefully I have completely ruined for you by this post. Skip, but you might appreciate watching it going into the series blind.
  2. Peaceful Empress— I’m not sure why people hate on this episode (or episode 3 for that matter) because I think it’s one of the best, because it gets at the point with subtlety. I think it’s also the sort of bias that people who went into the show blind might have, because nobody knew what the show was about by this point yet. Anyways, one of my favorites.
  3. Pure Angel— This episode is great for people who like yuri, but otherwise it’s kind of dull. I enjoyed it because of the strong seiyuu bias, but also the story is kind of the Sakurasou-esqe thing you find in a lot of eastern lit (eg., Hyouka).
  4. One-eyed Dragon — There’s a follow-up to this episode, but otherwise it’s pretty okay. Definitely the first episode that changes the tone. Watch it if you like sengoku genderswap noir swap-in where a good guy is tied to a criminal gang.
  5. Sword Maiden— This is the episode that clued me in, since it plays on Bowling for Columbine. I’d recommend it just to get a sense of how silly things can get–it gets worse later. And of course, you should watch it because it is an anime about Bowling for Columbine. Com’on.
  6. Knowledge Master — I didn’t get this episode after initially watching it, but it made a nice revelation later on. It’s not a great one by itself but it builds some foundation in terms of the attitude of the generals, and it kind of deviates from the previous few. Also, great for Back to the Future fans.
  7. Refined Bard — This is probably the best overall episode in the show, hands down, because it talks about haiku all throughout the episode. The idea is how poetry transforms the lives of the people who live with it.
  8. Regent Girl — The Alice-in-Wonderland … homage, although it is more about putting imagery into visuals, the practice in making sense out of the absurd is always fun to see.
  9. Ambitious Princess I — The first episode of the first two-parter. It’s kind of so-so because the story doesn’t quite wrap up by the second part. Instead, it wraps up in the very last episode. Watch it if you plan to watch episode 25 and 26.
  10. Ambitious Princess II — See above. Rough school factions fight each other, et cetera.
  11. Brutal Maiden — If you enjoy that slinky noir stuff. Fun episode about fallen people.
  12. Dancing Blossom — This is more of a straight-up homage than most, but it is kind of fun. Nice one-shot about a night rider.
  13. Silver Hornet — Introduces Ageha, which is probably my favorite side character in this series, and the 2nd best side character.
  14. Novel Deciders — If you can handle the inane comedy. And, yes, they’re the Shinsen Gumi.
  15. Annihilate Princess — It’s a follow up to a previous episode in a way, but short of spoiling it is about a haunted house.
  16. Blade Adept — More inane comedy, but easier to follow this time.
  17. Sunshine Ruler — It’s another nice one-shot, a little touching. And yes, that “sengoku general” is Chinese, I think.
  18. Four Leaves — Great visuals (well, low-budget) in this episode, aside from the touching story. Also a quality one-shot.
  19. Vengeful Fang, IS — Second two-parter, sets up the turning point for the main plot with Nobunaga and Mitsuhide. You can skip it, but it’s a pretty good example of the Japanese murder mystery genre.
  20. Vengeful Fang, OS — See above.
  21. Cavalry Queen — Not only it’s the 2001 Space Odyssey homage, it introduces the best side character in the series, if not this year.
  22. The Splendor — Follows up on Masamune’s episode 4, with a nice ending. Only watch if you’ve seen episode 4.
  23. The Dune — Children manipulates children in a sandbox analogy, where the analogy is the reality. It’s the one that stayed with me the best.
  24. Peaceful Empress – EX — Related to Ieyasu from episode 2, but also a stand-alone media-in-media homage to an 80s french film.
  25. Marshal Princess — A warlord goes fishing, but also is related to episodes 9 and 10, as well as the final episode in a way. I’d say watch it for sanity’s sake, since it explains some things.
  26. Sengoku Collection — Helps to wrap things up, definitely worth it if you’ve seen any of the episodes that are not pure stand-alone.

Yep… I’m recommending half of the series to you. Why even bother? Just watch everything. If you just want a synopsis, there’s Wikipedia.

The other note most people left out is the seiyuu ensemble behind this show. It’s nuts. You know how some anime have a huge cast? This one has a huge cast. It’s a bunch of independent people that has little or nothing to do with each other, but there they are. I mean, Aipon had a great role in episode 7; Kugyuu and Mariya Ise were a riot in episode 23. I already mentioned Ageha. Ai Shimizu goes finishing? LOL. Ayumi Tsunematsu is great as usual in those sulky voiced roles. You get the idea.

To end this I’d like to quote my favorite anime shill:

…there were some fantastic episodes in here overall with striking and appealing animation throughout. I really enjoyed this show thoroughly and hope to explore it again some day.

And isn’t it true? And on the subject of endorsement, here is a better one:

Sengoku Collection is a hidden gem. On the surface, it’s a story of cute girls living their lives in an ordinary fashion. And it is. Upon deeper inspection, it gets its warring states history right, and expresses it in unique ways, like turning the steed Matsukaze into a motorbike. Upon further deeper inspection, it’s a cinephile’s dream, covering every conceivable genre of fiction in the last fifty years. It’s science fiction. It’s fantasy. It’s comedy. It’s drama. It’s allegories and dreams and arthouse and mainstream all in one, and every element reinforces the other.

Perhaps more importantly are these:

You should watch Sengoku Collection! Yes, you!

I decided to include this Sencolle post as a part of my year in review because, well, I could. It also deserves the honor for the singular 2012 title that I keep bring up as an example that fulfills a lot of specific requirements. Which anime had a car chase? Sencolle. Which anime had gambling? Sencolle. Which anime had Russia? Sencolle. Which anime referenced Kafka? Sencolle. Which anime had a strategic map? Sencolle. Which anime had a hot water bottle? Sencolle. Which anime had strong female characters? Sencolle. Which anime had underboobs? Sencolle. Which anime features time travel? Sencolle. Which anime featured after school teatime? Sencolle. It is the Swiss Army Knife of anime.

Up next: Which anime had fishing? Sencolle, of course!

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The Cocoon of Chuunibyou

Kumin was the best

There are a lot of different things one would and could say about “chuunibyou,” or literally translated as the 8th grade disease. In the anime adaptation of Chuunibyou demo Koi ga Shitai, it paints a story about the pain of facing reality. But I think it’s just a story about growing up, where the subject matter of said disease is akin to a cocoon.

In fact, thematically, Haibane Renmei is the one title that comes to my mind as the closest associate to Chuu2koi. Unfortunately there is nothing as elegant and thoughtful as what 00-era masterpiece had, that could be found in Kyoto Animation’s last TV anime. On the flip side, Chuu2koi is not a dreadful inquiry about life and death, but a cheeky remembrance of something more of us can get behind–the things that occupied our playful imagination from our early days.

After all, children play; adults don’t. It’s not so much something we hold true today but it’s a stereotype of considerable heritage. We occupy ourselves without the cares of the world, and instead things that are simply otherworldly. In the case of chuunibyou, the term otherworldly is no longer a figure of speech. The connection between that we know as chuunibyou and the innate flights of fancy all of us take at various points in our lives is a nice hook, but maybe that’s not enough for some of us.

The finale to Chuu2koi felt like an all-too-earnest Japanese indie flick. I don’t think that is problematic per se but it misses the opportunity to explore in profound ways on why we dream. It could’ve gone deeper, I guess. As much as I might like to explore how Rikka’s disease is similar to someone’s imaginary friend, it just wasn’t “koi” enough for the story. Will it be the force of reality or the lifeline of romance that pushes Rikka out of her shell? Will she turn out to be a butterfly? I think some of us was cheering for that monster from Shin Sekai Yori? I am trying to not make a Mardock Scramble joke.

And that is the Achilles’s Heel to Chuu2koi. It’s like multi-classing in D&D; there are some inherent synergies but overall is not where the smart money is. In the end Rikka had some personal difficulties and Yuuta helped her to deal with them. The colorful ways these kids expressed their youthful lives was what got us interested in the show, but I don’t know if I would’ve stayed over for dinner. Or rather, it’s like eating too much candy before dinner and how that kills the appetite. Most of us were left wanting to see more Kumin or Dekomori, these adaptive changes that were not in the source material. Even the final scene upon the “Eternal Horizon,” while evocative and reminded me some of the better confessions under similar, starry circumstances, felt closer to a lovers’ double suicide than the emotional capstone that sates and empowers viewers as they walk away from the show. Like Rikka, I preferred the Dark Flame Master that carried the show, not the full-of-starch Yuta Togashi; and like their delusions, these moments of joy were equally fleeting and leaving us wanting. It was not for lack of drama, it just wasn’t as good as the stories beside it.

Maybe that is some form of satire? Just like how we don’t want to settle for the ordinary in Love, Chunibyo & Other Delusions? I guess we’ll just have to settle for this pedestrian TV animation.


Year In Review 2012: It’s a Mustard Seed, Right?

There’s not a lot to say about it besides that, yep, I produced in 2012.

The iDOLM@STER is this franchise based on some video games. In recent  year it spun off not only into new consoles and game genres, but in the form of an anime. Well, that’s very 2011. What is new in 2012 is how I now live with that fact and its consequences.

In 2012, I obtained an iM@S poster by playing jan ken with another fan. Which has its context in the overall idea of the games/franchise.

In 2012 I attended a couple iM@S panels. In fact I attended a con largely to do just that. It wouldn’t have happened if I wasn’t producing.

I bought my first iM@S game in 2011, but I actually didn’t plug in to the DLC world (and all its ills) until 2012, and it kinda hurts! In a good way. But I am only several hundred dollars poorer than if I wasn’t producing. What probably costed more is the reputation loss for being associated with these things. It’s not like I had music creds to begin with but, man, these are not so good.

In other words, this is the sort of story where a simple decision can change your life. It’s like the parable about the mustard seed. If your attitude is right, it’s gonna go big. And maybe that’s a good thing.

No Kotori in that video! Would’ve been a perfect analogy. Right?

Funny thing is I wish I was joking; the song and video really do refer to the same notion as demonstrated by the parable. It’s just one is much more SRSBZNS than the other. Well, do we count marketing across the language and cultural divide through sub-cultural fandom a parallel to the Kingdom of God? I suppose both pay dividends.

I think a lot of the good things about anime and its community comes from these kind of experiences, where I meet people who have faith in the stuff, and the intangible things that connect us together. It could just be a hobby or a song or a favorite artist, but when idealism walks the walk good things happen. Other things happen too, but that’s for another post. More importantly iM@S is just a lot of fun. It is for everybody. In fact in 2012 I’ve seen all kinds of people enjoying iM@S fandom–you have King Author with his little plane there on one hand, on the other hand there was these twenty-something cosplaying girls from NJ/NY that run a panel by taking a normal car or mass transit. The World Is All One indeed.

Up next: Or is it “Gotta Catch Them All“?

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Year in Review 2012: Introduction

Twenty-twelve is on its end and it’s time to submit to tradition and peer pressure. I’m not a big one on dates and what not but it’s always a good excuse to party and introspect; it’s not like we need an excuse to party anyway!

In a nutshell I liked 2012, when many of its anime offerings are actually rather good. We can start out on, say Eva Q, or Goro Miyazaki’s breakout film. Heaven is a place on earth. We could look at the seasonal offerings. I watched an episode of Lupin. I watched more K-ON. I watched more Strike Witches. There was Seitokai no Ichizon. Danshi Kokousei no Nichijou. There was high action from Fate/Zero’s exciting conclusion, to the drawn out visuals of Guilty Crown. We went to space with Space Bros and Rinne, and looked for the SISTER AMONG US while quoting Shakespeare in Zetsuen no Tempest, Waiting in the Summer. Well, it was more like winter, AMIRITE? One thing we did a lot of is go online and play games. There are just way too many of those anime this year. I still averaged about 20 series a season. On the related front of non-anime adaptations, there was even a Kenshin to go with the Kenshin OAV/film re-releases.

I think it’s not an exaggeration to say that TV anime has turned the corner. We are squarely in the post-moe era now. It doesn’t take Psycho-Pass to do this, although it is no coincidence that it is airing at the same time as Chuunibyou demo Koi ga Shitai. I mean, seriously, when chuunibyou is a commercialized item, complete with a production committee, you know this trend is about to disintegrate into pay dirt and lose all actual cred as a fandom item. Nor is it a coincidence regarding the utterance of moe in Psycho-Pass–that lack of moe or anti-moe is the new dead thing. The rise of Urobuchi in the wake of his post-Madoka success was already a go-ahead signal for the major players to change gears. At least, if you are not a game developer.

Tapioka & Akira

Speaking of him, it is nice to see Urobuchi for once. The con circuit in 2012 was fun as usual, although AX felt a bit muted. In exchange I had a blast at all the other cons this year, even NYCC. I think it’s still good time to scale things back a bit personally. We’ll see what’ 2013 has in store–I hear Otakon has a big time guest lined up already, ready to go in January. Still, I think I’m probably most excited about the Otakon music fest being a regular item, although the vibe I got is more like it’s probably not going to be something you should count on. At least, not the way that AFA probably can bring home the mother lode of wota idols. Sphere is an awesome get, and those people in Singapore on that fated date can have all my jelly.

And yes, we outsiders party and don’t necessarily pay. It’s the way we’ve rolled for decades, and 2012 is no exception. But I think the one thing that remain after all this time is that I’ve partied enough. It’s time to take a vacation or something. Maybe I will. Or at least do something different. The industry is showing their first-born fruits of new media paradigms like SJ Alpha while their older siblings truck on. FUNi, AN, CR and even Aniplex all took a step forward in 2012.

The world is certainly changing. Maybe that fact alone will leave some with a bad taste in their mouths. But I’d like to think we’re definitely better off in 2012 than we were at any point in anime’s history, in the history of this fandom, on average.

Because, up next, we are ladies…?

Year in review 2012:


Descending to the Next Level: iM@S Songs

Miki

Invariably if I keep on playing these games I will have to identify songs that I like. That implies that:

  • I have been listening to them,
  • I have been reading up on which song is which, and
  • I have been thinking about them enough to form an opinion that can be written down.

Here is a list of songs that I can actually tolerate repeat “listening.” As in, I can play the game with these songs, at least. Not sure about looping m@ster versions or what not.

MOONY
Jibun REST@RT
L.O.B.M
The World Is All One
Ready
Change
Ai Like Hamburger
Jitensha
Little Match Girl
Megare
Kyun! Vampire Girl
Otome yo Taishi wo Idake!!
Meisou Mind
Watashi-tachi wa Zutto… Deshou?
Colorful Days

This is not even based on a full sample. There are lots of music from iM@S that I haven’t listened to, even if we just limit to the main group of 13 (or 16 or 19 or whatever) and not the Cinderella bunch. A lot of the older image songs, for example, I am definitely not familiar with or never have heard. It makes sense that this list skews their more popular hits, songs that get publicity via the two main iM@S games, and songs that get played at their recent live shows. As an aside, the Shiny Festa games help with exposing some of the older tracks.

I do have to admit I like a lot of these songs primarily for ironic reasons. I mean, how can anyone (in the USA at least) hate Ai Like Hamburger?

PS. This song is a mind worm, circa 2006. Funny thing is, it sounds old school enough to be treated like revisiting something from the last decade, which I am, but I mean it in the 1990s sort of way.

PPS. I don’t know why I don’t like a lot of the original iM@S ensembles, but I like many of the 2nd Vision ones. You’d think I’ve heard THE IDOLM@STER enough times.

PPPS. I’m just seeing which next Shiny Festa to buy. Pretty much done with Groovy Tune for the most part…the rest is just achieving and playing pokemon with SOF mode.

EDIT: PPPPS. I added the links to youtube for those songs you might want to listen to because you don’t know it. There’s just too many songs from iM@S to keep track for even mild fans I think. Also because the videos are amusing.Otomoe yo Taishi wo Idake PV from Shiny Festa is just a…firm Haruka walking down the hall and having her way with a recorder. Which is amusing both because it reminds me of this and because it’s just like the generic PV you see in Jitensha.